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GÜNAH KEÇİSİ VE TOPLUMSAL ARINMA: HÜSEYİN RAHMİ’NİN MÜREBBİYE ROMANI

GÜNAH KEÇİSİ VE TOPLUMSAL ARINMA: HÜSEYİN RAHMİ’NİN MÜREBBİYE ROMANI

Author(s): Nuran Malta Muhaxheri,Ayşe Sezer / Language(s): Turkish Issue: 27/2019

Hüseyin Rahmi Gürpınar is one of the most important novelist and playwrights of Turkish literature. In his works, he uses humor and irony by cartoonizing the realities of life. At the same time, in his works, he dealt with subjects such as faith, morality, as well as deep moral and social criticism. Using different types the author’s writing style is very lively. Hüseyin Rahmi, emphasizes tutoress and ethic issues. Turkish society is both scared and admired for the West. Then, woman with a symbol of punishment is duenna. There is criticism under humor and this is a social trauma. Author’s works tell the post Tanzimat period. The works are like mirror. In this period lives a cultural change. Because under the influence of the West. The public reaction will interpret for aganist changes. Duennas are like scapegoats. Therefore, taboo behaviors will debate.

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Prevodilačke strategije za prenošenje jezika mladih na primeru prevoda romana Ples sitnih demona Marka Vidojkovića na nemački jezik

Prevodilačke strategije za prenošenje jezika mladih na primeru prevoda romana Ples sitnih demona Marka Vidojkovića na nemački jezik

Author(s): Mirjana Zarifović Grković,Ivana D. Pajić / Language(s): Serbian Issue: 19/2019

The aim of this paper was to examine, identify and define strategies by which it is possible to translate such language varieties as the youth language, as well as their specific local, cultural and temporal linguistic forms (thus also the youth-colored Overall style of a text) into another language. The original text of Marko Vidojković's novel Ples sitnih demona and its German translation Tanz der kleinen Dämonen by translator Milan Andrejić served as the subject of the examination. Contrastive and descriptive methods were chosen as a methodological approach to the text analysis.

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Džejkobova soba kao eksperiment: glas onoga koga nema

Džejkobova soba kao eksperiment: glas onoga koga nema

Author(s): Nataša Gojković / Language(s): Serbian Issue: 19/2019

After two predominantly conventional novels, Virginia Woolf wrote Jacob's Room feeling a strong need to put myriads of invisible impressions of reality into words. It was an experiment in structure, style and characterisation. This paper will show that the power of absence (being Woolf 's foundation of the story about a young man) is equal to the power of existence, if not greater. The authoress employs nature, objects, gestures, facial expressions as witnesses to the absence. They are all part of a larger picture with an ominous void in the middle caused by the death of the title character. Drawing upon Rachel Hollander's conclusions on the true motif of Jacob's Room, this paper focuses on the (im)possibility of comprehension and communication between people as a pattern around which Virginia Woolf weaves her story, at the same time using it as a literary means to masterly evoke 'the pulse of life' through the stream of consciousness method.

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Potisnuti ženski glasovi u romanu Alis Voker Boja purpura

Potisnuti ženski glasovi u romanu Alis Voker Boja purpura

Author(s): Jelena M. Abula / Language(s): Serbian Issue: 19/2019

The objective of this paper was to explore the concept of articulating silenced female voices in Alice Walker’s novel The Color Purple. While Walker is trying to find an adequate answer to the question of understanding black female writers as artists, she highlights the legacy of slavery and the power of women who managed to find their creative expression, and thus, Walker manages to articulate the silenced voices of her black heroines in The Color Purple. Introducing the term "womanist", Walker creates the space in which silenced female voices are articulated through their fight against repression. Class, gender and sexuality are shown as sites of difference and oppression, and then, as sites of operation of power. The first criticism on black women’s literature appeared upon this novel’s publication and Alice Walker became the first African American to win the Pulitzer Prize for fiction.

