ДЕСАКРАЛІЗАЦІЯ ІСТОРІЇ ЯК МЕТОД ЛІТЕРАТУРНОГО ОПРАЦЮВАННЯ ІСТОРИЧНОГО ПОЛЯ ПОДІЙ

Author(s): Antonina Anistratenko / Language(s): Ukrainian Issue: 1/2017

This article deals with the 80-th generation in Ukrainian literature, its particular, aesthetic, thematic, genre features of short fiction and its connection with the Ukrainian novel. The problem of the plot interpretation, novelistic scheme of Western and Eastern Slavic canon model drive the prose works by writers of 80-th generation to the periphery of literary process. The genetic feature of the 80-th generation played the important role in its considerable functioning especially their antihermetic and, at the same time, attachment to local schools, its biographical and situational fundamentals creative implementation. In definite context, we are going to observe a small V. Kozhelyanko’s short stories and his first book consisting of five deep in meaning, expressive and canonical due to the form of the existential novels "The logic of things". The book was published in Lviv at the publishing house "Calvary" in 2007. Five short stories in one book together are written by the author during the 2002 - 2007 years including "Tea Euphoria", "The Deserter", "Narcissus", "The Wine", "Happiness". The novels are combined in mimetic way focusing on the internal monologue of the main character as well as on the social and psychological area with existential intentions and hidden gothic which develops into a Brahmin skeptical philosophi- cal view of the World. First of all social thematic line of prose attracts our attention which is on the surface relatively to receptive components of the third and fourth levels of the text. This social motivation of the psychological feature of the characters in the stories by V. Kozhelyanko constitutes the situational valence of plot of his novels and builds the foundations of the ideological and thematic content of short fiction. In this sense revealing look is depicted in stories "The Deserter" and "Narcissus". As well we can see, the historical field of events, that do not match the historiographical one, becomes the subject of study of each generation of writers. What to 80th generation, before the writer's mind and in his life experiences appearing pictures of transformation in society and state.

БОГ, БІБЛІЯ Й УКРАЇНА У ТВОРЧОСТІ ВЕЛИКОГО КОБЗАРЯ

Author(s): Alla Tkach,Ivanna Yaremchuk / Language(s): Ukrainian Issue: 1/2017

Taras Shevchenko - the pride of the Ukrainian people, torch of the Ukrainian and foreign culture. His creative word was devastated to protect the national dignity and pushed society to recovery and self-assertion to Ukrainians as a nation. But Shevchenko's essence, in our opinion, is the brightest and most powerful found themselves in search of truth, unity of man and the ways of eternal life. The social enslavement and corruption of nation were turn him to works that have intertwined national historic era of spiritual and moral values of Christian ethical Ukrainian canons. Peculiar interpretation, philosophical understanding and interpretation T. Shevchenko Biblical truths studied by many scientists (I. Ohiyenko, B. Lepkyj, Y. Sverstyuk, D. Stepovyk, I. Dziuba, M. Zhulynsky i O. Zabuzhko and others). Shevchenko`s phenomenon is devoted to the exploration of B. Barca, E. Sverstyuk, D. Stepovyk, I. Dziuba, V. Pakharenko, D. Dmytrenko, L. Tretiak. But the problem of Shevchenko religious was as his life and work will remain relevant, especially in nowadays. Ukraine as "prophetic word" for Shevchenko had an impotent meaning and irresistible force, awakens the desire to be a real nation, and promotes spiritual and conscious development. Poet use to say to God all his global ideas, his excitement. And thiswas not a profanity, not a blasphemy. That was the sincerity and enthusiasm of the biblical heralds. Taras Shevchenko said patiently, defiantly, frankly, with bitterness and insult the Savior, then asked, then demanded with such words: "In anger he becomes a prophet, in humility transforms into as an apostle; it just goes to prayer, his humility holds in a feat of love and forgiveness, every feeling he brings to the religious fervor and in his every word. Let it be for the great national poet, priest and victim of its people", - wrote K. Chukovski .

