Cookies help us deliver our services. By using our services, you agree to our use of cookies. Learn more.
  • Log In
  • Register
CEEOL Logo
Advanced Search
  • Home
  • SUBJECT AREAS
  • PUBLISHERS
  • JOURNALS
  • eBooks
  • GREY LITERATURE
  • CEEOL-DIGITS
  • INDIVIDUAL ACCOUNT
  • Help
  • Contact
  • for LIBRARIANS
  • for PUBLISHERS

Content Type

Subjects

Languages

Legend

  • Journal
  • Article
  • Book
  • Chapter
  • Open Access
  • Language and Literature Studies
  • Studies of Literature
  • Comparative Study of Literature

We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

Result 181-200 of 3813
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 9
  • 10
  • 11
  • ...
  • 189
  • 190
  • 191
  • Next
Spurenlesen in den Bergen

Spurenlesen in den Bergen

Author(s): Stéphane Pesnel / Language(s): German Issue: 25/2016

Zu den Grundkonstanten von Mario Rigoni Sterns Erzählungen zum Ersten Weltkrieg gehört die Dialektik von Natur und Geschichte. Meistens bildet die Natur ihrer Erhabenheit wegen einen radikalen Gegenpol zum Handeln der Menschen. Zuweilen kommt es aber zu einer Kontamination der bisher unberührten Landschaften durch die Gewalt des Krieges. In einigen ›racconti di guerra‹ wird die Natur zu einem regelrechten Palimpsest. Der Erzähler unternimmt es dann, die in den Landschaften hinterlassenen historischen Spuren zu entziffern, um das Kriegsgeschehen und das Leben einfacher Soldaten zu rekonstruieren. Natur, Krieg, Geschichte und Gedächtnis werden subtil miteinander in Verbindung gebracht.

More...
Drakula u zrcalu: Upisivanje ideologije u gotički roman

Drakula u zrcalu: Upisivanje ideologije u gotički roman

Author(s): Ljubica Matek,Sabahudin Međedović / Language(s): Croatian Issue: 1/2017

Bram Stoker’s Gothic novel, Dracula can be seen as a political text which comments on the social and political reality of Victorian England. The novel relies on the aesthetics of transgression both in its structure, which is epistolary and provides for multiple points of view, and in its contents, which describes the appearance of a supernatural being – the vampire. Supernatural events and characters symbolize the fear of moral decline that may occur as a consequence of contact between the dominant Victorian culture and colonial cultures, enabled by Britain’s colonial endeavours. The character of Dracula functions in most cases as a part of the subtext, a danger one does not see, but feels. He is a symbol of the fear of potential reversed colonialization and of the dangers of female emancipation, both of which represent a threat to the anglo-centric patriarchal hierarchy. As such, Dracula (and the contact with the East that he represents) symbolizes a threat to the tradition and stability of the British Empire which finds itself in a schizophrenic situation: on the one hand, Britain desires the new, as is seen through the scientific and technological progress, as well as progressive cultural phenomena, such as the idea of female equality. On the other hand, the promising future is burdened by an uncertainty that scares the British as it represents a step away from the position of a symbolic center of imperial power and away from patriarchy. Stoker’s novel is thus revealed as one of key texts which, paradoxically, represents Victorian ideology through the representation of ultimate otherness in the form of a monster.

More...
Диалог Франции и России во французской литературе

Диалог Франции и России во французской литературе

Author(s): Raisa Ivanovna Teleshova,Oksana Alekseevna Dubnyakova / Language(s): Russian Issue: 4/2017

