Чемодан Марголина

Author(s): Boris I. Belenkin / Language(s): Russian Issue: 132/2010

The main source of this work — memoirs of Kargopollag’s prisoners. The object of examination is phenomenon of ignoring (perhaps deliberately) to depict of nature whendescribing one’s experience in a camp. The author looks for an explanation of the phenomenonand makes some cautious conclusions. In the worldview of a prisoner nature was an enemy, unpersonified source of fear and possible aggression, a source that must be avoided. Prisoner’sperception of the world thereby narrowed down, what has resulted in the so-called “tunnelvision” — an effect common among the freed prisoners with acute psychiatric disorders.Some rare cases are discordant with this general tendency and there are memoirs, whereauthors describe Kargopol’s nature. This happens when in the potential enemy the prisonersaw some use, for example, a possibility to satisfy hunger. But in most of the memoirsKargopol’s nature, that surrounded prisoners for many years, has become “the lost objectof history”.The main source of this work — memoirs of Kargopollag’s prisoners. The object of examination is phenomenon of ignoring (perhaps deliberately) to depict of nature whendescribing one’s experience in a camp. The author looks for an explanation of the phenomenon and makes some cautious conclusions. In the worldview of a prisoner nature was an enemy, unpersonified source of fear and possible aggression, a source that must be avoided. Prisoner’s perception of the world thereby narrowed down, what has resulted in the so-called “tunnelvision” — an effect common among the freed prisoners with acute psychiatric disorders.Some rare cases are discordant with this general tendency and there are memoirs, whereauthors describe Kargopol’s nature. This happens when in the potential enemy the prisonersaw some use, for example, a possibility to satisfy hunger. But in most of the memoirsKargopol’s nature, that surrounded prisoners for many years, has become “the lost object of history”.

Motywy oniryczne w poezji Julii Hartwig i Inny Lisnianskiej

Author(s): Olga Letka-Spychała / Language(s): Polish Issue: 130/2010

The article is devoted to oneiric motives which appear in Julia Hartwig’s and Inna Lisnyanskaya’s poetry. The subject matter of this research are poems Неправильный венок and Mówiąc nie tylko do siebie. The problem is analysed from the point of view of cognitive poetics which covers a wide range of topics on cognition. In the article, the cognitive analysis is based on the assumption of cognitive poetics as a main basis. Author is concentrated on showing typical structures as: conceptual metaphors, mental spaces which are being applied oneiric world in Lisnianskaya’s and Hartwig’s poems.

Mat, język, transformacja — nienormatywna leksyka w twórczości Wiktora Jerofiejewa

Author(s): Magdalena Majchrzyk / Language(s): Polish Issue: 129/2010

Mat is an integral part of Russian language, including also the literary language. For years, mat has been used to express artistic manifestoes as well as introducing new linguistic canons and standards. What is more, in the fi eld of literature this language was also a kind of a peculiar test of reader’s sensitivity. In the prose by Victor Erofeyev mat, however, plays much more important role. The writer uses it as an excellent literary material, a hero and treats it even as the co-author of his texts. Non-normative lexicon is no longer associated with the forbidden fruit. It acquired a new meaning as a part of the dialogue with the native language. The article shows different ways of using mat in essays, short stories and writer’s novels.

Gogol w teatrze telewizji

Author(s): Agata Cholewińska / Language(s): Polish Issue: 129/2010

The setting up of the TV Theatre is directly connected to development of Polish programme television. The fi rst play in the history of TV Theatre, which was entirely prepared in the TV studio, was Window in the Forrest — play written by Leonid Rachmanow and Jewgienij Ryss and directed by Jozef Slotwinski. In August 1999 the Academy of TV Theatre selected a hundred of greatest plays. In famous „A Golden Hundred” there are also Russian writers plays and among them plays written by Nikolai Gogol. In Decemer 1976 Ewa Bonacka directed a comedy Marriage. In 1977 Jerzy Gruza presented another comedy The Government Inspector.

EURIPIDÉS PHAETHÓN-TÖREDÉKE GOETHE KIEGÉSZÍTÉSEI TÜKRÉBEN

Author(s): Zsolt Adorjáni / Language(s): Hungarian Issue: 1-2/2005

This paper aims to re-examine the arguments concerning the three main problems of the fragmentary Euripidean tragedy Phaethon, i. e. what character and conflict lies behind Phaethon’s excessive reluctance to the marriage; who the mysterious bride is; and finally, what kind of exodos fits in the dramatic context on the basis of the fragmentary textual evidence. In my discussion Goethe’s reconstruction is dealt with closely; moreover, the poet’s suggestions prove to be valuable not only artistically, but philologically as well. Some personal bias of his treatment nevertheless hints at a new articulation of the Phaethontic character in the Euphorion-episode of Faust II and a general re-evaluation of the hybrisdrama.

„… MÁR NÉHA NEM IS FÁJ, — UNDORODOM CSAK.”

