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Meşa Selimoviç’in Derviş Ve Ölüm Adli Romaninda Ölüm Olgusu

Author(s): Tülin Arseven / Language(s): Turkish Issue: 66/2011

Mesa Selimovic’s Death and Dervish work which named originally “Dervis i Smrt” (Yugoslavia 1967) is a distinguished novel of Bosna Herzigova’s literature. This novel which the Dervish’s inner conflicts between his faith and emotions was not only translated into many different languages but also it was adapted to the cinema by the Italian director Alberto Rondalli as named Dervish (2001). This novel that explored a dervish’s surrounding, his life and his existence combines a real life history with the novel’s imaginary world. The concept of death which was dealt with by many authors just like Mesa Selimovic in the frame work of theme that provides environment to the novel is not a new concept but it is quite universal. On the other hand the novel “Dervish and Death” is a unique work in terms of its dealing with the theme. This study aims to explore the novel “Dervish and Death” with its point of view on the fact of death.

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Selim İleri’nin Cemil Şevket Bey, Aynalı Dolaba İki El Revolver Romanında. Üstkurmaca Yapı ve Tarihsellik Düzleminde Anti-Kahraman İmgesi

Author(s): Murat Kacıroğlu / Language(s): Turkish Issue: 62/2010

Selim İleri’s novel Cemil Şevket Bey, Aynalı Dolaba İki El Revolver should be evaluated as a sample of postmodern novel. The writer creates an anti-hero that is Cemil Şevket Bey who was not taken into consideration in his time so he used to change his attitudes in every event. The novel is mainly concentrated on the life of Cemil Şevket Bey and some other historical events and people are also mentioned in parallel with his life. Multiple-narration technique in the novel’s construct strikes the attention. While narrating the life of Cemil Şevket Bey, the writer uses Cemil’s works, memoirs and own information. Thus, a multilayer structure is formed in the novel. In this structure, many literary works, music, cinema, theatre and opera take place.

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Paradoks dystynkcji. Komiks na rynku kultury w Polsce

Author(s): Michał Jutkiewicz / Language(s): Polish Issue: 5/2017

Jutkiewicz examines the state of Polish comic book art by drawing on Pierre Bourdieu’s Distinction. In Poland, this art form was initially seen as part of low-brow culture, but when a tight-knit social group of fans emerged in the 1980s, attempts were made to enhance the status of the graphic novel. Jutkiewicz discusses a selection of those projects and their relationship to the mechanisms of distinction at play in the cultural marketplace.

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Strącona bogini – Inna od siebie

Author(s): Gabriela Matuszek / Language(s): Polish Issue: 5/2017

Matuszek examines two books dealing with the life and work of Maria Komornicka, a Polish writer who has recently become a key figure in feminist studies. Both books were written by Brigitta Helbig-Mischewska aka Brygida Helbig. The first, titled Strącona bogini: Rzecz o Marii Komornickiej (A Dethroned Goddess: On Maria Komornicka, 2010), a Polish translation of Helbig-Mischewska’s habilitation thesis, is presented in the context of other studies on Komornicka. The second book, titled Inna od siebie (Different from Herself, 2016), is a remarkable novel telling Komornicka’s life story. Helbig’s twofold take on Komornicka – as a literary scholar and as a writer – is shown to have produced two original and valuable works. Matuszek also suggests that it is thanks to Inna od siebie that Komornicka/Włast is now entering the broader sphere of Polish culture.

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KULTURALNO PAMĆENJE U ROMANU „BEDOVA“

Author(s): Mahmut Suljović / Language(s): Bosnian Issue: 14/2015

In an effort to prove that the tradition of the Bosniak people, which is displayed in the novel "Bedova" based on Islamic the law and tradition that is more than 14 centuries, and remained unchanged over the centuries, for the most part, just as much as it takes to get someone's continuity, and to recognize the changes that are in some cases related to the obredoslovlja resulting from insufficient expressed that it would distort the composition of "Bosniak tradition/the Islamic tradition" – this study is based on the books of the area of culture and religion. To sustaining these allegations, sought to make sentences, phrases texts these books connected one to the other and thus prove their relationship and on the route. And the connection is required in three segments: birth, death, and bedova.

