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Nieinterwencjonistyczny model działania Boga w świecie przyrody

Nieinterwencjonistyczny model działania Boga w świecie przyrody

Author(s): Tadeusz Pabjan / Language(s): Polish Issue: 1/2016

Artykuł poświęcony jest problematyce działania Boga w świecie przyrody. Zaprezentowano w nim argumenty przemawiające za modelem nieinterwencjonistycznym, w którym zakłada się, że Bóg konsekwentnie respektuje porządek przyczyn i skutków wynikający z praw przyrody, i zamierzone przez siebie efekty uzyskuje bez naruszania tego porządku. Historia ewoluującego wszechświata, którą badają nauki empiryczne, jest w perspektywie teologicznej historią działania Boga, który stwarza świat i podtrzymuje go w istnieniu za pośrednictwem praw przyrody powodujących stopniowy rozwój wszechświata i ewolucję życia. W kolejnych częściach artykułu podjęta została problematyka praw przyrody, stwórczej obecności Boga w przyrodzie oraz działania Stwórcy dokonującego się za pośrednictwem przyczyn wtórnych (argument św. Tomasza). W zakończeniu wskazano na zalety modelu nieinterwencjonistycznego. This paper deals with the problem of God’s action in nature. It is argued that the divine action is always non-interventional, which means that God never violates the laws of nature. He creates the evolving universe, keeps it in existence and continously influences its history using these laws, and not breaking them. At first, the character of the laws of nature will be discussed – both in scientific and theological perspective. Later, the creative presence of God in the universe will be described. Special attention will be paid to St. Thomas Aquinas argument concerning the distinction between the first cause (which should be identified with God) and the secondary cause (which should be identified with all the physical causes explored by science). Finally, some advantages of the non-intervetnional model of the divine action in nature will be indicated.

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Stanowisko Józefa Tischnera wobec tomizmu

Stanowisko Józefa Tischnera wobec tomizmu

Author(s): Radosław Gabrysz / Language(s): Polish Issue: 2/2013

Famous article of Tischner “The Decline of Christianity Thomist”, published on pages of the monthly the “Znak” in 1970 evoked the wave of interesting polemics in the Polish philosophical environment. They concerned on one hand the role of the Thomism in contemporary theology, on the other the criticism of the position of Tischner. Very author responded to a challenge criticizing the Thomism as the synthesis of data of the Revelation and Aristotelian philosophy. Because this merger is seizing character of both above ingredients – compared to two colours mixt with oneself and in the end constituting the new colour. Thomistic synthesis, from Tischner’s perspective, came into existence in the crowning moment of the history of the Christianity in Europe. She agreed on contemporary models of the scientific nature, culture, forms of the statehood. However in our times dangerous of it is a result uniquely thomistic “becoming poor” not to say “perversion” Christianities. And so in our times would the new synthesis be desired? Through the division of the learning, took the place of universal syntheses different “microsystems”, and very idea of the synthesis turned out to be too ambiguous, and for her conditions are impossible to fulfil. Valuable however rapidly of Tischner there would be rather a hermeneutic proposal of Paul of Ricoeur indeed to concentrate on the text of the christian revelation without the thomistic dogmatism here. Hence also, however dusk of the Thomism is opening intriguing and the philosophical latest perspectives for the Christianity.

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Wizja świata jako teatru tragedii u Mikołaja Bierdiajewa

