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GHERASIM LUCA- O POETICĂ SPECTACULARĂ

Author(s): Andreea Mihaela Marinaș / Language(s): Romanian Issue: 1/2019

The purpose of this paper is to analyse the spectacular features of Gherasim Luca’s poetry. More specifically, the research starts from what generates the spectacular in his poetry: the erotica and the advertising feature of the poems. This study intends to analyse and explain how the eroticism of poetry, by its advertising dimension (meaning that poetry highlights the woman and erotic scenes like an advertising) offers to Gherasim Luca’s poetry the spectacular dimension. The blend of the two areas (erotica and the conative function of language) creates the spectacular, transferring sexuality from intimacy to the public, just as an advertising highlights in public an element of intimacy. The research is based on some senses of eroticism, from the most important theoretical studies, as Georges Batailles, André Breton and Octavio Paz. Also, there are discussed the images of the woman and the sexual deviations in Gherasim Luca’s poems.

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APOLOGIA TĂCERII ȘI A CĂUTĂRII ÎN POEMUL AUTOPORTRET

Author(s): Batori Andreea Corina / Language(s): Romanian Issue: 1/2019

Lucian Blaga is popular among the Romanian writers for his beliefs in the power of the unknown and the unsaid-word, for his attention given to the notion of mystery and knowledge. The present paper focuses on two of the main elements that coordinate some of the poet’s lyrical writings: silence and the state of being in a continuous search for the initial harmonious relationship with the Universe by returning to the origins of the world, by regeneration and reconstruction. These ideas are emphasized in the poem titled Autoportret in which the soul of the individual find sit self in the these arch for beauty and nothingness, for the pure word which is able to reinforce the bond between the individual and the totality of the unharmed Universe. Using themes, motifs, symbols, myths, figures of speech and techniques of construction, Lucian Blaga succeeds in creating a representative poem for his last volume entitled Nebănuitele trepte, a poem characterized by expressiveness, depth and a strong wish to find by means of silence what the souls has been looking for since ever – purity, peace and harmony.

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Неки наратолошки аспекти романа „Оно што одувек желиш“ Гордане Ћирјанић

Author(s): Mariana Sedić / Language(s): Serbian Issue: 10/2014

This paper uses the narrative analysis method in order to cover some of the aspects of the novel, What you have always wanted by Gordana Ćirjanić. Those are mostly the formal aspects that consider the narrative point of view, time and way of storytelling as well as their combinations. On the other hand, this method allows us to systematically analyse the novel and thus establish its meaning based on the premises posed by this theory. Since narratology is a jagged discipline, we decided to use Gerard Genette’s terminology, interpreted by Adrijana Marčetić. According to Marčetić, the value of Genette’s narratology is in that “it can serve as a starting point in the analysis that simultaneously pays attention to the form and meaning of a narrated text” (Marčetić 2003: 8).

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Сусрети Луиђија Пирандела са војвођанским гледаоцима и критичарима између два светска рата

Author(s): Marijana Savatović / Language(s): Serbian Issue: 10/2014

Luigi Pirandello in the Eyes of the Audience and the Critics of Vojvodina Between the Two World WarsFrom the foundation of the Serbian National Theater in 1861 to the final applose in 1941, Italian writers were present on the Vojvodinian scene. Their encounters with the audience were at times very successful, and at time less successful, but they left a significant mark on the theatrical life of Vojvodina. Among them were the great writers like Goldoni and Pirandello as well as those less renowned in Italy. The purpose of this paper is to reveal the impressions on the spectators and the theatre critics after the encounter with the pirandelle theatre, but also to try to shed light on reasons why this writer could not remain on the scene.

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Од усменог ка писаном

Author(s): Ljiljana Pešikan Ljuštanović / Language(s): Serbian Issue: 10/2014

Review of: Garonja Radovanac, Slavica (2014), Od Carigrada do Budima. Aspekti srpskog usmenog pesništva. Savremena književnost na folklornoj matrici, Novi Sad: Akademska knjiga.

