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Основні аспекти розвитку ігрової складової замкового туризму Закарпаття (на прикладі міжнародного проекту «Місцями слави Ракоці»)

Author(s): Victoria V. Stepanchuk / Language(s): Ukrainian Issue: 29/2012

In the article certain and described level of recreation potential of region through the specific aspects organization of historical constituent in playing tourism on Zakarpate, which characteristic only for this region. Also in the article the presented possibility of integration market of Zakarpatya tourist services, in the European tourist markets. On the example of the project «Places of Rakoczi glory» identified prerequisites for the development of international social and cultural relations of the communicative nature of the means of international tourism. Preconditions of development international social and cultural relations of communicative character are certain.

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Проблеми збереження та використання історико-культурної спадщини України

Author(s): Inna P. Krupa / Language(s): Ukrainian Issue: 28/2012

In the article possibility of use of the historical-architecture legacy of Ukraine in the tourist sphere is regarded. Proposition of preservation of problems concerning reservation and popularization of the historic-architectures buildings are given.

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Особливості формування архітектури і дизайну Японії ХІХ–ХХ століть

Author(s): Vladimir Nikolaevich Dudarets / Language(s): Ukrainian Issue: 27/2011

The article is devoted to the analysis of stylistic features of the formation of architecture and design in Japan late XIX beginning of XX century.

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Ювелірне мистецтво іспано-каталонського модерну

Author(s): Galina Anatolievna Parkhomenko / Language(s): Ukrainian Issue: 26/2011

This article is devote to investigation Catalonian version of Art Nouveau in Jewelry art.

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Restoran Yöneticilerinin Fiziksel Kanıtların Kullanımına Yönelik Bakış Açılarının Belirlenmesi: Eskişehir Örneği

Author(s): Gül Nur Demiral,Çağıl Hale Özel / Language(s): Turkish Issue: 04/2016

The purpose of this study is to identify the views of restaurant managers (as food and beverage establishments with tourism operation license) on the use of physical evidence which is a marketing mix element used for marketing restaurants. The effects of the use of physical evidence on customers are frequently researched in the extant literature, yet there are not many studies, to our knowledge, which focus on the viewpoints of restaurant managers. Restaurant managers in Eskişehir form the population of this study. The data were collected via semi-structured interview forms. Face to face interviews were conducted with a total of 19 restaurant managers in 18 different restaurants during July, 2015. The data were analyzed through content analysis and five themes were obtained. The results of the study suggest that in planning the use of physical evidence, most of the managers pay attention to the ambiance and design dimensions; they utilize physical evidence to create customer satisfaction; change physical evidence for obligatory reasons, and pay attention to sanitation and decoration elements more than other physical factors. The current study contributes to the literature on physical evidence from restaurant managers’ perspective. The study is also expected to guide managers about the role of physical evidence for marketing restaurants.

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Kent Tasariminin İletişimsel Boyutlari Ve Kültürel Çerçevesi

Author(s): Serhat Baştan / Language(s): Turkish Issue: 04/2017

Urban entity should not be evaluated as a whole of functional results of absolute urban planning and design, activity of crafting, architecture or engineering, which is conducted by decisions of local authorities. There are semantic and aesthetic aspects as well as functional aspects of all human activities. From the point of view of this postulate, it is possible to suppose that there are three aspects of the design of urban sphere as function, semantics and aesthetics, and that the order of human consciousness reverberates through artefactual world with these aspects. Cultural mood and social ecology encircling the design tendencies disclose themselves as multi-dimensional human renditions through design objects while they become sources for teleological interference to the world of designed objects. Conceiver imagination that is shaped under the instruction of cultural procedures operates around the multi aspectual meanings which is consolidated by cultural patterns, social norms and structures. Hence, blending of meaning and aesthetics with function brings forth a communicational trait to urban sphere by executing a legible city image. But urban design is a multiactor, eclectic and complex process. Therefore creative works concerning significations and usages of urban space are essentially different from the design of monic artefactual objects.