Author(s): Márta Rimóczi-Hamar / Language(s): Hungarian Issue: 1-2/2002

The title represents a citation from the 1st eclogue of M. Radnóti and truly expresses the essence of this paper. In 1938, on the eve of the 2nd World War, Radnóti is grieved to behold the recent past and the present, he is disgusted to think of the future. He does not judge, he is only disgusted at the inhuman world, which he falls victim young, at the age of thirty five to. He feels the same terror in Vergilius’ eclogues, written 2000 years before, which his vates-ancestor also experienced. The eclogues of Radnóti represent the most staggering prophetical verses of his life-work, which end both his poetry and life. Vergilius begins his life-work by the eclogues. Beginning and end join the two poets. By his biblical tone, Radnóti recalls those words of Vergilius, which he transformed into poetry by the infallibility of his clear sight on the eve of the death. By the accuracy of its contents and by identifying himself with Menalcas/Vergilius, his translation of Vergilius’ 9th eclogue can almost be ranged among his own eclogues.

HORATIUS NOSTER. SCHEDIUS LAJOS HORATIUS-ELÔADÁSA 1794—1795-BŐL

Author(s): Piroska Balogh / Language(s): Hungarian Issue: 1-2/2002

Малки песнопения с вероятен непреводен произход в службите за Безплътните сили

Author(s): Stanka Petrova-­Hristova / Language(s): Bulgarian Issue: 02/2017

This article discusses the matter of the composition of the Service for the Heavenly Bodiless Angelic Powers, which was included in the Old Bulgarian Menaion under the date of 8 November and has no Greek parallel. Taking into account the fact that there are two known canons of probable Old Bulgarian origin, the author searches in various manuscripts for the rest of the chants that, according to liturgical rules, might have been part of the service.

Функције ђавола у старозаветним и новозаветним апокрифима

Author(s): Isidora Ana Stambolić / Language(s): Serbian Issue: 02/2017

The subject of this paper is the figure of the Devil in Serbian Medieval Apocrypha and his functions within the plot of the Apocrypha. Leaning on the traditions of the Old and New Testament we have endeavored to interpret which of the functions has the Devil of the Apocrypha inherited from Biblical, and which from folk traditions and beliefs. Depending on how frequent is the appearance of the Devil in the Apocrypha, we have listed some of his basic functions and tried to understand their origin and his role.

Битка на Велбужду у српској средњовековној књижевности

Author(s): Sava Uko / Language(s): Serbian Issue: 02/2017

Battle of Velbazhd (1330) was recorded as a significant event in the collective consciousness of the Serbian people. Large inter-ethnic conflicts and national disasters during the Middle Ages, were interpreted as God's anger and punishment for sins committed by one nation. Violent change of hierarchical relations in society was seen as a serious sin, which results in God's punishment, in the form of a huge national disaster. The most important testimony in the Serbian medieval literature on the battle of Velbazhd, was given by Gregory Tsamblak in his "Žijtije Svetog Stefana De čanskog (Hagiography of St. Stefan of Dečani ) ." In this article we will try to look at how the notion of another was constructed, when describing large ethnic conflicts. Also, taking this medieval hagiography as example, we will follow the development of the motives of the victim, as well as the importance of this concept for the life of the medieval man.

Рилският дамаскин (РМ 4/10): проблеми и перспективи на изследванията

Author(s): Nikolina Aleksandrova / Language(s): Bulgarian Issue: 02/2017

The article traces the research on the Rila Damascene and divides them into several spheres of problems: classification, language, decoration, localization and dating.

Астрологична соматика

Author(s): Veneta Savova / Language(s): Bulgarian Issue: 02/2017

Българановски етюди 3: Вие сте човек с бъдеще, но какво бъдеще? Бъдещето ще покаже

Author(s): Veneta Savova,Nadezhda Stoyanova / Language(s): Bulgarian Issue: 02/2017

Сергей Александрович Николаевский — политический обозреватель журнала «Гражданин» в 1872—1873 гг.

Author(s): Alexander Otlivanchik / Language(s): English,Russian Issue: 1/2018

The article studies international and political commentaries by S. A. Nikolaevsky published under the cryptonym of S. N. in the journal “Grazhdanin” in 1872—1873. Based on the study of archival materials and autobiographical remarks in the journal articles we have identified the personality of that little known employee of “Grazhdanin”: his first name and father’s name, an approximate time of birth and an exact date of death, his network of acquaintance, activity etc. The opinion, that was earlier made public, about the using of the pseudonym of Dorogobuzhsky tourist by Nikolaevsky is considered here and is recognized hardly probable. The question about the authorship of “Political Review” in issue 10 of “Grazhdanin” of 1873 and of two anonymous publications topically correlated to the reviews by Nikolaevsky — a series of sketches “What did the death of Napoleon III in France result in” (1873 № 2) and the article “France” (1873. № 21) — is discussed. The probable authorship of the last two texts is attributed to the publisher of “Grazhdanin” V. P. Meshchersky.

