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Природата и сакралното пространство. Взаимодействие между природата и архитектурата на съвременните сакрални пространства
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Природата и сакралното пространство. Взаимодействие между природата и архитектурата на съвременните сакрални пространства

Author(s): Adriana Surbova / Language(s): English,Bulgarian Issue: 2/2016

The paper deals with the emergence over the recent decades of sacral spaces, the design of which is underpinned by the idea of creating a dialogue between man and nature. The study analyses the architectural solutions to churches and pavilions for observing and communing with nature. It is argued that the said sites are also places for meditation, which can be defined as sacral experience either. The main ways of interplay with nature, underlying the design of a sacral space, are defined as follows: 1. Situating a building in a pre-selected natural environment; 2. Physical presence of natural elements as part of the structure and/or a building’s space, charged with particular symbolism and conveying a message of universal communication; 3. A building’s architectural structure: through framing or accentuating particular natural landscapes or elements, as a way of inclusion, display and communing with nature. For the purpose the paper features several buildings showing different ways of man’s communion with the natural environment, created and staged by means of architecture.

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Статут на жилищно-отбранителните кули в османския кадастър
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Статут на жилищно-отбранителните кули в османския кадастър

Author(s): Radosveta Kirova / Language(s): English,Bulgarian Issue: 2/2016

Tracing the pervasive usage of the word “kula” of Persian origin within the Balkan languages during the Ottoman rule reveals the absorption in the Ottoman Balkan periphery of the welded architectural and social model of residential and defensive towers, confrontational by concept to the centralized military Ottoman doctrine. The Ottoman Balkan peripheral territories - border areas, privileged mining settlements or semi-dependent monastic Athonite confederation - used to preserve due to various reasons different aspects of the existing pre-ottoman social structure such as hereditary aristocracy and land rights, clans and traditional blood vendettas. Diachronic analysis of the specific status of residential and defensive towers, including the status of the adjacent land and the landowners in social and religious aspect in the light of the available Ottoman tax and cadi documents discloses the heterogeneous character of the Ottoman periphery and includes some curious architectural clues, featuring the syncretic blending of the existing Orthodox with the later Sufi practices.

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Имитацията като метод за намеса в съществуващи сгради
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Имитацията като метод за намеса в съществуващи сгради

Author(s): Kliment Ivanov / Language(s): English,Bulgarian Issue: 2/2016

This paper seeks to stir up a dispute about the term ‘imitation’ in architecture. It draws a distinction between the simple act of imitation in designing and ‘imitation’ as an architectural approach to the work on existing buildings. The text seeks to revise the meaning of imitation through studying recent realisations and ignoring one-sided historical preconceptions. That allows this method of architectural intervention to be treated without being influenced by other similar terms. Imitation here is confined strictly to the narrow context of the work on exiting buildings, where imitation is a possible approach to architectural intervention. The method of imitation is completely different from imitation in designing new buildings, as the former is a pre-planned semblance while the latter is automatic replicating. From this vantage point, ‘imitation’ is a creative approach in its own right in architectural practice and a significant subject of research.

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Темата за рисунката в съчинението на Вазари „Жизнеописания на най-знаменитите архитекти, живописци и скулптори в Италия от Чимабуе до наши дни“
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Темата за рисунката в съчинението на Вазари „Жизнеописания на най-знаменитите архитекти, живописци и скулптори в Италия от Чимабуе до наши дни“

Author(s): Biser Damianov / Language(s): English,Bulgarian Issue: 2/2016

The paper deals with the issues of drawing, which Vasari developed in his The Lives of the Most Excellent Painters, Sculptors, and Architects, from Cimabue to Our Times. In his second revised and enlarged edition of 1568, Vasari in his introduction to the three arts of drawing commented on draughtsmanship and the role of drawing in arts, Vasari developed a basis for the theory of drawing and gave some central theses: ‘father of our three arts, architecture, sculpture, and painting’ drawing ‘extracts from many things an universal judgment, like a form or an idea of all the things in nature, who is most specific in her measurements’; draughtsmanship is essential to an artist’s creative achievements in art; draughtsmanship takes a very long time to practice, including drawing from life.

