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Intertekst zbirke poezije Kameni spavač Maka Dizdara
4.50 €

Intertekst zbirke poezije Kameni spavač Maka Dizdara

Author(s): Saša D. Šmulja / Language(s): Bosnian Publication Year: 0

The results of this paper can be summarised as follows. We performed the main framework task of our study – an analysis of the intertextual aspects in the poetry collection Kameni spavač [Stone Sleeper] by Mak Dizdar – through interpretation of poetic relationships established between the said collection and those texts and textual processes that led to its final form and content. These relationships and processes make up the intertext of this work in the form of a branching tree of relations and links that are contained in it. They constitute the citational structure of this work and encompass the intertextual references that are relevant and explicit in this collection. Seen in relation to other texts that are incorporated in its structure, the poetry collection Stone Sleeper is interpreted as an abundant confluence of such citational references.

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Poetički geometrizam Maka Dizdara
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Poetički geometrizam Maka Dizdara

Author(s): Emilija Kovač / Language(s): Croatian Publication Year: 0

Syntactic (linear) constructions of Dizdar’s expression (congruency and government) basically respect normative dictates, yet discovering possibilities of entirely distinctive entries. The result of combination of isoformic and alloformic constructions is a recognisable rhythm creating syntax which in conjunction with idiomatic versification, produces visual effects (crossness and roundness) thus confirming, with this level as well, verified motivation of this poetry generating from culturological speciphicums of the middle Bosnian and Herzegovinian areal (tombstones). The choice of lexis, especially its various levels of archaisation – phonological, morphological and lexical, plays an important role in the function of the expressivity of utterance. Archaisation adds the idea of timeness to the linear geometry of space ( length – width), in two components: horizontal (embracing the present) and vertical (embracing the relation present – future), which also emphasizes crossness as one of the basic principles of this poetry. Activating mental potencial of Dizdar’s subject – the sign reader, the time also exists as a memory which embeding itself into the contemporaneity, suggests the concept of round duration. Thus the text, beheld as a fact of space, transgresses from flatness to voluminosity of multidimensional structure, and measured by viewpoint potential, from visuality to conception.

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Poezija Maka Dizdara nakon Kamenog spavača
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Poezija Maka Dizdara nakon Kamenog spavača

Author(s): Dijana Hadžizukić / Language(s): Bosnian Publication Year: 0

The aim of the text is to analyze Mak Dizdar’s poems first published in his last collection, that have not been treated much by critics, mostly due to their predominant infatuation by The Stone Sleeper. In our intentions to diachronically treat Mak Dizdar’s poetry and barely brush some of the most important motifs and manner of his artistic shaping, one can find an attempt to find the answer: which way would Mak’s poetry have turned in some later, unwritten collections? That is why we will select a few poems one may find different and genuinely new, and we can perceive as a possible path the poet would have taken. As more representative examples of this sort we will take the following poems: “Outwits”, “Completely literal dream amongst naked parallels”, “Raft”, “Disagreements” and “Uncertainty” in which, along side experimenting with sound the poet experiments with the language thus demanding readers’ active participation and contribution. Mak’s duality is present from the first collection, dominant in The Stone Sleeper, so it found its place in the last collection as well. But, instead of a man torn between the Heaven and Earth through history and religion, in Blue River we can more commonly find a man torn between silence and words, between his quest to find the truth and his cognition about not being able to find it, between the quest for peace and beauty of restlessness brought by wondering about. By extending his metaphorical-poetic range Dizdar also extended possibilities from lexical-syntactic variants of totally canceling the most commonly obligatory second part of the syntagm to burdening with meaning semantically dependent words. In all the analyzed poems it is possible to recognize Jacobson’s theory of the artistic meaning of grammatical forms as well as examples of semantization of formal elements of the lyrical texts.

