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ADEM’İ ŞİRKE BULAŞTIRMAK YA DA AYETLERİ METNİN BÜTÜNLÜĞÜ İÇİNDE ANLAMAK (A‘RAF, 7/189-190 ÖRNEĞİ)

Author(s): Osman Kara / Language(s): Turkish Issue: 1/2015

Some israiliyyat reports in report hermeneutics caused negative claims about prophets to be propounded. In this article, it is claimed that although none of Prophet Adem's deeds was underlined, he committed a sin by giving his son the name of the devil. This article aims to contribute to understanding the verse by drawing attention to other interpretations after analysing the reports based on this comment.

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Aesthetics and Ethics Intertwined: Fictional and Non-Fictional Worlds

Author(s): Jonathan Locke Hart / Language(s): English Issue: 2/2017

Montaigne and Las Casas are important thinkers and writers, as are many others, including Shakespeare, as a poet, whose work is complex enough in its modernity that it would be hard to condemn him as a poet as Plato did Homer. Aristotle analyzed Greek tragedy to see how it worked in terms of a framework of anagnorisis and catharsis, that is, recognition and the purging of pity and terror. Shakespeare revisits and reshapes Homer in Troilus and Cressida and remakes Plutarch in Julius Caesar and Antony and Cleopatra while playing on the classical epic and mythological themes in Venus and Adonis and Rape of Lucrece. Plato, a poet as well as a philosopher, and a great writer if one does not like those categories, may have feared the poet within himself. Although assuming with Plato that philosophy is more universal and just than poetry, Aristotle takes the analysis of poetry and drama seriously in Poetics, and also discusses ethics, aesthetics and style in Rhetoric. So, while I discuss Plato as a framework, I am not presuming that writing on the relations among the good, the true, the just and the beautiful stop with him. I am also making the assumption that Las Casas, Montaigne, Shakespeare and other poets and writers deserve to be taken seriously in the company of Plato. Las Casas and Montaigne respond to radically changing realities and shake the very basis of traditional ethics (especially in understanding of the “other”) and work in harmony with the greatest poets and writers of a new era often called modernity like Shakespeare, who is in the good company of Manrique, Villon, Ronsard, Du Bellay, Juan de la Cruz, Luis de León, Lope de Vega, Quevedo and Calderón. Long before, Dante and Petrarch were exploring in their poetry ethical and aesthetic imperatives and broke new ground doing so. Nor can Las Casas and Montaigne be separated from other great writers like Rabelais and Cervantes, who carry deep philosophical and ethical sensibility in their work while responding to reality by providing aesthetically – even sensuously – shaped images that always leave a margin for ambiguity because conflicts are part of an ambiguous reality.

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Aksjologiczna nieprzejrzystość. O silnych wartościowaniach w dziennikach pisarzy

Author(s): Robert Piłat / Language(s): Polish Issue: 1/2021

In the present article, I discuss the issue of whether writers’ diaries reveal strong evaluations of their authors. Following Charles Taylor, I understand strong evaluation as the best axiological explanation which a given person is able to formulate and present as the reason for his or her preferences. This axiological awareness is a non-trivial internal choice made from among many possible explanations – it is a self-interpretation aimed at showing the source of the goodness instantiated by the person’s values. In the article, I look for evidence of such awareness in several well-known writers’ diaries. My conclusions are skeptical. Although the journals provide some clues in the search for strong evaluations, they are too chaotic and inconclusive. David Parker believes it more promising to look for fundamental axiological awareness in autobiographies instead. I find his approach correct; distanced reflection seems to be the only chance to reveal strong evaluations. This is despite the aporias involved in self-knowledge.

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Aktualizacja Słowa Bożego w przepowiadaniu

Author(s): Stanisław Dyk / Language(s): Polish Issue: 1/2022

Without actualization, preaching loses its purpose, becoming unattractive, and the very word of God is perceived by the listeners as devoid of its saving power, now lifeless. The study confirms these theses. The article organizes and synthetically presents the most important issues related to actualization: the theological foundations of actualization, the main principles of its implementation; biblical models of actualization as models for modern preaching; the updating process. Finally, a descriptive definition of actualization was formulated.

