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Un tip singular al arhitecturii feudale românești: biserica Adormirea Maicii Domnului din Lipova, jud. Arad

Un tip singular al arhitecturii feudale românești: biserica Adormirea Maicii Domnului din Lipova, jud. Arad

Author(s): Eugenia Greceanu / Language(s): Romanian Issue: 3/1976

L'église de la Dormition de Lipova, siège d'un ancien évéché orthodoxe roumain, a été édifiée aux environs de 1400. Les transformations subies dans la seconde moitié du XVIIIe siècle, sous l'influence du baroque, ont modifié le plan et changé radicalement l'architecture de la première église. Des travaux d'„embellissement", effectués entre 1928 et 1930, ont mis à jour les fragments des murs appartenant à la première étape de construction, ainsi que les fondements du chevêt et de la partie ouest. La reconstitution de l'ancien plan permet de constater l'analogie (qui n'implique pas une filiation directe) avec les basiliques à couple et faux-transept — typiques interférences du roman et du byzantin —, crées par l'architecture serbe de l'état féodal de Rascie, entre la fin des XIIe et XIVe siècles.

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Uz restauraciju raspela iz katedrale Blažene Djevice Marije u Senju

Uz restauraciju raspela iz katedrale Blažene Djevice Marije u Senju

Author(s): Sena Kulenović / Language(s): Croatian Issue: 1/2002

By taking into consideration the characteristics of style and artistic phenomena of the crucifix, exibited today at the Cathedral of Blessed Virgin Mary at Senj. the author opens number various questions. Namely, the author is of the opinion that the history of the crucifix has been very closely linked to the history of St. Juraj Chapel, which was located along the Cathedral's right side aisle respectively on the area between the Cathedral and native house of the poet Silvije Strahimir Kranjčević. The crucifix was transported from the Chapel to the Cathedral in 1854 and from that time on it was much easier to follow various interventions that were taken on the sculpture. After analysing in details various problems linked to the crucifix, the author comes to a conclusion that the value of crucifix was never so far properly estimated due to the unprofessional interventions which used to be taken on it. In fact, the sculpture revealed its real face only after the complete intervention on its conservation and restoration.

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Villeroy & Boch Metlahas flīžu paraugu lapas Rīgas Vēstures un kuģniecības muzeja krājumā
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Villeroy & Boch Metlahas flīžu paraugu lapas Rīgas Vēstures un kuģniecības muzeja krājumā

Author(s): Inga Karlštrēma / Language(s): Latvian Issue: 25/2021

The article presents the virtual exhibition of sample sheets of decorative tiles produced by Villeroy & Boch and now in the collection of the Riga History and Navigation Museum.

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Narracje o świeżej traumie. Upamiętnianie ataków terrorystycznych w krajobrazie codziennym miast

Narracje o świeżej traumie. Upamiętnianie ataków terrorystycznych w krajobrazie codziennym miast

Author(s): Anna Awtuch,Agnieszka GĘBCZYŃSKA-JANOWICZ / Language(s): Polish Issue: 65/2020

Contemporary city incidentally becomes a non-accidental target of acts violating the primary sense of security and safety. The fundamental assumptions about social and interpersonal interactions that guarantee social life are severely disturbed. These events, primarily the ones related to terrorist attacks, leave in social memory traces associated with everyday places scattered in urban landscape. Should the trace of a catastrophe be preserved and exhibited, or should it be interpreted to give a new meaning to endangered places? What significance can one attribute to trauma narratives in everyday landscape? To what extent can spatial and ephemeral narratives related to dramatic events address the social need of coping with trauma and constructing a new approach to a given place? Spontaneous and official commemorative forms are created in response to terrorist attacks in Europe and the U.S.A. Official memorials are created over just a few years and sometimes even one year, which corresponds to a natural closure of mourning process leading to the acceptance of loss and reconstructing life. However, other representations – spontaneous memorials created in the aftermath of attacks, composed of objects left in urban space to honour victims and survivors – become an important element of collective mourning ritual and constitute a transition from informal commemoration to top-down representations. The article discusses how different forms of trauma narratives constructed in urban space can enhance trauma recovery.

