Сериализирането в международния информационен поток

Author(s): Maria Neikova / Language(s): Bulgarian Issue: 10/2021

In the proposed text is sought to answer the question of whether and when we can talk about serialization in the international information flow. An attempt has been made for some systematization of the possible types of serialization, among which the anniversaries stand out. There are two major branches – the traditional serialization and the one generated by the possibilities of new technologies. The example with the ‘Tiananmen Papers’ is considered in more detail. It is also worth noting the borrowing serialization, shown in two examples of connecting processes in the present with such from the recent or very distant past.

Български места на памет, възпоменателни чествания в Република Северна Македония и техните медийни отражения

Author(s): Lozanka Peycheva,Lozanka Peycheva / Language(s): Bulgarian Issue: 10/2021

The research focuses on commemorative practices around the figure of Mara Buneva and her memorial plaque in the center of Skopje, which can be interpreted as a Bulgarian place of memory. The study tracked only online reporting of the practices, without observing the corresponding offline events. Online versions of electronic media and agencies (TV, radio, news agency websites); online media (information websites) and social ‘we-media’ (video sharing websites, blogs, social networks, etc.) were researched. The studied materials reveal the care of some communities to establish the memorial plaque as a special Bulgarian place of memory in Northern Macedonia and the efforts of other groups seeking complete amnesia and ultimate delegitimization of the past related to Mara Buneva.

Re-reading the Bulgarian Folklore Journal

Author(s): Valentina Ganeva-Raycheva / Language(s): English Issue: Special 2/2020

This article is dedicated to the fortieth anniversary of the founding of the Bulgarian Folklore Journal. The reflections on the Journal which are discussed here are made in the context of the political and sociocultural development of Bulgaria, as well as in the context of national and international traditions in the study of folklore. At the same time, these reflections address changes in scientific paradigms and theoretical approaches, the problems of the existing boundaries between disciplines, the re-definition of scientific scope and newly defined fields of research. The interdisciplinary nature of the Journal, the development of its scientific profile, and its transformation into a journal for scholarly research in the field of folklore studies, ethnology and anthropology in the 1990s are given special attention. Editorial politics and practices, as well as different aspects of its theoretical sensibility and applied aims are traced. The place of the Journal among Bulgarian humanities periodicals and its international visibility are also highlighted.

Юбилеите на руската емиграция в България (1919–1944) през нейните вестници: приоритет на снизхождащото приспособяване

Author(s): Yordan Lyutskanov / Language(s): Bulgarian Issue: 1/2022

In my article, I analyse the newspaper imprints of some jubilee celebrations performed in the minds of Russian émigrés in Bulgaria, but also outdoors and indoors, between 1919 and 1944. Basing on M. Spariosu’s theory of exilic-utopian imagination and on the intuitive premise that an émigré community would inevitably pursue/problematize its accommodation within the host society, I locate the Russian émigré community and its celebrations within a tri-axial communicative situation whereby impulses for (self-aggrandising) introspection, mental war with the exiling power (sovietised Russia), and domestication of the host milieu are detectable. Considering newspapers as the most effective sites to host places of celebration for a (non-persecuted) ethno-cultural minority in the first half of the 20th c., and basing on prior historiography on the Russian émigrés of Bulgaria and on an overview of their periodicals, I identify as most conspicuous a constellation of jubilees that gravitated around the 50th anniversary from both the beginning and the completion of the 1877–1878 Russian-Ottoman war. Thus, I am able to discern the specificity of the communicative situation of that particular Russian émigré community against the benchmark of the ‘metropolitan’ one based in Paris. I approach these “imprints”, or “places of celebration”, as visual-verbal compositions (elaborating D. Georgiev’s ‘architecturology’ of newspaper); and as textualised experiences potentially reminiscent of the two cultural archetypes of “jubilee” for (post)Christian humankind, the Hebraic and the Roman ones.

Странстващи идеи по пътищата на хуманитаристиката. Изследвания по фолклористика, културна антропология и славистика в чест на доц. д-р Катя Михайлова. София: Издателство на БАН „Проф. Марин Дринов“. Т. 1, 2020. Т. 2, 2021

Author(s): Albena Georgieva / Language(s): Bulgarian Issue: 1/2022

Book review

Човекът - изваден наново

Author(s): Enyo Stoyanov / Language(s): Bulgarian Issue: 12/2022

The text offers a review of Prof. Miglena Nikolchina's monumental study "God with Machine: Subtracting the Human", dedicated to fundamental theoretical conceptualizations around anthropological issues. The review dwells in particular on the central conceptual paradox outlined in Prof. Nikolchina's book, namely the double determination of man as "a being who wants to be human" and “being who does not want to be human”

The 'Doubled-Sided' Chapel at Pyrga (Cyprus, 1421-1424).