Introduction. The relevance of studying of the dialogues of cultures in the art text dues to interest of humanitarian knowledge to “another” image with conservation on national identity and cultural originality. The review of theoretical sources of native and foreign science shows us that a representation of the image of Russia (Russian world, Russians) comes down mainly to the identification of national stereotypes in the texts of writers who do not have a personal Russian life experience. Authors of this article tried to identify the possibilities of influence of artistic text to a bilingual reader from the point of view of interaction of cultures. The purpose of the ar-ticle is delimitation of recurrent elements of the image of Russia in French literature of the second half of XX – the beginning of XXI century based on works of Henry Troyat, who combined in his mind artistic values of French and Russians. Materials and Methods. We are using a complex approach, combining a conception of dialogism of M. M. Bakhtin, principles of receptive esthetics and structural semantic analysis. Artistics texts of H. Troyat present the dialogue of author with both the reader and the culture of two countries significant for him. Investigator, as main recipient of literary work, enters to conversation with author and allocates valuable elements of Russian image. Results. The authors of the article prove that a model of the world built on a collision of two cultures and spaces forms an inseparable fabric in analyzed texts and is used by author for creation of image of Russia. In the labor it is proved that by using the mechanism of the dialogue of cultures the French writer H. Troyat acquaints the Russian culture to a French-speaking reader and presents Russian mentality in the context of French culture to the Western World. The most significant component of Russian image is the description of Russian soul which explains causes of behavior of Russian people. We consider the heroes of artworks as mediator of the intercultural dialogue, which comes as source of various cultural information about the country. Conclusion. Works of bilingual writers blessed with biculturalism gift contribute to mastering and comprehension of a new cultural area, to the development of a different cultural space built on the clash of different cultures, so called the world without borders. The studying of works of A. Troyat has the special importance in modern educational space, gaining multicultural character with a preservation of own cultural identity.

More...
(BE)SMISAO VREMENA U ODABRANIM DJELIMA WILLIAMA FAULKNERA I MEŠE SELIMOVIĆA

(BE)SMISAO VREMENA U ODABRANIM DJELIMA WILLIAMA FAULKNERA I MEŠE SELIMOVIĆA

Author(s): Selma Raljević / Language(s): Bosnian Issue: 2/2014

The purpose of this paper is to compare the modern concept of time by “placing” William Faulkner’s (1897-1962) novels: The Sound and the Fury (1929), Light in August (1932), Absalom, Absalom! (1936), Go Down, Moses (1942), and Meša Selimović’s (1910-1982) prose works: Death and the Dervish (Derviš i smrt, 1966), The Fortress (Tvrđava, 1970), The Island (Ostrvo, 1974) and Memories (Sjećanja, 1976). The aim of this paper is to compare the perception of time in the selected prose of these two writers within the context of the sum of combined intelligences. The topic will be explored by applying the thoughts of Einstein, Nietzsche, Bergson, Eliade, Freud and Jung. In their modern literary works, both Faulkner and Selimović transpose time into space, and time/space becomes a major player in their works. Accordingly, special attention will be given to the perception and (non)sense of time and space in their modern prose.

More...
17.00 €
Preview

Раз-сказывание [raspričavanje] хaрактера

Author(s): Anica Vlašić-Anić / Language(s): Russian Issue: 1-4/2000

Harms’s case “The Blue Notebook No 10”, which is a cisfinite miniature about the infinity of human non-existence, is seen by the author as an a-rational (IT = NON/IT) creative inovation: the defictionalisation of the narrative convention of the character, up to the point of cisfinite zero. Particular attention is drawn to the polemical intertextual “collisions” (The OBERIU Declaration) of Harms’s reddish-brown man with a canonized pattern of the classic Russian realistic (and socrealistic) characterisation (the ‘outer’ and the ‘inner portrait’; procedures, actions). Simultaneously, the ‘demimesis’ of the reddish-brown man destroys the traditional mimetic model of character structuralisation of the European romanesque production. Naturally, with a strong emphasis on the realistic model, which has already become an object of destruction — in the dadadistic avant-garde palimpsests (poeme simultane, dadaistic collage and photomontage, ready-made) as in the romanesque fiction of, for example, F. Kafka, J. Joyce, W. Faulkner, J. P. Sartre, A. Camus. As the defictionalisation of the character the universal epic literary convention in “The Blue Notebook No 10” becomes metapoetic DEFICTION/DEMIMESIS of the character as described by Aristotle in his Poetics.

More...