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Tema ljubavi u pjesništvu Maka Dizdara (dvojstva i odrazi zvuka i slike)
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Tema ljubavi u pjesništvu Maka Dizdara (dvojstva i odrazi zvuka i slike)

Author(s): Sanja Franković / Language(s): Croatian Publication Year: 0

The theme field of love in the poetry of Mak Dizdar is revealed as the love of lyrical subject towards girl and woman, fidelity to the life ideals, and mother’s love towards son. The poems dedicated to woman’s beauty are the most numerous. The parts of woman’s body are equated with the manifestations of nature as synecdoches and the external indications of spirit. Woman’s deceptive love is mysteriuosly represented by motifs and language of oral literature’s poem. In poem Femaleswimmer mermaid symbolizes the ideal love, and since it is not from this world, no one is worthy of it. The young day-dreamer, still pure under the sun of life, is the closest to it. The poems on mother’s love as the unity of mother and son carry the special emotional heaviness, expressed in human, but also in animal world (poetical ekphrasis of stećak perpetuates the protective love of a doe to its fawn). In formal sense, the accoustic reflection of the words one in another is important, which also confirms the amalgamation of their contents: man is equated with the nature, and body with spirit. The unity of opposites expresses the aspiration for the overcoming of dualism as a prinicple of being, but also the ancient tone of Bosnian Bogumile spirituality. Key words: the theme of love, ekphrasis, the metaphor of seasons, synecdoche, antimetabole, paradox, syntactic paralelisms, homophony

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Egzistencija samoprepoznavanja u poetici Kamenog spavača (Iskustvo života i nadiskustvo smrti u Slovu o čovjeku)
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Egzistencija samoprepoznavanja u poetici Kamenog spavača (Iskustvo života i nadiskustvo smrti u Slovu o čovjeku)

Author(s): Irma Marić / Language(s): Bosnian Publication Year: 0

The most complex spirituality is exposed in art. Spiritualization is a process of human analytic attitude towards one self and others. The human spirit engages in different processes which it can, but doesn’t necessarily have to grasp. Sometimes we are conscious of such situations, but sometimes we aren’t. Consciousness and self-consciousness; recognition and self-recognition are key spiritual elements on the verge of the 21st century. Mental makeup of research process is recognized in slightest oscillation, exhalations, memories, events, experiences registered or just touched on. At first glance, the unreachable is sought to be reached; to escape the imposed circle as a finished life circle, make prominent thought and think about it. That is the way of seeking for the self, meaning, happiness, love… In this way the understanding of the duality of the self is born; the duality which absorbs consciousness and sub consciousness in the aim to explore the sides of one sole in the course of one own, or, more precisely – shared way.

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Mak Dizdar i Tin Ujević – čitanje pjesme Meki jastuk za mrtvace
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Mak Dizdar i Tin Ujević – čitanje pjesme Meki jastuk za mrtvace

Author(s): Perina Meić / Language(s): Croatian Publication Year: 0

Mak Dizdar’s poem Meki jastuk za mrtvace which was dedicated to Tin Ujević will be analyzed in the text. The analysis will include research of semiotic processes with regard to the semantic, syntactic and pragmatic aspect of poetic sign, and of the comparison poetic conception of two poets.

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Interpretacija Makove poezije u metodičkim aspektima tumačenja teksta „Kameni spavač“ Mehmedalija Mak Dizdar
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Interpretacija Makove poezije u metodičkim aspektima tumačenja teksta „Kameni spavač“ Mehmedalija Mak Dizdar

Author(s): Almedina Čengić / Language(s): Bosnian Publication Year: 0

Mehmedalija Mak Dizdar as one of the most prominent Bosnian poet, in reciprocity with his extraordinary artistic creativity, very little represented in the plans of the educational program. Animosity, conditionally speaking, according to his poetry does not follow from the rejection of this writer, but on the contrary, it is the result of insufficient knowledge and recognition of the value of his poetry among wider circles of lecturers in the teaching-scientific process. Ease of key messages contained in the titles of historical concretization cycles and thematic sections, the traditional interpretation of certain underlying values in life and existence of man and humanity, would not in its extreme interpretation, especially in the teaching process should be the only distinctively directed through a critical and artistic and creative reading Mak, but universal application of the overall process of educating and informing the general public. The basic message stylistic variables Mak lies a very complex and the significance of ethnological and etymological treasure of the cultural legacy that would be in its final definition, should initiate much hidden wealth of terms, phrases, and whole poetic phraseology units, which are pushed into oblivion. This would be a wealth of language and its own accumulated reserves that the scientific research process and the placement of appropriate information, provide high quality innovated vocabulary, which would no doubt be sure to significantly enrich the value of our mother tongue and spread information about the complexity of its creation and development. “