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TEZE ȘI IPOTEZE REFERITOARE LA CETATEA SOROCA

TEZE ȘI IPOTEZE REFERITOARE LA CETATEA SOROCA

Author(s): Mariana Șlapac / Language(s): Romanian Issue: 33/2020

In 2012-2014, the archaeological investigations carried out in Soroca did not provide conclusive evidence that would confirm the years of construction of the stone fortress. This article examines the most important hypotheses of dating the Soroca fortress such as: Genoese (supported by Dimitrie Cantemir, C. Stamati, O.G. Lecca, S. Panaitescu, A. Nakko, P.N. Batiushkov, Z. Arbure, etc.), Moldavian – the time of the reign of Stephen the Great (supported by N. Iorga, I. Nistor, Șt. Ciobanu, K. Rodnin, G. Diaconu, T. Nesterov, S. Iosipescu, R. Iosipescu, S. Musteaţă, I. Tentiuc, etc.), Moldavian – during the reign of Petru Rareş (supported by A. Lapedatu, V. Vătăşianu, V. Drăguţ, V. Voiţehovschi, Gh.F. Cebotarenco, Gh. Curinschi Vorona, etc.). The Soroca stone fortress is the only Moldavian fortress conceived according to a predetermined plan, perfectly circular, with fascinating geometry. It illustrates a brilliant example of central type fortifications with circular plan, using the defensive system with flanking towers. No fortress built by Ştefan cel Mare (Stephen the Great) is compared with it by "regularity" that contributes to the hypothetical "placement" of the Soroca stone fortress for the later temporal segment, probably during the reign of Petru Rareș.

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PAVŠINA KUĆA

PAVŠINA KUĆA

Author(s): Helena Schaps Knifić / Language(s): Croatian Issue: 1/2002

The house of Pavša in hamlet Devčići close to Krasno is one of the smartest and largest popular residential architecture objects on the area of the north Velebit. The one-story stone house of the ground-plan dimensions 7,2 x 11,7 m, with cellar and loft, the oblique hip roof covered with shingles, has been old some 170 years or so. Located near the main road going from Krasno toward the east, on the sloping ground, it represents a part of a complex of 5 residential houses, several ruins and cisterns which belong to families Devčić and Samaržija, all of them the offsprings of their great-grandfather Pave Devčić Pavša. Today Pavša's house is the ruin. The roof visibly crumbles, the construction between the floors and the walls cave in. Likewise, all the objects of the ethnographical value were carried away. The former aspect and disposition were reconstructed by the narration of Ivan Samaržija, carpenter, who with his wife Marijana lives very near there. In view of the fact that this house is one of the smartest popular architecture objects, with preserved basic ground-plan dimensions, and also because it is located within the area of the north Velebit Nature Park, very near the National Park North Velebit Management, it seems to be worthy of the preservation as a monument of culture, like with an adequate destination like museum, ethnographic collection with the accommodation-catering contents or similar, all in the function of the Nature Park or the National Park.

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"AT THIS SITE, A MONUMENT WILL BE INSTALLED": CHISINAU MONUMENTS AND COMMEMORATION PRACTICES DEDICATED TO FORCED SOVIET DEPORTATIONS

"AT THIS SITE, A MONUMENT WILL BE INSTALLED": CHISINAU MONUMENTS AND COMMEMORATION PRACTICES DEDICATED TO FORCED SOVIET DEPORTATIONS

Author(s): Kateřina Fuksová / Language(s): English Issue: 33/2020

The article deals with the politics of memory in Moldova, emphasizing the memory of the forced Soviet deportations from Moldova in 1941–1951. The article aims to analyse contemporary Moldovan politics of memory and discuss it on the example of Chisinau monuments and commemoration practices dedicated to the forced Soviet deportations. As the main theoretical concept for the analysis of the monuments serves Pierre Nora's term lieux de memoire, which is defined as the symbolic elements of the memorial heritage of any community (Nora, 1989). In the article, three monuments are discussed: 'Monument to the Bessarabians massacred by Bolsheviks', 'Monument in the Memory of Victims of the Soviet Occupation and Totalitarian Soviet Regime' and the 'Train of Sorrow'.

