Mickey Mouse, psychopat a jiné světy: poznámka o jednomBenjaminově přirovnání

Author(s): Josef Fulka / Language(s): Czech Issue: 01/2007

One of the moments that connect S. Freud with W. Benjamin is, apart from the interest in mental and material archeology, directivity to a volatile moment constituting the “lyrical” basis of both Freud’s scientific rhetoric, and Benjamin’s literary fragments and the philosophy of time. An analogy to the temporality in psychoanalysis we can find also in The Work of Art in the Age of Technical Reproduction, where, however, elusiveness is connected to another element of psychoanalysis: to the interest in a neglected detail. Apperception of unperceivable details is, however, better than a theory or techniques of therapy enabled by means of a new kind of art: film, operating on psychotization of consciousness. The archeology of this theme can be realized on the example of Mickey Mouse as a cinematic representative of the modern philosophy of detail; it appears ultimately also in Benjamin’s considerations on film, where it is, moreover, caught in a certain historical-utopian perspective. His logic of detail as a logic of the operation of the universe is, at the same time, puts into an analogy to Fourier and Blanqui, and it can be shown that the phantasmagoric parallel worlds occurring both in the notions of Freud’s patients, and in the visions of the utopists in the 19th century, were conceptualized by means of the media by Benjamin.

Ku konjunktúre mediálnych teórií

Author(s): Jochen Hörisch / Language(s): Slovak Issue: 01/2007

The article presents a historical and troubleshooting summary of the development of new media and their theoretical conceptualizations. In connection with their advancement it formulates several theses: since 1950s media theory arises as a phobic leftist reaction to the new media (Th. W. Adorno, G. Anders) criticizing the so-called cultural industry, although the leftist media theory was tolerant of the new media in the first half of the 20th century (S. Kracauer). The author places the rejection to debit of, among others, the one-sided interpretation of Benjamin’s theses from his The Work of Art in the Age of its Technical Reproduction. A compensation of the new media comes with M. McLuhan and his theorems that the media enlarge possibilities of man, create autonomous messages, and change the world into a “global village”. N. Postman followed McLuhan in sense of cultural-conservative criticism, and J. Meyrowitz derived a positive notion of the role of electronic media in his thesis on the implementation of new social borders through media. The author considers theses stating that the new media implicitly include a power element and an element of violence, and he inclines to the opinion that elite criticism of the new media comes from misunderstanding of their capabilities and the late creation of theories in view of the technical-civilization progress.

Benajmin a neeurópskosť?

Author(s): Adam Bžoch / Language(s): Slovak Issue: 01/2007

Was W. Benjamin an intellectual connected exclusively with European, or Jewish traditions of thought, or was he also a pioneer of cultural difference, gaining relevance, above all, today, in the epoch of globalization of culture? From the amount of Benjamin’s examples of non-European art (however, particularly Arabic or Far Eastern art), possibly marginal remarks spread throughout his theoretical and critical work since 1920s till his death, we can show that the construction of his extensive and ambivalent theory of culture (including the notions incorporated in the essay The Work of Art in the Age of its Technical Reproduction), was permanently determined by his subliminal interest in geographically distant civilizations. Benjamin considered them an important means of critical self-experience, and questioning of Eurocentrism. The author shows that Benjamin’s way of thinking corresponds to the post-colonial discourse not only in the meta-theoretical way, but particularly by means of understanding of the concreteness of non-European cultures, but, at the same time, he exalts the fact that the approximation of the non-European in Benjamin deals both with “material semi-exoticism”, and his notion of individual and collective cultural memory.

Echi Risorgimentali nelle opere di Giuseppe Verdi

Author(s): Otilia Doroteea Borcia / Language(s): Italian Issue: 2/2011

This paper is dedicated to two important artistic - cultural events of 2011 year : the celebration of 150 years from the Unification of Italy and 110 years from the death of Giuseppe Verdi , the composer in whose creation can be found perhaps the deepest echoes of the Risergimento. These facts do not belong only to the history of the Italian nation , but of European and universal history, because great artists of the peninsula have contributed works very precious with since ancient times of various kinds, admired in all museums and theaters in the world.

Beyong emotion: ritual weeping in Japanese Myth and custom

Author(s): Carmen Săpunaru Tămaș / Language(s): Japanese Issue: 2/2011

My paper is an attempt to explain the ritual aspect of weeping in Japanese tradition. Tears and weeping have always played a major role in the recorded history of human traditions and rituals, but weeping itself has been usually analyzed from a psychological perspective, as a bodily manifestation pertaining to spontaneous emotion rather than a volitional , controlled gesture.

Counter Culture includes tradition

Author(s): Felix Nicolau / Language(s): English Issue: 1/2012

By stating that counterculture includes tradition we understand that the beat generation is not disconnected from the message exposed by the American transcedentalist writers of the 19-th century. So tradition is present in a subtle form even in the movements that challenge the literary and artistic establishment. Counter culture is different from subculture- thus it is normal that it includes a tradition that was thwarted by the cultural mainstream.