Bridging Gaps Through Feminist Pedagogy: Teaching Abjection In A Postcolonial Literature Course

Author(s): Antonia Navarro-Tejero / Language(s): English Issue: 1/2017

This paper engages with teaching gender, caste, and sexuality in the context of Spanish Higher Education. I will examine my experience of teaching Githa Hariharan’s “The Remains of the Feast,” Arundhati Roy’s The God of Small Things and Shobha Dé’s Strange Obsession to conclude by reflecting on the value of teaching these issues and texts from a feminist perspective.

„UKRAYINHELIYE” FROM K. MORDATENKO: POETIC VISION OF HISTORIOSOPHY OF UKRAINE

Author(s): Lidiya Vylka / Language(s): English Issue: 1/2018

Цель статьи: исследовать историософские мотивы в сборнике К. Мордатенька „Украингелие” и сделать анализ ключевых проблем, разработанных в поэтической книге. Методы исследования. Специфика объекта исследования, цель работы обусловили использование определенных методов, в частности, рассмотрение понятия историософия в культурологическом и историческом контексте осуществлялся с привлечением компаративистского метода. Методы историко-литературного, пообразного, сравнительного анализа используются при исследовании историософии поэтических текстов К. Мордатенко. Научная новизна проявляется в том, что до сих пор практически нет научных статей о творчестве К. Мордатенко. Выводы. В статье рассмотрен сборник стихов „Украингелие” К. Мордатенко сквозь призму апробированного автором философского понимания сложных исто- рических фактов и реалий нашей страны и мира в целом.

Медиите в метафоричното огледало на криминалната литература

Author(s): Elka Dobreva / Language(s): Bulgarian Issue: 7/2017

The study attempts to look at the way the mass media is being assessed in the metaphorical mirror of contemporary crime fiction. The relationships between the mass media and the other units in the chain comprised of people and institutions involved in the development of a crime are being analysed. The focus is primarily on those situations that give rise to friendly or unfriendly metaphors about the media.

СЛУЖБАТА ЗА АПОСТОЛ АНДРЕЙ И ПОГРЕБАЛНИЯТ ЧИН

Author(s): Pirinka Penkova / Language(s): Bulgarian Issue: 12/2012

The author comments the assertions re. the place and time for the composition of St. Andrew the Apostle’s cannon, especially such data as the distribution of ⱋ (шч) in to cannons, attributed to Naum, and ⱋ (шч) in other glagolitic manuscripts, like Prag folios, Kiev missal, Euchologium Sinaiticum and Rila glagolitic folios (in the last to manuscripts is used only ⱋ for шч or шт). Based on the parallels between the feasts for apostles and services (mathins) to the dead, comparisons are made between the structure of the Naum’s Canon and some original funeral canons, created by Konstantin of Preslav and Climent. The identity of combination of антифонъ, блаженьнъ and стихъ in the Canon of Confession (and) in Euchologium Sinaiticum and in Prag folios is remarkable, because the troparia, weaved into the μακαρισμοί in Euchologium Sinaiticum, are without known Greek original. The troparia, weaved into the μακαρισμοί in the Dead canon, constitute a Slavonic acrostichon пяния. Samples for the different translations from the Service of Repentance with a Canon to the Dying by Andreas of Creta are given; the two different translations can be traced in the translations of menajon and octoechus. All canons justifies the hypothesis, that the liturgical tradition in Moravia included canons for the dead, not only simple prayers, included in the mathins. The registered glagolitic Prefacia to St. Andrew the Apostle is reason to believe, that after it should follow a translated canon, created by John the Monk, as in the Greek tradition, or the Naum Canon The evidence of the Dead officia leads to the hypothesis, that in the Naums living time there were to different services for the dead: one acc. to the preserved west liturgical tradition in Acvilea and Moravia, and one revised acc. to the Greek praxis in Bulgaria.

