Author(s): Jorida Sotiri / Language(s): Albanian
Issue: 35/2017
Modernist authors present the society with its sharp problems through the tip character, the bearer of minds and the most conflicting tendencies, usually in opposition to the traditional environment. The different characters of Paris, London, New York, neatly depicted with diverse information, are in the function of the character to reveal its highlighted features. Heroes of the human image in literature create their own image even when destiny is determined by the omnipotence of the environment. In this respect, the literary character of the character's mind is directed by the city, pointing to "a modern city that has the function and value of the character" of that city where "the character environment, in particular his home, can is seen as a metonymic or metaphorical expression of his character. House is a continuation of man". In this logic can be seen the city, the proximity of all houses, continuity, metonymic and metaphorical expressions of these characters. This type of inner describing of the character metonymically means the inner psycho-spiritual state. Exactly, from this plane where the description of these authors with the confession, and the city, from the interior of the interior, is created the character. The characters that appear in the work are not the canonical but the different part of the city. "The anthropomorphicator of the northern city is appreciative because it becomes close, similar, communicative and helper of the confessing hero". The city-symbol of human life assumes human traits, while the human image is transformed into a symbol. Valery's name "civilization" characterizes a significant state of relations "The resident of large civic centers" - he writes - is returning to the wild state, say self-extradition. The sense of being dependent on others, to whom it is necessary to be ever-urgent, is slowly ignited in the smooth flow of social mechanism; any perfection of this mechanism puts an end to the behavior of certain emotions, the confusion of separation. Modernity requires characters with "civic and social responsibility" where in the judgment of Michel Fuko we see man "as his epistemological conscience" Under this influence is the character who has ruled Western opinion ever since its inception. "Modern Melancholy" displays the unbearable tension of the demands of society in different directions. Characters with the terms of a "beyond life" utopia are always in search of a modern civilization, a civic movement.
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