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The paper is an overview of the Ottoman Turkish archival records stored in the “Oriental Collections” department of the National Library “St. St. Cyril and Methodius”, which are related to the history of Kazanlak and its district from the 17 th century to the period after the Liberation. The presented records are part of various collections: “OAK” and “НПТА”, as well as from some archival funds (main funds, the so called “A” massif funds and pre-funds) of Kazanlak, Stara Zagora, Plovdiv and the old sanjak Chirmen. It is presented also a brief review on the history of the town and the region.
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The work with the title STRATEGIC ENTREPRENEURSHIP, authors Nicoleta CRISTACHE, Marian NĂSTASE, represents a valuable scientific work that attracts with its novelty elements, the field addressed, and the possibility of applying the information provided within it.
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The work presented on this occasion maintains a classic approach to a site monograph, but the interdisciplinary studies conducted aim to extract a series of novel and valuable archaeological data. After a brief history of the research (Chapter I), which outlines the main stages of the settlement’s investigation, the author addresses various aspects of the natural environment (Chapter II). In addition to establishing a geographical framework for the settlement, the study provides a concise discussion of the topographic data of Stoicani-Aldeni-type settlements, accompanied by topographic maps marking some of these sites. Chapter III analyzes the settlement’s habitation structures, placing them within the broader context of the period and the region.
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The present work is based on the author's doctoral thesis, defended in 2022 at the Faculty of History and Geography of "Ștefan cel Mare" University of Suceava. Following the classic structure of an archaeological monograph, the first chapter is dedicated to the research history and historiography of the proposed subject (Chapter 1). The author divides the research history into four stages of development, aligned with the evolution of archaeology as a discipline and the political developments of the region. This first chapter also includes a valuable discussion on the historiography of the subject and the transformation of discourse as scientific knowledge advances.
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The Institute for Scientific Research and Artistic Work of the Croatian Academy of Sciences and Arts in Bjelovar was established based on the idea of the decentralisation of science in the Republic of Croatia. The Assembly of the Croatian Academy of Sciences and Arts decided on the establishment of the Institute on 29 December 2003, at the initiative, and with the approval and support of the City of Bjelovar and the Bjelovar–Bilogora County as co-founders. The operation plans of the Institute were oriented towards the purpose of the operation of the Croatian Academy of Sciences and Arts as founder, and towards the research-related and cultural needs of the co-founders of the Institute, which financed its operation. The author lists information on the Institute management (Director, Administrative Secretary, and the Institute Council). Kronologija aktivnosti Zavoda u Bjelovaru (2003. – 2023.) / Chronology of the Activities of the Institute in Bjelovar (2003–2023), the publishing activity that proved particularly successful in editing and publishing the scientific journal entitled Radovi Zavoda za znanstvenoistraživački i umjetnički rad u Bjelovaru / Papers of the Institute for Scientific Research and Artistic Work in Bjelovar (seventeen volumes have been published), and the seventeen books published in the edition Posebna izdanja Zavoda za znanstvenoistraživački i umjetnički rad u Bjelovaru / Special Issues of the Institute for Scientific Research and Artistic Work in Bjelovar, form substantial parts of the paper. The total number of pages is 9,731. The author stresses the importance of the role of many associates who were involved in the activities of the Institute, and as reviewers of the journals and the books. Based on the facts related to the operation results, it may be concluded that over the last two decades, the Academy Institute in Bjelovar has operated successfully and achieved respectable results.
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The New Human Rights Review marks the 35th anniversary of the 1989 anti-communist revolutions by honoring two personalities involved in the events of the Great Change. One of them is Petru Ilieșu, author of over twenty books of poetry, essays, and translations, as well as a director of experimental theatre, scenographer, and creator of digital art exhibitions. He has been awarded for his poetry collections and translations, receiving the National Award at the Jazz Gala and the Opera Omnia Award. As an honorary citizen of Timișoara, Ilieșu has also been recognized with the Excellence Diploma from the Timișoara City Hall, the Banat Excellence Gala Award, and the Excellence Diploma in Social Urbanism.