Creative tools for addressing intercultural conflicts

Author(s): Ioana Tinela Huza / Language(s): English Issue: 1/2012

Cultural differences often lead to conflicts because they influence working and communication styles, attitudes and individual values. The symbolic level of the conflict is most difficult to address because, while material interests and power asymmetries can be noticed and acknowledged by the parties, cultural issues, connected to unconscious ways of knowing, are not easily perceived.

The Noh Theatre as intercultural performance - a case study

Author(s): Iulia Waniek / Language(s): English Issue: 1/2012

The present paper explores the way in which theatre was used as a bridge between two cultures, both in the 16th century Japan, where the traditional Noh theatre was used-in the form of kirishitan noh-to expound Christian doctrine, by foreign missionaries and Japanese, as well as more recently.

L'impressionnisme- lien artistique entre les peintres francais et roumains

Author(s): Mirela Pentelescu / Language(s): French Issue: 2/2012

The paper presents the principles and techniques of the impressionism establishing a parallelism between the French painters- the initiaors of the pictorial current - and the Romanian ones.

La sorciere de la peripherie des empires

Author(s): Narcis Zărnescu / Language(s): French Issue: 2/2013

Symbolic battles between small demons from the periphery and grate demons of empires redefine conflicting tensions among civilisations, cultures and spiritualities. This is precisely the goal of this study.

THE ROLE OF CULTURE AND COMMUNICATION IN A CONFLICTUAL WORLD

Author(s): Cristina Rhea / Language(s): English Issue: 02/2010

Information and Communication are as old as the humanity itself. The role of Culture and Communication in a conflictual world cannot be understood without a previous knowledge of the role of cultural networks. The culture is and remains important as long as people will live on this planet. The cultural networks create a possible dialog generating subregional and regional politics, and try to overtake the difference of political speech or the difference of political national interest. There are no doubts that it is the most modern and actual form of regional and supranational communication.

FAȚETE ALE UNOR NAUFRAGII: CIVILIZAȚIA SALVATOARE

Author(s): Lucian Vasile Bâgiu / Language(s): Romanian Issue: 2/2024

The essay is a comparative analysis of the way in which salvation is presented into three novels dealing with shipwrecks and outcasts: Golding’s Lord of the Flies (1954), Tournier’s Friday, or The Other Island (1967), and Coetzee’s Foe (1986). Through the comparative analysis of three novels of the 20th century, the essay highlights how the shipwreck of the representatives of European civilization on an exotic, deserted and uninhabited island leads to a similar solution, of the impossibility of salvation in the framework of the same civilization. The difference in vision from the happy end feature of the Robinson myth established by Daniel Defoe is self-imposed and proves an acute crisis of modern man’s consciousness, but also an aesthetic awareness of the fact that, a few hundred years away from the establishment of the modern myth, European civilization can no longer feed on its own illusions.

За съвременната организация на религиозния опит, или как е възможно да бъдеш „вярващ, но не религиозен“

Author(s): Martin Kanushev / Language(s): Bulgarian Issue: 4/2024

Kad bi miris mogao da se slika- zijaret Uzbekistanu

Author(s): Sabina Voloder Strinić / Language(s): Bosnian Issue: 65-68/2024

Čovjek putuje, kako neki kažu, zbog toga da bi putovao, ili putuje zbog trgovine ili putuje da nađe sebe. A kako će naći sebe? Sebe će naći ako ima um koji shvata, uši koje slušaju i srce koje vidi. Halovi su išareti od Allaha, dž.š., a na ovom putu ih je bilo dovoljno da se nazre kako su alimi, evlije, šejhovi, potomci časnog Ehli bejta, ashabi, pejgamberi, pa i sam hazreti Hidr, čiji se nadgrobni visoki znakovi evlijaluka vijore Uzbekistanom, zemljom koju smo zijaretili. Obišli smo Semerkand, Buharu i Taškent, za nas najznačajnije gradove

Zanietený pre vedu

Author(s): Ivor Ripka / Language(s): Slovak Issue: 2/2024

Time, an elusive and incorruptible force, continues to affirm the truth of Cicero's statement that the lives of the dead remain in the memory of the living. This sentiment resonates deeply with the life and work of linguist and writer Anton Habovštiak, whose contributions to Slovak dialectology are inseparable from his identity. His dedication to the study of Slovak dialects, particularly through his work on the Atlas of the Slovak Language, has left an indelible mark on the field. Habovštiak's research extended beyond linguistics, drawing inspiration from his native Orava region and incorporating elements of folklore into his literary works. His ability to connect with informants and capture the essence of their stories enriched both his academic and creative endeavors. Habovštiak's involvement in the Slovak Language Institute and his participation in international linguistic projects further highlight his significant impact. His work on the Slovak Dialect Dictionary and the Slavic Linguistic Atlas exemplifies his meticulous approach and commitment to preserving linguistic heritage. Habovštiak's legacy is also evident in his contributions to radio broadcasting, where he shared his knowledge and passion for Slovak culture. His multifaceted career reflects a profound engagement with language, culture, and community, ensuring that his influence endures.