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„Върху архитектурата“ на Витрувий – преписи, преводи, цитати
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„Върху архитектурата“ на Витрувий – преписи, преводи, цитати

Author(s): Dimitrina Popova / Language(s): English,Bulgarian Issue: 2/2016

Vitruvius was a Roman architect. However little is known about him, he became famous for his work On Architecture/De Architectura or Ten Books on Architecture/ De Architectura libri decem, which was probably devised in stages sometime after 27 BC. The original is lost and the surviving manuscripts of Vitruvius’ work derive from a medieval manuscript, the earliest extant version of De Architectura, Harley 2767 manuscript in the British Library. The paper traces Vitruvius’ iconization in sixteenth-century Italy and its reflections in Bulgaria of the 1980s. The necessities of the respective ages, the Renaissance and Communism, projected themselves on to a legend of the past, which has not been used as a historical resources, but rather for devising scenarios that would conveniently connect the ancient author with contemporary architectural occurrences to provide evidence of the latter’s eternity and truth for that’s how it has reportedly worked for two thousand years now, ever since the days of the legend.

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Mûsikî ve mimarî: "Itrî ve Sinan eserleri üzerinden osmanli medeniyeti analizi"

Mûsikî ve mimarî: "Itrî ve Sinan eserleri üzerinden osmanli medeniyeti analizi"

Author(s): Nazende Yilmaz,İbrahim Numan / Language(s): Turkish Issue: 2/2017

Evaluating Itrî,,a cornerstone of Classical Turkish music who could be recognized as “Sinan of music”, one needs to approach through the best works of architecture, literature, and music in order to break the codes of Ottoman civilization. In the East, and in Islam in particular, although it is accepted that anything can be known only with its opposite, from the unity point of view, there exists no disparity in the affiliation of the opposites. When the understanding of the Ottoman art; in a work of music or architecture is mentioned, a structure designed from the viewpoint of unity appears Evaluating Itrî, a cornerstone of Classical Turkish music who could be recognized as “Sinan of music”, one needs to approach through the best works of architecture, literature, and music in order to break the codes of Ottoman civilization. In the East, and in Islam in particular, although it is accepted that anything can be known only with its opposite, from the unity point of view, there exists no disparity in the affiliation of the opposites. When the understanding of the Ottoman art; in a work of music or architecture is mentioned, a structure designed from the viewpoint of unity appears.

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Tradicionalna arhitektura na području sela Džakule

Tradicionalna arhitektura na području sela Džakule

Author(s): Damir Džafić / Language(s): Bosnian Issue: 1/2008

Svaka osoba koja se bavi istraživanjem na nekom prostoru treba, između ostalog, da razumije i trenutno stanje tog prostora. Da bi se to postiglo u antropogeografskim istraživanjima potrebno je “(…) sa stanovišta evolucije i kompleksnosti (složenosti) promatrati pojedina vidna djela ruku čovjeka u prostoru, i to u prvom redu kuću i naselje…” (Rubić, 71)

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ROBNA KUĆA - URBANISTIČKOARHITEKTONSKI HISTORIJAT LOKALITETA ROBNE KUĆE “GRAČANKA”U GRAČANIČKOJ ČARŠIJI

ROBNA KUĆA - URBANISTIČKOARHITEKTONSKI HISTORIJAT LOKALITETA ROBNE KUĆE “GRAČANKA”U GRAČANIČKOJ ČARŠIJI

Author(s): Rusmir Djedović / Language(s): Bosnian Issue: 18/2004

Gotovo svaki dio naselja sa dužim historijatom naseljenosti i dugom urbanom tradicijom ima vrlo zanimljiv i složen urbanističko-arhitektonski razvoj. Takav je slučaj i sa svakim značajnijim urbanim lokalitetom u gradu Gračanici, koji ima dugu urbanu tradiciju značajnog naselja u srednjem vijeku i naselja sa statusom grada još iz prve polovine 16. stoljeća. To se naročito odnosi na teritorij stare gračaničke čaršije kao kulturno-historijsko i zanatsko-trgovačko jezgra grada.