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Grzybnia jako metafora w twórczości Olgi Tokarczuk

Grzybnia jako metafora w twórczości Olgi Tokarczuk

Author(s): Anna Larenta / Language(s): Polish Issue: 13/2018

The article concentrates on the motif of fungi which reoccurs in Olga Tokarczuk’s novels. The author proves that mycelium functions as epistemological metaphor. It represents the vision of the world based on the interconnectedness, defying dichotomies in this sense. In this Tokarczuk’s works represent new humanities – the anthropocentric perspective gives way to a non-anthropocentric one. The author also emphasizes the fact that Tokarczuk’s use of mycelium pre-dates the same category introduced by A.L. Tising, who in turn extended the category of rhizome by G. Deleuze and F. Guattari.

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Narkotyczna odyseja z rozkładem społecznym w tle – Ślepnąc od świateł Jakuba Żulczyka

Narkotyczna odyseja z rozkładem społecznym w tle – Ślepnąc od świateł Jakuba Żulczyka

Author(s): Dariusz Piechota / Language(s): Polish Issue: 13/2018

The article interprets Ślepnąc od świateł [Blind from the Lights] as a postmodern environmental novel which shows the life of residents in a large metropolis, entangled in constant consumption. The author reads the story as a continuation of the nineteenth century novel about a social decay. He proves that the depicted society, delighted with consumer culture, is wasting its opportunities for development. As a result of the breakdown of social ties and constant work, urbanites suffer from permanent loneliness. The disillusionment is alsointensified by the disappearance of spirituality. The crisis of authority and social antagonisms further undermine the integrity and the sense of coherence in the self. But Żulczyk’s characters fail to reflect on life, which the author of the article sees as the sign of immaturity.

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Odkrywanie cielesności. O bohaterkach powieści Łuk Juliusza Kadena-Bandrowskiego i Kochanek Lady Chatterley D.H. Lawrence’a

Odkrywanie cielesności. O bohaterkach powieści Łuk Juliusza Kadena-Bandrowskiego i Kochanek Lady Chatterley D.H. Lawrence’a

Author(s): Greta Głowacka-Czarnopyś / Language(s): Polish Issue: 13/2018

The article contains a comparative analysis of two female protagonists in Łuk by Juliusz Kaden Bandrowski and Lady Chatterley’s Lover by David Herbert Lawrence. The comparison draws from the fact that both writers were considered as scandalizing by their contemporaries. The two discussed novels present transformations of the heroines, socially liberatedas a result of the Great War. The article analyses the female discovery of sensuality as a common motif of the two novels. It shows the literary images of feminine sensuality in the context of interwar vitality, aesthetic experience of human body and sexuality perceived as visual and tactile sensations.

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Описна нарација и њени трансмедијални аспекти у роману „Крила“ Станислава Кракова

Описна нарација и њени трансмедијални аспекти у роману „Крила“ Станислава Кракова

Author(s): Snežana М. Milosavljević Milić / Language(s): Serbian Issue: 13/2016

This paper deals with the nature of ‘implicit intermediality’ in Stanislav Krakov’s novel Krila (Wings), which can be recognised within the ‘filmisation of novel’ procedure (Wolf 2008: 255). With regard to that, special attention is paid to descriptive narration as a scalar phenomenon position between a pure description and a pure narration. Descriptized narration, defined as such by Harold Mosher, is interpreted as a hybrid form in which the dynamic principle and teleological direction of narration lack progression because the temporal dimension is contaminated with the spatial one, and because of simultaneity of event sequences as well. The latter causes the disruption of static narration due to the moving image effect. Further effects of descriptized narration are: generalisation, iterative and repetitive events, impersonality of perspective, group, usually unnamed characters and use of present and progressive forms (Mosher 1991: 432–435). Also, descriptized narration plays an important role in the symbolic and poetic meaning of Krakov’s novel – repetitiveness of events hyperbolically underlies their feverish dramatic nature yet, paradoxically, their futility, fragmentary form and desperateness of the scene make an impression of distorted image, disharmony, cracks, broken ties that give space to chaos and nonsense.

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Individual Versus Collective Memory in Kazuo Ishiguro’s “The Buried Giant”

Individual Versus Collective Memory in Kazuo Ishiguro’s “The Buried Giant”

Author(s): Zlata Lukić / Language(s): English Issue: 13/2016

Referring to the postulates of several theoreticians in the field of memory studies, predominantly those of Maurice Halbwachs and Aleida Assmann, this paper explores the distinction between individual and collective memory, with the aim of shedding light on the complex relationship of the two contrasting yet mutually complementing mnemonic aspects in Kazuo Ishiguro’s The Buried Giant. Interestingly enough, in his latest novel Ishiguro decided to approach memory from the perspective of its inevitable counterpart, i.e. forgetfulness. The objective of this paper is to highlight that forgetfulness, for all its seeming mental salubrity, does not have the same healing effect at the individual and collective level.