‘Her Room Was Her World’: Nellie Sloggett and North Cornish Folklore

Author(s): Simon Young / Language(s): English Issue: 2/2017

Nellie Sloggett (1850–1923) was a Cornish novelist and, under the name Enys Tregarthen, a folklore writer. This article* has four aims. First, to bring together all the biographical information about Sloggett. Second, to make the point that Sloggett’s writing is useful for folklorists: she has, since her death, been neglected even by south-western scholars. Third, to situate her work in the broader British and Irish folklore movement: her corpus offers some unique challenges. And, fourth, to provide a hand-list of her books and her other writings to facilitate further research. It is hoped, too, that some of the reflections on the geography of folklore collection will have a wider application.

More...
A Confederacy of Dunces: Ignatius Reilly’s Sensory Universe

A Confederacy of Dunces: Ignatius Reilly’s Sensory Universe

Author(s): Laura Ciochină / Language(s): English Issue: 14/2014

What is there about Ignatius Reilly – the protagonist of John Kennedy Toole’s novel, A Confederacy of Dunces – that makes him such an unforgettable character? This study aims to analyse a series of sensory nuclei around which Ignatius’s eccentric personality becomes manifest. The sensations and perceptions of the character and the ones elicited by him in others represent a good pretext for Ignatius to express his critical attitude towards a vitiated society characterized by mediocrity, hypocrisy and shallowness. By means of the analysis of these sensory nuclei this study aims to better understand the fascination Ignatius Reilly exerts on his readers.

More...
WHEN BEAUTY MEETS DECAY:
CASES OF DANDYISM, NARCISSISM AND DEGENERATION OF BODIES IN J.K. HUYSMANS’ À REBOURS AND 
OSCAR WILDE’S THE PICTURE OF DORIAN GRAY
5.00 €
Preview

WHEN BEAUTY MEETS DECAY: CASES OF DANDYISM, NARCISSISM AND DEGENERATION OF BODIES IN J.K. HUYSMANS’ À REBOURS AND OSCAR WILDE’S THE PICTURE OF DORIAN GRAY

Author(s): Cătălina Bălinișteanu-Furdu / Language(s): English Issue: 23/2018

The paper deals with two texts that were regarded as classic novels for the Decadent movement: À rebours and The Picture of Dorian Gray; the former is widely regarded as the “Bible of Decadence” which greatly influenced Oscar Wilde’s hero and led him to his downfall – “the French poisonous novel” is believed to dominate Dorian’s actions and influenced him to choose a lifestyle based on hedonism and sins. Both novels show how the protagonists relate to their own sexuality – Dorian leads an immoral life, while Des Esseintes, after having experienced numerous love affairs, is defined as lacking strength, energy and productiveness. Their histories oscillate between illness and the aesthetic contemplation of beauty. Illness in these two narratives comes under the shape of ‘mal du siécle’ (referring to the ennui, the melancholy felt by most of the young men in the Europe of the 19th century), neurasthenia (whose symptoms of anxiety, fatigue and depression were signs of the decadent sensitivity) and ultimately degeneration of bodies (which Max Nordau in his work Degeneration sees as a possible result of the contempt for traditional values and morality). Beauty, seen by the two authors as an aesthetic concept, should provide the protagonists with refined sensuous pleasure, rather than transmit moral messages; so, sensuality, the series of symbols and synaesthetic effects are meant to establish a sense of alienation, the obsession with artifice and ultimately the aversion to the natural; the contemplation of beauty takes sometimes the form of narcissism, another sign of degeneration (according to Max Nordau) which shows the psychopathological character of the culture and its moral and ethical decline. To a great extent, authors and protagonists embrace everything that is unnatural or unhealthy.