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BASKI RESİMLERLE KÜTAHYA KENT DOKUSU UYGULAMALARI

Author(s): Selma Şahin / Language(s): Turkish Issue: 44/2018

Kutahya, one of the old settlements of Anatolia, is a city that has hosted many civilizations. It is possible to see the traces of these civilizations in the architectural structures that constitute the city texture of Kutahya. The aim of this research is the study of architectural constructions that constitute the urban texture which is the concrete documents of the historical and cultural values of Kutahya, the application of the techniques of print making and the analysis of these applications (artworks). This research is descriptive and qualitative. The research is limited with Kütahya Castle, Ulu Mosque, Balikli Mosque, Sadettin Mosque, Green Mosque, Cukur Cesme Masjid, Eğdemir Baths, Chinese Fountain, Germiyan Street, old Kutahya houses in the city center of Kutahya, the architectural structures that make up urban fabric and applications of these architectural structures with print making techniques (relief print making and intaglio print making techniques). Undergraduate and graduate students of Dumlupınar University Faculty of Fine Arts, had been carrying out studies with print making techniques between 2012-2017 constitute the application examples of the research. From the 40 application studies conducted within the scope of the research, 18 artworks selected randomly were analyzed in terms of plastic and technical aspects. This research is important in terms of the definitions of the architectural structures that constitute the texture of the city where the students live, the importance of preservation and survival and the fact that these structures can be transferred to artistic practics. According to the results of the research, the architectural structures that constitute Kutahya’s urban texture in artistic practices are considered as subjects; it is beneficial for the students to understand these constructions and significance of creating urban texture. In the application studies, the texture effect the structures with the print making techniques have been given successfully and realistic and abstract interpretations have been made.

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ŞEHİRLEŞME ESTETİĞİ VE İNSAN YAŞAMINDAKİ ROLÜ

Author(s): Mehmet Ertuğrul Tuna / Language(s): Turkish Issue: 43/2018

Cities are the living spaces of modern life. The development of mankind has led to the settlement of the communities in the cities, whose origins are rural areas. The new understanding of the city was formed contrary to the harmony of human with the land which is the root of man. In good and beautiful cities, despite all the concrete of the city, green areas have been preserved and beautiful architectural monuments have been left with a special place. In these cities, the aesthetic value and the architectural items that accumulate over time have been preserved as a part of the culture, while the newly-produced architecture has been designed to fit the existing texture. Within these cities, art takes place as a natural part of being, and the city itself becomes a work of art. Conversely, unplanned towns turned into uncontrolled concrete, resulting in a tight and lack of aesthetic closure. Especially the metropolis, which is the result of the new ages, follows this definition very much. Excessive crowd and low ground led to the creation of a vertical architecture. Densely populated and poorly planned and almost closed cities are also affecting human health in a negative way. The lack of a sight that is moody in such cities often leads to mental problems. Despite the majestic structures of the towering skyscrapers, we are lost in the city and like the Babylonian tower, it is like a symbol of our desire to get rid of this world and reach the jenneth. We as human deserve a beautiful life, and now that the cities are not likely to disappear, we must design them in a way that protects the old beautiful structures and history, green and natural areas in which we are healthy and happy.

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Kastamonu Beldeğirmen Köy Tarihi Camii’nde Ahşap Malzeme Kullanımı

Author(s): Hasan Aydin,Z. Sevgen Perker / Language(s): Turkish Issue: 55/2017

Kastamonu which is one of the oldest center of population Anatolia has included many cultural heritage factors due to its historical processes that it has had. One of the aforementioned cultural heritage factors is the mosque which is in Beldegirmen Village connected to Kastamonu's Bozkurt District. The wooden mosque is one of the important models in Anatolia in terms of wooden material use in the traditional architecture. The wooden material which is an important in Black Sea Region's building culture as it has been preferred with its performance from past up to today. The wooden material is wide and various was ingeniously used on bearing systems and other components of Beldegirmen Village Mosque. It is out of use due to its disrepair and the preferrence on a new mosque which is nearby. The objective of this study was to examine and promotion of wooden material use in Beldegirmen Village Wooden Mosque.

