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This paper tackles the so called “rhyme transfer”, which is a phenomenon, specific to translations of Russian rhymed poetry into Bulgarian. Different means of transferring the rhymes from the original poetic text to the translated text are discussed. Special attention is paid to the problemsof retaining the type of the verse endings and the phonetic exactness of rhymes.
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Bulgarian dialectologists live with the myth that today’s village is similar to the old patriarchal settlement in which there is no socialculture. Therefore, they believe that classical dialectological research methods and ways of description are still valid. This paper argues that the modern Bulgarian village has undergone considerable change and its language can be studied only by sociolinguistic methods.
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Plato’s Allegory of the Cave is an early example of currently still ongoing debates on the principles of reflection, the conditional nature of the imaginary world and the relativism of cognitive psychology. This text posits certain narrative archetypes applicable to the discussion of image based thinking, transformations of ideas, objects and simulacra, as well as the open character of the verbal representation of these processes. Based on various visualizations of the plot from the time of the Renaissance to the present day, the paper illustrates the Allegory’s interpretative potential and poses certain questions to the modern world of multimedia products.
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The paper proposes a lexicographic model for a thesaurus of the Old Bulgarian language. This model can well be used as a template for a diachronic presentation of this type of lexical relations. The goals of the project for such a dictionary are also outlined here: the collection and lexicographic processing of the wealth of synonyms in the Old Bulgarian language. The theoretical formulation, on which the dictionary is to be constructed, is also well-grounded here, that is the concept of the word as a ternary substance charactrerised by: an absolute value (its meaning), a relative value (its quality to be stylistically marked or stylistically neutral as well as its ability to enter into various semantic relations with other words) and a combinative value (its syntactic-semantic positions and the series of lexemes capable of filling them). What is further discussed are some issues related to the macrostructure and microstructure of the dictionary. Also, the advantages of its creation are given.
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The turbulent – in a historical sense – era of ІV–V cc. was at the same time the Golden Age of Christian literature. The issue of the Roman Empire, which was the homeland of most of the Church authors at that time, is discussed in the Latin Christian literary works of this period. What was the attitude of the Christian writers towards the political entities, which called themselves „homelands“? What kind of travels did the Christians during ІV–V cc. undertake, what were the reasons for them and what was their purpose? And finally, what did the Christians actually strive for in their journeys and in their lifetime as a whole? The following paper aims to answer these questions.
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The paper discusses the images of China from their earliest appearance in European sources of information about the empire (known as Cathay and also as the land of the Seres) up to the end of the nineteenth century. It traces the development of these images through the centuries and examines how they have changed in accordance with the varying ways in which the representatives of the West have looked upon the world. Special attention has been given to the cyclic nature of image creation. The individual authors have been grouped in several sections discussing the different periods of communication and interaction.
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The paper reveals and analyses two illustrations by the Polish painter Henryk Dêbicki (1830–1906) on the Serbo-Bulgarian War, published in the popular Warsaw newspaper Tygodnik Ilustrowany in 1885 and 1886 and unknown to Bulgarian scholars. The illustrations prove that Dêbicki, known for his previous cooperation with Bulgarian revolutionary Hristo Botev, continued to work on Bulgaria-related graphics after the country’s liberation in 1878. The author, however, doubts that the illustrator had experienced the war directly and claims that despite being referred to as the paper’s special correspondent, Dêbicki is unlikely to have visited Bulgarian territories.
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Die Stimmen von Marrakesch (1967) is one of the characteristic texts produced by Bulgarian-born Austrian writer and Nobel prize winner Elias Canetti. On the one hand, his Aufzeichnungen nach einer Reise (A Record of a Visit) lays the foundations of the aphoristic style of his multi-volume “records”, and, on the other hand, is imbedded in the European tradition of travel writing as a genre dedicated to memoir culture. The paper traces the rhetoric of memory as a narrative principle, unifying the impressions of the traveller as a by-standing observer of the real journey, his reflections on the stories further developed in his imagination and his rhetorical devices for the articulation of universal human ideas.
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The paper presents maritime writer Georgi Ingilizov’s (1955–2018) concepts, ideas and initiatives (editorial activity, filmography) related to the status of Bulgarian maritime fiction and its place in Bulgarian literature. The paper also traces the maritime writer’s creative path and addresses the main aspects of his maritime prose related to sailors’ values and problems. The text corresponds to an interview with the author, published in this issue.
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The naming of places according to local vegetation is a universal way of creating toponyms, a considerable part of which is derived from common names of localities, denoting ‘a place where a particular plant (fruit) grows’. Studying such toponyms can enrich the current locality-labelling data with new, hitherto unknown ones, as well as complete the pattern of the folk taxonomy of fruit. Nomina loci, as a separate word formation category, is well studied in both literary Bulgarian and its dialects. The present study aims to reconstruct the common names of localities, motivated by names of fruit, which have been preserved in Northern Bulgaria toponymy. There is a list of locality names derived from different kinds of toponyms. Some of these names expand the currently known ‘nomina loci’ word formation categories by providing new names. The analyses also show that the toponymy has preserved a fair number of archaic lexemes, formed through rare and antiquated suffixes with a locative function, which have not been registered in earlier research of locality names.