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Мевлеви хане – Пълдин, като пример за реставрация на паметниците на културата в България
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Мевлеви хане – Пълдин, като пример за реставрация на паметниците на културата в България

Author(s): Maya Chakarova / Language(s): English,Bulgarian Issue: 2/2016

This paper presents a project of restoration and adaptation of a heritage site of cultural significance, Mevlevi Hanein in Plovdiv/Ploudin /Pulden/, located in the city’s historic centre, in the immediate vicinity of Nebet Tepe (one of the hills of Plovdiv), the Church of SS Constantine and Helena, over the house of Bulgaria’s great painter Zlatiu Boyadjiev. The project is kept at the archives of the Institute of Art Studies, BAS

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Estetika Urbanistikoje: Camillo Sitte Įžvalgos

Estetika Urbanistikoje: Camillo Sitte Įžvalgos

Author(s): Almantas Samalavičius / Language(s): Lithuanian Issue: 70/2012

The author of the article discusses the concept of urban planning that was offered by Austrian architect Camillo Sitte at the turn of the last century. During this period and under the pressure of modernist imperatives, the leading urban panners were captured by urban megalomania and demonstrated an indifference to urban heritage and to the principles of aesthetics. The aesthetical dimension of Sitte’s thinking is scrutinized and his concept of urban planning is interpreted as strikingly up to date and modern. The author suggests that Sitte’s role in the history of urban planning still remains somewhat underrated because such influential authors as historian Carl E. Schorske or renowned architect Le Corbusier have drafted a one-sided and often unjust interpretation of Sitte’s theoretical assumptions. The author emphassizes the potential of Sitte’s approach. The author also mentions George R. Collins and Christiane Craseman Collins who consider the Austrian architect as adequatly modern and thus extremely urgent in the present discussions on urban planning. Further reconsideration of the legacy of Camillo Sitte can enrich urban studies and be of great help when drafting holistic attitudes toward urban heritage and contemporary planning practices both in Lithuania and other countries who face many urban dilemmas.

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Estetika Urbanistikoje: Camillo Sitte Įžvalgos

Estetika Urbanistikoje: Camillo Sitte Įžvalgos

Author(s): Almantas Samalavičius / Language(s): Lithuanian Issue: 69/2011

The author of the article discusses the concept of urban planning that was offered by Austrian architect Camillo Sitte at the turn of the last century. During this period and under the pressure of modernist imperatives, the leading urban planners were captured by urban megalomania and demonstrated anindifference to urban heritage and to the principles of aesthetics. The aesthetical dimension of Sitte’s thinking is scrutinized and his concept of urban planning is interpreted as strikingly up to date and modern. The author suggests that Sitte’s role in the history of urban planning still remains somewhat underrated because such influential authors as historian Carl E. Schorske or renowned architect Le Corbusier have drafted a one-sided and often unjust interpretation of Sitte’s theoretical assumptions. The author emphasizes the potential of Sitte’s approach. The author also mentions George R. Collins and Christiane Craseman Collins who consider the Austrian architect as adequately modern and thus extremely urgent in the present discussions on urban planning. Further reconsideration of the legacy of Camillo Sitte can enrich urban studies and be of great help when drafting holistic attitudes toward urban heritage and contemporary planning practices both in Lithuania and other countries who face many urban dilemmas.

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Mahalle Öğesi ve Turgut Cansever projeleri

Mahalle Öğesi ve Turgut Cansever projeleri

Author(s): Behiyye Yilmaz / Language(s): Turkish Issue: Special/2017

The neighborhood is described an administrative fragment of the urban area as a settlement scale. The neighborhood unit is an important urban scale in terms of the physical structure and development of the city. Order, improvement and beautification in society (Felekoğlu, 2000) start with social relations and interactions. With the definition of Cansever, which is based on the concept of neighborhood in Turkey," while it is the Ottoman-Turkish neighborhood where the relations between the garden and nature, the neighborhood and society are lived the most intensely and having privacy, when it comes to the day, the neighborhood is a place that there is a limited space trying to find itself 236 among the modern urban spaces, and it points out a cultural structure rather than an administrative structure (Baday, 2011). Considering this process, it seems that there is a change in the existing neighborhood formation. For this reason, With the axes of Cansever's slogan that is stated as "building a beautiful world, beautifying the world, people have the principal obligations and responsibilities for future generations." The architectural projects designed in the city and neighborhood’s scale have been examined in the sociological and architectural context. The new data to be generated is targeted to contribute to the conceptual infrastructure preparation and drafting processes of new neighborhood to be formed.

