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Angloameričko prisustvo u djelu Midhata Begića

Author(s): Zvonimir Radeljković / Language(s): Bosnian / Issue: 42/2012

Bez obzira da li je bio kritičar ili esejist o čemu dileme postoje, nema nikakve sumnje da je Midhat Begić jedan od najvećih erudita u bosanskohercegovačkoj književnosti. Osnovni oslonci njegovog poznavanja svjetske kulture i književnosti svakako su francuska, pa zatim njemačka i ruska kultura. No upravo u ovom svjetlu mi se čini zanimljivim istražiti prisustvo referenci na angloameričku kulturu u Begićevoj esejistici ili kritici. Ona sigurno nije jedan od njenih temeljnih sastojaka, ali svojim prisustvom može ukazati na neke bitne osobine njegovog književnog pristupa koje dosada nisu bile viđene u punoj oštrini, a i pokazati stvarnu širinu njegove erudicije.

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Announcing the Translation of Spies

Author(s): Keith D. Doubt / Language(s): English / Issue: 3/2017

Derviš Sušić’s Spies was translated into English by Amira Sadiković and recently published by the Academy of Sciences and Arts of Bosnia and Herzegovina. The novel, part of the canon of Bosnian literature, is a series of notes written by spies or about spies stretching across the long and complex history of Bosnia-Herzegovina. A spy tries to know the country he or she spies on.

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ANOMALIJE

Author(s): Božidar Stanišić / Language(s): Bosnian / Issue: 3/2018

Drama play written by Božidar STANIŠIĆ

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Antemurale

Author(s): Borislav Arapović / Language(s): Croatian / Issue: 103-104/2018

Poem/Canto by unknown Bosnian Franciscan writer

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Antena, Cicija i ja

Author(s): Suvad Alagić / Language(s): Bosnian / Issue: 3-4/2019

Prose by Suvad Alagić: ANTENA, CICIJA I JA.

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Anticipativna poetika tajnog spisa: O književnim vrednotama i novovjekovnoj etici Bašeskijina nekrologija

Author(s): Vedad Spahić / Language(s): Bosnian / Issue: 4/2018

In some of the canonical prose texts in Bosniak literature, such as “Tvrđava” by Meša Selimović, ”Hodža Strah” by Derviš Sušić, “Sarajevski nekrologij” by Alija Nametak and “Šehid” ba Zilhad Ključanin,addressing new historical enthusiasm, the form of necrology appears as an appropriate expressive form of legitimising identity continuities (which have been strongly disputed). In criticism, this form has rightfully marked as a cultural memory act (genre quotation) of metatextual actualisation of MulaMustafa Bašeskija’s “Ljetopis”. His chronicles represent a classic secret writing, even for the author himself a highly compromettant and exclusively targeting the generations to come. The witness-writer position based on that, relieved Bašeskija from the obligatory outreach to general places and conventional figures which were legitimised by the then authors through their writing skills. The anticipatory character and comfort of the free thought within a secret writing reached, as per certain elements, the intimacy with what is marked in European tradition as Bacon’s Revolution, which assumes resistance to hierarchy in which the life of the warrior or the ruler is focused on the ethics of honour or glory, was incomparable with the lives of “lower class” people and the ethics of dignity.

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ANTONIMI U UHODAMA DERVIŠA SUŠIĆA

Author(s): Alen Kalajdžija / Language(s): Bosnian / Issue: 1/2012

The paper treats the problem of antonyms, based on material from the collection Uhode by Derviš Sušić. The paper aims to explain not only the function of antonymy in the collection, but also to offer a special view and select particular categories of antonymy. Our research shows that antonymy as a purely lexicologicaly-semantic phenomenon has specific repercussions in the content level of the text and message of the work of art. It is explained by numerous semantic incoincidences, presuppositions and confrontations of the content, in some lexemes as well as sentenial and discourse constructions. Acontribution to lexicology is reflcted in given examples from literary text of Bosnian authors, that show practical and very useful indicators of functioning of antonymy. Also, there is a special problem of separating contextual antonyms, which, as well as some other lexicology phenomena, shows general linguistic legalities based on polysemy of linguistic structure of lexemes and other units of the linguistic system, and as such they function in a contextual syntagmatic connection.