More...
UNE LECTURE MYHTOCRITIQUE DE LA COÏNCIDENCE DES CONTRAIRES DANS LES FICTIONS DE MIRCEA ELIADE ET MICHEL TOURNIER
5.00 €
Preview

UNE LECTURE MYHTOCRITIQUE DE LA COÏNCIDENCE DES CONTRAIRES DANS LES FICTIONS DE MIRCEA ELIADE ET MICHEL TOURNIER

Author(s): Daniela Mirea / Language(s): French Issue: 23/2018

Our paper focuses on a comparative study between Mircea Eliade’s and Michel Tournier’s anthropologies from the perspective of C.G.Jung’s and Mircea Eliade’s theoretical works. In several documents, Eliade speaks about the metamorphosis and survival of the sacred and myth in disguised forms, perpetuated in modern art and literature. The androgyny represents the archetype of unity, the totality. It is a coincidentia oppositorum, an expression of primordial plenitude, of a time when principles only worked together, each of them generating its opposite, supporting and amplifying it. The reunification of the opposites involves a way of being in the world that transcends man’s fallen condition and reinstalls him in the ontological status previous his fall.

More...
FICTIONALIZING TERRORISM

FICTIONALIZING TERRORISM

Author(s): Gabriela-Alexandra Banica / Language(s): English Issue: 11/2017

The article is set to analyse the relationship between literature and terrorism in order to illustrate the role of literature in the cultural response to terror in the works of two contemporaneous writers: Don DeLillo and Haruki Murakami, that belong to two different cultures, Western and non-Western, and are internationally recognised authors, as the field of interest is the fictionalization of terrorism novels that are embedded in their content with real life terrorists attacks will be of direct interest.

More...
SCHOLARLY COGNITIVE DISSONANCE: THE FOUR “SHOWERS OF GOLD”

SCHOLARLY COGNITIVE DISSONANCE: THE FOUR “SHOWERS OF GOLD”

Author(s): Dragoș Avădanei / Language(s): English Issue: 10/2017

Cognitive dissonance has been described as the result of a conflict or opposition between one’s expectations and what he/she really gets at the end of his/her quest—or research, rather. In this case, a reader who knows that there is a Greek/Roman myth about Danae giving birth to Perseus after Zeus/Jove visited her as a shower of gold, expects that Zane Grey’s novel Shower of Gold(a really peculiar case), Eudora Welty’s “Shower of Gold” and Donald Barthelme’s “A Shower of Gold” should share a number of characteristics or/and elements. As, generally speaking, they do not, frustration sets in and the reader/critic/scholar attempts to reduce the (effects of) cognitive dissonance and come to terms with what he/she chose to investigate. The paper is basically written from an ironic and self-ironic stance, since while experiencing the title syndrome, the author had to find a way/ways of reducing it, too.

More...
VIRGINIA WOOLF’S AND GRAHAM SWIFT’S THEORIES ON NOVELS IN THEIR DIARY AND AUTOBIOGRAPHIC WRITINGS

VIRGINIA WOOLF’S AND GRAHAM SWIFT’S THEORIES ON NOVELS IN THEIR DIARY AND AUTOBIOGRAPHIC WRITINGS

Author(s): Irina-Ana Drobot / Language(s): English Issue: 10/2017

The purpose of this paper is to compare the perceptions of novels and writing by Virginia Wool and Graham Swift. Their novels are similar and could be considered to belong to the category of lyrical novels. The way they view writing style, novels, plots is in direct connection with the writing style they practiced.

More...
PESMA KAO ZNANJE O NEMOĆI

PESMA KAO ZNANJE O NEMOĆI

Author(s): Aleksandar M. Kostadinović / Language(s): Serbian Issue: 511/2018

Pesnici, ne baš tako retko i izuzetno, znaju da poreknu smisao, vrednost i značaj sopstvenog stvaralaštva, a katkad ovaj čin negacije obuhvati i poeziju uopšte, dakle čitavu opredeljenu oblast u kojoj se ispoljavaju njihove stvaralačke ambicije i delanja. Ova situacija samo-poricanja naročito je zanimljiva kada se manifestuje kao pragmatička nedoslednost, kada se akt negacije pesništva ovaploti u nečemu što je autopoetička objava ili pesnički sastav.

More...
FILMADŽIJE KORISTE JUMP CUT, STOP-KADAR, USPOREN SNIMAK. MUZIČARI REMIKS, SKREČ, SEMPL. ZAR NE MOŽEMO I MI PISCI MALO DA SE ZABAVIMO?