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Ekspresivnost poetskog jezika Maka Dizdara
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Ekspresivnost poetskog jezika Maka Dizdara

Author(s): Miroslav Artić / Language(s): Croatian Publication Year: 0

The text starts from a stand point of the expressiveness of the poetic language of Mak Dizdar with the intention to once again hear his poetry considering it was created in a primal language, as Dizdar himself put it, in a language that screams of “apocalyptical question marks”. And this language was precisely brought to life from “primordial”. Suddenly this primordial “silent language has become vocal”. How can readers recognize a primordial call to life in that awoken primordial language that screams with question marks? This is the reason time and time again his language is read, the language of questions, the language of the primordial wondering and a constant openness. In that targeted analysis, the starting point is the phonetic approach to the poem (Vuletić, 2005), according to which, as Vuletić suggest, the poetic meaning is not realized in the singular, individual but in a relationship with other meanings. Mak Dizdar’s poems would be heard using this approach, guided by an inner organization, with the intention to determine the function of the rhyme, in order to find out in what way the regularity in repetition and the rhythm is formed and realized. Motivation is also questioned, which is present in the relationship of the content and the frequency of return to the original text in the poem, which according to Lotman, has already fulfilled its basic information role. The main starting point in the analysis of the poem is its vocal organization, and it is especially important as even Guberina pointed out that the whole of a man speaks, not just his vocal organs. He suggests that other, non-lingual signs are also sent, apart from the lingual ones.

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Ponavljanje kao stilski postupak u pjesmi Hiža u milama
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Ponavljanje kao stilski postupak u pjesmi Hiža u milama

Author(s): Edim Šator / Language(s): Bosnian Publication Year: 0

The paper analyzes various repetitions in the poem Hiža u Milama and tries to point out to its importance in meaning, but also hearing the poem. The paper starts with the Jacobson’s theory that repetition is the key principle in poem building. We will stress repetitions on all linguistic levels and try to explain in what manner they influence the total understanding of the poem, but also its hearing.

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Sintaksičke osobenosti ciklusa pjesama „Radimlja“ Maka Dizdara
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Sintaksičke osobenosti ciklusa pjesama „Radimlja“ Maka Dizdara

Author(s): Zenaida Karavdić-Meco / Language(s): Bosnian Publication Year: 0

This article gives a detailed syntactic description of Mak Dizdar’s cycle of poems „Radimlja“. The corpus was analised first at the level of phrase, then simple sentence and finally complex sentence. In a separate chapter gives a detailed description of word order in a sentence. Through the analyses are given syntactic features, either as the presence or absence of certain syntactic phenomena, or as specific phenomena unusual or less common in the standard language. Although these features are also the syntactic stylemas, this paper does not deal with stylistics comments, but in the end only gives a list of syntactic characteristics of this cycle of poems.

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Estetički univerzalizam – Osobnost i osebujnost putopisa Zuke Džumhura
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Estetički univerzalizam – Osobnost i osebujnost putopisa Zuke Džumhura

Author(s): Rašid Durić / Language(s): Bosnian Publication Year: 0

In die Studie sind die Elemente der sprachlicher Kunst und der Enzyklopedismus bearbeitet und als wertvollsten Bestandteilen des universellen Ästhetizismus in Dzumhurs Reisebeschreibungen interpretiert. Diese beide Werte sind bisher in der Rezeption des Dzumhurs Werk als unbemerkte Werte geblieben und oberflächlich in der Literaturkritik angenommen worden. Mit der Erläuterung das Wesentlichen im Dzumhurs Werk in der Vertiefung und Erweiterung der fundamentaler Erkenntnis über Gleichwertung der Weltanschauungen, Kulturen und Religionen in der Zeit und Raum. Diese These ist durch die meine Interpretation der textuellen Selbstidentifizierung Dzumhurs mit der materiell-geistlichen menschlichen Erbe bewiesen. Dabei ist auch die universelle Ästhetik in der Reisebeschreibungen durch die Erzeugung der Freude und Begeisterung im Text nachgewiesen. Solche Erzeugung des Entzückens mit der menschlichen Schaffung macht den gemeinsamen Ethos der Reisebeschreibungen und dieser Studie aus. Mit gemeinsamen Versuch zu finden: auf welche Art und Weise kann der Mensch das Leben zu lieben und zu genießen.