Wizja świata jako teatru tragedii u Mikołaja Bierdiajewa

Author(s): Wojciech Błaszczyk / Language(s): Polish Issue: 1/2004

The question of tragedy is dear to Berdiaeff. He binds her to freedom. Indeed, the tragic remains in freedom and wanting to solve it definitively is equivalent to setting limits to freedom, circumscribing it in a logical, rational, predictable system of necessity, adapting itself to management. This temptation to seize power over the man terrifies Berdiaeff who sees in freedom the meonic source (me-on-not being) of being. When freedom precedes being, the entire cosmos is bound to a dynamic and takes the form of tragic theater. The very being of God is born of freedom and must then "subscribe" to its principle. The notion of the tragic is the mystical key to approach the mysteries of the divine life. This notion pierces the fixed categories of our logic and gives us access to the dark truth of God's being. Like Böhme Berdiaeff speaks of the birth of God of the first freedom. He draws this teaching from Böhme, German mystic of the XVI / XVII century. In the knowledge of God he gives priority to myth, to gnosis before the purely logical, natural reasoning of scholasticism. The concept of tragedy is used by Berdiaeff to explain the mystery of man and the world. Between freedom and necessity, the animal and the spiritual, man presents himself as a split, tragic being. If it depended solely on God as the effect of his cause, life would be only a mechanism, a comedy played by the all-powerful creator God. The tragic feeling allows Berdiaeff to defend a great dignity of the man who escapes any attempt to include him in a system. Freedom is then the tragic destiny of man and reminds him of his spiritual character.

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Recenzja: Idea Boga po Auschwitz

Recenzja: Idea Boga po Auschwitz

Author(s): Marek Pluta / Language(s): Polish Issue: 1/2003

The review of: Hans Jonas, Idea Boga po Auschwitz, tłum. Grzegorz Sowiński, wstęp Jan Andrzej Kłoczowski, Wydawnictwo ZNAK, Kraków 2003, ss. 89.

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„Mężczyzną i niewiastą stworzył ich...” (Rdz 1, 27)

„Mężczyzną i niewiastą stworzył ich...” (Rdz 1, 27)

Author(s): Jan Jachym / Language(s): Polish Issue: 1/1999

Rację ma religijny myśliciel rosyjski Mikołaj Bierdiajew, zmarły w 1948 r. we Francji, który napisał: „Epoka dzisiejsza jest epoką odczłowieczenia. W tym procesie obserwujemy dwie tendencje: ku naturalizmowi i ku cywilizacji technicznej. W obydwu tendencjach człowiek przestaje być istotą, w której duchowość stanowi centrum, i tak człowiek traci swą jedność (całościowość) i swą ciągłość. Zamienia się tylko w zbiór elementów i funkcji.

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Usud samouništenja
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Usud samouništenja

Author(s): Aleksandar Radunović / Language(s): Serbian Issue: 77-78/2018

Ako umjetnost, ili još bolje, dramsku književnost, shvatimo kao fenomen ili oblast djelatnosti ljudskog duha koja uz estetski mora tragati i za najvećim dometima kad je u pitanju, na različite načine tretiran etički diskurs, vratićemo se na početak, tj. na raspravu između dva diva ljudske misli, Platona i Aristotela, o tome koja je zapravo uloga pjesništva (dramske umjetnosti). Platon je bio uvjeren da je pjesništvo loše jer se služi lažima i udaljava nas od suštine, tj. svijeta pojmova i ideja, dok je njegov učenik Aristotel vjerovao da je umjetnost zapravo metafizička suština stvarnosti i da podražavanjem iste tvori prasliku onoga što je zapravo esencija stvarnosti koju na drugačiji način teško možemo dokučiti.

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Обнаженное тело и его функция в конструировании образов социальной реальности в Перестроечном кинематографе

Обнаженное тело и его функция в конструировании образов социальной реальности в Перестроечном кинематографе

Author(s): Jakub Sadowski / Language(s): Russian Issue: 6/2016

Almost to the end of the Soviet era, the language of Soviet cinema, whose development from the 1930s onwards was blocked by inertia caused by censorship and aesthetics subordinated to ideology, did not develop its own aesthetic of nudity. The list of Soviet films made before the Perestroika period featuring less or more direct images of a naked body is very limited, numbering — depending on the definition of “nakedness” — between ten and a few dozen films. The situation changed markedly in the Gorbachev era, when the increased pluralism of public discourse and the weakened influence of the censor led to rapid increase in everything that characterised the Western film aesthetic. As a result, naked bodies, and especially those parts that particularly attracted audience’s gaze, began to hit the screens en masse. This article analyses those cases of Soviet films, in which meanings, connected to the public and social sphere, are overlaid on nudity.

