Классификация южнославянских списков Синаксаря по структурным и языковым особенностям

Author(s): Marina Vladimirovna Chistiakova / Language(s): Russian Issue: -/2018

The present article is focused on the classification of the South Slavic manuscripts of the oldest translation of the Synaxarion. The study is based on 15 copies dating back to the 13–16th centuries and containing texts from September to February. As a result of consistent analysis of the structural and linguistic features, four editions were distinguished. The Bulgarian edition consists of copies of Bulgarian and Serbian origin (Grig. 23, BAN 72, Rum. 319, SANU 53, Pog. 58, Hlud. 189, Рс 705, Hlud. 191, Srem. 323), whose texts, with certain exceptions, reflect the traditional translation of the Church Slavonic Synaxarion, known from the copy Sof. 1324. The Serbian edition includes four Serbian codices (Pog. 463А, Uvar. 70, HAZU III.с.6 and Wuk. 38), whose hagiographic articles have obvious linguistic and compositional differences. The editing of the oldest translation of the Synaxarion, which led to the appearance of the Serbian edition, might have been carried out in the Serbian written tradition. However, we should not exclude the possibility that these linguistic and compositional features were characteristic of the East Slavic copy of the Synaxarion, transferred to Serbia in the late 12th–early 13th century. In the Serbian medieval tradition, the Synaxarion was not only rewritten, but also edited, because the copy Wuk. 37 represents the shortened version of the Serbian edition. South Slavic copies of the Bulgarian and Serbian editions are based on different Eastern Slavic archetypes, suggesting that the copies of the oldest translation of the Synaxarion were transferred to the Balkans not less than two times.

30-ųjų karta be moterų, arba Apie moters tapatybės vaizdinį Nikitos Chruščiovo laikotarpio spaudoje ir poezijoje

Author(s): Jurgita Žana Raškevičiūtė / Language(s): Lithuanian Issue: 1/2018

This article analyzes the perception of women’s identity as it was created in the press in the period of Nikita Khrushchev’s rule (in the magazine Tarybinė moteris, “The Soviet Woman”) as well as in the poetry written by both men and women of the so-called 1930s generation. By taking a closer look at discourses across different levels, connections, conflicts, tensions, denials and contradictions were revealed, uncovering the complicated and tense relationship between the ideological, masculine and feminine paradigms that offer different identities. This serves to demonstrate how men and women have tried to accommodate their traditionally inherited, personal relationships with ideological perceptions. After describing the engineering of a woman’s image in the magazine and analyzing the images in male and female poetry, it became clear that this version of Soviet feminism was more regularly and consistently realized by men in their work, who had described the process of creating the Soviet world (the emergence of collective farms and the role of women in this process, ideological connection between the woman and the new order etc.). It was revealed that women were much more likely to be portrayed as negative characters in respect to the system than men, their worldview being based on values inherited from the interwar Lithuania, determining their obscurantism and secretive life. The emancipation of women in men’s discourse is almost without exception based on directly transposed Soviet postulates. A more personal perspective and relationship with a woman emerges as a traditionally inherited patriarchal paradigm of the woman-as-a-mother identity, which is disassociated from the Mother Heroine image by a personal and intimate articulation of the relationship. The images of the emancipation of Soviet women that appear in male poetry are taken up as postulates of the new system, but these images are never incorporated in the articulation of their worldview, always remaining as part of the new society’s architectonics. In the work of J. Degutytė, the only more prominent female poet of the period in question, two directions in the conception of women’s identity are observed: the official one, which shows the adopted image of hyperreality as being at the core of the new woman’s identity, an assumed woman’ self-image as being responsible for social sensitivity, and the stance of the party-appreciating mother. When the self-image of a woman is not thematized but rather manifests itself as the self-awareness of the speaking female subject, the female “I” appears as the acting subject that transforms the female attributes (emotionality, sensitivity etc.), traditionally perceived as restrictive, into opening up opportunities for action and possessing an existential perspective. The most intense exposure of the female subject to the world is portrayed as an act of creativity, whereas the creative aspirations of women in the poetry of men of the same time are associated exclusively with childbirth.

Sofijos Kymantaitės-Čiurlionienės pastangos XX a. pradžioje įtvirtinti moters vertę ir savivertę