FILMADŽIJE KORISTE JUMP CUT, STOP-KADAR, USPOREN SNIMAK. MUZIČARI REMIKS, SKREČ, SEMPL. ZAR NE MOŽEMO I MI PISCI MALO DA SE ZABAVIMO?

Author(s): Jeff Noon / Language(s): Serbian Issue: 510/2018

Sada živimo u budućnosti. Koliko razočaranja u sebi nosi ovaj period u poređenju sa svetom koji smo sebi obećali. Sad kad su Milenijumska kupola, proslave novog milenijuma i preovlađujuće osećanje „Je li to bilo to?" iza nas, postali smo robovi cinizma, veštačkih strasti i očajnički usiljenih uzbuđenja. Nije vreme za veliku umetnost. No, ako je hrani samo umor od života, budućnost neće dugo trajati. Možda bismo, u mašti, u potpunosti mogli da zaobiđemo ovaj period. Želeo bih da razmotrim jednu moguću književnost, vrstu pisma koja će se pojaviti u post-futurističkom dobu.

More...
ODEĆA ZA LJUDE ILI KOLAŽNA DEGENERACIJA SVETA

ODEĆA ZA LJUDE ILI KOLAŽNA DEGENERACIJA SVETA

Author(s): Goran Jureša / Language(s): Serbian Issue: 510/2018

Kada se bavim kolažom, postavljam sebi dva pitanja: da lije kolaž adekvatno sredstvo za razračunavanje sa temama ljudskog zla, i zastoje kolaž lakše napraviti od „umno mrtvih" ljudi nego od onih „umno obasjanih". Kada mislim na istorijsku priču koja me na kolaž navodi, podrazumevam pod tim dva stanovišta.

More...
ČITANJE ŽIVIH ARHIVA: SVEDOČANSTVO KNJIŽEVNE UMETNOSTI

ČITANJE ŽIVIH ARHIVA: SVEDOČANSTVO KNJIŽEVNE UMETNOSTI

Author(s): Carolyn Forché / Language(s): Serbian Issue: 515/2019

Pismo je stizalo u nastavcima, putem serije dopisnica ispisanih olovkom i rukom Josifa Brodskog, s poštanskim žigom njegovog novonametnutog egzila u En Arboru, država Mi- čigen, nedaleko od gradića u kom sam provela detinjstvo. Dopisnice su sadržale savete mladoj pesnikinji koja se drznula da mu pošalje svoje početničke radove. Pokušajte da u pesme unesete više sopstvene, pa - filozofije, pisao je. A na drugoj dopisnici: Šteta je i što ne znate ruski, ali preporučujem vam da pokušate da čitate Anu Ahmatovu.

More...
Recenzija, Prikaz

Recenzija, Prikaz

Author(s): Sonja Novak / Language(s): German Issue: 01/2018

Review of: Hadassah Stichnothe. 2017. Der Initiationsroman in der deutsch- und englischsprachigen Kinderliteratur. Heidelberg: Universitätsverlag Winter. 300 Seiten. ISBN 978-3-8253-6766-4

More...
Shakespeare – The Concept of ‘Najasa’  (The Bawd)

Shakespeare – The Concept of ‘Najasa’ (The Bawd)

