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Zoti Në “Vendin E Mercedesëve”. Komunitetet Fetare Në Shqipëri Prej Vitit 1990

Author(s): Nathalie Clayer / Language(s): Albanian Issue: 20/2005

Brenda dhjetë vjetësh, Shqipëria, “Vendi i shqiponjave”, është kthyer në “Vendin e mercedesëve”. Rënia e regjimit të mëparshëm komunist i ka lenë vend shndërrimeve të jashtëzakonshme politike, shoqërore dhe ekonomike. Rritja e numrit të makinave në rrugët shqiptare (ku të çudit numri i mercedeseve) është një prej pamjeve të këtyre shndërrimeve ku do të shënonim: hapjen e vendit ndaj lirisë së lëvizjes, ngritjen e një ekonomie pjesërisht të lidhur me rrjetet e trafiqeve, etjen për fitim, gjakimin për mirëqënie materiale dhe për një shoqëri konsumiste, çka mohoej në të kaluarën. Pikërisht në një kontekst të tillë ka ndodhur edhe një ndryshim tjetër i rëndësishëm: rehabilitimi i fesë që u ndalua më 1967 gjatë të ashtuquajturit “revolucion kulturor shqiptar”. Në fakt shenjat e para të zbutjes së qëndrimeve antifetare u dukën që para kolapsit të regjimit, pas vdekjes së Hoxhës dhe veçanërisht më 1988 – 19891 . Më 1990 një nga masat e para që u morën për të zbutur kritikat e përgjithshme që drejtoheshin ndaj këtij vendi ishte rehabilitimi i fesë.

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Нешто о катафоричким формама у српском језику

Author(s): Radoje Simić,Jelena R. Jovanović Simić / Language(s): Serbian Issue: 7/2013

This paper deals with the so-called premature pronunciation of some language units. These are units moved from the syntactically appropriate position towards the beginning of the structure they belong to. The basic one among these is the so-called cataphoric object, but there are others too, which have not been fully treated yet.

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Nepristupačnost kao pokušaj komunikacije: „Na sredini puta“ Drumonda de Andradea

Author(s): Jovanka Kalaba / Language(s): Serbian Issue: 7/2013

The paper focuses on Drummond de Andrade’s poem “In the middle of the road” in an attempt to isolate and investigate the conflicting aspects relating to the poem, such as the ones relating to its hermeticism and the translation challenges that “simple originals” set before the translator. An overarching analysis of both formal and thematic aspects of the poem brings to light its rich interpretative capacities that were disputed initially by the critics due to its ostensible formal and thematic poverty and banality. The paper proposes viewing of the poem through the opposing concepts of the inside and outside and the relationship between the individual and society, which implies a constant collision between the hermeticism of the individual’s personal space and the striving to leave that space in order to establish communication in the society the individual belongs to.

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Lik intelektualke u romanu „Nessuno torna indietro“ Albe de Sespedes

Author(s): Zorana Ž. Kovačević / Language(s): Serbian Issue: 7/2013

This paper aims at presenting the character of the intellectual woman in the Bildungsroman of Nessuno torna indietro (There is no coming back for anybody) by Alba de Céspedes, an Italian author. In this novel, Alba de Céspedes shows, for the first time, the relation between identity and intellectual work, revealing both the advantages and disadvantages of that relation through the characters of Silvia and Augusta, who represent an intellectual branch of a group of eight young women.

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Метафизички аспекти поезије Јосифа Бродског

Author(s): Jelena Fay Lukić / Language(s): Serbian Issue: 7/2013

The Poetry of Joseph Brodsky is a philosophy in verses, thoughts expressed by the words of the philosopher, which require deep contemplation. In Brodsky’s poetry, words transform into ideas and thoughts into infi nity. Such a transformation of voice and form can appear to be easy to reach, however, in order to achieve such levels of perfection, one needs not only to be talented, but also to possess the ability to observe and conclude. In Joseph Brodsky’s poetry, time and space are two primary categories. They are the fundamentals for his philosophical meditations, as well as a platform for the development of subjects such as being, thing, death, God and many more. The goal of this paper is to highlight the role of time, space, being, thing, death and God in the poetry of this Nobel Prize winning, poet.