«Дело о куманинском наследстве» в жизни и творчестве Ф. М. Достоевского

Author(s): Borisova Valentina V. / Language(s): English,Russian Issue: 1/2018

The article reviews the so called “Kumanin heritage case” which left a significant mark in biography and works of F. M. Dostoevsky. The “great importance” of the help that the writer had been receiving from wealthy Moscow relatives Kumanins throughout almost all his life is disclosed on the basis of nonficional materials. But monetary and estate heritage turned out to be “unlucky” for him, as V. M. Karepina pointed it out. As it resulted from Dostoevsky’s correspondence with his brothers and sisters, the archival materials, documents presented in a number of historical and biographical researches as well as from the court records with regard to that case, he became a victim of circumstances and intrigues. This viewpoint that is confirmed, in particular, by the story of his debt to the Ivanovs. Their relations failed to stand against the Kumanin “case” and led to a tragic outcome — death of the writer. In conclusion the article specifies the issues for further studying of the “the Kumanin heritage case” from the moral and legal points of view and in terms of its reflection in writer’s works, in which the motif of the “fateful heritage” has an important narrative and ideological meaning.

Przewodnik turystyczny czy przewodnik historyczny? – analiza modelu Przewodnika po powstańczej Warszawie

Author(s): Anetta Gajda / Language(s): Polish Issue: 47/2013

Turist of historical guidebook? „Przewodnik po powstańczej Warszawie” – analysis of the genre model The article presents the genre model of a guidebook. This model was confronted with the text of Przewodnik po powstańczej Warszawie written by J. S. Majewski & T. Urzykowski. The aim of the conducted analysis is to search the genre pattern in the given text. The genological analysis presented in our article includes structural, pragmatic, informative and stylistic matters. The article shows the modifications of guidebook structure, functions and style. The genre of a guidebook is constructed by practical orientation, multi- -genres and relation between author - reader. The analysis shows the characteristics such as practical orientation, multi-genres and the features, which modify genre model of the guidebook. The most important modification concerns the text’s function. The analyzed book demonstrates first of all expressive and impressive functions, more than practical ones. The given text of the guidebook is an example of the practical text, which borders on literary one. The analyzed text is the alternative variant of turist guidebook. We propose to call it a historical guidebook / historical cicerone.

Crezee, I. et al. (2013). Introduction to Healthcare for Interpreters and Translators. Amsterdam, Philadelphia: John Benjamins Publishing Company

Author(s): Zoia Manolescu / Language(s): English Issue: 1/2015

DER KRIEG MIT HUMANEN ANTLITZ IN GOTTLIEB STEPHANIES DES JÜNGEREN SOLDATENSTÜCK "DIE KRIEGSGEFANGENEN"

Author(s): Florian Pech / Language(s): German Issue: 1/2016

Gottlieb Stephanie the younger, author of many frequently performed playwrights, is also known as a productive author of soldier plays (Soldatenstücke). As a veteran and citizen of enlightened josephinist Austria, he worked continuously to improve the army’s image and to propagate the ideas of state enlightenment at the same time. His early play Die Kriegsgefangenen (prisoners of war), which can be read as a direct successor of and commentary on Lessing's Minna von Barnhelm. This play depicts bourgeois citizens and soldiers subjected to the condition of war. The analysis at hand tries to show that Stephanie confronts his audience with virtuous behavior in order to overcome unjustified negative stereotypes.

Ludowe źródła literackiego wizerunku niedźwiedzia w bajce Aleksego Remizowa "Zajączek Iwanycz"

Author(s): Monika Pietrowicz / Language(s): Polish Issue: 132/2010

This article analyzes the image of a bear in the fairy tale of Alexei Remizov Зайчик Иваныч, what is the literary transformation of the folk scene Bear (goblin, magician, rogue) and three sisters (SUS 311). Therefore, as the material for analysis, except, of course, the tale Зайчик Иваныч of Alexey Remizov, were used also the folk variants of the story The Three Sisters and the bear — Котик золотой хвостик, Машенька, Дедушка и медведь and Медведь и три сестры. The aim of the paper is searching for an answer to the question, by what elements of folk tradition Remizov created his literary image of a bear, what is a result of his creative imagination. Therefore, the article examines, among other things, the appearance of a bear, its habitat, its behavior and attitude toward people and toward nature.

„Szlakiem rosyjskiego Pierrota” — sylwetka Aleksandra Wertyńskiego

Author(s): Justyna Ślęzak / Language(s): Polish Issue: 132/2010

This article describes a great composer, romance singer, drama and movie actor Alexander Vertinsky. The subject of the analysis is characteristics of the bard’s creative activity, as well as his life story — especially during the emigration period.Alexander Vertinsky was an artist popular among the Russian audience. His specific man-ner on the stage, gestures, stage image — Pierrot’s costume aroused interest and emotions among the spectators who were attending his performances in crowds. Forced by the political situation in his homeland Vertinsky decided to emigrate from it in the 20’s. It was the begin-ning of his 20 year long separation from the country that left the trail in composer’s creative activity and life. His fame outside the country, numerous concerts, international public and his acquaintance were never able to reduce the artist’s wrench after leaving the homeland.