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Vytautas Brėdikis : Kūryba Fotomeno Ir Kitų Mūzų Haremo Prieglobstyje

Vytautas Brėdikis : Kūryba Fotomeno Ir Kitų Mūzų Haremo Prieglobstyje

Author(s): Vytautas Brėdikis / Language(s): Lithuanian Issue: 66/2011

Vytautas BRĖDIKIS was born in 1930 in Biržai. In 1955 he graduated as an architect from Vilnius Institute of the Fine Arts. From 1984 he was a professor. From 1988 till 1993 he was a rector of Vilnius Academy of the Fine Arts and authored fifty-six architectural projects. He was awarded many prizes among which are: the Lenin prize in 1974, the USS R Council of Ministers prize in 1975, and the Lithuanian Government Prize in 1984. Also he was decorated with the Lithuanian Duke Gediminas order of the third degree, the medal of Lithuanian independence, the Golden order of a “Knight of Architecture”. Brėdikis is a member of the Santara Council of Nation’s House and of the Board of Žuvininkai Union.

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Miesto Kultūros Žymėjimas Ir Jane Jacobs

Miesto Kultūros Žymėjimas Ir Jane Jacobs

Author(s): Almantas Samalavičius / Language(s): Lithuanian Issue: 64/2010

The processes of urban growth became the alfa and omega of large cities in post-communist Lithuania. However a discourse critically interpreting and analyzing these complex processes is still in the making. This article is an attempt to reconsider and discuss in a new context the criticism and ideas of Jane Jacobs – one of the truly leading and most important architectural and urban critics of the last century. The aim of the article is to discuss the attitude of Jane Jacobs to city culture and the role of architecture and urban planning in reshaping the contemporary city in order to make it more livable and enjoyable for city dwellers. The author of the article insists that one of the problems associated with urban planning and urban growth in this country is the fact that our urban discourses chronically lacked and still lack critical revisions of the most interesting and inspiring urban thinkers. There is no doubt that Jane Jacob’s urban criticism contains a lot of potential for revitalizing urban discourses in present-day Lithuania and provides certain framework for critical thinking about city culture.

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Містобудівні аспекти формування предметно- ландшафтного середовища житлової забудови

Містобудівні аспекти формування предметно- ландшафтного середовища житлової забудови

Author(s): Mykola Zhuk,Donat Zenichev / Language(s): Ukrainian Issue: 38/2017

Lately the usage of freedom planning, the raising of buildings height and the increasing of the among-building areas are leading areas, beside buildings to loss of the building's prolongation quality and to loss of yard's quality. Factually, the traditional structure's unity of town's environment was the yard. It is disappearing, giving in continual among-building areas that cover all area of community (micro district). In this case, the impossibility to underline an own yard's space within around neighbourhood, the impossibility of controlling above hypertrophied locations, hardships of recognizing the own house-area are leading us to situation, when identification feeling with nearby-building area is turning down. Boring, uniform area is left without neighbourhood, turned up the local living of a building, a quarter, of a micro district to vacuum social sphere.

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Роль міського дизайну в сучасному урбаністичному середовищі

Роль міського дизайну в сучасному урбаністичному середовищі

Author(s): Valeria Iyevleva,Ihor Povkh / Language(s): Ukrainian Issue: 38/2017

The purpose of the work is to examine the features of formation of the modern urban environment design tools, identifying the main trends of the modern urban environment and determining the basic principles of environment of the city through design. Methodology. Study is to determine the principles of forming the urban environment design tools, definition of urban design and urban design principles and their role in the modern urban environment. Research New Urbanism city. Scientific Novelty. Work is to identify new role of design principles and modern urban environment of the city, based on the idea of New Urbanism. Conclusions. The role of urban design – is to create a comfortable space concept of the modern city of New Urbanism is the basic foundation of its principles should influence the future development of the city.