Author(s): Shahab Khan Yar / Language(s): English Issue: 1/2018

Shakespeare’s universality places him beyond all ages. He is the only author, not born in our age but whose works guarantee on regular basis financial prospects. Shakespeare's success story as a writer is unprecedented in human history. Apart from the prophets of the Holy Scriptures and the philosophers of antiquity, no one else but Shakespeare can claim an impact on human mind and heart of a mega scale that goes beyond any age, any religion, any language and any geography. Uncertainty of the political systems, ruthless growth of violence, sexual anxiety, dismemberment of filial bond and the essential spirit of improvisation in times chaotic, the very hallmark of our culture as well as of his drama, force us to see him in a post-colonial contemporary context to find a direction, a resolve and an asylum from the ‘neo-colonial’ disaster of the 21st century. Shakespeare’s treatment of the word imagery, giving word a graphic texture, does not allow his modern audience to approach his works dealing with the concept of ‘conflict’ in the Greek classical sense of the word. Conflict is not the soul of Shakespearean tragedy. Shakespearean tragedy transforms it into the ‘illumnationist’ principle of ‘diversity’. Shakespeare’s art is the ‘quintessence’ of mankind. Whenever justice is violated, his drama speaks for those who stand bewildered, lost and wronged. KingLear, arguably, is the greatest specimen of poetic art on earth. The play is gradual defining of a new sensibility where life is regarded as culmination of a process of transformation. A play where, ‘Najasa’ (a term to describe the fallen women; from Arabic Najas: the impure, unwholesome, filthy) the faithless-faceless-shameless ‘whore, the bawd’, introduces in the name of progressive disciplines its filth and corruption as normal walk of life. These fashionable the ‘gilded butterflies’, the worldly wise ‘court rogues’, if remain the role models, human civilizations stand no chance to grow intellectually and spiritually. These people represent a mindset, the mind of the outdated patriarchal system of cheap compromises, disloyalty, lack of dignity, competition for power play and possession of wealth. Shakespeare suggests a solution; matriarchal system.

More...

Modern Arap Edebiyatında Tasavvufî Roman

Author(s): Ethem Demir / Language(s): Turkish Issue: 1/2019

The novel is a mirror that reflects everything about human beings like language, culture and tradition in the best way. In this sense, the characters, cultures and thoughts of individuals and societies can be reflected in the best way. Being aware of the importance of the novel, the writers turned the novel mirror into the related direction when they wanted to explain any aspect of the society, such as their history, social realities, adventures and love. In the 1960s, Arab literary figures; In order to direct the Arab society living in a variety of political and social crises to a peaceful atmosphere, they turned this mirror into a different structure -meanly Sufism-, which gave people peace, hope, nurture, and develop a sense of belonging. In this sense, the Sufi novel, which emerged as a new type of novel, touched on the spiritual states, social reflections and manifestations of Sufism. The Sufistic novel, which is based on a Quranic understanding in the context of the subject and style, has asked the Muslim to establish strong ties with his history by rejecting the cultural mind break with his past. In this sense, he has benefited from the historical accumulations of Islamic Sufis and philosophers and tried to revive the cultural, intellectual and sufi Islamic historical legacies of the Muslims.

More...
Ki̇tap Tanitimi

Ki̇tap Tanitimi

Author(s): Abdulfettah İmamoğlu / Language(s): Turkish Issue: 99/2019

Review of: Abdulfettah İmamoğlu - Chevrel, Yves (2016). La Littérature Comparée Paris: Presses Universitaires de France ISBN: 978-2-13-073293-8. 125 sayfa

More...
Result 181-200 of 3813
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 9
  • 10
  • 11
  • ...
  • 189
  • 190
  • 191
  • Next

About

CEEOL is a leading provider of academic eJournals, eBooks and Grey Literature documents in Humanities and Social Sciences from and about Central, East and Southeast Europe. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, researchers, publishers, and librarians. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. CEEOL supports publishers to reach new audiences and disseminate the scientific achievements to a broad readership worldwide. Un-affiliated scholars have the possibility to access the repository by creating their personal user account.

Contact Us

Central and Eastern European Online Library GmbH
Basaltstrasse 9
60487 Frankfurt am Main
Germany
Amtsgericht Frankfurt am Main HRB 102056
VAT number: DE300273105
Phone: +49 (0)69-20026820
Email: info@ceeol.com

Connect with CEEOL

  • Join our Facebook page
  • Follow us on Twitter
CEEOL Logo Footer
2025 © CEEOL. ALL Rights Reserved. Privacy Policy | Terms & Conditions of use | Accessibility
ver2.0.428
Toggle Accessibility Mode

Login CEEOL

{{forgottenPasswordMessage.Message}}

Enter your Username (Email) below.

Institutional Login