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Al. Robot and the Complex Process of Reception Lyric Creation

Author(s): Lilia Cecan / Language(s): English Issue: 2/2022

Al. Robots is not part of the founding models of the era, but he grew up and trained at their school, being close to the notorious personalities of the time. The contacts with the intellectual and artistic elite generated the creative impetus of the young poet, Al. Robot. He manages to enter the sights of the authorized critical voices, G. Călinescu, Perpessicius, E. Lovinescu, benefiting from encouraging chronicles. Despite his death at only 25 years old, Al. Robot managed to create a name in the literary world through two poetry volumes: “Apocalips Terestru” (1932) and “Somnul singurătății” (1936), two unpublished poetry notebooks, organized in cycles: “Îmblânzitorul de cuvinte” (1968), “Plecările și popasurile poetului” (1968) and the proletarian collection “A înflorit Moldova” (1968), a novel in manuscript “Music-hall” (Viața românească, 1969, no. 11-12).There is a relative field of reference to Al. Robot’s creation, consisting of selected writings, anthologies, pages of literary history, articles and notes. The aesthetic recovery exercises of Al. Robot’s work is not recent. In the meantime, however, articles and studies were written about literary life in the interwar period, about the top personalities, in whose entourage the young Al. Robot was trained. The gradual recovery of Al. Robot’s creation, the critical evaluations that appeared sporadically after the 1960s, the extensive studies on interwar literature managed, first of all, to shed light on fragments of the creation of a writer who disappeared prematurely.

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Al-isti’āḍah i Basmalah u teorijskom nauku i praktičnoj primjeni sedam mutawatir kiraeta

Author(s): Alija Rahman / Language(s): Bosnian Issue: 88/2021

Bāb al-isti’āḍah ( بابُ الاسْتِعَاذة ) and Bāb al-bessmallah ( (بَابُ البَسْمَلة are the chapters that make a subject of discussions in fields other than qira’at studies as well. This issue is treated by the science of Hadith and that of uṣūlu-l-fiqh, each from within its own perspective. Regarding the science of qira’at, we here attempted to present the variety of theoretical and practical approaches to isti’āḍah and besmalla within seven mutawatir qira’ats. The work was based on Shāṭibiyya of imam Ash-Shāṭibī, a study of qira’at that was highly recommended by all the authorities in this field who lived after it was written and on some commentaries of this work as well.

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ALLAME MUHAMMED IKBAL KAO KOMENTATOR KUR’ANA

Author(s): Almir Fatić / Language(s): Bosnian Issue: 17/2013

At the beginning of this work the author presents the hypothesis that Muhammad Iqbal was the commentator of the Qur’an in a special, nontraditional way. Before proceeding to prove that hypothesis the paper briefly elaborates Ikbal’s attitude towards the Qur’an and presents some Iqbal’s views about the Qur’an. In the central part of the paper there are some citations from Iqbal’s poetry and prose that prove this hypothesis. Finally, the author presents his concluding thoughts.

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Analiza Fragmenta: književnost, histerija, biseksualnost

Author(s): Mirela Dakić / Language(s): Croatian Issue: 1-2/2021

The essay starts with Freud’s Fragment of an Analysis of a Case of Hysteria, relating its discordant lines of argumentation with the psychoanalytic concept of (bi)sexuality, as it was developed from Studies on Hysteria to Three Essays on the Theory of Sexuality, the latter of which was published in same year as the “Dora case”. We consider the aspects in which Freud’s contradictory analysis of the case becomes central to the feminist debate on hysteria in Hélène Cixous’s and Catherine Clément’s classic The Newly Born Woman. The analysis points to the constitutive relation of the authors’ disagreement on hysteria and different conceptions of literature and politics presented in their study and the subsequent polemical discussions. We further approach the dissent about the political and methodological framework of feminist criticism in the Anglo-American reception of the French authors, wherein gynocritics Elaine Showalter and Sandra M. Gilbert renounce the question of hysteria. Alternatively, deconstructive critical reading by Peggy Kamuf is grounded in Derrida’s approach to literature. Kamuf traces the main misunderstandings in Cixous’s reception, by interpreting her oeuvre as emblematic of so-called semi-theory and semi-politics, trying to deconstruct oppositions between a theoretical, political, and poetical text. Through the lens of semi-theory, the relation between Cixous’s semi-concept of a woman, as a reference without a referent, and the psychoanalytic understanding of bisexuality and hysteria, has far-reaching consequences on the reading of psychoanalytic text as literary and hysterical, as it compulsively repeats the very fragmentary pattern it tries to interpret.