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Синтаксичке структуре као слике свијета

Author(s): Zorica V. Nikitović / Language(s): Serbian Issue: 10/2014

Review of: Pavlović, Slobodan (2013), Uzroci i mehanizmi sintaksičkih promena u srpskom jeziku, Sremski Karlovci – Novi Sad: Izdavačka knjižarnica Zorana Stojanovića.

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Autofikcija ili novi prostor za ukroćenu stvarnost. Položaj i perspektive autofikcija

Author(s): Anja N. Bundalo / Language(s): Serbian Issue: 10/2014

Review of: Preispitivanja: autofikcija u fokusu komparatistike, Međunarodni tematski zbornik (2014), Eds. A. Marčetić, I. Grell i D. Dušanić, Beograd: izdanje Filološkog fakulteta Univerziteta u Beogradu uz podršku Univerzitetske agencije za frankofoniju.

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A FI EVREU, A FI INTELECTUAL, A FI ROMÂN ȘI DUNĂREAN. SIONISM ȘI ASIMILARE

Author(s): Iulia Maria Deaconu (Ticărău) / Language(s): Romanian Issue: 2/2019

In this paper, I bring into discussion the concepts of Zionism and assimilation, as introduced in Mihail Sebastian’s novel For Two Thousand Years… Some critical points of view regarding these movements will be referred to in order to highlight the novelty of Sebastian’s approach and how he introduced these concepts within his fictional universe.

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CARTOGRAFII ALE MEMORIEI ÎN PROZA RUXANDREI CESEREANU ȘI A TATIANEI ȚÎBULEAC

Author(s): Gabriela-Emilia Merce / Language(s): English,Romanian Issue: 2/2019

The aim of this paper is to identify, in Lucian Blaga’s poetry, historical images of several foreign cultures, such as African, Indian and Ancient Greek. Starting from his outline from the Trilogy of Values, we will select poems where few dimensions of these three cultures are depicted. Even though they appear to be far from the Romanian stylistic matrix, key aspects of the historical cultural images compose a unique vision that imprint the structure of Blaga’s imaginary.

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Непознати препис апокрифа о Прекрасном Јосифу из збирке Соколов

Author(s): Maja M. Anđelković / Language(s): Serbian Issue: 8/2013

The paper examines a recently discovered Serbo-Slavonic manuscript of the Apocrypha on Joseph the Beautiful, kept in the Sokolov Collection of State Historical Museum in Moscow. Based on the analysis, its position among other known manuscripts in Serbo-Slavonic manuscript tradition is assessed, and the question of its belonging to a particular apocryphal group on Joseph known as The Sermon of Ephrem the Syrian is examined. Likewise, linguistic and orthographic, as well as stylistic, characteristics of the preserved text are determined.

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Acting out Trauma and Violence in Viramontes, Kingston, and Silko

Author(s): Radmila Nastić / Language(s): English Issue: 8/2013

The ethnic writing of Helena Maria Viramontes, Leslie Marmon Silko, and Maxine Hong Kingston offers patterns of the so called “redressive” rituals, the term introduced by the renowned anthropologist Victor Turner. According to this author, redress is the third stage of what he calls “social drama” or a crisis, which tends to be resolved in terms scripted by theatrical and fictional models.

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Сестина лирика Ивана В. Лалића

Author(s): Sanja J. Paripović Krčmar / Language(s): Serbian Issue: 8/2013

This paper primarily presents the terminological precision of fixed form poems of Romance origin, the emergence and prevalence over the centuries in various literatures, and the basic characteristics of sestina as a complicated and demanding form of strict order. For poets, achieving the model demanded by the form was on the one hand a challenge during the development of their creative skills, while on the other hand it was a confirmation of their talent. Thereafter, the use of this Provencal-Italian form in the poetry of Ivan V. Lalic is highlighted. He was the only one of all the poets of Serbian neosymbolism who tested his skills in meeting the established regulations of sestina.