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Petru has published over twenty books of poetry, essays, and translations, directed experimental theatre, worked as a scenographer, and created digital art exhibitions—his achievements are countless. He has received numerous literary awards for poetry, translations, and lifetime achievements, as well as the National Award at the Jazz Gala. His civic and social involvement in promoting the image of Timișoara has been recognized with the Excellence Diploma from the Timișoara City Hall, the Banat Excellence Gala Award, and an Excellence Diploma in Social Urbanism. Since 2023, he has been an Honorary Citizen of Timișoara. The award from the New Human Rights Review further enriches this constellation of recognitions, honoring his exceptional contributions to the promotion of freedom and human dignity. In other words, for his love, courage, and dedication to others—and for gently reminding us that this could also be our purpose.
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Book review on Gabriela Kubíková. Dobré životní podmínky hospodářských zvířat v právu Evropské unie. Praha: Wolters Kluwer ČR, 2024, 240 s. ISBN 978-80-7676-978-6
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The work is structured into no fewer than 12 chapters, balanced in content, written in clear, explicit, and accessible language, yet with a pace and dynamism that reveal the author's passion for the field she addresses. This provides the reader with a comprehensive and complete journey through the legal institutions of tax law, following their logical evolution.
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Book review on: Hejzlarová, Eva M., ed., Mouralová, Magdalena, ed. a Štěpánková Štýbrová, Martina, ed. Fantastická data ve veřejné politice a jak je využít. First edition. Praha: Univerzita Karlova, nakladatelství Karolinum, 2023. 536 pages. Studijní texty; Volume 77. ISBN 978-80-246-5561-1.
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Review of: Slobodan Kaštela, Ivo Padovan i Hrvatska akademija znanosti i umjetnosti - Sjećanja jednog suradnika. Zagreb – Bjelovar: Hrvatska akademija znanosti i umjetnosti, Zavod za znanstveni i stručni rad u Bjelovaru, Posebna izdanja, knj. 18, urednik prof. dr. sc. Vladimir Strugar, 2024., 115 str.
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This review critically examines the book titled "Recalling Fieldwork: People, Places, and Encounters," edited by Raluca Mateoc and François Rüegg. The book presents an invaluable collection of memories shared by prominent anthropologists, who utilize it as a platform for meta-discursive analysis of their professional development and the pivotal role of fieldwork in their research endeavors. This review meticulously engages with the diverse anthropological narratives presented within the book, scrutinizing the researcher- source relationships and unveiling potential latent political underpinnings inherent to this scholarly undertaking. By closely examining the rich content of the book, this review contributes to a deeper understanding of the intricate interplay between personal experiences, academic growth, and the broader socio-political contexts that shape the discipline of anthropology.
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Kasia Lech’s book Multilingual Dramaturgies: Towards New European Theatre published in 2024 explores the role of multilingualism in the context of contemporary European theatre. Through interviews conducted with directors of multilingual productions, Lech examines how these performances reflect Europe’s shifting realities, foregrounding ethical, aesthetic, and practical issues. Key themes include the challenges of cultural integration, language barriers, and the roles of translators and actors. Lech’s work highlights how multilingual theatre fosters mutual understanding, encouraging audiences to embrace difference rather than uniformization.
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In 2014, Lavinia-Ileana Geambei published a dense, well-argued, and brilliantly structured volume of studies on six Romanian poets of the interwar period with Universitaria, Craiova. This is not a literary history book, although it includes elements related to this field, but rather, in our view, a journey marked by the two characteristics that the author identifies, analyzes, and highlights in the studied poets: tradition and modernity. As for the corpus, it includes the essential figures Ion Pillat, Vasile Voiculescu, and Tudor Arghezi, along with the perhaps lesser-known poets for non-specialists, Barbu Fundoianu (Benjamin Fondane) and Adrian Maniu.
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This book is a reissue in a single volume of two works, Annotated 20th Century English Literature (Part One) and Annotated 20th Century English Literature (Part Two), published by the University of Pitesti Press in 2009 and 2011, respectively. It is therefore composed of two parts.
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