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Antropologija dijamanta

Author(s): Matija Bošnjak / Language(s): Bosnian / Issue: 3-4/2019

Pomisao da ono što nazivamo „vanjskim svijetom“ ili „pojavnom stvarnošću“ postoji samo dok je registrirano u percepciji jedna je od najintrigantnijih suludosti u historiji ideja i potpisana je imenom irskog biskupa Georga Berkeleya, čiji slogan essse est percipi nije bez razloga pronašao utočište u maštovitosti J. L. Borgesa, to jest u njegovoj poeziji pod stihom „(Ova soba ne postoji. Ona je nije vidjela)“, to jest u njegovoj prozi kao filozofski štof za XI. svezak enciklopedije o zemlji Tlön, Uqbar, Orbis Tertius.

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Arhaizmi i neologizmi u Kamenom spavaču – leksikografski pristup

Author(s): Alen Kalajdžija / Language(s): Bosnian / Publication Year: 0

The paper pays special attention to analyzing lexis that belongs to a group of neologisms and archaisms. Based on the conducted analysis we can conclude that it is a case of a particular sort of which is archaic by its origin, but thanks to Dizdar’s innovative linguistic procedures also neologic, so we can perceive them as neologic archaisms, that is „neoarchaisms“. According to the paper, there is a classification of the analyzed lexis by various criteria that can relate to inner linguistic levels, but also some extralinguistic conditions.

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ARHETIPSKI BOL ŽENE NASUPROT MUŠKOG SHVATANJA HEROIZMA

Author(s): Ružica Jovanović / Language(s): Serbian / Issue: 2/2012

Skender Kulenović, by creating the poem Stojanka majka Knežopoljka,in fact created a poem about eternal sorrow and at the same time a specific alogism of life and death. If heroism was, since the ancient times, understood as devotion to an idea and sacrificing for it, the question arises whether the sorrow of woman in turmoil of war loses or wins a battle according to understanding of heroism. If it wins it, is it due to the fact that the woman is carrier of regeneration or the pain of woman is stronger than heroism in quantitative sense of the word, as being beyond comparison. The elements of tužbalica together with anacreontic segments dealing with day-to-day man’s existence together in a poem constitute an exquisite apotheosis to life and the woman as a regenerator of same. It is these elements, recognizable since the earliest traces of literary creation, that put S. Kulenović among timeless writers, beyond any classification.

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Ars Amatoria

Author(s): Mato Nedić / Language(s): Bosnian / Issue: 1/2019

Oduvijek sam volio pripovijedati. Pripovijedajući drugima prenosimo obavijesti o životu i događajima, u njima stvaramo sliku onoga što im želimo priopćiti. Ako smo dobri pripovjedači, znamo pridobiti slušatelja, zainteresirati ga za sadržaje koje iznosimo, znamo zadržati njegovu pozornost. U usmenome pripovijedanju važnu ulogu pritom imaju i naše oči kojima privlačimo pogled druge osobe. Bitan je i izraz lica, a nisu nevažni ni pokreti ruku i tijela. Dobar govornik vješto naglašava riječi i pojedine dijelove rečenica. O čemu god on govorio, ako to čini na pravi način, slušatelji će imati dojam da govori o nečemu važnom. [...]

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Artizam smrti kroz simbiozu estetike i svetosti u Kamenom spavaču Maka Dizdara

Author(s): Rašid Durić / Language(s): Bosnian / Publication Year: 0

In dieser Studie interpretiere ich der heilige Kraft und ästhetisch sprachkünstlerischen Wirkungen des poetischen Lietmotivs des Todes auf dem Basis der metaphysischer Transformation des biotisch-materialistischen Lebens in seine kosmische und geistliche Ewigkeit. Es handelt sich dabie um eine Metamorphose des Materiellen durch ihre ständige Transmutation in einer ewigen Bestehens des mikro-makrokosmischen Daseins. Damit wird sich Der steinerne Schläfer als transcendentale Psychoterapie erweist in deren sich das poetische Wort in die heilige Kraft umwandelt. Solche Umwandlung wird in der Erforschung der mittelalterlicher Epigraphic der bosnisch-humischer Heretiker als sgn. “bosnische Schule des Todes” genannt. In meiner Studie ist solche Todeskunstschule anhand der Interpretation von (un)trenbaren Symbiose zwischen des Heiligtums (und der heiligen Wirkung) und des Ästhetischen bewiesen worden. Mit dem Hauptthese, dass das biologische Tod in Dizdar Poesie eine Umwandlung in andere Art des Daseins bedeutet. Unten den Verwendung der Philosophie perennis kann man Des steinerne Schläfers als eine Art der künstlerischer Psychoterepheutik sehr ernst annehmen, um durch deren Anwendung eine gewisse Todesüberwindung zu erlangen.