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Свевременска митска универзалност у роману Девестопетнаеста Бранислава Нушића. Са освртом на Дневник о Чарнојевићу Милоша Црњанског

Author(s): Sanja Vuković / Language(s): Serbian Issue: 3-4/2014

Taking into consideration Nušić’s novel The Nine-hundred-fifteenth (A tragedy of a nation) literary critics came to a conclusion that a historical novel with not too great artistic achievements was, without a doubt, in question. If the value of artistic achievements is determined according to the universality within the constituent elements of a piece of art, we will try to point to the existence of such elements in The Nine-hundred-fifteenth, but not to those elements which link this novel to a modern novel, based on war experience, such as The Journal of Čarnojević by Miloš Crnjanski.

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Jezička sredstva za izražavanje srpskohrvatskog-hrvatskosrpskog glagolskog vida u njemačkom jeziku na primjerima iz opusa Ive Andrića

Author(s): Stojan Vrljić / Language(s): Croatian Issue: 3/1989

Jede kontrastive Untersuchung und somit auch kontrastive Untersuchung im Rahmen dieses Textes, stellt uns die Frage der Stufe der Übereinstimmung, bzw. der Unterschiede zwischen zwei Sprachen. (Die Untersuchung des Verbalaspektes zeigt uns morphologische und syntaktische Unterschiede zwischen zwei Sprachsystemen. In der serbokroatischen Sprache ist dar Verbalaspekt eksiplizit ausgedrückt, während im Deutschen die Perfektivität, bzw. dlie Imperfektivität einer Handlung erst aus einem kleinerem oder größerem Kontext (»aspektologischer Kontext«) hervorgeht, d. h. implizit. Aber immerhin dürfen sich diese Sprachmittel nicht mit dem Verbalaspekt der serbokroatischen Sprache identifizieren, sondern müssen dlie verschiedenen Aktionsarten im Deutschen zum Ausdruck bringen, denn das Deutsche kennt den Verbalaspekt weder als eine morphologische, noch als eitle syntaktische Kategorie. Der Verbalaspekt im Serbokroatischen hat andere Ausdrucksmöglichkeiten, als im Deutschen. Amer immerhin ist dies kein Grund, das wir von kleineren größeren stilistischen Werten einer oder anderen Sprache sprechein. Es besteht nichts in der Wirklichkeit, was nicht in der Sprache ausgedrückt werden kann; es gibt keine Wirklichkeit außerhalb der Sprache, noch gibt jes keine Sprache außerhalb der Wirklichkeit.

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Literārais kinematogrāfiskums un Bībeles motīvi Alberta Bela romānā “Saucēja balss”

Author(s): Jūlija Dibovska / Language(s): Latvian Issue: 1/2014

Alberts Bels’ novels have occupied a remaining place in the history of Latvian literature and these texts continue to fascinate us with their polyphony. One of the aspects why Bels’ novels do not lose their topicality is the fact that the writer has indulged in archetypical thinking – neo-mythicism, specifically, use of biblical personages, images and motifs in the subtext and in the direct substantiation for the plot. Another aspect of intertextuality that turns Bels’ texts into exciting, visually and even audio-visually perceivable literature is represented by the elements of cinematographic style. The layers of Bels’ novels reveal a firm network that provide innovative revelations about the multidimensional ideas of his literary works by remaining within the framework of a certain artistic system.

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Sigrijas Unsetes recepcija Latvijā

Author(s): Maija Burima / Language(s): Latvian Issue: 1/2006

Sigrid Undset (1882-1949) is one of the most famous Norwegian writers. S. focused mainly on the historical themes in the context of relationships among human beings, especially in gender context. The problems of religion are very important in her creative works. Christianity is one of the dominating themes in her literary works; at the same time a lot of mythological motives are pointec out. S. Undset was awarded Nobel Prize in 1928. Almost all Undset's literary works have been translated into the Latvian language. The first translation was published in 1909, but from 1936 till 1937 the collected works in 16 volumes were published in Latvia. S. Undset influenced many Latvian authors, but not all of the influences ari apparent, thus they are difficult to identify. The similarities between Undset an (Latvian authors are mainly visible on spiritual level. Latvian writers and readers accepted S. Undset's literary works because they were looking in them for: their own "mirror" reflection - the similarities with their own style and expression; the differences - specific features of the North and Norwegian local colour-mg. Well known Latvian writer Zenta Mauriņa's essay "S. Undset's world" was dedicated to the Norwegian writer's personality and creative work. The most stroking; similarities observed by Z. Mauriņa were the modeling of female . Undset's and Latvian writers' literary works This article shows similarities between Undset's most popular literary work trilogy "Kristin Lauransdatter" and Latvian author Ilona Leimane's royal Males cilts" ("Mother's Tribe"). Similarities can be observed on the level of themes (themes of love, hatred, destiny, etc.) on the level of literary characters mother, parents, etc.) and literary images and details (a ring, a cross, etc.).