ЗАКОН ЗА ЦЪРКВАТА НА ЦАР СИМЕОН В АРХИВСКИЯ НОМОКАНОН (ЦИАИ 1160)

Author(s): Ancho Kaloyanov / Language(s): Bulgarian Issue: 12/2012

The article "On the kings and those under their power" (sheets 37a-41b) in the Archival Nomokanon represents Church Law. We give proof that it was written by tsar Simeon (913-927). The historic references in the text allow us to date its creation to 913, the year when Bulgarian church was proclaimed autocephalous in Veliki Preslav.

НАБЛЮДЕНИЯ ВЪРХУ ЛЕКСИКАТА НА СТАРОБЪЛГАРСКИЯ ПРЕВОД НА ЖИТИЕТО НА СВ. ИЛАРИОН ВЕЛИКИ ОТ ЙЕРОНИМ БЛАЖЕНИ

Author(s): Irina Kuzidova-Karadzhinova / Language(s): Bulgarian Issue: 12/2012

The article deals with some significant lexemes found in the Bulgarian translation of Vita Sancti Hilarionis which was undertaken during the First Bulgarian Kingdom and preserved in copies from the 14th to the 17th centuries (just the South Slavic copies are taken into consideration). The archaisms and Grecisms are extracted, then the synonyms are commented upon (incl. contextual synonyms) together with some semantic errors. It comes out that, on the one hand, the copies of the Vita in Dragomirna MS 700 and Hilferding MS 56 tend to modernise the archaic words, but, on the other, the different readings reflect the lack of both stable norms and of comparison with the Greek origin.

Спор о древнерусском письме (форум)

Author(s): Evgenij Alexandrovitch Lyakhovitskiy,Vasya Velinova,Aleksandr Ivanovich Grusha,Barbara Lomagistro,Lyudmila Vladimirovna Moshkova,Daniel Waugh / Language(s): Russian Issue: 1 (25)/2019

The article discusses the hypothesis of the St. Petersburg historian Yevgeny Lyakhovitsky, who questioned the traditional pattern of development of Old Russian writing (ustav – poluustav – skoropis’). He considers the poluustav artificial construct invented by scientists. The discussion participants talk about five questions: 1. What should be put into the concept of “type of letter”? 2) To what extent does the scheme: ustav – poluustav – skoropis’ adequately reflect the evolution of Old Russian writing? 3. Is the polarizationof the ustav and poluustav valid as the early (XI–XIV) and later (XV–XVII) book letters? 4. What factors influenced the changes in Old Russian writing? Was it the influence of other cultures, changes in the old Russian book culture or something else? Is it possible to make direct connections between the evolution of letters and historical factors (the theory of the «Golden Age» and «damage to the letter» in crisistimes?) 5. How does the development of Cyrillic writing correlate in Ancient Russia and the Yugoslav countries? Did the evolution of writing go the same or in different ways? The participants in the discussion cite various hypotheses in which general principles can be singled out: the traditional scheme for the development of Old Russian writing (ustav – poluustav – skoropis’) is a conditional construction, created by scholars. However, to abandon it is necessary to bring new empirical and theoretical studies. Determining the characteristics of the writing types, the concept of «damage to the letter» are often subjective. At the same time, the study of writingtypes is not a purely paleographic problem. A letter is an indicator of cultural, social, economic processes. When analyzing such evaluative categories as the “Golden Age”, it is hardly productive to involve the development of a letter in dependence on the ideas of cultural progress. The evolution of writing in the Russian and South Slavic book context proceeded in the same way, but under the influence of various factors, and in the end there were different results.