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Hybridity in Kamala Markandaya’s “Possession”

Hybridity in Kamala Markandaya’s “Possession”

Author(s): Sofija Nemet / Language(s): English Issue: 13/2016

As a study of the meaning and different aspects of the notion of “hybridity” in postcolonial writing, this paper concentrates on Kamala Markandaya’s novel – Possession. Within the theoretical frame of cultural and postcolonial studies dealing with issues of identity, race, sex, culture, class, language, and power relations, as affected by hybridity, I have particularly elaborated on the relation between hybridity and identity, hybridity and difference, hybridity and desire, and, finally, hybridity and language, as depicted in Markandaya’s novel.

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О хумору Бранка Ћопића

О хумору Бранка Ћопића

Author(s): Svetozar Koljević / Language(s): Serbian Issue: 12/2015

Branko Ćopić’s prose largely represents a humouristic mirror of paths and by-paths in his life, from the shepherding days in his childhood, schooling in urban areas and graduating from the faculty in Belgrade to direct insights into the partisan warfare in WWII and the milieu of aft erwar Belgrade. It is in his early stories such as ‘Muka krvava’ (Toiling) that we are confronted with comic twists and humouristic hints in depicting the hardship of living in the country. Similarly, in stories ‘Zemlja koje nema’ (A Non-existent Lаnd) and ‘Ni slavan ni strašan’ (Neither Famous nor Scary) one can notice an ironic stance in the display of attempts of fleeing home in search for an easier life. His children’s stories, such as ‘Doživljaji mačka Toše’ (The Adventures of Toša the Tomcat, 1954), inspired by his childhood in the country, are peppered with various experiences with animals. Finally, he discloses numerous features of partisan warfare in a humourous way in the collection titled Doživljaji Nikoletine Bursaća (The Adventures of Nikoletina Bursach, 1956), as well as encounters of country and urban culture in the novel titled Osma ofanziva (The Eighth Offensive, 1964). All these various forms of Ćopić’s humour – largely denoting the chasm between ‘what we dream about and what goes on around us’ – was hinted at in the collection of Borci i bjegunci (Soldiers and Deserters, 1939).

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Neutabanim putem teorije romana

Neutabanim putem teorije romana

Author(s): Anja N. Bundalo / Language(s): Serbian Issue: 12/2015

Review of: Bessière, Jean (2012), Questionner le roman, Paris: PUF.

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Relativisation of Authorities in the Postmodern Era: Ian McEwan’s “The Children Act”

Relativisation of Authorities in the Postmodern Era: Ian McEwan’s “The Children Act”

Author(s): Jelena Janićijević / Language(s): English Issue: 11/2015

Hierarchy of moral values and relevant authorities, in the public as well as in the private sphere of society, has never been so vague as in the postmodern age, which is primarily influenced by the social philosophy of capitalism and globalism, thus changing forever the image of the traditional family, relationships between members of closer community, as well as the way in which people perceive themselves. The novel Children Act by Ian McEwan presents court cases related to problematic situations of children, usually innocent victims of various unfortunate circumstances, legal regulations, decisions and personal beliefs of adults. During the settlement of these disputes, the focus is on the struggle for supremacy between different socio-regulatory authorities: the secular court, religious communities, institutions of medical and social sciences, whereas each of these parties offers their own view of an acceptable solution. In some situations, the court often does not have a real solution, and the only option is to make a choice between less deterimental options, in accordance with the law. In an atmosphere of postmodern ambiguity and relativism, there is no one “correct” answer or solution, but multiple individual perspectives, each representing the truth from their own point of view. Th is paper deals with issues of public authority and personal autonomy, their mutual relationship and the consequential impact on the lives of ordinary people. The Court, as an instrument of the state, in some cases grants legitimacy to a certain solution, while in others it enforces a solution, thus putting an individual in a rather isolated position. The only way individuals can overcome these challenges and obstacles is to achieve internal stability by building their own moral standards, despite the conflicts and contradictions of the surrounding world.