ENTRE TRADITION ET MODERNITÉ: L'ART ABSTRAIT ET L'ORNEMENTATION DANS L'ARCHITECTURE MAGHRÉBINE CONTEMPORAINE

Author(s): Lamia Gueddouh / Language(s): French Issue: 1/2025

This article explores how contemporary architecture in the Maghreb can bring new life to its rich symbolic heritage while addressing modern needs. By reintroducing traditional elements such as geometric patterns, arabesques, and calligraphy, modern architecture creates functional, aesthetic, and spiritual spaces. Abstract art and the use of local materials allow for a reimagining of ornamentation while preserving its cultural and spiritual depth. Through elements like perforated panels and the use of natural light, architecture becomes a vehicle for meaning, connecting the past and present. This approach demonstrates that tradition and innovation can coexist, reimagining the architectural identity of the Maghreb in a fluid, sustainable, and rooted way.

Jurnalul unui potrivnic

Author(s): Ion Simuţ / Language(s): Romanian Issue: 12/2024

This paper examines the evolution of the Romanian literary magazine Luceafărul, tracing its journey from its early role as a platform for young writers since 1958 to its politicized phase during the communist era and its subsequent transformation after 1989. It focuses on the recent appointment of Horia Gârbea as the new editorial coordinator by USR, highlighting his inaugural editorial "Tinerețe fără bătrânețe?" which reflects a cautious skepticism toward contemporary youth literature while simultaneously promoting a modest reorientation through the inclusion of young authors. The discussion situates these developments within broader debates in Romanian literary criticism, drawing on insights from figures such as Ștefan Bănulescu, Alexandru Zub, Ștefan Lemny, and Alexandru Duțu. Ultimately, the analysis underscores the challenges of maintaining an alternative high culture in a media landscape increasingly dominated by established institutions, revealing a complex interplay between national identity, cosmopolitan aspirations, and the enduring legacy of communist cultural policies.

Literární cena Waltera Sernera

Author(s): Jakub Šafránek / Language(s): Czech Issue: 04/2024

In a remarkable celebration of young literary talent, the inaugural Walter Serner Literary Prize was awarded to David Seltenreich for his poignant short story "Večer v máji," which explores the emotional journey of Holocaust survivors returning to normal life post-World War II. Held at Prague's Royal Theatre, the competition saw participation from over a hundred young authors, whose works delved into themes of war, coexistence, and European history. The event, organized by the Institute for the Study of Totalitarian Regimes, highlighted the enduring relevance of these topics. Seltenreich's victory also earned him an educational trip to Paris, while other finalists received various prizes and opportunities for further engagement. The success of the competition has prompted plans for its continuation, with future editions opening to a broader range of participants, including seniors.

Muzica clasică românească. Prezent și perspective

Author(s): Dan Dediu,Ion Bogdan ŞTEFĂNESCU,Valentina Sandu Dediu,Iulian Boldea / Language(s): Romanian Issue: 12/2024

This thematic dossier of Vatra explores the present state and future perspectives of Romanian classical music. In 2024, coinciding with the 160th anniversary of the National University of Music in Bucharest, the magazine has invited prominent voices in today's musical scene—Dan Dediu, Ion Bogdan Ștefănescu, and Valentina Sandu-Dediu—to discuss the defining characteristics, strengths, and evolving interpretative frameworks of contemporary Romanian classical music. The dossier examines how shifting compositional mindsets, changes in aesthetic expectations, and the need for renewed perceptual education have transformed the public's engagement with classical music, marking a departure from the sonorities of the baroque and romantic eras. It highlights the integration of diverse musical modalities and the dynamic interplay between tradition and innovation in a global cultural context.

La ce bun filosofia?

Author(s): Ciprian Bogdan / Language(s): Romanian Issue: 12/2024

This paper examines the increasing marginalization of philosophy within academia, particularly in the context of neoliberal economic pressures. While philosophy has long faced questions about its social relevance, the current challenge extends to its very institutional survival. Drawing on thinkers like Theodor Adorno, Michel Foucault, and Martha Nussbaum, this study explores how the rise of neoliberalism has reshaped the role of education, reducing knowledge production to measurable economic outputs. As universities adapt to market-driven demands, philosophy is forced to justify itself in terms of performativity rather than truth-seeking. The paper critically analyzes the implications of this shift, questioning whether philosophy can maintain its autonomy in a system increasingly oriented toward financial efficiency and strategic utility.