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50°31’29.7”N 22°46’39.1”E 50°30’56.2”N 22°46’01.0”E 50°30’41.0”N 22°45’49.5”E

50°31’29.7”N 22°46’39.1”E 50°30’56.2”N 22°46’01.0”E 50°30’41.0”N 22°45’49.5”E

Author(s): Dominika Macocha / Language(s): English Issue: 9/2020

This richly illustrated text is a descriptive introduction to Dominika Macocha’s video-sculptural installation, detailing the idea behind the work, the process of its creation, and its suggested interpretations. The file is concluded with a link to the film The Mystery of Forest Lakelet.

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Robota robiona była. O instalacji wideo-rzeźbiarskiej 50°31’29.7”N 22°46’39.1”E, 50°30’56.2”N 22°46’01.0”E, 50°30’41.0”N 22°45’49.5”E Dominiki Macochy rozmawiają Elżbieta Janicka, Konrad Matyjaszek, Xawery Stańczyk, Katrin Stoll i Anna Zawadzka

Robota robiona była. O instalacji wideo-rzeźbiarskiej 50°31’29.7”N 22°46’39.1”E, 50°30’56.2”N 22°46’01.0”E, 50°30’41.0”N 22°45’49.5”E Dominiki Macochy rozmawiają Elżbieta Janicka, Konrad Matyjaszek, Xawery Stańczyk, Katrin Stoll i Anna Zawadzka

Author(s): Elżbieta Janicka,Konrad Matyjaszek,Xawery Stańczyk,Katrin Stoll,Anna Zawadzka / Language(s): English Issue: 9/2020

This article is a record of a discussion concerning Dominika Macocha’s video-sculptural installation 50°31’29.7”N 22°46’39.1”E, 50°30’56.2”N 22°46’01.0”E, 50°30’41.0”N 22°45’49.5”E. The work deals with the uses of discourse and landscapes in mechanisms of camouflaging the crimes perpetrated on Jews by Poles during the Holocaust. The author lays bare and deconstructs these mechanisms – above all the mechanisms of narrative fetishism of production of artificial landscape – drawing on examples from Biłgoraj county. In the course of the discussion, the work inspired a critical reassessment of the categories dominating the ways in which the Holocaust is currently described: (1) Martin Pollack’s category of contaminated landscapes, rooted in the ideology of two totalitarianisms; (2) the category of the witness / bystander, which conceals the observers’ participation in the scenario of the crime; and (3) the category of taboo, which is ambivalent considering the universal knowledge on the part of local communities about what happened to Jews from their localities. Reflection on the production of taboo leads the discussants to deliberate on the status of Jewish sources in the field of Holocaust studies. Collected since as early as the 1940s, and containing ample and detailed information about Polish crimes perpetrated on Jews, they are nevertheless not recognised as sources by Polish historians. The conversation is concluded by an attempt at recapitulating the present condition of Polish historiography in the light of the postulated new approach to sources.

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STARA I NOVA GROBLJA, GROBOVI NA PODRUČJU GRADA SENJA I ŠIRE SENJSKE OKOLICE (I)

STARA I NOVA GROBLJA, GROBOVI NA PODRUČJU GRADA SENJA I ŠIRE SENJSKE OKOLICE (I)

Author(s): Ante Glavičić / Language(s): Croatian Issue: 1/1992

Aufgrund langjähriger Erforschungen und gesammelten Material und Literatur werden in diesem Artikel alle alten Gräber und Friedhöfe (wie auch diejenige die noch heute im Gebrauch sind) beschrieben. Gräber, Kirchen und Geschehnisse datiert der Autor - wo es irnmer möglich ist - nach den Befunden aus den Gräbern und nach eigenen Beurteilungen. Zuerst werden alle Gräber in Senj (I. ind П. Teil) beschrieben, und danach werden Gräber und Friedhöfe auf dem Terrain der Gemeinde Senj bearbeitet. Auf diese Weise werden ungef ähr 60 Gräber evidentiert. Es sind noch auf diesem Gebiet unausgeforschte Gräber geblieben, aber die Erforschungen setzten sich fort und sind mit weiteren Entdeckungen gebunden. Die Gräber - Gruben mit erdlichen Resten der kroatischen Patrioten, die als Opfer der komunistichen Regierung gefallen waren, werden hier nich beschrieben. Diese Problematik soil in nachfolgenden Bänden des "Senjski zbornik" veröffentlicht werden. In diesem Band des Senjski zbornik werden keine Gräber und Beinhäuser aus dem Volksbefreiungskrieg angefiihrt, weil sie in vergangenen Jahren sehr ausführlich bearbeitet und notiert wurden.