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Идентитет и разлика у роману „Госпођа Даловеј“ Вирџиније Вулф и „Сати“ Мајкла Канингема

Идентитет и разлика у роману „Госпођа Даловеј“ Вирџиније Вулф и „Сати“ Мајкла Канингема

Author(s): Sofija Nemet / Language(s): Serbian Issue: 11/2015

The focus of this comparative analysis is the identity formation of characters in Virginia Woolf ’s Mrs. Dalloway and Michael Cunningham’s The Hours, as influenced by the difference they perceive both within themselves, and in relation to others. The theoretical ground used in this essay is mostly borrowed from gender theory, feminist literary criticism and psychoanalysis, while the aim was to explore the impact of the process of differentiation on the personalities, the emotions and the lifestyles of the characters, particularly within the boundaries imposed by gender differences.

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Мимикрија и игра у Набоковљевој „Бледој ватри“

Мимикрија и игра у Набоковљевој „Бледој ватри“

Author(s): Snežana J. Milojević / Language(s): Serbian Issue: 11/2015

Although in the reader of Nabokov’s novel Pale Fire, a search for any logos would turn into a Sisyphean task, although the reading of this novel is not a contact with one meeting, but rather a network of meanings, there is an obvious relationship with the real world in the form of a parody or reassesment. That is why some of the themes that this paper addresses are: the relationship between fiction and reality implied by the author’s narrative method; sexual discourse, as well as a parody of the world of intellectuals (professors, critics, writers), by which Nabokov deconstructs the world to which he himself belongs. Th e influence of the realistic one is obvious, not only with the presence of the elements relevant to the world, but also in the absence that results from it: the poet’s daughter, whose death starts the writing of the poem and a while chain of eventns is a little present - she is plump, not very pretty and too sensitive, completely below the basic requirements of the time of narration that she belongs.

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„Оркански висови“ и Емили Бронте: буран унутрашњи свет једне тихе девојке

„Оркански висови“ и Емили Бронте: буран унутрашњи свет једне тихе девојке

Author(s): Nataša Gojković / Language(s): Serbian Issue: 11/2015

This paper represents an attempt at finding bonds between Emily Brontë’s world and her only novel in order to depict the lasting intriguing quality of Wuthering Heights in the light of four dualities considered to be at the same time the causes and effects of certain fenomena and issues in the novel and in Emily Brontë’s life. Furthermore, the attempt is made at proving that precisely the sense of dual belonging leads towards the painful sense of not belonging anywhere at all. Emily Brontë’s specifi c way of neutralising this is also depicted. On the basis of Terry Eagleton’s and Winifred Gérin’s conclusions on the literary precocity of the Brontë sisters as one that enabled every piece of their writing to be characterised as a complete work of art, the topic of the paper is seen through the prism of the first two dualities: Emily Brontë as a child-writer and as an unusually well-educated lower middle class governess to be. The other two dualities concern Emily as a female writer in a strictly male world and her cosmopolite education interlaced with her strong sense of belonging to the local community. The concluding part of the paper reveals that all dualities merge into a unique feeling described by Svetozar Koljević in his evaluation of Emily Brontë’s life and work.

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Intersecting Histories and Lives: The Holocaust Trauma and Displacement in Migration Novels “Baumgartner’s Bombay” and “Two Lives”

Intersecting Histories and Lives: The Holocaust Trauma and Displacement in Migration Novels “Baumgartner’s Bombay” and “Two Lives”