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A Portrait of the Failed Artist. The Metamorphosis of Stephen Dedalus in “A Portrait of the Artist as a Young Man” and “Ulysses”

Author(s): Jelena Ž. Mandić / Language(s): English Issue: 7/2013

This paper centres on the character of Stephen Dedalus in James Joyce’s novels A Portrait of the Artist as a Young Man and Ulysses. Joyce presents the late nineteenth-century Irish society and its complex sense of historical, political and religious forces which influence or reinforce an individual’s perception and behaviour. Through the character of Stephen Dedalus, Joyce struggles to break free of Irish stereotypes, and thus, challenges the stereotypical relationships between church and state, religion and parishioner, family and tradition. Also, the paper focuses upon the shift in the sensibility and development of Stephen Dedalus. This shift enables him to expand psychologically and transcend beyond the fixity of the traditional ideas and values. The paper suggests that Stephen Dedalus is a modernist character – he seeks his own identity in the complexity of modern experience, choosing the hermetic life of an artist rather than accepting the role given to him by society and culture. However, his strong sense of identity later turns out to be no more than a delusion. He remains a brooding, apathetic young man whose creative muse seems to have let him down; he is a poet that barely rises above the level of mediocrity.

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Ново издање Седам салама покорнијех краља Давида

Author(s): Mirjana Arežina / Language(s): Serbian Issue: 7/2013

Review of: Đurđević, Stijepo (2012), Sedam salama pokornijeh kralja Davida, Beograd: Narodna biblioteka Srbije.

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Цјеловита слика Соларићевог језика

Author(s): Vera B. Čolaković / Language(s): Serbian Issue: 7/2013

Review of: Babić, Biljana (2012), Ortografske i jezičke karakteristike u štampanim djelima Pavla Solarića, Banja Luka: Filološki fakultet.

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CRITICA LITERARĂ ROMÂNEASCĂ DIN PERSPECTIVA METODELOR DE ANALIZĂ AUTOCOLONIALĂ (1840-1939)

Author(s): David Morariu / Language(s): Romanian Issue: 1/2019

This study aims to analyze the Romanian critical discourses of the second half of the 19th century and especially of the first half of the 20th century, starting from the central concept of “self-colonization”, coined by Alexander Kiossev. The article opens with the conceptual delimiting of the phenomenon imposed by the Bulgarian theoretician and with the hypothesis that Romanian culture can be attributed to self-colonizing cultures. The demonstration of this hypothesis consists of three arguments. The critical discourses belonging to G. Ibrăileanu, E. Lovinescu and C. Dobrogeanu-Gherea highlight, firstly, some of the characteristics of this self-subordination relation. The way the first two emphasize the role of imitation, the necessity of adopting the foreign models and the way Gherea treats the dependence upon the West under an economic report, represent, briefly, the center of the first part of the demonstration. The second one brings to the fore Mihail Kogălniceanu and Titu Maiorescu’s profiles, their discourses being characterized by clumsiness and flaws so typical for a culture found in an early stage of its development. The last argument broadens the scope of the demonstration in the sense that the analysis focuses on social and economic delimiting. The purpose of this delimiting is to establish which are the areas that are more responsive to the manifestation of the self-colonizing phenomenon.

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PRIKAZI KNJIGA

Author(s): Ranko Risojević,Ivan Negrišorac,Denis Poniž,Zvonimir Bartolić,Dragoljub Jeknić,Nada Miranda Blažević-Krietzman,Boško Tomašević,Ratka Marić,Salih Fočo,Jovan Kubinjec,Slaviša Nikolin Živković / Language(s): Croatian,Serbian Issue: 258-259/1980

Mile Stojić: »Umjetnost tame«, »Veselin Masleša«, Sarajevo, 1979. Written by: Ranko Risojević; Simon Grabovac: »Kritičnjak«, Matica srpska, Novi Sad, 1979. Written by: Ivan Negrišorac; Danilo Lokar: »DOM JE JEZIK«, »CANKAREVA ZALOŽBA«, Ljubljana, 1979. Written by: Denis Poniž; Božica Jelušić, »Čekaonica drugog razreda«, »Zrinski«, Čakovec, 1979. Written by: Zvonimir Bartolić; Ilija Ladin: »Pjesme o pticama«, »Svjetlost«, Sarajevo, 1979. Written by: Dragoljub Jeknić; LJUBOMIR STEFANOVIĆ: »Ribe, rakovi i školjke« »August Cesarec«, Zagreb, 1978. Written by: Nada Miranda Blažević; Paul Celan: »Snježna dionica« (izabrala i prevela Truda Stamać), Sveučilišna naklada »Liber«, Biblioteka »Razlog«, knj. 93, Zagreb, 1980. Written by: Boško Tomašević; Dr. TOMA ĐORĐEVIĆ: »Teorija informacija — teorija masovnih komunikacija«, »Partizanska knjiga«, Ljubljana (OOUR »Izdavačko-publicistička delatnost«, Beograd) 1979. Written by: Ratka Marić; Ernest Bloch: »Politička mjerenja«, »Svjetlost«, Sarajevo, 1979. Predgovor R. Muminović. Written by: Salih Fočo; Herbert Markuze: »Kontrarevolucija i revolt«, »Grafos«, Beograd, 1979. (Asocijacije povodom eseja »Umetnost i revolucija«) Written by: Jovan Kubinjec; R. Kevendiš: »Istorija magije« »Jugoslavija«, Beograd, 1979. Written by: Slaviša Nikolin Živković.