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Беларускае асяроддзе ў аўтабiяграфiчнай кнiзе Сакрата Яновiча “Не жаль пражытага”

Author(s): Anna Sakowicz / Language(s): Belarusian Issue: 10/2018

The article analyses Sokrat Janowicz’s memories (a member of the Belarusian Literature Association “Belavezha”) about the environment of the Belarusian national minority in the Bialystok region from the mid-1950s to the end of the 1980s. The writer from Krynki, translator, journalist, in his memoirs “I do not pity my lived years” describes the process of shaping his national consciousness and the place native Krynki took in it. Janowicz, an active member of various Belarusian organizations, presents problems which the Belarusian environment was facing when they were founding the Belarusian Social and Cultural Association, the Belarusian weekly “Niva”, the Belarusian Literature Association “Belavezha”, describes their functioning and significance for the inhabitants of Bialystok region.

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Тэма антыдзяцiнства ў аўтабiяграфiчнай кнiзе Васiля Петручука “Крышынкi”

Author(s): Anna Alsztyniuk / Language(s): Belarusian Issue: 10/2018

Bazyli Pietruczuk’s autobiography is the main source of subjects discussed in his literary work. The author of the article analyzes his autobiography “Okruchy”. The writer presents his childhood memories full of pain, mischief and injustice. The picture of anti-childhood becomes pretext to consider the influence of surroundings on the way personality is formed.

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“Бабскiя гiсторыi” Мiры Лукшы: гендарны аспект

Author(s): Tacciana Ficner / Language(s): Belarusian Issue: 10/2018

The paper presents, systematizes and analyzes gender stereotypes in the book “The Old Wives’ Stories” by M. Luksha. The research is focused on the correlation among the way of life, traditional social norms and state policy in the formation of femininity/masculinity stereotypes. The influence of culture/literature on the formation of gender stereotypes and gender roles is noted.

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Kobieta, której nie było. Kobieca tożsamość w powieści Ingeborg Bachmann Der Fall Franza

Author(s): Patrycja Bogdańska / Language(s): Polish Issue: 14/2018

When discussing the literary output of Ingeborg Bachmann, the role of the female identity, of the fear and of the feeling of inferiority cannot be ignored. It was an inseparable element of her creation. Bachmann became an icon of the feminist movement in the 80s, particularly because of the series of books Todesarten, that she was working on from 1962/1963 up to her death. Only a few novels appeared in her lifetime: Malina (1971), a tom of short stories Simultan (1972) and a prose Ein Ort für Zufälle (1964). One of the novels of this series, Der Fall Franza shows the woman as a victim and the man as a sadist. It is a critical voice to the ruling social order. There is the a question, what was the role of the woman in the patriarchal world?

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Prikazi

Author(s): Tanja Petrič,Jovanka Stojčinović-Nikolić,Ivo Mijo Andrić,Mileta Aćimović Ivkov,Leontin Čapo Milenić,Ivana Banožić Skoko / Language(s): Bosnian,Croatian,Serbian Issue: 1/2019

The review of: - Nataša KRAMBERGER: PRIMERLJIVI HEKTARJI, LUD Literatura, Ljubljana, 2017; - Радослав МИЛОШЕВИЋ: КАПИЈЕ ЉУБАВИ, Свет књиге, Београд, 2012; - Ристо ВАСИЛЕВСКИ: СРЦЕ КРУГА, Арка, Смедерево, 2018; - Jidi MAJIA: OD LEOPARDA DO MAJAKOVSKOG, pjesme i govori, Književni klub Brčko distrikt BiH, Brčko, 2017.; - Slavčo KOVILOSKI: KRALJEVIĆ MARKO, Književni klub Brčko distrikt BiH, 2017.; - Томислав МАРИНКОВИЋ: ВЕЧИТО САДА, Архипелаг, Београд. 2018.; - Владимир ПИШТАЛО: СУНЦЕ ОВОГ ДАНА, Агора, Зрењанин, 2017.; - Siniša SUŠIĆ: ZLATNI ZMAJ - LAŽ, Otvorena knjiga, Beograd, 2018.; - Marijana MARTINČIĆ NOVAKOVIĆ: SIMFONIJA ŽIVOTA, vlastita naklada, Pula, 2018.; - Mato NEDIĆ: ANTIKVARIJAT, Centar za kulturu, Orašje, 2016..