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On the problem of identity and difference between online and offline existence

On the problem of identity and difference between online and offline existence

Author(s): Slavomír Gálik / Language(s): English Issue: 1/1/2017

The Internet and its applications in new forms of media offer a new existential dimension for man, dimension that we call virtual reality, cyberspace or online existence (unlike the real, offline existence). Along with online existence come also new thinking and approach to human’s existence. It is chiefly a question of relation between existing online and offline. This is also what this contribution concentrates on. There are three partial goals: - 1. what distinguishes identity or continuity between online and offline; 2. remaining difference between these two kinds of existence; 3. trends that can be spotted in this relationship. To fulfil these three goals, qualitative methods, especially hermeneutic, be used.

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Hopeless Romantics: Reality Versus Imagination in Gustave Flaubert’s Madame Bovary and Joseph Conrad’s Lord Jim

Author(s): Nil Korkut-Naykı / Language(s): English Issue: 01/2017

Although Gustave Flaubert’s Madame Bovary (1856) and Joseph Conrad’s Lord Jim (1900) are highly distinct novels in many respects, they are strikingly similar in the way they portray their protagonists. Both Emma Bovary and Lord Jim are hopeless romantics with a major tendency to set up highly unrealistic dream worlds for themselves. Both novels are widely interpreted as seriously critical of their protagonists, whose wide capacity for imagination eventually causes their ruin. This paper acknowledges the validity of this reading but argues further that these novels have a highly ambivalent approach towards the dichotomy between reality and imagination. The paper first looks at the similar characterization of the protagonists in both novels. It then proceeds to an analysis of the distance between the narrator and the protagonist in each novel in order to demonstrate the undecidedness marking the narrators’ attitude towards the protagonists. In doing all this the paper aims to show how both novels leave the problem of reality versus imagination unresolved, pointing perhaps to the possibility of a third alternative involving the reconciliation of these opposing forces.

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İbn Sînâ ve Tûsî’ye Göre Tanrı’nın Bilgisi

İbn Sînâ ve Tûsî’ye Göre Tanrı’nın Bilgisi

Author(s): Murat Demirkol / Language(s): Turkish Issue: 32/2016

The knowledge of God has been taken into account by the Muslim philosophers not as a theory of knowledge but as a subject within the framework of metaphysics. Though there is no title specifically dedicated under epistemology in Islamic philosophy, man’s knowing and perception (idrak) has been analysed within the framework of both logic and soul (nafs) theories. Sensual conception has been taken into account under the former drive of two fundamental motives, namely carnal perception and actuation, whereas producing new knowledge and certainty based on premises has been studied under logic. The power of abstract knowledge is studied both in the theory of nafs in that it reaches the universal knowledge by abstracting the images derived from internal and external senses, and also analysed under metaphysics since it processes information through a active intellect and transfer of knowledge. In this article, while we analyse the knowledge of God via the works of Avicenna and Nasir al-din al-Tusi, we also take into account the comparison between the universal and self-knowledge of God and human’s universal and particular knowledge in this study, too. Thus, we partially touched upon the knowledge theories of both philosophers. The quest for conceiving the Knowledge of God requires considering the character of human’s knowledge and reasoning and putting forward the differences via comparison. In this study, the fact that how God knows himself (dhat) and others’ and how this knowledge is realised whether it is delineated (irtiṣām) in his dhat through intelligible images or in the form of unification of intelligibles with his dhat, it will be analysed through the ideas of two philosophers.

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Han Yonğ Un(한용운)’un Şiirlerinde “Sevgiliyâr(Nim-님)” Kavrami Üzerine Bir Değerlendirme

Han Yonğ Un(한용운)’un Şiirlerinde “Sevgiliyâr(Nim-님)” Kavrami Üzerine Bir Değerlendirme