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Світоглядно-культурні засади стильової трансформації закладів громадського харчування України: 20–30-ті роки ХХ століття

Світоглядно-культурні засади стильової трансформації закладів громадського харчування України: 20–30-ті роки ХХ століття

Author(s): Roksolana Viktorivna Dіachenko / Language(s): Ukrainian Issue: 1/2017

Purpose of Research. The purpose of the article is to analyze the main worldview and cultural fundamentals of the style transformation of catering in Soviet Ukraine in the 1920s – 1930s. Methodology. The methodology of the research is based on the important principles such as historicism, objectivity and certainty. The author uses the art critic and culturological approaches to characterize the main important transformation in the design of the catering establishments, which are determined by the variety of the artistic styles of the beginning of XX century. Scientific Novelty. The author has found out the modern sociocultural fundamentals’ influence on the creative preferences and tastes of the Soviet artists, particularly, among architectures and designers. It was manifested in the design of the public catering of Ukraine in 1920s – 1930s. Conclusions. The stylistic transformation of the establishments of catering of Ukraine in 1920s – 1930s was held under the influence of the combination of two aspects – ideas of Bolshevic conjuncture and new trends in the art. Indeed, the Stalin architecture of the 1930s – 1950s is the synthesis of the several styles, which are called Stalin Empire, classical and monumental style. The ideas of the eclectics (historicism), art-deco and empire were implemented in it.

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La sculpture architecturale de la côte bulgare de la mer Noire entre l’Est et l’Ouest aux XIIIe – XIVe siècles
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La sculpture architecturale de la côte bulgare de la mer Noire entre l’Est et l’Ouest aux XIIIe – XIVe siècles

Author(s): Albena Milanova / Language(s): French Issue: 1/2017

L’article étudie les sculptures des XIIIe-XIVe s. dans le but de faire ressortir le caractère des rapports Est-Ouest le long de la côte occidentale de la mer Noire. Il met en évidence la „perméabilité” aux influences étrangères venant aussi bien d’un Occident „schismatique” qui incitent à des expérimentations très réussies sur le décor des façades (rangées de consoles), que d’un Orient islamisé qui fait revivre d’anciens thèmes de l’art iranien (scènes de guerriers et de triomphe) sans jamais perdre de vue les tendances pionnières élaborées dans les ateliers de la capitale byzantine (nouvel intérêt pour la figure humaine). Les innovations les plus substantielles sont constatées dans les centres à présence occidentale (Messemvria, Varna) ou sièges de pouvoir du Despotat de Dobroudja (Kaliakra, Kavarna).

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Late Medieval South Slavonic Illumination in the Byzantine Context
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Late Medieval South Slavonic Illumination in the Byzantine Context

Author(s): Elissaveta Moussakova / Language(s): English Issue: 1/2017

The paper considers a particular variety of artistic manifestations in Slavonic manuscripts of the Byzantine heritage – that of the Byzantine epoch proper and that of the time, coinciding with the Ottoman rule on the Balkans. Illuminated manuscripts and iconographical patterns from some local centres of manuscript production are selected in order to discuss and estimate the present state of research and its perspectives. In view of a recent monograph on the 16th and 17th century Serbian miniatures, the examples from Balkan centres concern either less studied manuscripts or controversial topics. This is mostly an outline, which inevatibly bears on the depth and scope of the conclusions.

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Школи мистецтв у природному середовищі

Школи мистецтв у природному середовищі

Author(s): Valeria Iyevleva,Iryna Shevchuk / Language(s): Ukrainian Issue: 31/2017

The purpose of the research is to analyze the features of formation in means of architecture and design for children who are studying in the institutions of art direction. The author also tries to identify the main architectural - design decisions, volume - spatial structures including internal and external spaces. Methodology. The methodology of the study is to determine the main principles of comfortable art space for children of different ages who are studying at the specialized arts institutions. Scientific Novelty. Scientific novelty is the analysis of contemporary design schools’ area that is aimed at comprehensive development of children, including art schools. The author proposed basic principles that form the school space and optimal functional solution of the art school’s yard. Conclusions. Creating a comfortable space by design techniques will improve the aesthetic and artistic development of children and adolescents. The analysis of the foreign experience allows the author to determine major design techniques and implement the best of them in the optimization of the art schools’ territory.

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