Author(s): Bhawana Jain / Language(s): English Issue: 9/2014

This article focuses on “multidirectional memories” and trauma theory in Indian English Literature written after the 1980s, depicting the Jewish migrant as a displaced and a deterritorialised protagonist. It engages with intersecting histories, hybrid memories and traumas arising from horrendous events as well as border crossing of the Jewish migrant/refugee. It illustrates the consequences of forced dislocation i.e. how has the horrific event of the Holocaust fashioned the German Jewish psyche across the globe. This essay will not only elicit the consequences of staggering violent memories on diasporic mobility and but also the politics of belonging. Hence, the essay will move on to adopt a wider stance beyond the postcolonial dichotomies to depict the changing scenario. Taking examples from Anita Desai’s Baumgartner’s Bombay and Vikram Seth’s Two Lives, which have focused on the victimisation and alienation of the migrant protagonists, the essay investigates how do these deterritorialised characters grapple with the holocaust, the colonial and the dislocation trauma in Indian English Fictions. The article also analyses the role of literary imagination in delineating the Holocaust trauma. It will focus on how does the act of writing become a site of redemption or wish fulfillment or expressing the “unspeakable” for the author and how does the trauma arising from the Holocaust mark the beginning of the dislocation of their migrant protagonists. The aim of this paper is also to examine the connections between the Holocaust narratives, the involuntary displacement patterns of the migrants/ refugees in the second half of the twentieth century and Indian English Literature.

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Мотив емиграције и ликови емиграната у романима Владимира Тасића

Мотив емиграције и ликови емиграната у романима Владимира Тасића

Author(s): Marko M. Radulović / Language(s): Serbian Issue: 9/2014

This paper examines whether the context (various socio-historical and political issues) can be brought to the forefront of literary analysis. New concepts of literature studies serve as a model for the interpretation of Tasić’s discourse. The sense of one’s own historicism and positions within different idelogies is emphasised. Tasić’s consistency in the thematisation of the emigration phenomenon, which has developed and taken shape literarily starting with his fi rst novel, A Farewell Gift, through his middle one, Rain and Paper, to his latest, The Glass Wall, is presented chronologically in accordance with the publication dates of the novels. The analysis shows that the thematisation of this phenomenon cannot be separated from the writer’s consideration of the adverse social and political circumstances, both on the territory of the Balkans and in various countries across the world. Different attitudes of contemporary literary critics which this paper refers to, show that the literary criticism itself represents a space for intellectual and socially signifi cant activity at the present moment in history, that is, a text and source of further examination and consideration.

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„Сахиб“ Ненада Величковића – романом упркос балканизму

„Сахиб“ Ненада Величковића – романом упркос балканизму

Author(s): Svetlana Mitić / Language(s): Serbian Issue: 9/2014

This paper examines the critical interpretation of the Balkanist treatment of the Balkan Peninsula and its populations by the West in the post-socialist era, as represented in the novel Sahib by Sarajevo writer Nenad Veličković, in the context of international peace and recovery missions in Bosnia and Herzegovina during and after the 1990s confl icts. The writer grounds his critical interpretation on a reversal of the narrator’s position relative to the dominant codes of the local culture and against the assumed humanistic character of international humanitarian interventions. Some of the themes and issues present in this satirical epistolary novel are otherness, through an implicit opposition of the Western and Balkan cultural models and elements, balkanisation understood as the fragmentation and demise of selected nation states in the interest of neoliberal capitalism as well as societal regression into tribalism, vulgarisation of linguistic and communication standards and the intrusion of aggressive Western discourses, and de-tabooisation of the writer’s culture and society.

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Dislokacija, nepripadanje, ’beskućništvo’ i zarobljenost između kultura u romanu Kazua Išigura „Kad smo bili siročad“

Dislokacija, nepripadanje, ’beskućništvo’ i zarobljenost između kultura u romanu Kazua Išigura „Kad smo bili siročad“

Author(s): Olivera Petrović Tomanić / Language(s): Serbian Issue: 9/2014

Ishiguro shares with other writers who belong to the ‘new internationalism’, the same concern regarding the extremely rapid social changes and the instinct for survival in such a world. He insists that the concept of ‘an international writer’ includes the literary aims, not only one’s nationality. One of the most interesting themes in the novel When we were orphans is the topic of national identity, primarily the English, and then the Japanese. This is one of the key issues in all Ishiguro’s works. The writer wants to investigate the extent to which national characteristics are innate, whether they can be adopted and how much social circumstances matter. It seems that the concepts of homelessness, dislocation and all they may imply are useful means of researching the complexity and richness of Ishiguro’s writing. There is no doubt that the reconstruction of one’s own history, origin and identity are the central themes in the novel. Because of the alienation and repression that torment him in the present, the protagonist gives his best to reconstruct his past.

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