Author(s): Hatice Köroğlu Türközü / Language(s): Turkish Issue: 92/2017

Han Yon-un, who lived between 1879 and 1944, was a Japanese imperialism period poet, a Buddhist monk and a nationalist activist. When we look at the poet's poems in general, it is different from the poets of the period. According to the philosophy of Buddhism, with the information provided by Han Yong as a monk, the society must first be freed before it can reach Nirvana. Han, himself, will be enlightened after the society in which he lives in has gotten liberty. So, from a different point of view, the main theme of his poems is Buddhism and Freedom. The concept of “lover (nim-님)” in his poems differs from that of the period’s poets. For example, Gim So Vol (1902-1934), one of the poets of the same period, also, wrote poems based on the concept of the lover. However, while the love that Han has left will surely return to him someday, Gim's dear never returns in his poems. In all Han's poems, spirituality and hope are dominant. When his poems are read in a simple way, it is possible to see the disappearance of something important and the suffering of the desperate hope of regaining it. If we read through the poems more deeply, we can perceive that they reach a superior level, by deeply understanding the state of the nation, by combining deep religious experience and a clear artistic feeling. This is why his poems can be seen as love songs by young people, greetings by religious people, and can be read by nationalists as a password that translates fervent emotions into national independence. In this study, we tried to examine the concept of "lover" which Han used as an image through several poems.

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Yilan, Su, Söz: Kadin Düşmanliği İle Belirsizlik Korkusu Arasindaki İlişkiye Dair Bir Yorum Denemesi

Yilan, Su, Söz: Kadin Düşmanliği İle Belirsizlik Korkusu Arasindaki İlişkiye Dair Bir Yorum Denemesi

Author(s): S. Yetkin Işık / Language(s): Turkish Issue: 93/2018

In this article, the relation between fear of the uncertainty and misogyny, the roots of which are rooted over thousands of years and continue to exist today as in every age, are discussed. The history of culture and civilization is the history of humankind controlling uncertainties by setting down boundaries and rules for themselves. Since the oldest states, where potency became abstract and institutional, potency and man have become identical. It is seen in myths and rituals, which are circulated as the instruments of legitimization of power, man is related with potency and social order whereas woman is encoded as a threat to the order, thus a potential danger. The representation of woman as disorderly and eerie in mythical and religious speeches reveals that misogyny has deeper roots, rather than being just a sexist and a moralistic reaction. Misogyny that we face today is the socio-psychological remnant of the primordial fear of uncertainty and the patriarchal domination that has lasted for thousands of years with its historical, imaginary and logical ties. These relationships can be shown via metaphoric, allegoric or symbolic items in the myths, fairy tales, practices of name giving. Water is often associated with women as the main metaphor of uncertainty due to its fluidity. Snakes, saying and some other symbols, which are occasionally encountered as metaphors for the woman, are the words that symbolize the danger, the fear of uncertainty.

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Anadolu Türk Kültürünün Tasavvufu Açıklama İşlevi: Cabbar Kulu Kitabı Örneği

Anadolu Türk Kültürünün Tasavvufu Açıklama İşlevi: Cabbar Kulu Kitabı Örneği

Author(s): Cafer Özdemir / Language(s): Turkish Issue: 94/2018

Alevi-Bektashi Culture, as a continuum of Turkish culture, emerged as a consequence of a new composition of Islamic beliefs in Anatolia with concrete and non-concrete elements brought from Middle Asia. It is clear that Turkish Sufi Notion which was transferred to Anatolia from Ahmet Yesevi has an important role in this composition. The Alevi-Bektashi community which has concerns for keeping religious and national elements vividly alive has played a crucial role in enabling Anatolian Turkish Culture to reach to the present day. In this study, the function of Anatolian Turkish cultures in the understanding of Sufi subjects in the book of Cabbar Kulu, a written work of Alevi-Bektashi literature in 18th century, was discussed. The richness of the socio-cultural life was addressed by presenting the functional aspects of culture in an integrated way and the concerns of Alawi-Bektashi community living in rural areas for transferring belief systems to individuals were emphasized. The study also emphasized this community’s use of literature as a tool to convey their belief systems to the future and in this way their anxieties about featuring didactic aspects of art. In addition to this, it was discussed with examples that which mystic elements were tried to be grasped with which cultural elements. Since the book of Cabbar Kulu is rich in terms of cultural material, cultural elements are mentioned in the study as titles. This book, in which there exist dialogues, questions and answers among Cabbar Kulu, being the main theme, Hz. Muhammad, Hz. Ali, Selman-i Fârisî, and Haci Bektas Veli, is a great literary work in terms of fictional aspect. The fact that the vast majority of the words mentioned in the work belong to the folk Turkish in an understandable way, and the preference of a style such as the style and the deep mysticism are explained in terms of cultural reasoning requires consideration of the function of the work. It is seen that the didactic aspects of the work and the teaching anxiety of the religious-sufi subjects have been attached importance. In this context, the book of Cabbar Auli exemplifies that cultural elements can be used in a different function. The book is a work that should be emphasized in terms of showing the interaction between religion and folk culture.