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Analiza korištenja terminološke odrednice „umjetnost islama“ – drugi dio

Author(s): Mehmed A. Akšamija / Language(s): Bosnian,English Issue: 2/2020

This article follows from the previously published paper and pertains to a distinctive phenomenological analysis of the structure/form and the production of the modality of miniature/illumination/pictorial representation, namely the productive-reflective orientation of homo islamicus with a separate analysis of his profanely-aestheticized discourse of action/arrangement/design.. A particular attention is paid to the paradigm of reduction, i.e. to a possible transformation of the cognitive and productive-reflective orientation by means of denaturalization/ stylization, as well as to the analysis of the status of homo islamicus's paradigmatic and predefined position within both the profane-cognitive and recognitive-sacral production. The characterization of his work and his fulfillment of religious life within the aesteticized discourse of qadar/ṣināʿat was also used to discuss the opposition to the occidental academic approach/understanding, imposed by the inappropriate need to reduce any form of creative action to common Western denominators. Substance of the emergence of creative action is theoretically elaborated by means of the cognitive discourse of qadar/ṣināʿat, together with activating figurality on the idea of the closed concept of the collaborative-cognitive practice. The expansion of theoretical discourse allowed the presence of a new view on the religious-aesthetic philosophy and associated terms, respecting the specifics deriving from the basic traditional interpretations of the Islamic forms of aestheticized orientation. This brief analysis is intended to initiate a discussion on the issues of theoretical and historical other part of the „history of arts“ and „artistic production“ in the critical framework of both occidental and Islamic attitudes/views. This brief analysis is intended to initiate a discussion on the issues of theoretical and historical other part of the „history of arts“ and „artistic production“ in the critical framework of both occidental and Islamic attitudes/views. At the same time, it will contribute to a possible fundamental discourse for defining the expression homo islamicus's Islamic creative action' as an academic field within a broader discipline entitled as the „history of arts“.

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Anamnetyczny wymiar liturgii Triduum Paschalnego w tekstach Mszału rzymskiego

Author(s): Dariusz Kwiatkowski / Language(s): Polish Issue: 57/2021

This article presents the anametic dimension of the liturgy of the paschal mystery of Christ, which takes place during the Holy Triduum. In order to achieve the main goal, the author was using the method of liturgical hermeneutics and the critical-practical method. The most important source of the study are the prayer formulas contained in the Roman Missal. Referring to the liturgical texts contained in the Roman Missal, this article presents the liturgical hic, nunc and hodie of the paschal mysteries. The liturgical anamnesis unites all the celebrations of the Paschal Triduum. In this case, we can speak of one celebration, which is spread over time. The Triduum Sacrum is a kind of triptych, that is to say, three different paintings. To see and understand the meaning of this triptych, each painting should be viewed together with the other two. The Liturgy of the Easter Triduum presents the Last Supper, where Christ instituted the sacraments of the priesthood and the Eucharist. Then the passion and death on the cross, resting in the tomb, and finally, the resurrection of Christ. This article shows that the Passover of Jesus, that is, His passage from death to life, is not only a pious recall of the facts of salvation history, but their actual sacramental presentation. Therefore, everyone can always immerse themselves in the mystery of Christ’s paschal mystery and enjoy its saving fruits.

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ANDRZEJ WIERCIŃSKI, EXISTENTIA HERMENEUTICA: UNDERSTANDING AS THE MODE OF BEING IN THE WORLD

Author(s): Maria Luísa Portocarrero / Language(s): English Issue: 1/2020

Review of: Maria Luísa Portocarrero - Andrzej Wierciński, Existentia Hermeneutica: Understanding as the Mode of Being in the World, LIT, Zürich 2019, pp. 512.

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Anto ČARTOLOVNI: "Ethical and anthropological aspects of the emerging field of neuroprosthetics"

Author(s): Luka Poslon / Language(s): Croatian Issue: 4/2021

Review of: Anto ČARTOLOVNI: "Ethical and anthropological aspects of the emerging field of neuroprosthetics" - Aracne editrice, Rome, 2016., 184. p. Reviewed by: Luka Poslon.