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O jeziku i nesvjesnom

Author(s): Marko Raguž / Language(s): Bosnian Issue: 28/2018

Roman Foe počinje brodolomom nakon kojeg se glavna junakinja zatiče na pustom ostrvu. To pusto ostrvo pripada Robinsonu Crusoe-u i Petku – jer je to jedan postmoderni zapis koji kao svoju podlogu ima poznati roman Daniela Defoe-a Robinson Crusoe. S tim da je glavna junakinja Coetzee-vog romana žena iz čije perspektive se govori o Robinsonu Crusoe-u i njegovom životu na pustom ostrvu. To pusto ostrvo s nekoliko stanovnika je poput ove naše planete Zemlje u beskraju prostranstva vasione. Jer i naša planeta Zemlja je u tim kosmičim razdaljinama poput jednog napuštenog ostrva – na kojem živi čovjek, koji pokušava da se izbori sa surovom prirodom, da je kultivira i da u nju unese poredak čovjekove hijerahije i kulture, koju je dosegao na ovoj planeti. Tako i Robinson Crusoe pokušava da kultivira ostrvo na kojem se slučajno zatekla glavna junakinja Coetzee-vog romana Susan Barton. Sve je naravno podređeno čovjekovoj potrebi da preživi u okolnostima koje vladaju na planeti s tako surovim uvjetima života. [...]

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»Lažan privid totaliteta nestaje«: Proces Orsona Wellesa i Benjaminova alegorijska slika

Author(s): Julian Koch / Language(s): Croatian Issue: 1-2/2019

Na jednom mjestu Walter Benjamin (2005) u vezi Franza Kafke rekao je da se »nijedan pisac nije tako točno držao onoga: ‘Ne smiješ učiniti sliku sebe’« (str. 808). Ako prihvatimo Benjaminov sud o Kafki, onda bi pokušaj da se Kafkino djelo Proces prikaže u formi pokretnih slika, kao što je to učinio Orson Welles u svojoj adaptaciji Procesa, ukazivao na suštinsko nerazumijevanje Kafki na djela. Međutim, ako ostanemo na ovome, ne samo da bismo zakinuli Wellesovu adaptaciju, već i bitne nijanse u Benjaminovoj izjavi sadržane u teoriji jezika, kao i sliku iz ranijeg teksta koja je razvidna u njegovom čitanju Kafke. Druga zapovijed stipulira nemogućnost pozitivnog prikazivanja Boga, a svi pokušaji vizualnog opisivanja totaliteta njegova postojanja bile bi puke obmane. Ovo pomanjkanje smislenog totaliteta opisano u Kafkinom djelu, omogućilo je Benjaminu da kaže kako je Kafka poštivao drugu zapovijed (čini se da je Benjamin također govorio 0 odbacivanju »estetičke totalizacije slike« [Menninghaus, 1985, str. 159]). [...]

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NI U CRNOM NI U BIJELOM NEGO U BOJI PURPURA

Author(s): Srebrenka Mačković / Language(s): Bosnian Issue: 1/2019

All of Walker’s novels deal with issues of racism, discrimination, gender inequality, sexuality and self-identity among black population in the United States, as well as power dynamics between the whites and the blacks. The Color Purple is no exception since the novel tackled many serious issues that troubled black communities throughout the Deep South in the post-Civil War America. The paper tries to present the key features of Walker’s ideology of womanism, which openly advocated sexual, sisterly and maternal love between black women as a political tool for radical social change in the context of discrimination, racism, family violence and abuse against silenced and deprived black women in the United states. Walker’s first novel The Color Purple masterfully demonstrates this concept by showing how women can overcome the oppressive environment by creating powerful bonds amongst themselves.