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The word “Theology” from the Presocratics to Peter Abelard: Philosophy and Science. Some Remarks

The word “Theology” from the Presocratics to Peter Abelard: Philosophy and Science. Some Remarks

Author(s): Mauro Ferrante / Language(s): English Issue: 18/2017

The purpose of this paper is to reconstruct, through the analysis of some key moments, the evolution of the term “theology” within the Western philosophical thought. Starting with the first formulation by the Presocratics, the study takes into consideration both the first attestation of the term by Plato (in the second book of the Republic) and the role it plays in Aristotle’s works (Metaphysics). In its second part, the paper considers the importance of the term “theology” in the Latin world, through the study of the Augustine’s critic against the greek thinkers, which will lead to a further development in the Middle Ages. The point of arrival is Peter Abelard, who formulated a concept of “theology” conceived as a science. At first, the term was tied to a pagan conception of society and was devoid of any scientific connotation. With the advent of Christianity, it begins to take on an universalistic character connected with the concept of an absolute truth. It is here pointed out, through all of these antecedents, how, in the Middle Ages, when the “theology” became an autonomous science and responds to its own laws, how it is assumed and used as an instrument to manage both science and truth. Thanks to the contributions of the ancient philosophers, developed by medieval thinkers, it was possible to subsequently use the term “theology” also in a political sense. It also allows us to extend it to other fields than its original one. Finally, this paper wants to stress that it is necessary to first study the evolution of the concepts of terminology, because it allows us to better understand the concepts that are used in science.

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İbn Sina’nın Varlık-Mâhiyet Ayniliği/Ayırımının Aquinas’ın Eleştirileri Bağlamında Değerlendirilmesi

İbn Sina’nın Varlık-Mâhiyet Ayniliği/Ayırımının Aquinas’ın Eleştirileri Bağlamında Değerlendirilmesi

Author(s): Mehmet Ata Az / Language(s): Turkish Issue: 29/2014

İbn Sînâ was the first philosopher who addressed the distinction of essence-existence, which is essential as far as the basic, in a systematic way and discussed it in the philosophical context in Islamic and Western thoughts. His approach is in parallel with Aristotle’s approach which identified being in terms of being as the subject of metaphysics and distinction of essence-existence. İbn Sînâ’s approach has become one of the most basic arguments in meta-ontology. Over time, İbn Sînâ deeply influenced Latin philosophers’ meta-ontologies. There were many scholastic philosophers such as Thomas Aquinas who used the identity and the distinction of the essence-existence and have built up their ontologies as much as their metaphysics upon it. In this study, we will examine İbn Sînâ’s and Aquinas’s approaches of the distiction of essence-existence key concepts in the context of criticism of Aquinas, then we will examine the value of criticism of Aquinas that İbn Sînâ negated essence which made the concept of God meaningless.

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Tradycja, transkreacja, transkulturacja: eks-centryczny punkt widzenia

Tradycja, transkreacja, transkulturacja: eks-centryczny punkt widzenia

Author(s): Haroldo De Campos / Language(s): Polish Issue: 33/2016

Literatura brazylijska – choć być może to, co powiem, będzie miało zastosowanie również w przypadku innych literatur latynoamerykańskich (pomijam kwestię wielkich kultur prekolumbijskich, które należy rozpatrywać pod odmiennym kątem) – narodziła się pod znakiem baroku. Idea „narodzin” ma tutaj charakter jedynie metaforyczny. Nie należy jej rozumieć z ontologicznego, substancjalistycznego, metafizycznego punktu widzenia. Nie należy jej też pojmować jako poszukiwania „punktu źródłowego”, na którym można by osadzić „tożsamość” lub „charakter narodowy”, postrzegany zresztą jako pewien byt [presença entificada] i pełnia, terminus ad quem, do którego można by dotrzeć w wyniku ewolucji o charakterze linearnym, biologicznym, opartym na pewnej „immanentnej teleologii”, zgodnym z modelem zaproponowanym przez „organicystyczną”, XIX-wieczną historiografię.