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Тhe paper is an attempt to overcome the asymmetry in the descriptions of web forums as a genre of Internet communication. It supports the classification based on content by challenging the differentiation of forums according to their communicative goals.
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It is conventional in traditional structural linguistics to assume that one verb may occur in different syntagmatic realizations, such as ‘He closed the door – The door closed’ or ‘She stopped the car – The car stopped’. Dik’s (1997) Functional Grammar postulates a differentiation between the semantic component of a verbal lexeme and its predicate frame. The latter may undergo variation in terms of reduction or extension without affecting the semantic core which remains unchanged. This paper outlines typical productive patterns of valence variation – predicate frame reduction or extension, in processes of verbal derivation in English and Bulgarian. The functional analysis applied here offers an innovative account and subsumes within one theoretical model a wide gamut of phenomena, such as structures with a ‘locative Object’, ‘free datives’ or the Bulgarian ‘dative of disposition’.
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The article deals with the role of the “Turkish yoke” metaphor in historiography, history textbooks, and Bulgarian national culture. The analysis leads to the conclusion that “Turkish yoke” is not the most suitable term for naming the historical period during which Bulgarians had no state of their own for nearly five centuries. Although historically imprecise, the metaphor is defined as an important concept of national culture, representing the mindset of the Bulgarian elite during the High Renaissance period. The understanding of the historical logic behind the term “Turkish yoke” is very important for preserving correct historical memory of the events of the third quarter of the nineteenth century. The text concludes that the “Turkish yoke” metaphor symbolizes the nоn-slave consciousness of those Bulgarians who had accepted the ideas of national revolution.
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The present paper deals with the concepts of GOOD and BAD as reflected in the Bulgarian lexical system from the standpoint of Cognitive Metaphor Theory, developed by G. Lakoff and M. Johnson. The study is based on the view that the concepts of GOOD and BAD undoubtedly belong to the natural kind of human experience, but nevertheless require definition by means of metaphors as the concepts do not exist objectively in the physical world but emerge from human understanding. The linguistic data elucidate metaphors based on image schemata for ENERGY, FORCE, CONTROL, BALANCE and EQUILIBRIUM on which the conceptualization of the notions under scrutiny here is based in the minds of Bulgarians.
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In oration 43, in the anthology “Zlatostruj” is interpreted chapter 13 of the epistle of St. apostle Paul to the people of Rome. In (13:1) obedience to the bearers of power is preached and this behavioral principle is a motto for the author’s text. St. John Chrysostom follows the apostle’s belief that Christ introduces His laws not to destroy the social reciprocity and the civil order, but to strengthen them in order to prevent unnecessary and useless wars. It is normal the power and the society to be in a state of co obedience and consent, in constant obtaining and application of the Christian principles of the attitude between personalities. It is evident that king Simeon the Great shares the idea for an ideal, educated and undivided Christian state under the patronage of God and the power of pious earthly king, God’s servant (Rom.13:4). The consent and co obedience of the nationals is guided by the supreme principle of love – you must love your neighbor as yourself (Matthew 22:37–39).
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The present paper provides a historical perspective of representations of Bulgarian immigrants in Bessarabia and their descendants on how it is possible to preserve their own ethno-cultural identity in the conditions of a multiethnic environment, how to resist assimilation, and subsequently – what tasks have the community and its leaders assigned to native language education. Several attempts by Bulgarian immigrants to organize native language education are considered; the author analyzes whether – and to what extent – there were special requirements for the content of the training. Summing up the history of the education of the Bessarabian Bulgarians, we can conclude that it is in fact a history of contradictions between the aspirations of Bulgarians to teach their children in their native language and the state policy of Russia, Romania, the USSR and the Republic of Moldova. Based on the documentation and scholarly papers on the issue at hand, the following conclusions have been made: until the 1930s, the very right to learn one’s native language was denied per se, whereas recognizing the ethno-identification content of the native language as well as understanding the need to overcome ethnocentrism in the process of teaching and learning the native language and culture have been characteristics of the late 20th and early 21st centuries
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The paper examines Iliya Todorov’s book “On Botev’s verse”. I focus both on the researcher’s conclusions, generalizations and statements, and on the various mechanisms through which he arrives at them. The paper discusses Todorov’s analyses of the existential status of the poems, their variations, the editions in which they were published, the numerous editorial interventions. It raises questions concerning our idea of the poet – how we understand and think about his genius, how we perceive and read his poetic legacy; it also discusses the role of the author with regard to authenticity and tradition.
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In recent decades Edward Said’s theory of Orientalism has been dominating the imagological research of representations of the East. Although his theoretical model has long been almost unanimously accepted, it should not be applied uncritically – both because of the enormous diversity of the texts dealing with the Orient and because of the presence of a few debatable elements in the theoretical structure itself. This article examines some of these elements, focusing on the absence of certain orientalist research traditions from Said’s model and on his assertion that everything that people can know has in fact been constructed in their own mind.
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