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APIE FILOSOFIJOS KAIP MOKSLO PRIGIMTĮ

Author(s): Friedrich Wilhelm Joseph Schelling / Language(s): Lithuanian Issue: 91/2017

Mintis arba siekis sukurti žmogiškojo pažinimo sistemą, arba kitaip ir tiksliau tariant – siekis į žmogiškąjį pažinimą žvelgti kaip į sistemą ir vienovę, be abejonės, iš anksto numato tai, jog pirmiausia ir pats savaime žmogiškasis pažinimas nėra sistema – ἀσύστατον – tai, kas nėra vienovėje ir veikiau yra vidujai susipriešinęs pats su savimi. Norint suvokti šį nesistemiškumą, šį nepastovumą ir nevientisumą, tai, kas yra tarsi žmogiškojo pažinimo bellum intestinum (kadangi šis vidinis susipriešinimas turi būti atskleistas), žmogaus protas turėjo būti išmėgintas visomis galimomis kryptimis.

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Apokaliptyczny Smok. Symbolika i jej znaczenie (Ap 12,2-7)

Author(s): Bartosz Trębacz / Language(s): Polish Issue: 1/2019

In the Book of Revelation there are many symbols with broad meaning. The dragon is one of them. He is also one of the forms taken by Satan. This being represents a plenitude of malevolent forces opposing humans and God. The number of the dragon’s heads as well as horns and diadems is not accidental. They have their hidden meaning, not only emphasizing the might and aggression of the monster. They find their hidden meaning in the Old Testament as well. Although attributes indicate enormous strength, but at the same time they show weakness and finiteness in the creature in reference to God. The author of the Book of Revelation presenting the image of the dragon is inspired by the character of Leviathan, biblical beasts and monsters from other religious circles. At the same time, he creates his own image of a monster.

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Apokryfy a nábožensky vzdělávací tvorba

Author(s): Hana Bočková / Language(s): Czech Issue: 1-2/2009

Trois textes choisis ont été créés sur la base du sujet biblique apocryphe, néanmoins ils sont différents en ce qui concerne leur genre et en même temps ils réalisent les buts différents, postulés par la production religieuse et didactique, qui est destinée au lecteur populaire (W. Brückner) : la fonction catéchistique, propaganda fidei, l’élévation de l’esprit (aedificatio). Vejpis oné žalostivé cesty thématise les détails de la fuite de la Sainte Famille en Égypte. Le sujet dramatique de la composition épique accentue la lutte contre l’ennemi de la foi, la défaite de l’adversaire de la Sainte Famille – du diable ; ainsi aboutit-il à propaganda fidei. Knížka pobožná nová réalise la fonction catéchistique : le petit Jésus-Christ se trouvant dans l’église pose des questions qui instruisent le lecteur dans la foi. Patnácte tajných trápení représente l’ensemble de visions, le dialogue de l’auteur avec Jésus-Christ torturé qui est rendu présent, et ainsi le texte oriente-t-il le lecteur vers la contemplation spirituelle, la méditation. Cependant le type dominant de l’orientation fonctionnelle du chacun des textes n’exclut pas la présence de deux fonctions restantes; il s’agit de l’harmonie, de l’accord dans lequel prédomine un des éléments qui permet de déterminer plus exactement la position du texte dans la production religieuse et didactique de l’époque du baroque.

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Aposiopesis albo figury myśli w dobie ucieleśnionego umysłu

Author(s): Aneta Grodecka / Language(s): Polish Issue: 34/2018

The Author is interested in the states of becoming silent, discontinuing one’s utterance, which are associated with certain mechanisms of the functioning of the brain, as well as in the observation of such states in different artistic disciplines. Looking for an answer to the question how aposiopesis operates in words, sounds, and images, she analyzes pieces of music, poems (Zbigniew Herbert’s Pora), and examples of visual arts (Wojciech Pakmur’s paintings of the tango). In her reconstruction of the research field, the Author refers to rhetoric ( Jerzy Ziomek, Seweryna Wysłouch), the philosophy of language (Michel Foucault, Jean-François Lyotard), and neurophenomenology. The aim of the article is to suggest a new mode of reading that seeks inspiration and language in works from the field of neuropsychology (Maria Pąchalska), hermeneutic phenomenology (Mark Johnson), or neurology (António Damásio, Oliver Sacks). The Author’s analyses refer to Raoul Schrott and Arthur Jacobs’s concept (Gehirn und Gedicht, 2011), and the conclusions confirm that one should not look for a model (pattern) in the reception of art, but describe mental processes.