Author(s): Vladimir Agrigoroaei / Language(s): English Issue: 6/2022

Après avoir reconfirmé la datation de Camille Enlart (vers 1421 ou 1421-1424) et identifié le comman-ditaire (l’évêque de Limassol Barthélemy Gui) dans une inscription fragmentaire, la présente étude explore: d’une part, les modèles des inscriptions en langue vernaculaire française de Pyrga (Chypre); d’autre part, la lo-gique du programme iconographique et le contexte culturel que sous-tend cette dernière. Dans la première par-tie, l’analyse des inscriptions de la chapelle prouve que le concepteur du décor peint a suivi un modèle manuscrit, sans doute un psautier avec un grand cycle d’enluminures. L’étude évoque trois termes de comparaison célè-bres: le Psautier de la reine Ingeburge (Chantilly, Bibliothèque du Musée Condé, 9 – tournant du xiiie siècle), le psautier de l’évêque Henri de Blois (Londres, British Library, Cotton Nero C iv – vers 1160) et le livre d’images de Marie de Rethel (Paris, Bibliothèque nationale de France, n. acq. fr. 16251 – vers 1285). Dans la source manuscrite reconstituée, les inscriptions en ancien français étaient probablement transcrites en tant que tituli, d’après une typologie tripartite: noms de fêtes religieuses, groupes nominaux ayant une fonction analogue et légendes sous forme d’énoncés introduits par l’adverbe coument. La langue des inscriptions de Pyrga, un français d’Outremer, présente les traits particuliers des scriptae chypriotes de la fin du Moyen Âge. De plus, on constate que la déco-ration de la chapelle inscrit le monument de Pyrga dans la catégorie des chapelles royales de l’Europe occidentale (xive et xve siècles). Le transfert du codex à la paroi concerne non seulement les images, mais également les textes qui accompagnent ces dernières. L’auteur s’intéresse ensuite à la disposition symétrique de la décoration dans les deux travées de la chapelle, ainsi qu’à la manière dont cette disposition accentue l’Uniatisme catholique-orthodoxe. La logique dos-à-dos de la décoration émule celle des icônes à double face – termes de comparaison directs pour la chapelle – notamment leur choix d’apparier deux scènes : la Crucifixion / la Mère de Dieu. Le con-cepteur du décor peint souhaitait évoquer l’osmose de deux églises: une église latine, orientée vers l’Est; la sug-gestion d’une église byzantine, orientée vers l’Ouest. Cela explique le choix particulier de la décoration des voûtes (christologique pour la travée Est et mariale pour la travée Ouest), la double représentation de l’An-nonciation (pour marquer l’orientation des deux églises) et le choix d’une composition de type pala d’altare pour la paroi Est, tandis que la paroi Ouest imite la décoration des templons byzantins. L’osmose des deux églises est indiquée de manière encore plus claire par le choix de représenter les martyriums des saints Étienne (signifiant l’Orient) et Laurent (signifiant l’Occident) au-dessus des entrées latérales. Ce serait une allusion à l’osmose des corps de ces saints dans la Coniunctio corporum sanctorum Stephani et Laurentii (bhl 4784b). Après une réévaluation du texte fragmentaire (aujourd’hui perdu) de l’inscription dédicatoire, il est évident que la dédicace proprement dite concernait l’Assomption de la Vierge. Qui plus est, l’osmose Est-Ouest était de nou-veau indiquée par la représentation dans un même cadre de la Dormition de la Mère de Dieu (sujet à connotation byzantine) et du Couronnement de la Vierge (thème occidental par excellence). Les textes littéraires des xive et xve siècles confirment la fixation chypriote de l’appariement de la Mère de Dieu avec la Passion du Christ, de même que plusieurs autres choix de la décoration de Pyrga. La signification de la décoration devait être multiple, en rapport avec la triple utilité du bâtiment: chapelle funéraire (pour Barthélemy Gui), chapelle royale (pour le couple Janus de Lusignan-Charlotte de Bourbon) et point d’entrée au monastère de Stavrovouni, qui hébergeait des reliques de la Sainte Croix.