Analiza porównawcza tłumaczeń wybranych nazw własnych w powieści Alana Alexandra Milne’a Winnie-the-Pooh w przekładzie na język polski (autorstwa Ireny Tuwim) oraz słoweński (autorstwa Majdy Stanovnik)

Author(s): Bartłomiej Rusek / Language(s): Polish Issue: 1/2019

Alan Milne's Winnie-the-Pooh, as one of the most popular examples of children's literature, was translated into many different languages. The point of the article was to check and compare translations of proper nouns into two different Slavic languages: Polish and Slovenian. The reason for choоsing two Slavic languages was to compare how the chosen proper nouns were translated to languages which are from a different family than a language of the original novel. My research is focused on translation of proper nouns and techniques used by both translators. Proper nouns, that are the object of an article, contain mostly names of the characters from the novel, such as the name of the protagonist and his best friends.

Painful Neutrality: Screening the Extradition of the Balts from Sweden

Author(s): Lars Kristensen,Christo Burman / Language(s): English Issue: 6/2018

The article deals with the extradition of Baltic soldiers from Sweden in 1946 as represented in Per Olov Enquist’s novel The Legionnaires: A Documentary Novel (Legionärerna. En roman om baltutlämningen, 1968) and Johan Bergenstråhle’s film A Baltic Tragedy (Baltutlämningen. En film om ett politiskt beslut Sverige 1945, Sweden, 1970). The theoretical framework is taken from trauma studies and its equivalent within film studies, where trauma is seen as a repeated occurrence of a past event. In this regard, literature and moving images become the means of reaching the traumatic event, a way to relive it. What separates the extradition of the Baltic soldiers from other traumas, such as the Holocaust, is that it functions as a guilt complex related to the failure to prevent the tragedy, which is connected to Sweden’s position of neutrality during World War II and the appeasement of all the warring nations. It is argued that this is a collective trauma created by Enquist’s novel, which blew it into national proportions. However, Bergenstråhle’s film changes the focus of the trauma by downplaying the bad conscience of the Swedes. In this way, the film aims to create new witnesses to the extradition affair. The analysis looks at the reception of both the novel and film in order to explain the two different approaches to the historical event, as well as the two different time periods in which they were produced. The authors argue that the two years that separate the appearance of the novel and the film explain the swing undergone by the political mood of the late 1960s towards a deflated revolution of the early 1970s, when the film arrived on screens nationwide. However, in terms of creating witnesses to the traumatic event, the book and film manage to stir public opinion to the extent that the trauma changes from being slowly effacing to being collectively ‘experienced’ through remembrance. The paradox is that, while the novel still functions as a vivid reminder of the painful aftermath caused by Swedish neutrality during World War II, the film is almost completely forgotten today. The film’s mode of attacking the viewers with an I-witness account, the juxtaposition and misconduct led to a rejection of the narrative by Swedish audiences.

CONCEPȚIA COSMOLOGICĂ A LUI LUCIAN BLAGA DIN LUCRAREA DIFERENȚIALELE DIVINE

Author(s): Ioan Scheau / Language(s): Romanian Issue: 2/2019

Abstract. The present paper presents Lucian Blaga’s concept from the paper The Divine Differentials, the first volume of The Cosmological Trilogy, which is considered by him the dome of its metaphysical system, but not the ending of it, because “metaphysics is not complete without an ensemble vision of cosmological nature”. The divine differentials becomes the place where minus-knowledge – as a method of capturing mysteries – may be applied, and this thing was impossible in the papers where this was theorized. The paper deals with all the matters of a cosmological system: the cosmic genesis, the generator (The great Anonymous), the human. Blaga asserts an indirect genesis accomplished through the divine differentials that represent infinitesimal fragments of the Whole. These integrate on the principle of the sufficient matching forming the formative units.