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Arhipelag suvremene filozofije

Author(s): Tonči Valentić / Language(s): Croatian

The Archipelago of Contemporary Philosophy consists of collected critical reviews and essays on 52 works by Croatian and European authors that have marked past two decades in philosophy. The book accurately and systematically monitors and critically registers the multiplicity and ramifications of various philosophical directions and intentions of the modern humanities. Tonči Valentić is Assistant Professor at the Faculty of Textile Technology, Department of Fashion Design, University of Zagreb, where he teaches courses in Media Theory, Sociology of Culture, Semiotics of Fashion, and Cultural Anthropology. He obtained MA degree in philosophy and literature from Faculty of Humanities in Zagreb, MA degree in sociology and anthropology from CEU in Budapest and PhD in sociology from University of Ljubljana. His books include: Multiple Modernities (2006), Camera Absondita: Essays on Ontology of Photography (2013), Archipelago of Contemporary Philosophy (2018) and Media Construction of Balkanism (2021).

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Aristotelio filosofijos struktūra M. Heideggerio mąstyme

Author(s): Nerijus Stasiulis / Language(s): Lithuanian Issue: 106/2021

The aim of the article is to outline the main characteristics of the connection between Martin Heidegger’s thought and Aristotle’s philosophy. Heidegger finds in Aristotle’s texts the example of presence as the thinking of unconcealment. The structure of the argument between Aristotle and Antifon becomes the paradigm for the argumentative relation between the conceptions of Heidegger and René Descartes. Both the destiny of Being which has now been revealed via Cartesian philosophy and the possibility of the new thinking of Being is derived from the philosophy of Aristotle, to wit – from the twofold possibility of reading its structure. The new thinking of Being is linked precisely to the thinking of presence as unconcealment, which coincides with the eigentlich Being. The relation of Heideggerian-Aristotelian philosophy to the Cartesian paradigm is understood via the structure of the Greek distinction between alētheia and pseudos.

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ARISTOTELIO KOMENTARAI: DE INTERPRETATIONE 9

Author(s): Anicius Manlius Severinus Boëthius / Language(s): Lithuanian Issue: 90/2016

Tai, kas bus paminėta šiame skyriuje, lyg ir priklauso samprotavimui, platesniam nei tas, kuriuo pridera užsiimti logikos moksle. Bet kadangi, kaip dažnai sakyta, kalba atskleidžiami pojūčiai, o jais, akivaizdu, suvokiame dalykų padėtį, tai nėra abejonės, kad tai, kas yra dalykų padėtyje, dažnai yra perkeliama į žodžius. Todėl teisingai nusprendžiau sudėtingiausias Aristotelio pažiūras atskleisti aptardamas jas du kartus: tai, kas yra pirmajame leidime, tarsi paruo- šia tam tikrą lengvesnį kelią besileidžiantiems į šias gilesnes ir painesnes problemas, o kadangi antrajame leidime gilinamasi į sudėtingas pažiūras, reikalingas paaiškinimo, jis skiriamas skaityti ir nagrinėti pažengusiems šiame tyrime bei moksle.

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Art Addressing Consumerism in the Age of Late Capitalism

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Art Addressing Consumerism in the Age of Late Capitalism

Author(s): Polona Tratnik / Language(s): English Issue: 61/2021

The globalized world is still in the phase of late capitalism, signified by the establishment of multinational corporations, globalized markets and work, mass consumerism and the fluid flow of capital. The question of the criticism of art towards the capitalist system, its ideology and consumerism is therefore still current and is readdressed in this contribution. Considering this issue, the recurrent theoretical reference is American materialist aesthetician Fredric Jameson, who was among the first to define culture and art in the context of late capitalism. In the article the author revises Jameson’s critique of art addressing consumerism and demonstrates that he did not consider the relevance of the means of consumption as regards the cultural logic of late capitalism. She claims that in order to open space to examine contemporary art as being critical towards consumerism, one also needs to consider the ontological changes that have occurred to art and pay attention to performative art, while Jameson was still focused on a representational mode of art. By being performative and also setting out actions outside of spaces that were traditionally designed for art, in the space meant for consumption, art has much a better chance to act politically, which Jameson wished to see from art which addresses consumerism, but did not. The author argues that if one is to seek critical or political art in late capitalism, those would be the cases of artistic interventions into the means of consumption.

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