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Проблем комичног у „Естетици“ Николаја Хартмана

Author(s): Jelena S. Mladenović / Language(s): Serbian Issue: 8/2013

This paper deals with the review of the comic phenomenon in Nicolai Hartmann’s Aesthetics. First, the problem of indefinability, which is characteristic to the theories of laughter, is presented, and then the basic settings of Hartmann’s phenomenological philosophical system, with determination of aesthetics’ place in it, are examined. The main part of the paper focuses on the phenomenon of the comic, which is viewed from the perspective of the theory of betrayed expectations. Hartmann makes a distinction between the comic, which is characteristic of an object, and laughter as a reaction to the comic. Emphasizing the connection between laughter and ethics, he distinguishes humor, which includes the positive ethos, and blank comic entertainment, joke, irony and sarcasm, based on the negative ethos. Comic phenomenon is observed by the principles of the stratifi ed structure of the piece of art. The paper aims to show the advantages and disadvantages of this approach to the problem of comic.

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L’assimilation latino-troyenne dans l’Enéide et son enjeu identitaire

Author(s): Fabien Dubouchet / Language(s): French Issue: 8/2013

The Latins and the Trojans define each other through several motives, such as spatial (Italian territory), genealogical (Dardanians) and cultural (religion, oral literature), until the separation dynamics commences. The narrator presents this dynamics as an irrational and monstrous shift. The idea of similarity between the Latins and the Trojans is presented through the double positive heritage of the Romans. In this sense, Virgil constructed his epopee very deftly: logically, the two peoples have to be similar, because after Aeneas and Lavinia's wedding they will assimilate each other and produce a unique identity, the identity of the Roman people to which this literary work of art is dedicated. Against the identity of these two peoples, which attract and mirror each other, there will be the Other that will inevitably be the figure of disunion and chaos between the Similar ones. If the Roman culture, which characterizes everything that is non-Roman as barbaric, considered the Otherness to be human category, it seems that the enlargement of the Empire and Augustus' project of cohesion favour this conceptual transposition that Virgil accomplished by replacing the character of Otherness with hostile behaviour and chaos. That way the analysis discovers in which way the political aim exists at the basis of the poetic approach: the process of Latin and Trojan identification confirms the principle of union which is necessary for the stability of the Empire and gives it importance.

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И анђео и лудакиња: женски лик и женско читање у роману „Вољена“ Тони Морисон

Author(s): Jelena Lj. Pršić / Language(s): Serbian Issue: 8/2013

The paper is concerned with Toni Morrison’s contemporary novel Beloved, from the point of view of Sandra Gilbert and Susan Gubar’s notions of the madwoman in the attic and the anxiety of authorship. The first term refers to the rebellious female hero from the nineteenth-century women’s literature, whereas the latter concerns the fear of writing as a male profession, felt by the nineteenth-century women writers. It is precisely this anxiety that influenced these writers to create the madwoman character, who opposes the patriarchal system in a latent manner. Starting from this critical perspective and asking the question whether contemporary women’s literature also contains such anxiety, the paper focuses on the main female character of the novel Beloved, initially published in 1987. The aim is to point out the difference which separates contemporary Toni Morrison from the nineteenth-century women writers, but is not solely temporal. This difference has to do with the character of the postmodern age, but is mainly related to a shift from the manner in which the nineteenth-century women writers created their female characters. The paper analyses this literary distinctiveness, but also attempts to find a broader meaning of this originality as seen from the point of view of contemporary women’s literature and reading. By focusing on Sethe – the main character of Beloved, the paper points out that Toni Morrison breaks with the tradition maintained by her literary ancestors in that she does not divide her female characters into obedient and recalcitrant ones in relation to the patriarchal system. Instead, she creates a character who is both a motherly angel and a madwoman committing infanticide, thus making it possible for her readers to interpret the novel from the perspective of a woman with ambivalent roles and specific experience. In this way, she also deconstructs the male writing and reading rules. By doing so, Morrison conveys a message that the anxiety of authorship of a contemporary woman novelist can be if not totally cured then certainly lessened by means of writing.

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О издању Сабраних песама Новице Тадића

Author(s): Zlatko Jurić / Language(s): Serbian Issue: 8/2013

Review of: Tadić, Novica (2012), Sabrane pesme I – V, Podgorica: Izdavački centar Matice srpske – Društvo članova u Crnoj Gori.