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ARZUHAL HADŽI JUSUFA LlVNJAKA - BUNT PROTIV KORUPCIJE U PRAVOSUDNOM SISTEMU BOSANSKOG EJALETA

Author(s): Velida Mataradžija / Language(s): Bosnian / Issue: 2/2016

Arzuhals, appeals to the authorities, belong to the special genre of the Bosnian Alhamiado literature. They represent precious historical testimonies on socio-political issues in Bosnia under the Ottoman rule. The first poem of our Alhamiado literature, which has been found on the Bosnian Eyalet territory up to now, is Hajji Jusuf Livnjak’s arzuhal dating from 1618/1619. This paper considers the conditions within the Ottoman judicial system at the beginning of the 17th century and presents the arzuhal, its transliteration, transcription and Bosnian translation of the verses written in Ottoman Turkish. Since the protocol of the Kadi of Imotski has not been preserved, we do not know if the authorities complied with this arzuhal, but the author’s effort to stand against injustice is praiseworthy.

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Atif Kujundžić, samotni pisac

Author(s): Žarko Milenić / Language(s): Bosnian / Issue: 2/2019

Atifa Kujundžića sam prvi put sreo 1981. godine na Književnom kampu u Kiseljaku, na jezeru Modrac, kojeg je on bio jedan od organizatora uz Avdu Mujkića i Jusufa Begića. Sva trojica su mi ostala u dobrom sjećanju. Bilo nas je tamo puno pjesnika iz cijele bivše Jugoslavije i njih trojica su to odlično organizovali. Izašao je tom prilikom i zbornik učesnika Kampa. Tom prilikom sam se prvi put susreo s poezijom te trojice vrsnih pjesnika. Poslije sam potražio u Gradskoj biblioteci u Brčkom njihove knjige. Neke njihove stihove pamtim i danas kao one Begićeve posvećene svojoj majci. Jedino su Atifove pjesme bile rimovane i bio sam tada iznenađen kako je vješto vladao rimom. [...]

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Autobiografski diskurs Meše Selimovića u interpretacijskom ključu postkolonijalne kritike: iskustvo jednog liminalnog/hibridnog identiteta

Author(s): Aida Bajraktarević / Language(s): Bosnian / Publication Year: 0

Analytical and interpretive objective of analysis of the autobiographical discourse of Meša Selimovic Memories (1976) is to examine the way the work represents the subjective and collective experience of liminal or hybrid identity and culture of Bosniaks. Theoretical and critical starting point for the work are the views and terms which are developed by the postcolonial critics Edward W. Said, Homi Bhabha and Jan Assmann, German scientist who has studied the cultural memory. These theorists with their theoretical models have focused on sub-cultures and parts of the world, interpreting the discursive construction of the colonial countries of the Orient and the Third World. The work aims to offer a reading of Selimovic’s autobiographical discourse through the prism of concepts of postcolonial criticism and cultural studies as a narrative that in the construction of identity of Bosniaks first adopts colonial stereotypes, participating in the creation and adoption of orientalist images and stereotypes about the Bosniaks, then affirms the diversity and variety of Bosniaks culture, moving the former margins to the position of equal center whose voice becomes one of many that we hear in literature and culture.