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НАТУРА І ОБРАЗ: МІСТО В МИСТЕЦТВІ ЧЕРНІВЦІВ ХХ – ПОЧАТКУ ХХІ СТОЛІТТЯ

НАТУРА І ОБРАЗ: МІСТО В МИСТЕЦТВІ ЧЕРНІВЦІВ ХХ – ПОЧАТКУ ХХІ СТОЛІТТЯ

Author(s): Iryna Mishchenko / Language(s): Ukrainian Issue: 2/2021

The purpose of this article is to consider the peculiarities of the reflection of the city – its architecture and inhabitants – in the works of Chernivtsi artists of the 20th and early 21st century, to analyze the differences between their views on the reproduction of urban motifs. The methodology consists in the application of the historical chronological method, art analysis, and generalization, comparative and systematic approach. The scientific novelty lies in the introduction into scientific circulation of works by artists of the specified time, in understanding the evolution in the reflection of the city in the works of authors with various artistic orientations. Conclusions. In the paintings and graphics of the 20th – 21st centuries, several options for solving urban landscapes can be defined, among which the most common is a careful reflection of existing architectural monuments. In the 19th century in European art, in particular in Impressionist painting, the desire to convey not only the appearance but above all the spirit of the city became noticeable, depicting the townspeople, emphasizing the bustle or poetry of squares and streets. At the turn of the 20th-21st centuries the artists are no longer limited to the usual fixation of what is seen, but try to create a conceptual image of the city, to tell a story through iconic images and symbols, reveal their own position in particular and to preserve the authenticity of an object or the city in general. Such a variety of approaches for creating an urban landscape is partly due to differences in preferences formed during studies in art institutions and is also characteristic for the art of Chernivtsi – a city where people of many nationalities with different cultural traditions have lived side by side for centuries. Ultimately, the artists who worked here in the 20th century were often graduates not only of Ukrainian schools or universities, but also of well-known European institutions, including Vienna, Munich, Florentine, Berlin, Kraków, or Bucharest academies.

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РЕТРОСПЕКТИВНИЙ АНАЛІЗ ПАРКІВ ІРПЕНЯ XX СТОЛІТТЯ В КОНТЕКСТІ ІСТОРИЧНОЇ, СОЦІОКУЛЬТУРНОЇ ТА РЕКРЕАЦІЙНОЇ ЦІННОСТІ МІСТА

РЕТРОСПЕКТИВНИЙ АНАЛІЗ ПАРКІВ ІРПЕНЯ XX СТОЛІТТЯ В КОНТЕКСТІ ІСТОРИЧНОЇ, СОЦІОКУЛЬТУРНОЇ ТА РЕКРЕАЦІЙНОЇ ЦІННОСТІ МІСТА

Author(s): Iryna Shvets,Svitlana Palamarchuk,Olena Stanislavivna Podvolotska,Andriy Kulik / Language(s): Ukrainian Issue: 1/2021