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Grad i smrt i grad kao palimpsest u Nekrologu jednoj čaršiji Zuke Džumhura
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Grad i smrt i grad kao palimpsest u Nekrologu jednoj čaršiji Zuke Džumhura

Author(s): Nehrudin Rebihić / Language(s): Bosnian Publication Year: 0

The paper aims to offer several possible models for reading poetry of itinerary Obituary of a čaršija (the downtown/main street Ottoman-Turkish style bazaar) of Zuko Džumhur. First part of the paper is talking about culture trip to Bosnia, then the indications semiotics demolition and destruction of the city in individual itineraries from already mentioned collection of itineraries. Subsequently, the paper seeks to offer models of reading the city as a palimpsest, and as a place of memory. Besides all this, it aims to detect ways of Džumhur confrontation with the cities which are burdened with the past and history. That loads in history were created by religious, mythical and great historical events tied to these cities and thus create their personal identity.

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Čitanja grada u prozi Putovanje bijelom lađom Zuke Džumhura
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Čitanja grada u prozi Putovanje bijelom lađom Zuke Džumhura

Author(s): Fatima Trbonja / Language(s): Bosnian Publication Year: 0

The paper offers potential readings of urban / city space in Zuko Džumhur’s Putovanje bijelom lađom. Interpretation of space as a structural element in literature has already been extended to the inquiry of producing the space through the literary text, ie. to the question: how does the urban / city space become a metaphor for the text we are trying to read and perceive. The poetics of space has already been studied during the twentieth century by Gaston Bachelard and contemporary readings of urban/city space in literature have been analyzed by, inter alia, Mirko Kovač, Dževad Karahasan and Krešimir Nemec. Enumerating the topoi (atelier, streets, parks, hotels, restaurants, pastry shops) in this book, Džumhur has formed tithe Yugoslavian cities (spaces of nostalgia and memory) and represented few significant artists, mostly writers and painters, who exist as figures memories.

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Putopisi Zuke Džumhura i njihov pripovjedač (Od bijega u djetinjstvo do povratka u historiju)
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Putopisi Zuke Džumhura i njihov pripovjedač (Od bijega u djetinjstvo do povratka u historiju)

Author(s): Mirzana Pašić Kodrić / Language(s): Bosnian Publication Year: 0

The paper deals with the question of narrator in the travel writing by Zuko Džumhur. It particularly focuses homo-autodiegetic and heterodiegetic narrator as typical of the author’s travelogues. In this connection, the paper examines the return of the narrator to childhood and history as important characteristics of Džumhur’s travelogues.

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Pamćenje Divkovića u savremenoj bosanskohercegovačkoj i hrvatskoj književnosti
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Pamćenje Divkovića u savremenoj bosanskohercegovačkoj i hrvatskoj književnosti

Author(s): Ena Begović / Language(s): Bosnian Publication Year: 0

In the context of wider interest in Franciscans as particular ‘sites of memory’ (Pierre Nora) in Bosnian-Herzegovinian literature, this paper deals with how Matija Divković, his biography and work, is remembered in contemporary Bosnian-Herzegovinian and Croatian literary works, which, although not particularly numerous, vary chronologically as well as in terms of their genre. Namely, the paper discusses four literary pieces by four different authors: Lovrenović’s short story Iskušenje fra Matije Divkovića u Mlecima (The Temptation of Fra Matija Divković in Venice), Milić’s poem Matija Divković (1611), Karahasan’s drama Kotač svete Katarine / Čudo u Latinluku (The Wheel of St. Catherine / A Miracle in Latinluk) and Ivanković’s poem Divkovićeva molitva za zavičaj (Divković’s Prayer for Home) written and published over a period of thirty years (1973, 1982, 1991, 2002). The paper attempts to draw conclusions about the modes in which Divković is remembered and how they infl uence the construction of the Franciscan from the late 16th and early 17th centuries as a ‘symbolic and cultural capital’ of both Bosnian-Herzegovinian and Croatian traditions.