LEGAL REGIME OF PROPERTY OF LAND IN ROMAN PROVINCES

Author(s): Stoyan P. Ivanov / Language(s): English Issue: 2/2022

The paper considers the specific problem of the land property outside Italy in the Roman provinces during the period of the late Roman Republic and the early Principate. The author studies how the Roman government faced the new problems that the conquest created and what Rome actually did when first met the Hellenistic concepts of the land property in the conquered territories and how they were applied or modified according to the traditional Roman law principles and regulations. It is emphasized that the need to organize the territory and to define the property of the people who lived on that territory or the rights which they had to the land for a very first time occurred in Sicily which the Romans organized as the first Roman provincia. The article examines the organization of Sicily according to Lex Hieronica, it considers the exemptions and immunities of some cities from the general legal regime of the province, and studies the collection of public revenues and the payments for the taxes for the exploitation of the land – vectigal et vectigalia publica. Key notions and terms like possessio, dominium, mancipatio, vectigal, vectigalia, tributum, stipendium are cleared and special attention is paid to the correct use of the Latin legal terminology. Some of the most important fragments from the Institutes of Gaius about the provincial property are examined and is made a carefully study of his language and the legal aspects of his consideration of the rights that the individuals had over the provincial lands. The research presents in details the organization of other provinces in the late Roman Republic and the early Principate and deals with the richest Roman province – Asia, which brings huge revenues to the Roman budget. Central part of the study is dedicated to the legal regime of the provincial land and the author considers the main opinions on this topic in the recent Roman legal doctrine and translates and analyzes the relevant classical Latin texts in the sources and provides an important bibliography on the problem, he tries also to define the Roman concept for „provincial property“ which for sure was not identical with the dominium ex iure Quiritium in Italy.

Разказите за пророчески сънища: към изследването на фолклорната култура на сънуване

Author(s): Smiljana Đorđević Belić / Language(s): Bulgarian Issue: 2/2022

After a theoretical review of the studies of dreams in anthropologically oriented research, the author especially considers folkloristic studies of the dreams symbolism, as well as the dream stories as a genre. The second part of the paper is dedicated to the analysis of field narratives – the stories of prophetic dreams. The focus is on the problems of the interpretation logic, the way of fitting into the autobiographical experience, and the relationship between the individual conceptions of dreams symbolism and the traditional matrices.

Прогноза за времето: от епичния „край на света“ до апокалипсиса днес

Author(s): Lidija D. Delić / Language(s): Bulgarian Issue: 2/2022

The paper examines the folklore understanding of weather conditions, archaic conceptualization of cataclysms and contemporary newspaper/internet articles on similar topics in a comparative context. It turns out that modern civilization inherits part of the rhetorical repository and imaginary of traditional cultures when it comes to meteorological phenomena, employing them in a new context in the already recognized global “discourse of fear/intimidation” (F. Furedi, D. Altheide, P. Cap). At the same time, this rhetorical identification is seductive insofar as all its parameters (the planet has warmed since pre-industrial times, glaciers are melting, sea levels have risen, a large percentage of forests emitting oxygen have been cut down, the ozone layer and ecosystem-regulating animal species vanish, humanity has increased enormously) speak that on a global level something dramatic is happening and that we are not just witnessing another of the great resurrections of history and its (mis)use.

Разомагьосване, повторно омагьосване и фолклорни жанрове

Author(s): Ana Vukmanović / Language(s): Bulgarian Issue: 2/2022

Book Review: Disenchantment, Re-enchantment and Folklore Genres. Ed. by Nemanja Radulović, Smiljana Đorđević Belić. Belgrade: Institute for Literature and Arts, 2021. 286 pp. ISBN 978-86-7095-286-7

Българските язовири. Политика по именуване

Author(s): Grigor Har. Grigorov / Language(s): Bulgarian Issue: 4/2022

Choosing a name is an important part of the construction of significant infrastructural projects, such as dams. Naming is not only a utilitarian procedure of individualizing a concrete space, but also a symbolic act that gives value to a specific name and transforms it in a cartographic and geographical “site of memory”. The selected name is picked out among other possible variants and is thus the result of a choice that implies an intention or at least a mental attitude. The article attempts to reconstruct the logic underlying the naming of Bulgarian dams.

„Нашите преместени гробища“: концепцията за гробище в наративите за принудително преселване

Author(s): Iryna Koval-Fuchylo / Language(s): Bulgarian Issue: 4/2022

In the narratives of migrants from submerged areas, four main concepts can be distinguished: home, land, church and cemetery. The article is devoted to the concept of a cemetery in the memories of forced resettlement from areas submerged during the construction of hydroelectric power plants in Ukraine. Excerpts from memories about the moving of cemeteries are presented. Folk beliefs, nominative vocabulary for events, places, characters, plots, persistent themes, and basic folklore plots are explored. The following main ideas are identified: it is not possible to move a cemetery entirely; disturbing the peace of the cemetery leads to dangerous consequences and provokes the wrath of the dead; the re-installation of grave crosses restores the sacredness of the graves, consolidates the resettled community and updates the memory of its historical past.