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Культурные мотивы в польском переводе „Куда ж нам плыть?” Б. Акунина

Author(s): Jolanta Jóźwiak / Language(s): Russian Issue: 1/2018

The aim of the paper is to present the results of translators' individual choices in the process of conveying cultural-background elements to the target culture. The source material were taken from novel Where shall we go? by Boris Akunin and its translation into Polish. The possibility of transferring specific values such as cultural connotation is discussed in the context of potential readers' reactions.

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Езиковата интуиция като психолингвистичен инструмент за оценка на отклоненията от нормата в медийната реч

Author(s): Andreana Eftimova / Language(s): Bulgarian Issue: 2-3/2019

The article presents the results of a survey that verifies the linguistic intuition of speakers of Bulgarian as a native language of defective plural forms of nouns with abstract-event and collecting meaning. Linguistic intuition involves both assessments of correctness and acceptability, as they depend on the norms that the speaker knows and obeys. The results of the survey show that there is still not enough reason to predict a change in the morphological category of the number of abstract and collective nouns, although fluctuations in the use of nouns with a defective plural will be exacerbated by the influence of media speech.

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Семантичните роли и чуждоезиковото обучение

Author(s): Nedelina Vangelova / Language(s): Bulgarian Issue: 2/2019

The following paper is part of a bigger research that aims to explore the possibilities for cooperation between the linguistic theories about Semantic roles and foreign education. This work provides examples of teaching impersonal constructions, dativ clitic forms and word order in Bulgarian using the Semantic roles approach and proposes a method of studying verbs through their argument structure.

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Un fédéraliste pacifiste à outrance: Le jeune Emil Cioran sur la souveraineté nationale et sur le projet confédératif européen

Author(s): Paul Cernat / Language(s): French Issue: Suppl. 1/2019

This paper focuses on an unknown (and, unfortunetly, not commented) Emil Cioran’s conference of 1931 about the federative european project and the principle of sovereingnty of the states. In this texte, thanks to which he obtained his first scholarship in the West (at Geneve), Cioran is an follower of the pacifism, federalism, and universalism; few years after, in Berlin, he became a supporter of the radical nationalism. But even in this case he remained a refocused thinker of the mesianic. Viewed from the perspective of this conference, his radical nationalisme appears as a disappointement, or, at least, a stratagem. Anyway, his diagnoses on the European project remains very actual.

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Towards the Development of an Innovative Platform for the Systematization and Preservation of the Romanian Literary Patrimony

Author(s): Veronica Gavrilă,Lidia Bajenaru,Ciprian Dobre / Language(s): English Issue: Suppl. 1/2019

In this paper we present a solution that represents both an open portal to the digital era and also a possible answer to the problems of preservation and conservation of the Romanian literary patrimony. This solution consists in the development of a digital platform, by which literary works, manuscripts, editions of a work, bibliographies, dictionaries of Romanian Literature and many other documents will be stored, analyzed and processed. It will also facilitate quick access to literature and related materials for everyone. The development of an integrated software platform will represent the basis for the communication and distribution of materials from the field of Romanian literary culture to a large audience, information that will be available in any field: academic, scientific, personal development etc. Thus, it is possible to digitize documents from the cultural heritage, promote them both nationally and internationally, protect original documents, allow simultaneous viewing by many users, and allow remote access anytime. Thus, this proposal will contribute to systematization and preservation the Romanian literary patrimony by extracting and structuring knowledge from data sources such as the General Dictionary of Romanian Literature, The Chronology of Romanian Literary Life (1944–2000) and other such structured sources and unstructured ones provided by the Institute of History and Literary Theory. An important goal of the platform is to provide access to information and the related literature in an easy-to-access online environment.