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POSTMODERNISTIČKE KARAKTERISTIKE ROMANA JACK FRUSCIANTE JE IZAŠAO IZ GRUPE ENRICA BRIZZIJA UZ PRIKAZ SVIJETA MLADIH ITALIJE DEVEDESETIH GODINA PROŠLOG STOLJEĆA

Author(s): Mirza Mejdanija / Language(s): Bosnian Issue: 1/2019

The novel Jack Frusciante Has Left the Group written by Italian author Enrico Brizzi was published in 1994. It presents the second phase of the Italian postmodernism which is mostly caused by social changes resulting from the student protests in the 1960s and from the 1968 Movement itself. The very novel is a step away from the mainstream literary tradition and is getting closer to the less important literature and to comics. It is full of musical connotations, from citing songs, to mentioning different authors and bands, but also of books and comics. Books, comics and movies are also presented. A reader who is unfamiliar with the music scene of that period will miss a good part of the meaning. The author frequently lets the reader decipher the intended meaning of the text. In this novel, all characteristics of the postmodern expression, like weaker subjects, crises of the core, changes in the language, intersexuality etc., can be found. The novel represents the whole generation, guided by the principles of consumption, and troubled by emotional gaps, and their problems. The novel includes numerous connotations exceeding literature as well, as it is intertwined with trivial and canonised literary forms. The language of this novel is the language of the group, primarily the language of music, but also the language of the young people from the end of the 20th century and, as such, it includes only one or few generations of readers. The author is constantly inviting the reader to a dialogue. The whole idea of this novel is leaving the group, i.e. alienation from social schemes. The young author significantly uses autobiographical elements in presenting his characters.

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MİLLÎ MÜCADELE KONULU ROMANLARDA CELÂL BAYAR, ŞÜKRÜ SARACOĞLU VE ADNAN MENDERES

Author(s): Betül Öztoprak / Language(s): Turkish Issue: 03/2019

The Ottoman Empire, living in its most glorious period in the 16th century but starting to pause at the end of the century, was in a difficult situation with great losses in its first years in the 20th century. The Balkan wars (1912-1913) that followed the revolt against the Ottoman Empire of the Balkan nations as a result of the Russians' provocations following the war of Trablusgarp (1912) and the Balkan wars that followed and the Mondros Truce signed on October 30, 1918 after the defeat in World War I (1914-1918) one step closer to the demolition of the Ottoman Empire .The army is demobilized, the weapons are seized in country, the defense force was completely broken. The people were tired of the overturned war, their confidence in the state was shaken and they lost their hopes for the future. The power to pass them back to action is the “efe’s” leaded by Mustafa Kemal Atatürk. They also lead to bringing together the people who were in public and who were oppressed and who were beside the oppressed. After the armistice, when the anatolian occupation was started to be established in various parts of the country, Yörük Ali Efe, Demirci Mehmet Efe, Gökçen Efe, Kıllıoğlu Hüseyin efe etc. are brought to power as leaders of ”Kuvayımilliye”. The one who drives them in this way is the Volunteer Officers of the scattered army and members of the “Ittihat ve Terakki”, full of homeland love. Once, leaders who were in Ittihat ve Terakki party, then located on a voluntary basis in homeland defense in the face of occupation of the country, the Republic of Turkey president, prime minister and served as in various ministries Mahmut Celâl Bayar, Adnan Menderes, Şükrü Saraçoğlu, Mahmut Esat Bozkurt etc. politicians at national the case is the front row. The politicians who bet on this article will discuss the situation in the years of national struggle, the decisions they made against the occupation of the country, the fights they have given and how they reflect on the Turkish novels and the country against the national struggle leaders who defend the country against not only theoretical but also with guns in their hands against enemies, will reveal the views of the authors.

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ŞEHİRLERİN CİNSİYETİ ve AHMET HAMDİ TANPINAR’IN KADIN ŞEHİRLERİ

Author(s): Şerife Çağin / Language(s): Turkish Issue: 03/2019

Cities and city life became a topic in novels mostly with 19th century writers. 20th century modernist writers, such as Marcel Proust, James Joyce, Henry Miller, Lawrence Durrell, wrote novels which can be defined as novel-city or novel-town and made the city where events took place, the main component of the novel. So that the city became the protagonist of the novel. Urban novels brought along their own specific language. The most important features of this language are masculin and feminine expressions for cities. In Turkish literature, Ahmet Hamdi Tanpınar is one of the writers who referred genders to cities he put in the center of his works and linked them with the ideal anima. Anima, the ideal divine woman, is one of the archetypes he constantly preferred for describing art and nature. It feels such that Tanpınar’s cities with their holy places, fountains in their alleys, natural beauties and old artifacts, always trails the silhouette of a beautiful woman who looks at an old mirror.

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