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Bakü Kent Kimliği, İkon Yapılar ve Küreselleşme

Author(s): Nihan Canbakal Ataoğlu / Language(s): Turkish Issue: 55/2017

One of the most important problems of today's cities is the efforts of cities to gain identity. The identity of the city consists of city’s past situation and changes and constructions of today.While the cities are struggling to protect their identities from the past, on the other hand they are unified by the global forms, which are made by using similar production techniques and similar materials with the globalization breezes.Within the general category, Baku can be defined as a port city, but it is much more open to global influences as a point of intensification of trade, society and cultural innovations as in other port cities. Baku has strong and original identity values with the old city with traces of Turkish-Islamic architecture and the its wide boulevards with neoclassical building shaped by the traces of the Soviet era. The city is also influenced by current trends that create attraction centers of urban with the winds of globalization. City are differentiated by constructing visual identity and belows: Architectural, historical and cultural, avenues, streets and squares, relation with the sea, Icon buildings and images. In this study is referenced visual elements consisting of Bakü city’s identity, the centers of urban attraction and the recent iconic construction of the city in order to create a modern urban image.

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ÇEŞME KÜLTÜRÜNÜN TÜRK RESMİNE YANSIMALARI

Author(s): Semih Büyükkol / Language(s): Turkish Issue: 39/2017

Fountain has been an important object, reflecting the cultural and life richness of Turkish people, from the ancient eras of history till today. Giving a bowl of water to a thirsty one, bringing water to a place or building a fountain, sebil have been accepted as an important charity in the Turkish culture. Therefore constructions of fountains and fountain foundations have an important value in Turkish communities. Fountains, which constitute an important part within the water related structures in Anatolian Turkish architecture, appear in different forms and plans according to the eras which they were built. For example, the fountains which have reached today, from Seljuk, Anatolian Principalities and Ottoman eras are mostly built in front of madrasahs, mosques and inns, inside of iwans and almost in any street where the community can easily utilize. The reflections of the fountains, that have an important role in Turkish culture, to the Turkish paintings is the aim of this study. The studies of Turkish painting arts based upon culture can be seen before and after the Republic, because water and fountains have always existed in the lives of Turks. The fountain culture is considered important with its reflections in Turkish painting. In this study, the works of Turkish artists who depict the fountain in their paintings were analyzed. Therefore the reflections of fountains in painting arts, that have an important place in our culture, have been found worthy to examine.

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Rize Kalesi

Author(s): Eyüp Kul / Language(s): Turkish Issue: 58/2018

Rize Castle that was built on a bay and the hill behind this bay was in-cluded in the borders of the Ottoman Empire by Mehmed the Con-queror’s conquest of Trabzon in 1461. Following the conquest, people were settled in the castle after the area was registered and the castle was strengthened militarily. Rize castle regarded as less important among the Sanjaks of Trabzon and Gönye reached a crucial position after the attacks of Georgians and Abkhazians who came especially from Georgia and carried out banditry activities in the Black Sea region. In this study, the position and importance of Rize Castle will be emphasized and information will be given about repairs to which the castle was exposed and ammunition dispatched to the castle. In addi-tion, evaluations will be made about dizdar and other officials of the castle.

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ŞANLIURFA KALE ETEĞİ NEKROPOLÜ KAYA MEZARLARI

Author(s): Yusuf Albayrak / Language(s): Turkish Issue: 36/2017

There is a necropolis area in the city center of Şanlıurfa and today it is called Şanlıurfa Castle. In recent years, excavations and cleaning work have revealed all rock tombs in the Necropolis area. From the graves reflecting the Roman rock tomb architecture, the details of the day-to-day survivals were studied in detail and the typologies were removed. According to this, the graves were classified here; Oneroom and three-arcaselium rock tombs with stairs or ramps, one-roomed with simple entrance and three Arcaselium rock tombs, two-roomed rock-cut tombs with five interlocking Arcaseliums and rock tombs with Loculus tombs.