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Autobiografski roman kao medijacija između fikcije i stvarnosti (na osnovu romana Mimesis Andreja Nikolaidisa i Privatna galerija Balše Brkovića)

Author(s): Katarzyna Sudnik / Language(s): Serbian / Issue: 1-2/2010

Powieści Mimesis Andreja Nikolaidisa i Privatna galerija Balše Brkovića były jednymi z najbardziej komentowanych utworów literackich w ostatnich dziesięciu latach w Czarnogórze. Obaj autorzy stali się elementami "nowej literatury" i "nowej kultury", a ich teksty przyczyniły się do przełamania dotychczasowego modelu literackiego („wielkich narracji“) panującego w regionie. Obie powieści łączy szereg podobnych rozwiązań literackich, przy czym ich najważniejszą wspólną cechą jest konstrukcja powieści oparta na autobiografii. W świetle szczegółowej teorii autobiograficzności francuskiego badacza Philippe’a Lejeune’a, żadna z tych powieści nie jest typową autobiografią. Ponieważ nie spełniają one warunku tożsamości autora z bohaterem i narratorem, autentyczność jest poddana w wątpliwość, a utwory należy zakwalifikować jako "powieści autobiograficzne“.

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AUTOFIKCIJA KAO NOVI VID PISANJA O SEBI

Author(s): Vildana Pečenković,Nermina Delić / Language(s): Bosnian / Issue: 1/2018

In the modern interpretative practice, the limitation of the concept of autobiography is overcome by the use of the term autofiction. In both theoretical part as well as on the example of Faruk Sehic's novel Book about Una, this work will focus on problematic issues regarding procedures that help question the relationships between writing and life, reality and text, the author's fictionalization of oneself, the rejection of omniscience and omnipresence of the third person and entering into dialogue between the narrative voice (which does and does not belong to the writer) and the imaginary reader. The concept of autofiction – the new type of writing about oneself – is recognized in the novel.

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Autor bogate stvaralačke palete

Author(s): Željko Ivanković / Language(s): Bosnian / Issue: 69-70/2018

Uz ime i djelo Veselka Koromana najčešće se, da ne kažemo prvo i gotovo isključi-vo, veže određenje – pjesnik. Posve razumljivim nam se, stoga, čini da njegovih dvanaest pjesničkih knjiga bacaju u sjenu sve druge mu knjige, no sad kad pred sobom imamo cjelokupno njegovo djelo, k tomu djelo koje je sâm za života htio uobličiti i uobličio u svoje sabrano, integralno djelo, optičke sprave i kritičku opservaciju valja snažno okrenuti i drugim, namjerno nećemo reći ostalim, njegovim književnim djelima. To tim više jer je i potpisnik ovih redaka i sâm najčešće o Koromanu pisao kao o pjesniku. Dakako, ne misli-mo pritom cjelinu njegova djela prevrednovavati, ili ne barem u ovoj prigodi, ali svakako ima smisla nešto više svjetla baciti i na drugu, dosad daleko manje vidljivu ili barem manje opserviranu stranu njegova opusa.

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B o s... na...

Author(s): Danica Vlašić / Language(s): Bosnian / Issue: 3-4/2019

Poetry by Danica Vlašić: B 0 S... NA...

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BAJA I DRUGOVI DERVIŠA SUŠIĆA - POKUŠAJ RAZBIJANJA KANONSKOGA KULTURNOMEMORIJSKOGA MAKROMODELA NA PRIMJERU RATNOG TEATRA

Author(s): Amra Memić / Language(s): Bosnian / Issue: 2/2016

The play Baja i drugovi is a comedy in three acts with elements of the vaudeville. This play is at the same time Sušić’s attempt to disperse the canonical macro-model of cultural memory by means of (partisan) war theatre. Partisan theatres were being founded within all district and municipal boards of the People’s Liberation Movement (NOB) whose primary goal was to “educate the masses” in the spirit of the People’s Liberation Movement (NOB). The cultural policy at the time, and the theatre as well, was expected to boost the number of consumers of culture, to emancipate ignorant and illiterate masses and strive towards focusing their energy to the benefit of further social and political awareness-raising with the aim of reaching canonical aesthetic-ethical single-mindedness. By using the counterpoint, a modern dramatic device, and by juxtaposing the tragical and the comical, throughout this play, which is mostly permeated with elements of comedy, Sušić maintains a tragic note by introducing the characters of Baja and Pisac, which will culminate at the end of the play in Baja’s death and Pisac’s psychological demise. However, even though the play unfolds towards a resolution, it unexpectedly and in a slightly ironic way changes the pattern present until a point when it suddenly turns bleak and brings us to a tragic end, which, after all, leaves us, in an imperatively ironical way, filled with cathartic ideological optimism that mocks the inevitable ideological optimism of single-mindedness.

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