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TESAVUFSKI MOTIVI I TERMINI U BULBULISTANU FEVZIJE MOSTARCA
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TESAVUFSKI MOTIVI I TERMINI U BULBULISTANU FEVZIJE MOSTARCA

Author(s): Đenita Haverić / Language(s): Bosnian Publication Year: 0

This paper is actually an analysis of motifs and terminology of tasawwufin Bulbulistan by Fevzi Mostarac. Shaykh Fevzi Mostarac holds a prominent place among the authors who greatly contributed to the cultural heritage of Bosniaks in Oriental languages. The work that brought him fame is Bulbulistan, in translation the Garden of Nightingale, which is at the same time the only prose work in Persian in this region.

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Zbornik radova sa znanstvenog skupa. Matija Divković i kultura pisane riječi II
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Zbornik radova sa znanstvenog skupa. Matija Divković i kultura pisane riječi II

Author(s): / Language(s): Croatian

U povijestima hrvatske književnosti posebno mjesto pripada fra Matiji Divkoviću (1563–1631), utemeljitelju franjevačke i bosanskohercegovačke književnosti, autoru prvih tiskanih knjiga na narodnom jeziku i ujedno prvih djela na području današnje Bosne i Hercegovine ostvarenih što kavskom stilizacijom hrvatskoga književnog jezika. Divković svoja prva djela Nauk krstjanskiza narod slovinski (tzv. veliki Nauk) i Sto čudesa aliti zlamen’jablažene i slavne Bogorodice, Divice Marije objavljuje u Veneciji 1611. u tiskari Pietra M. Bertana i to na bosančici za koju jesam osmišljavao grafijska rješenja i lijevao slova. Svoje tiskarsko iskustvo Divković primjenjuje i pet godina kasnije kada ponovno lijeva slova i kod istog tiskara 1616. objavljuje još dva djela kojasu doživjela znatno veću popularnost: Besjede svrhu evanđel’ja nedjeljnijeh priko svega godišta (2. izdanje 1704) i Nauk krstjanskis mnozijemi stvari duhovnijemi i vele bogoljubnijemi (tzv.mali Nauk) koji je do 1738. godine objavljen dvadesetak puta i to u dvije inačice: opsežnoj i kratkoj.

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Suzana Lovrić

Suzana Lovrić

Author(s): Suzana Lovrić / Language(s): German Publication Year: 0

Poems by Suzana Lovrić: -die provinz; -die vornehme artikulation unverschämter worte; -briefe; -ich verwandle mich doch; -die grubenarbeiterin; -die summe; -der brief; -gute nacht; -nachdem man die zypresse gefällt hat; -ich legte dein hemd zusammen.

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MEĐUNARODNI NAUČNI SKUP - IVO ANDRIĆ - 50 GODINA KASNIJE
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MEĐUNARODNI NAUČNI SKUP - IVO ANDRIĆ - 50 GODINA KASNIJE