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Ormana Yöresi Geleneksel Konut Mimarisi ve Yapıcılık Geleneği

Author(s): Mahmut Davulcu / Language(s): Turkish Issue: 5/2015

Ormana is a country under the governance of İbradi province, Antalya. The settlement which is located on Toros Mountains with a steeply and stony geography is one of the significant samples of Mediterranean architecture known for its constructions built with conventional materials, technics and methods. The houses dubbed as ‘buttoned house’ has been categorized within Akseki-İbradi group. The households in Ormana are generally designed and built two stored including basement and first floor. Traditional households mostly share common characteristics and follow each other on subjects such as function, outline of plan and organization of residence. Intensive labor power used to build mansions is not applied to build plain and simple public apartments. The most encountered construction method in the area is the common construction technic. The method, traditionally called as ‘wall with pistuvan or wall with hatil’ is extremely simple but functional based on strengthening the walls that built without concrete through wooden ‘hatil’. The reason for this technic is that Ormana and its periphery is deprived of lime sources geologically. The archaic knowledge of this architectural style, using these domestic materials as a crucial part of construction, without a doubt, is a part of our cultural legacy. Intangible cultural heritage (ICH) is defined by UNESCO as practices, representations, expressions, information, skills and other parts of these such as tools, equipment and cultural places belonging to certain communities, groups and in some cases to individuals. An article written according to information obtained through field work in the area, in 2013, embodies the architectural style peculiar to area, architectural terminology, knowledge of construction and construction traditions in context of folklore by definition and analysis.

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III. Selim ve Döneminde Osmanlı Sarayındaki Kültürel Hayatın Sanat ve Mimarideki Etkileri

Author(s): Oğuz Yurttadur,H. Canan Cimilli / Language(s): Turkish Issue: 5/2015

Selim III succeeded to the throne at twenty-eight years of age (1789-1807). He was a fine and elegant sultan who was keen on poetry and music, loved to have fun, was innovative and followed developments in the West. He wrote poems using the pseudonym, Ilhami. He was not only a poet, but also a composer whose creations are still recognized and listened to in the present day. During his rule, court music was combined with Ottoman music and had its golden age. Court music was not only for entertainment. It reached its artistic peak during this period. Selim III revived forgotten modes in music and the traditional Turkish music had its golden age thanks to him. In this period, the palace became involved in Istanbul’s musical activities, helped successful musicians and artists to improve themselves and played an important role in their cultural development. Baroque and rococo styles were popular in European architecture in this period. They reached the Ottoman Empire in the eighteenth century and their first reflections were seen in architectural ornaments. Although the ornamentation changed, traditional calligraphy techniques were used in murals, while oil paints were used in the second half of the nineteenth century. At first, these paintings were found only in Istanbul in the vicinity of the palace. Later, they spread throughout the empire and were used as a decoration in mansions, sadirvans (“fountains”), and even shrines and mosques. They have an important place in the transition from the traditional miniature paintings to paintings in the Western style.

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Çini Sanatı ve Terminolojisi Üzerine

Author(s): Mezahir Ertuğ Avşar,Lale Avşar / Language(s): Turkish Issue: 4/2014

The word china (faience) appearing firstly in the Ottoman Palace has revealed the new approach defining ceramic products turning into evani (pots and pans) and kaşı (glazed tile) depending on the body characteristics and on the usage aim in Islamic World. In fact, this definition being only towards siliceous body has made china ceramics, which have found great approval in Anatolia, apparent among others and gave them a special and privileged position. That today the perception way and education of tile-making art in Turkish society is carried out in Traditional Arts, not in Ceramics departments, should be the continuation and outcome of the relevant approach. As time goes on, various domain experts using the word china have widened the meaning range of this word and gave it new meanings. While today all architecture is defined as ceramic tiles by art historians, ceramists generally use the term for siliceous clay and the china artisans use it for all architecture and usage goods ceramics made of this clay. Unfortunately, this terminology problem shows itself not only in the word china but also in many terms of this art. Another aspect of the problem is that the word china is peculiar to Anatolia and stated in various ways such as “tile”, “mural ceramics” and “faience” in foreign languages. In the declaration, the terminology of the tile-making will be examined in the example of the word china, and the contemporary usage and meaning attributions in different areas of science and art will be followed. The research will provide an apparent improvement on the way of forming the common ceramic tiles terminology and therefore offer opportunity for looking the event from wide historical angle and for being more objective in the future decisions.