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POEZIA VISULUI REAL

Author(s): Iulia Maria Deaconu (Ticărău) / Language(s): English,Romanian Issue: 1/2019

This article aims to review the anthology One Hundred and One Poems that includes a collection of poems and critical quotes selected by Alina Bako, who not only provides an overview of the lyrical universe created by Leonid Dimov, but also the critical tools needed for the specialized or non-specialized reader in order to step into the essence of Dimov’s creation. Thereby, the researcher contributes to the revival of the work of a poet who is still actual and valuable.

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LES ADVERBIAUX LOCALISATEURS (ESPACE x TEMPS) : CONVERGENCES ET DIVERGENCES PRAGMATIQUES

Author(s): Adriana Costachescu / Language(s): French Issue: 1/2019

The author examines the hypothesis according to which the linguistic codification of time (an abstract notion) is mainly an extension of the naïve geometry codifying the spatial localisation of objects (far more concrete). There are numerous convergences between the two types of localisations, both having an absolute codification, independent of the speaker’s context (such as latitude, longitude, cardinal points, for space, and the calendar, for time), as well as relative localisations, deictic or anaphoric, along with procedural interpretation for common nouns (especially for space) or for proper names (especially for time). The divergences concern above all space, offering information with no temporal equivalents, for instance the spatial axes (vertical, frontal or lateral) as well as intrinsic localisation.

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L’ESPACE TOTALITAIRE À TRAVERS TRAVELS IN NIHILON (1971) D’ALAIN SILLITOE, UN SOSIE EN CAVALE (1986) D’OANA ORLEA ET MORT D’UN POÈTE (1989) DE MICHEL DEL CASTILLO

Author(s): Alain Vuillemin / Language(s): French Issue: 1/2019

In Oana Orlea's Un sosie en cavale, in Mort d’un poète by Michel del Castillo and in Travels in Nihilon by Alan Sillitoe, various symbolic places attempt to portray in an allegorical way what would have been totalitarian dictatorships that spread to central and eastern Europe between 1947 and 1989, during the Cold War. In each of these novels, the historical experience of Romania is a central reference but in a veiled, blurred form. Doumarie in Mort d’un poète and Nihilonia in Travels in Nihilon are countries that do not exist. They do not appear on any map. In Un sosie en cavale, the reported events take place in another imaginary land that is never named. These three books, however, describe the same type of totalitarianism. They refer to the same series of events, to the same philosophical and political conception of the world. How do these stories conceive of these totalitarian spaces? How do they portray them as terrifying metaphorical places, frightful, where peoples are locked up and enslaved forever?

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CONFIGURAREA PARADIGMEI TERȚULUI INCLUS – BLAGA, BACHELARD, LUPAȘCU

Author(s): Irina Dincă / Language(s): Romanian Issue: 1/2019

This paper aims to present the connection and continuity between the implicit principles that configure the transgressive visions of Lucian Blaga, Gaston Bachelard and Ștefan Lupașcu, which inaugurate a paradigmatic change in consensus with the revolutionary ideas circulating in science, philosophy, poetry and art across the 20th century. The subtle paradigmatic axis which crosses implicitly or explicitly the work of Lucian Blaga proves to be the transgressive attempt of integration and overcoming of the antinomies under the sign of the included middle which underlies the transfiguring core of the dogmatic paradox. Thus, the nucleus of Blaga’s epistemological vision, the dogmatic paradox – a synthesis of the antinomies solved not in concrete level, but in transcendent one, creating a paradoxical logics – proves to be close to Gaston Bachelard’s transgressive theoretical constructions – the surrationalism and the philosophy of no – , as well as to Ştefan Lupaşcu’s integrative perspective of the dynamic logics of the contradictory. The subtly related nexus of theoretical ideas developed by Blaga, Bachelard and Lupașcu appear to be essential milestones in the avant-garde of the paradigmatic chain of the included middle, opening it towards the present European episteme.

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