Леся Украінкa і Беларусь : духоўнасць і трагедыя

Author(s): Tacciana Kabrżyckaja / Language(s): Belarusian Issue: VIII/2003

Przedmiotem artykułu jest oddziaływanie czynnika biograficzne­ go na twórczość literacką Łesi Ukrainki (1871-1913), a mianowicie his­ toria jej kontaktów z wpływowym działaczem rosyjskiej socjaldemokra­ cji na początku XX w., Białorusinem Siarhejem Mierżyńskim. Na tym tle analizowane są marksistowskie wątki w poezji oraz światopoglądzie pisarki. Wiele uwagi poświęca autorka społeczno-ideowym poglądom Ł. Ukrainki, w szczególności jej stosunkowi do tzw. rewolucji seksualnej. Obiektem analizy literackiej są wybrane, związane z pobytem Ł. Ukrainki w Mińsku, teksty liryczne.

Powiedzieć więcej : rozważania o synestetyzmie w poezji Josifa Brodskiego i Julii Hartwig

Author(s): Ewa Nikadem-Malinowska / Language(s): Polish Issue: VIII/2003

Как утверждает Юлия Гартвиг, поэзия всегда должна быть о чем-то. Чеслав Милош, в свою очередь говорит, что поэзия должна искать и должна ошибаться. Очень трудно уточнить суть поэтичес-кого языка. Для этого нужна соответствующая позиция и творца и читателя. Называя ее синэстетической, объединим в новую ценность смысл и эстетику. И в этом дело. Уже в 1922 г. Евгений Замятин выступил со статьей о синте­ тизме в литературе. Не все его решения правильны, особенно те, в которых он не доценивает формальных экспериментов синтети­ ческого типа. Творчество Бродского, Гартвиг, Милоша доказывает, что поэзия может сказать больше, чем нам кажется. Поэзии свойст­ вен синэстетизм, поэзия действует на все чувства, всем чувствам передает информацию. Язык поэзии должен быть и формой и со­ держанием. Синэстетизм является характерной чертой творчества Иосифа Бродского и Юлии Гартвиг, он раздвигает рамки их поэ­ тического языка, помогает высказать невысказанное.

„Osadnictwo literackie” Leonarda Borkowicza czy szczecińska odsłona „repolonizacji kulturalnej Ziem Odzyskanych” prowadzonej w latach czterdziestych XX w.?

Author(s): Katarzyna Rembacka / Language(s): Polish Issue: 1/2019

The aim of the article is to analyse the process of formation of the literary circle in Szczecin and to indicate its main initiators. A juxtaposition of the literature on the subject with documents issued by the government administration and the Professional Association of Polish Writers as well as letters and memories of writers makes it possible to trace the course of “cultural re-Polonization” in Szczecin. It also permits to indicate the reasons why the action was so short-lived and the motives of writers who decided to move to the city.

Дынабург - Парыж - Лондан - Кукавячын "або Яшчэ адзін Жыццяпіс змагарнага XIX стагоддзя"

Author(s): Jazep Januszkiewicz / Language(s): Belarusian Issue: VI/2001

Развитие малого эпического жанра в русской и украинской литературax на рубеже ХIХ-XX веков : (A. Чехов, В. Стефаник)

Author(s): Marko Tepliński / Language(s): Russian Issue: VI/2001

О произвольной игрe терминoм "коммунизм" : о сути новой "охоты на ведьм" в концептосфере русского и польского языков : (на основе публицистических текстов)

Author(s): Joanna Korzeniewska-Berczyńska / Language(s): Russian Issue: VI/2001

Функциональная специфика лексическиx эксплификаторов модального значения возможности в языкe начального периодa формирования русской нации

Author(s): Swietłana Waulina / Language(s): Russian Issue: VI/2001

Construyendo un corpus oral para el gallego. El proyecto CORILGA

Author(s): José Manuel Dopazo Entenza / Language(s): Spanish Issue: 5/2018

The CORILGA (Corpus Oral Informatizado de la Lengua Gallega) is a corpus of recordings aligned with their transcription and annotated at different levels (spelling, phonetic, morphological, syntactic...). A complete and thorough recordings and participants data allows, through an online open search engine, to get very accurate search results. This information could be used in language variation and change studies and to create materials for teaching or developing speech technology.