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Туристичка валоризација старог градског језгра Новог Сада по моделу Х. Ду Kрос

Author(s): Jovan Romelić,Tatjana Pivac,Kristina T. Košić / Language(s): Serbian Issue: 2/2006

Cities are ambiental, but also complex cultural tourist motifs. Different elements are combined in them, such as: attractiveness of arhitecture, modern accomplishments, centers of cultural, artistic and sports life etc. Old city centers play an important role in cultural, tourist movements and they are unavoidable when visiting a city. They are complement ambiental motifs, extremely important as elements of attractiveness and complex motifs and therefore in the policy of tourist development they should be given special attention. Example tourist valorization of the old city centre of Novi Sad has been conducted according to the Hillary du Cros model, i.e. the applicability of the market appeal/robusticity matrix on cultural tourism development has been estimated.

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Промене у просторној структури градова у постсоцијалистичком периоду

Author(s): Branka Tošić / Language(s): Serbian Issue: 1/2006

The paper gives the overview of the policy of urban planning in CEE and Southeast Europe during the socialist period. That policy was based on centralistic system which caused specific type of internal structure of the cities. Besides that, the paper compares the changes in the urban planning that took place during the 1990s as the results of global and integrational processes, market rules and privatization, decentralization, deindustrialization, commercialization, social segregation etc. These changes are already obvious in urban areas. At the end of the last century, unstable policy and economic crisis in Serbia slowed down these processes - both the changes in the functional-spatial structure of the cities and especially the changes related to the institutional policy in urban planning.

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CANSIZ BEDENİN, SANATIN KONUSU HALİNE GELMESİ ve POST MORTEM FOTOĞRAF

Author(s): Haluk Arda Oskay / Language(s): Turkish Issue: 27/2016

As a natural part of life; death and beyond is a phenomenon, in an inseparable part of lifecycle, which human being struggle to find an answer through its existence and never could. As an exact opposite “Being alive”, ironically death concepts reflections can be found in many life practices. In the information obtained from prehistoric human life, the graves and the belongings which are left aside the dead during the burial process, has an important place. The mausoleums, ziggurats, pyramids, sarcophaguses and tombstones which extant from the ancient eras to today, are related with death and beyond. Death as an inseparable piece of life, therefore dead body, become a subject of art as in architecture. As a subject to art, in the Ancient Rome’s ancestor cult ritual, the portrait that was moulded from dead body’s face; and also Renaissance era and beyond, where the dead body portraiture in oil paint with many different examples. However the most striking and extraordinary application areas exist with the invention of photography, where the dead body photographing process known as post mortem photography. Post mortem photography emerged especially in the 19th century, where the dead bodies were posed in daily clothes, with make-up as if they were alive and were photographed together with other family members; used to embalm the family member according to the conditions of the photography era. In todays art of photography, many artists use dead bodies (or bodies that look like dead) and parts of body as a subject to their works. The historical process of aestheticized dead body or parts of bodies which become a part of art of photography and scrutinizing the works of today’s post mortem photographers, build the aim of this study.

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İVAN BİLİBİN’İN “GÜZEL VASİLİSA” MASALI İLLÜSTRASYONLARINDA GOTİK VE ART NOUVEAU İLİŞKİSİ

Author(s): Duygu Özakın / Language(s): Turkish Issue: 24/2016

In this study, relationship between Gothic and Art Nouveau in Russian painter and illustrator Ivan Bilibin’s illustrations is examined. Bilibin applicates Art Nouveau style that means “New Art” and characterized by serpentine, floral patterns and ornaments to illustrations for Russian folk tales. The study aims to reveal Gothic elements in Bilibin’s Art Nouveau interpretation while analyzing his illustrations for “Vasilisa the Beautiful” by Panofsky method. It is concluded that Gothic influences are seen as rhythm of repeating patterns inherited from Gothic architecture and as usage of mythologic sense of fear with dangerous images peculiar to Gothic literature.

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