Author(s): / Language(s): Bosnian,Croatian,Serbian

Naučnim skupom Nobelovac Ivo Andrić – 50 godina kasnije Odjeljenje humanističkih nauka Akademije nauka i umjetnosti Bosne i Hercegovine obilježilo je pedeset godina otkako je Ivo Andrić dobio Nobelovu nagradu za književnost. Kao što znamo, ova nagrada je tom velikanu naše književnosti priskrbila međunarodni značaj, a time i samoj našoj književnosti dala vidnije mjesto u svjetskoj kulturnoj javnosti. Andrićevo djelo, koje je i do tada bilo predmet velikog interesovanja i čitateljske publike i književnokritičke misli u svim krajevima Jugoslavije, postalo je, zahvaljujući Nobelovoj nagradi i prijevodima koji su uslijedili, zanimljivo za čitatelje širom svijeta. Od tada to djelo ne prestaje privlačiti pažnju književne kritike i van zemalja bivše Jugoslavije. Njen sud davno je izrečen: Andrić je veliki pisac. Međutim, ako je ta ocjena ostajala sve vrijeme jednako neupitna, pristup njegovom djelu značajno se mijenjao u proteklim decenijama, zahvaljujući znatnim dijelom brojnim novim (modernim i postmodernim) razumijevanjima i tumačenjima same književnosti, ali i kulture uopće. Osim toga, mi više ni svijet oko sebe ne vidimo onako kako ga je vidjela Andrićeva generacija, pa su i značenja koja “izvlačimo” iz njegovog djela drukčija od onih koje je u njemu prepoznavala kritika njegovog vremena. Andrićevo djelo, kratko rečeno, nama danas ne govori isto ono što je govorilo njegovim čitateljima 60-ih i 70-ih godina prošlog vijeka. A upravo je ova pedestogodišnjica bila pravi trenutak da se književno kritička misao ponovno suoči s njegovim djelom, da mu pristupi u suglasnosti s novim iskustvima čitanja i da oslušne što nam ono danas govori, i na koji način. Bez svake sumnje danas, pedeset godina poslije dobijanja Nobelove nagrade, književno djelo Ive Andrića postalo je izazovni predmet novih čitanja, odnosno čitanja u dosluhu s novim vremenom. A želja je ANUBiH bila da tim povodom okupi stručnjake različitih profila i književnokritičkih usmjerenja, koji bi Andrićevo djelo iznova sagledali, kako u perspektivi nekih modernih učenja (naratoloških, strukturalističkih, postkolonijalnih, feminističkih) tako i u okviru promjenjenog društvenog i ideološkog konteksta u kojem se ono danas čita. Zbog te želje da se njegovo djelo u novim tumačenjima dovede u korespondenciju s duhom našeg vremena, ANUBiH je okupila desetak poznavalaca Andrićevog djela, s uvjerenjem da će oni – svaki iz svog ugla – svojim izlaganjem značajno doprinijeti suvremenom tumačenju tog djela. Sad smo u prilici da u ovom zborniku predstavimo široj javnosti sva izlaganja koja su podnesena (ili bila planirana da budu podnesena) na tom naučnom skupu, koji je održan u prostorijama ANUBiH u ponedjeljak 21. novembra 2011. godine.

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Zbornik radova u znak sjećanja na kolegicu Almu Granov
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Zbornik radova u znak sjećanja na kolegicu Almu Granov

Author(s): / Language(s): Bosnian

Odsjek za bosanski, hrvatski i srpski jezik Filozofskog fakulteta u Sarajevu priredio je Zbornik radova u znak sjećanja na kolegicu Almu Granov (1968–2013). Alma Granov bila je asistentica, viša asistentica i docentica na Odsjeku od 1993. do svoje smrti, te je ostavila veliki trag i kao nastavnica i kao naučnica među kolegicama i kolegama i studentima našeg fakulteta. Kolegica Granov dala je značajan doprinos bosanskohercegovačkoj lingvistici u oblasti rekcijske fonologije i posebno kompjuterske semiotike. Veliku je zaslugu imala u projektu uvrštavanja bosanskog jezika na Google Translate. Dr. Alma Granov napustila nas je u trenutku kada je pripremala projekt koji se ticao procesa digitalizacije bosanskohercegovačke kulturne baštine. Zbornik objedinjuje deset radova iz lingvisitke, nauke o književnosti i kulutrne bašine te dodatne tekstove o životu i radu kolegice Granov. Pored članova Odsjeka za bosanski, hrvatski i srpski jezik, radove su napisali kolegice i kolege koji su sarađivali s kolegicom Granov te mlađe kolegice i kolege koji su usvajali prva znanja iz njenih tekstova o kompjuterskoj lingvisici i jezičkim tehnologijama. Svaki pojedinačni rad u Zborniku recenzirala su po dva recenzenta slijepom recenzijom. Zbornik su u cijelosti dodatno recenzirala dva recenzenta otvorenim recenzijama. Pored sjećanja, ovaj zbornik je posebno naš znak zahvalnosti kolegici Almi Granov za njenu hrabrost da se uhvati ukoštac s brojnim izazovima u oblasti kojom se bavila te da iza sebe ostavi pionirske radove koji će služiti narednim naučnim generacijama. Zbornik objedinjuje deset radova iz lingvistike, nauke o književnosti i kulturne baštine. Uz članove Odsjeka za bosanski, hrvatski i srpski jezik, radove su napisali kolege i kolegice koji su sarađivali s kolegicom Granov te mlađe kolegice i kolege koji su usvajali prva znanja iz njenih tekstova o kompjuterskoj lingvistici i jezičkim tehnologijama. Vjerujemo da će sadržaj ovog zbornika biti koristan i zanimljiv čitateljstvu te da će radovi objavljeni u njemu biti inspirativni za dalja naučna i stručna istraživanja sličnih tema u području lingvistike, književne nauke i kulture uopće.

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