Чешката телевизионна реклама и фолклорът – начини за употреба на народните традиции от масмедиите

Author(s): Jaroslav Otčenášek / Language(s): Bulgarian Issue: 1/2023

The ways in witch advertising uses folklore motifs are rather varied and interesting. In this article, we first clarify what the essence of advertising is at a theoretical level, who it is aimed at, what is presented and how it is presented, and of course, also who orders the advertisement. This synthesizing theoretical introduction is necessary in order to fully understand the differences between audio advertising, visual and audio-visual presentation, as well as how contemporary advertising permeates the media environment including Internet and social networks. Also significant is the psychological effect on the costumers, which uses a number of traditional stereotypes and expected behaviour patterns. Subsequently, we will look in more detail at the role of folklore and especially folklore narratives in advertising, including its changes in the last century, which we will illustrate with two specific examples. The next part of the article consists of an analysis of two contemporary advertising campaigns with dominant folklore motifs in the Czech media environment (Equa bank and Seznam.cz), in which we show in detail the way they communicate with the costumer, the folklore stereotypes used and the comments of the clients and creators of these advertisements regarding the expected effect of the campaign.

Традиция и иновация (Как фолклорната култура на Чехия и България намира нов живот в медийната среда през време и след пандемията от 2020 година)

Author(s): Nevena Dimitrova / Language(s): Bulgarian Issue: 1/2023

Diverse influences of folklore tradition in contemporary media are presented in this article. The pandemic “closure” and encapsulation of the normal rhythm of life in 2020 unleashed a wave of creative TV, radio, social media manifestations, focused not only on covering the unusual situation, but also on the particular “return” to traditional practices and ways of adapting to the daily life routine. Self-introspection became a journey towards primordial rituals where tragic and comic coexist in the resistance and affirmation of life. The observed and analysed examples are from the Czech and Bulgarian media environment.

Международна славистична научна конференция „Интердисциплинарно изследване на изворите за език и духовна култура: словашко-славянски взаимовръзки“

Author(s): Rayna Rozhdestvenska / Language(s): Bulgarian Issue: 1/2023

Events

Echoes

Author(s): / Language(s): English Issue: 7/2023

Словесност – традиции – фолклор. Том 1. Съст. и научен ред. Николай Вуков. София: Издателство на БАН „Проф. Марин Дринов“, 2022

Author(s): Valentina Ganeva-Raycheva / Language(s): Bulgarian Issue: 3/2023

Book review

Религиозност в трансформация: народни и нормативни религиозни практики в Източна Грузия

Author(s): Ketevan Khutsishvili / Language(s): Bulgarian Issue: 4/2023

Georgian everyday life is highly tied up with the rich religious traditions that have been developed as a result of the centuries-long synthesis of pre-Christian and Christian practices and worldviews. The Soviet period caused the fragmentation of the traditional religious knowledge and the practice moved to the household level and was paganized. In the post-Soviet period, the burst of religious sentiments and search for identity increased the involvement of big masses to religious practices. The transformations were accompanied by a process of individualization of religion, which has led to a change of forms of religiosity. Based on the ethnographic data of East Georgia, the article discusses the correlation of the normative, vernacular and resistant forms of religiosity. Historical-comparative and parallel analyses are used to research two examples of religious practice: Lomisoba and Berikaoba. Lomisoba is analyzed as an example of hybrid, massive, collective holiday. Berikaoba is more local, not connected to a sacred site, performative festival. It is argued that the contemporary processes are having an impact on the religiosity and the religiosity of certain groups is trying to be defined in new forms. All the old and new forms of religiosity are explicitly displayed and played out in contemporary Georgia. At the same time there are some hidden, or rather implicit practices.

Шедьовърът на Руставели – ренесансова поема или средновековен роман?

Author(s): Yordan Lyutskanov / Language(s): Bulgarian Issue: 4/2023

The article introduces to the late medieval romance in verse Vepkhistq’aosani by Shota Rustaveli – the central artefact in Georgian cultural self-awareness and the top item of ‘high’ Georgian cultural export. It briefly presents its narrative content, indicating the correlation of two plot-lines (initially through enframing, after some point though horizontal interlacing). It briefly introduces to the main fluctuations and 20th-century tendency in translating the work’s title, interpreting the fluctuations as indicative of aesthetic differences, and the tendency as an indication of the ‘cultural market’ success of the Soviet-Georgian (in its ideological and aesthetical basis –a Stalinist and socialist-realist) image of Rustaveli’s masterpiece. It presents two influential to dominant claims of Georgian Rustvelology – that the work is a poema (and not a novel/romance) and that it displays, at least partially, Renaissance outlook and poetics, – considering these claims as tools (1) of Soviet “Culture Two” to allot a proper place to Georgian nation within the alternative modernity of the USSR and its premodern background-under-construction, and (2) of Soviet-Georgian cultural nationalism to define a usable past in post-Soviet conditions; and (3) as beliefs. It revitalises the option to contextualise the work of Rustaveli (and, indirectly, Georgian cultural identity) in non-Eurocentric terms, providing some factographic and theoretic clues from the field of macrohistory (J. Abu-Lughod et al.) and a methodological one from sociology of arts (P. Bourdieu).