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La monarchie réorchestrée: L’Hermine souillée de Gregor von Rezzori et la réécriture du mythe de Habsbourg

Author(s): Cristina Spinei / Language(s): French Issue: 1/2020

The present study analyzes, on the basis of a novel written by Gregor von Rezzori (1914–1998) and entitled Ein Hermelin in Tschernopol (1958)—translated into English first as The Hussar, and then as An Ermine in Czernopol—the Habsburg myth of Austrian literature in the context of the cultural-ideological paradigm of Central Europe (a multiethnic, multilingual, and multi-confessional area). Rezzori fractures and reshapes the imperial myth, alternating between gravitas, irony, and the burlesque.

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Od Redakcji

Author(s): Piotr Nyk / Language(s): English,Polish Issue: 1/2019

The twelfth issue of the yearly Itinera Spiritualia contains papers that deal with various issues of spiritual theology, humanities, biblical studies, Church history, ecclesiology and archival science.

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Образ усадьбы в литературе и живописи конца ХIХ – начала ХХ века

Author(s): Natalia Michalenko / Language(s): Russian Issue: 19/2019

The image of a country estate was often used both in the Russian literature of the late 19th and early 20th century, and in the painting of this period: they shared common themes, motifs, and subjects. The idyllic image of the estate, filled with peace, tranquility, serenity, where a person lives in harmony with nature, was interpreted in verses by Ivan Bunin (e.g. The night turns white...), Vladimir Nabokov (A Lovely Time) and others, and illustrated by the paintings of Sergei Zhukovsky (The Evening Sun, 1914, A Manor House in the Autumn, 1906, etc.) In the eyes of the lyrical hero, the image of a country estate often carried the first love’s memories, and was filled with an atmosphere of happiness. Thus, the romanticized image of the country estate was used in the verses, e.g Nikolay Gumilyov’s Old Manors (1913), Ivan Bunin’s In quiet night, the moon has risen... (1916), etc. and in paintings, e.g. Konstantin Korovin’s The Larins’ Garden” (1908), A Nocturnal Duet (1921), Igor Grabar’s Golden Leaves (1903). Sometimes the manor appears as a place preserving the memory of a happiness long lost, a life long gone, of a family nest full of memories. One can see, for example, the pictures: Sergei Zhukovsky’s Sad Thoughts (1907), Vasily Polenov’s Grandmother’s Garden (1878), the verses by Andrei Bely The Manor (1903, 1925), Konstanin Balmont’s In Memory of Turgenev (1894) etc. After the Russian Revolution of 1917, the émigré literature often used the image of a destroyed manor as a symbol of the demise of Russia and its unique culture.

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В поисках чудесного: лингвистическое исследование сюрреалистического образа

Author(s): Ludmiła Pradiwlannaja / Language(s): Russian Issue: 19/2019

At the beginning of the XX century surrealists rebelled against traditional culture and expressed their lack of faith in rational world perception. Instead, the artists and poets drew attention to imagination and focused on the study of the unconscious and irrational. They attributed great importance to the image which became the core of their aesthetics and was assigned the role of a vehicle for bringing forth into the conscious mind the creative forces of the unconscious. Surrealist imagery is verbalized through the cult of metaphor, synesthesia, arbitrary and spontaneous combination of words. In our work we consider approaches to the concept of the surreal image and explore linguistic peculiarities of N. Zabolotsky poetry. Nikolay Zabolotsky is a Russian poet of the literary and artistic avant-garde group OBERIU whose early poetic experiments (published in the book of poetry Stolbtsy in 1929) bear certain resemblance to the poetry of French surrealists. Though he mostly describes everyday life, routine surroundings typical for his time/ place, he does this with irony and love. The irrational world of N. Zabolotsky is created through illogical combination of words, absurd imagery, personification, metaphors.

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English communicative competence and predominant language for online use through smartphones in Croatia as compared to Slovenia

Author(s): Mirna Varga,Violeta Jurkovič,Halina Sierocka / Language(s): English Issue: 2/2018

The study explores which languages are predominant in the online use among the targeted participant population in Croatia and Slovenia and examines the association between the participants’ smartphone online use of English and preferred subtitling mode with their perceived communicative competence in English. The findings indicate that in both nationality groups the use of English prevails in receptive language activities, in particular listening and audio-visual reception, while mother tongues are mainly used for productive and interactive activities. Participants who prefer English when engaging in online informal activities through their smartphones and who use English or no subtitles when watching video content also assess their competence in English to be on higher levels.

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