The purpose of the article is to conduct a retrospective analysis and generalize information about the parks of Irpin, including their location, size, historical aspects of establishment and development, planning structure, current state and composition of greenery, importance for the city and the level of socio-cultural needs of modern society; formulating conclusions on the prospects of their preservation and optimization. Methodology. The study of the historical aspects and current state of Irpin parks (retrospective analysis) was established during 2019-2021. Field and analytical methods were used, in particular, most of the historical information about the formation and development of parks was obtained from scientific literature sources and archival materials, and the assessment of the current state was carried out as a result of own route surveys. The scientific novelty is to reveal the need to study the Irpin parks, as important centers of historical, socio-cultural and recreational value, in the context of their protection and preservation under the conditions of powerful modern urban transformation of the city. In addition, for the first time in decades, a retrospective analysis of five Irpin parks was conducted, and the collected material was grouped in one publication, which is important for current and future research. Conclusions. A retrospective analysis of five parks in Irpin was carried out, in particular: Volodymyr Pravyk City Park; Dubky City Park of Culture and Recreation; Victory Park; Mikhail Stelmakh Park; Park of Heroes. The study found that the founding of these parks dates back to the twentieth century, respectively, today they represent a significant historical, socio-cultural and recreational value of the city, continuing to exist fully. However, in the process of adaptation to modern needs of society under the influence of constant urban transformation of the city, currently characterized by significant changes in planning structure and functional zoning, elements of landscaping, the composition of greenery, including cultivated dendroflora. Given these changes, it is extremely important to take care of the preservation of parks (territorial integrity and cultural dendroflora), which can be achieved through the widespread promotion of parks among local residents, reconstruction (fragmentary or complex) to maintain the proper condition of parks and their compliance with the requirements of modern society. It was established that the establishment of these parks was carried out in the twentieth century, so today they are a significant historical, socio-cultural and recreational value of the city, continue to exist fully.

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Айдентика як поняття комплексної системно–концептуальної моделі ідентифікації в архітектоніці дизайну

Author(s): Tetyana Mikhailova / Language(s): Ukrainian Issue: 39/2021

Purpose of Article. Analyze the differences in the socio-practical use of the terms "identica", "visual identity", "verbal identity", "nonverbal identity", "corporate identity" and classify the term "identica", as scientific a definition of a complex system-conceptual model of identification. Methodology. Methods of observation, comparison and generalization were used to solve the tasks at the empirical and theoretical level. The analysis of identity of foreign and domestic design projects was carried out. For the conceptual classification of the term "identica" as a scientific definition, methods of systematic analysis of visual, linguistic and practical integration of accompanying terms were used. Scientific Novelty. The study analyzes the common and different characteristics of the socio-practical use of the terms "identica", "visual identity", "verbal identity", "non-verbal identity", and "corporate style". Based on the analysis of these terms, it was first proposed to consider "identica" as a scientific definition of a complex system-conceptual model of identification in the architecture of design. The proposed ideas and conclusions can be used in theory and practice of development and implementation of advertising campaigns, correction or creation of design strategies. Classification of the term "identica" as a scientific definition is an important step in the development and integration of interdisciplinary research in such areas as management, marketing, design, culturology, art history and others. Conclusions. The new communication system in advertising and design requires in-depth study, definition, and scientific substantiation of many terms, including the meaning of the term "identica" and its consideration as a scientific concept. The study analyzes the differences between the socio–practical use of the terms "visual identity", "verbal identity", "non–verbal identity" and "corporate identity", identified their common and different characteristics. Based on the analysis of these terms, "identica" is considered as a definition of a complex system–conceptual model of identification through sensory analyzers of the consumer of visual, verbal, and non–verbal information.

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Srednjovjekovni bosanski gradovi

Srednjovjekovni bosanski gradovi

Author(s): Željko Bušić / Language(s): Croatian Issue: 30/2020

This paper presents very briefly and short and describes the origin and history of medieval Bosnian towns from the 12th century to the 15th century based on the relevant literature. Bosnian kings built the kingdom on the fortified cities in which they ruled, so they have not only political, military-strategic and architectural significance but also represent the processes of great cultural development of the Middle ages Bosnian society. The fortified towns arose on important communication routes along rivers or on hills predominanthly. They dominated the surroundings with their appearance and were very important and well-defended fortiifications for the defense of the kingdom.

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Travel Account of Nasser Khosrow Qobâdiâni or Daily Accounts of an Anthropologist in Retrospect

Travel Account of Nasser Khosrow Qobâdiâni or Daily Accounts of an Anthropologist in Retrospect

Author(s): Sohelia Shahshahani / Language(s): English Issue: Spec. Iss./2019

In this article the author claims that there is good reason to search in Iranian scholarly writings to find the origins of anthropology in retrospect. The author claims that the intentions of Nasser Khosrow Qobâdiyani were different from that of a student of anthropology when he/she sets out to do research to become an anthropologist, but the descriptions of what he sees are very important for various subfields of anthropology today. Nasser Khosrow paid particular attention to city planning, architecture, interior decoration of various sites, and then to water and uses of rain water, agriculture and herding. He described in great detail locations of pilgrimage where he performed what was expected, and he also gave minute descriptions of celebrations across various classes, and various ethnic and religious groups.