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Obraz jako szibbolet. Wokół Pierścieni Saturna W. G. Sebalda
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Obraz jako szibbolet. Wokół Pierścieni Saturna W. G. Sebalda

Author(s): Radosław Filip Muniak / Language(s): Polish Issue: 2/2018

Muniak examines the metaphysics of the image in W.G. Sebald’s The Rings of Saturn. His focus is on the role of photographs and what constitutes their meaning in the novel’s narrative layer and in the notion of the image in general. The point of departure is the figure of the window as an image that cannot be transgressed (a shibboleth), its metaphysical and hermeneutic connotations as well as its meaning in the context of a broadly understood philosophy of culture.

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ETYCZNY PLURALIZM A WARTOŚCI UNIWERSALNE: KATALOGI NORMATYWNE JOHNA FINNISA I MARTHY C. NUSSBAUM

ETYCZNY PLURALIZM A WARTOŚCI UNIWERSALNE: KATALOGI NORMATYWNE JOHNA FINNISA I MARTHY C. NUSSBAUM

Author(s): Maciej Sławiński / Language(s): Polish Issue: 41/2018

Is it possible that Nussbaum’s capability approach and Finnis’s natural law theory have anything in common? We usually do not think ethical pluralism and an account of objective good to be members of one family of theories. Nevertheless there is a set of ideas that Nussbaum and Finnis apparently, and surprisingly, share. Both authors elaborate a list of values which plays a central role in their theory. Careful examination of these lists provides us with many similarities in terms of concepts, terminology and interpretation. Finnis and Nussbaum both employ the ideas of practical reason and intuition, or self-evidence, to reject the academic requirement for theoretical proof of normative approach in morality, philosophy of law and political theory. In this way, they both seek to secure their claims to universality.

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On the adequacy of qualifying Roger Penrose as a complex Pythagorean

On the adequacy of qualifying Roger Penrose as a complex Pythagorean

Author(s): Wojciech P. Grygiel / Language(s): English Issue: 65/2018

The aim of the presented article is to provide an in-depth analysis of the adequacy of designating Penrose as a complex Pythagorean in view of his much more common designation as a Platonist. Firstly, the original doctrine of the Pythagoreans will be briefly surveyed with the special emphasis on the relation between the doctrine of this school and the teachings of the late Platonic School as well as its further modifications. These modifications serve as the prototype of the contemporary claims of the mathematicity of the Universe. Secondly, two lines of Penrose’s arguments in support of his unique position on the ontology of the mathematical structures will be presented: (1) their existence independent of the physical world in the atemporal Platonic realm of pure mathematics and (2) the mathematical structures as the patterns governing the workings of the physical Universe. In the third step, a separate line of arguments will be surveyed that Penrose advances in support of the thesis that the complex numbers seem to suit these patterns with exceptional adequacy. Finally, the appropriateness of designation Penrose as a complex Pythagorean will be assessed with the special emphasis on the suddle threshold between his unique position and that of the adherents of the mathematicity of the Universe.

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Czy możemy wykazać istnienie zjawisk całkowicie przypadkowych?

Czy możemy wykazać istnienie zjawisk całkowicie przypadkowych?

Author(s): Marek Kuś / Language(s): Polish Issue: 65/2018

I show how classical and quantum physics approach the problem of randomness and probability. Contrary to popular opinions, neither we can prove that classical mechanics is a deterministic theory, nor that quantum mechanics is a nondeterministic one. In other words it is not possible to show that randomness in classical mechanics has a purely epistemic character and that of quantum mechanics an ontic one. Nevertheless, recent developments of quantum theory and increasing experimental possibilities to check its predictions call for returning to the problem of comparing possibilities given by classical and quantum physics to accommodate and prove the existence of a `genuine randomness'. Recent results concerning `amplification of randomness' show that, in certain sense, quantum physics is in fact ‘more random’ that classical and outperforms it in producing a `truly random process'.

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