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Castrum doloris Augusta II Mocnego w Wilnie i jego zachowane fragmenty

Castrum doloris Augusta II Mocnego w Wilnie i jego zachowane fragmenty

Author(s): Piotr Jamski / Language(s): Polish Issue: 7/2021

The article is devoted to the sculptural relics of the occasional decoration made in 1733 for the solemn funeral ceremonies of King Augustus II the Strong in the Vilnius Cathedral, functioning to this day as the furnishings of St Casimir Chapel.

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O inwestycjach budowlanych Wazów w Wilnie

O inwestycjach budowlanych Wazów w Wilnie

Author(s): Anna Sylwia Czyż / Language(s): Polish Issue: 7/2021

The article deals with the Vasa buildings in Vilnius not in the context of their architecture but their ideological content. The importance of the Vasa investments resulted from the Jagiellonian tradition of taking care of the city and the place that Vilnius occupied in the Polish-Lithuanian Commonwealth.

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Jerzy Kochanowski: „Wolne Miasto“ Zakopane 1956–1970.

Jerzy Kochanowski: „Wolne Miasto“ Zakopane 1956–1970.

Author(s): Markus Krzoska / Language(s): German Issue: 3/2021

Book-Review: Jerzy Kochanowski, „Wolne Miasto“ Zakopane 1956–1970. [„Freie Stadt“ Zakopane 1956–1970]. Wydawnictwo Znak. Kraków 2019. 332 S., Ill. ISBN 978-83-240-5802-0. (PLN 59,99.) ‒ Markus Krzoska

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Keerulise lähiajaloo pärandi ümbermõtestamine Maarjamäe nõukogudeaegse memoriaalansambli näitel
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Keerulise lähiajaloo pärandi ümbermõtestamine Maarjamäe nõukogudeaegse memoriaalansambli näitel

Author(s): Anni Martin,Katrin Aava,Esta Kaal / Language(s): Estonian Issue: 03+04/2021

In this article, we describe a model for studying ideologically complex recent historical built heritage objects. The model provides a guide for making decisions about recent heritage based on architectural and urban spatial value, as well as the context of memory landscape and the sensitivity of memory heritage. The model combines the practices of architectural history and communication research with the aim of understanding changes in the meaning of objects over time, the need for rethinking and, when necessary, practical input for communication planning. The article uses the results of Anni Martin’s master’s thesis research as examples. The presented model is a further development of the master’s thesis for rethinking objects with a complex past.

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Political Economy of Straw Houses: Traditional and Contemporary Way of Enhancing Sustainability of the Buildings

Author(s): Egemen Sertyeşilişik,Şeyma Yilmaz,Begüm Sertyeşilişik / Language(s): English Issue: 1/2021

Cities, as production and consumption hubs, cause significant amount of global CO2 emissions and energy consumption. Climate change challenges world’s welfare due to the global warming. Cities’ environmental footprint can be reduced with the help of energy efficient and sustainable built environment which can further contribute to the wellbeing and welfare of the urban population contributing to the solution of the fuel poverty. Straw is a traditional and contemporary material having outstanding technical characteristics (e.g. thermal insulation). Straw is a traditional material as it has been used in sheltering starting from the ancient times. Straw is a contemporary material as it is used even in small buildings with the help of innovations. Furthermore, it is a cost effective material from initial investment as well as maintenance and repair aspects. Straw houses can reduce energy consumption. This can reduce countries’ trade deficit due to the reduced demand for energy import, contributing to the solution of the fuel poverty. Straw is environmental friendly natural material. Constructing straw houses is important for sustainable living. Giving importance to the straw house construction can help reduction in the CO2 emission and in the energy consumption. Based on an in-depth literature review, this paper investigates political economy of straw houses and straw houses’ contribution to the sustainability performance of the built environment. This paper introduces to the literature political economy of the straw houses and provides recommendations on how to widespread the use of straw houses.

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