Author(s): Nida Gaidauskienė / Language(s): Lithuanian Issue: 1/2018

This article examines the ways in which the self-awareness of a feminine identity, the perceived value of women and the self-esteem of a particular author have been evolving from 1904 to the end of the First World War; the author in question is Sofija Kymantaitė-Čiurlionienė (1886–1958), Lithuanian publicist, writer and educator. During her studies at the Jagiellonian University of Kraków in 1904–1907 (and in Adrian Baraniecki’s High Courses for Women), she decisively chose to study the humanities and became one of the first modern Lithuanian women engaged in literature, literary criticism and the politics of education. This article presents the context of the women’s emancipation movement that at beginning of the 20th century in Kraków, where the increasing possibilities of education for young women had become increasingly available. Right after her return to Lithuania in 1907, Kymantaitė took part in the Lithuanian Women’s Congress in Kaunas and became involved in the preparatory work on the regulations of the Lithuanian Women’s Society. In her collection of articles Lietuvoje: kritikos žvilgsnis į Lietuvos inteligentiją (“In Lithuania: A Critical Look at the Lithuanian Intelligentsia,” 1910), besides a wide scope of issues that were considered, Kymantaitė-Čiurlionienė discussed the issue of the relationship between well-educated men and women and questioned the equal value of women in the nascent modern Lithuanian society. In 1910, Čiurlionienė wrote a dramatic dialogue Ateities moteris (“Woman of the Future”, 1910), which highlights the idea that the equality between man and woman rests on shared human values. The dialogue foregrounds the spiritual faithfulness of the woman to the man she had chosen – faithfulness that is upheld despite the distance that greatly separates them, contradictory to the thought that women are incapable of creating ties of friendship with men, as expressed by one of Nietzsche’s literary characters. The main character of Ateities moteris – Johanna – reveals herself as a rebel only when she confronts the antagonist’s patriarchal worldview and his commanding affirmation of women’s lower position and the determinism of biological needs. References to Otto Weininger’s study Geschlecht und Charakter (Sex and Character, 1903), as well as a quote that evokes misogynistic sentiments from Nietzsche’s Also sprach Zarathustra (Thus Spoke Zarathustra, 1883), appear in the dramatic dialogue, provoking a polemic with these authors' positions. The dialogue indicates the writer’s interest in the theories of gender struggle. The text reflects Čiurlionienė’s involvement in the preparation of the statute of the Lithuanian Women’s Society as well as the influence of liberal feminist ideas that she had encountered while still in Kraków. Following the Romantic authors’ attempts to reveal female heroism, Čiurlionienė strived to create a distinctive interpretation of the end-of-the-19th-century “Lithuanian Jeanne d’Arc” in her psychological sketch (novelette) Joana Vaidilaitė (1914–1918). Johanna’s worldview is undoubtedly more akin to the ideas of early modernism, whereas Joana Vaidilaitė’s sedentary lifestyle is determined by the young woman’s realia of the 19th-century countryside, and later by her treatment in a psychiatric hospital. The sketch suggests the reality of the protagonist’s mystical motherhood, which others treat as a manifestation of madness. The novelette has never been published. Had Joana Vaidilaitė been published during the first years of Lithuania’s independence, there could have been an opportunity to enrich the history of Lithuanian literature with original efforts to give a sense to motherhood, with the Romantic treatment of madness as a form of clairvoyance and the modernist interpretation of the sea as a fluctuating womb. To conclude, starting with the formulation of the statute of the Lithuanian Women’s Society in 1910, Kymantaitė-Čiurlionienė’s attempts to express liberal feminist ideas in literary fiction become more noticeable; in these writings, the author refuses to think of motherhood as a manifestation of the impersonal nature's force (which relates to the views of the misogynists), and she cherishes the idea that conscious motherhood is equated to the creation of an individual capable of enriching cultural resources in the future.

English Author Dictionaries as Contribution to National Heritage

Author(s): Olga Viktorovna Karpova / Language(s): English Issue: 39(44)/2021

The paper is devoted to cultural heritage dictionaries with special reference to the oldest branch of English lexicography – author lexicography, comprising three hundred reference books of different types: concordances, glossaries, lexicons, indices, thesauri, etc. The article describes the main trends in developing author linguistic dictionaries for general and special purposes to single and complete works of G. Chaucer, W. Shakespeare, J. Milton, other famous English writers since the 16th c. up to the present days. The architecture of author encyclopedic dictionaries (guides, encyclopedias, companions) and onomasticons (dictionaries of characters and place names, who is who in … series) and their significant contribution to the English language, culture and society are discussed. The main accent is made on the digital era of English heritage lexicography, innovative features of modern printed and Internet author reference resources, aimed at certain target groups users’ needs and demands.

PAVLINI U SENJU

Author(s): Mile Bogović / Language(s): Croatian Issue: 1/1988

In occasione del II. centenario dell'abolizione dell'ordine di san Paolo degli eremiti (paolini), avvenuta nel 1786., l'Autore descrive la storia dei paolini e dei loro conven-ti a Senj, e cioe: di Santissimo Salvatore nella valle Ljubotina (oggi detta Spasovac), di Santa Elena in Vlaška Draga (oggi Sv. Jelena) e di San Nicolö in cittä.AH'inizio dell'articolo si accenna alia letteratura e poi in modo sommario si ripor-tano i dati piü o meno giä noti, trattenendosi piü a lungo sui risultati della propria in-vestigazione. I primi due suddetti conventi fanno parte integrante della storia medie-vale di Senj. Quello infatti di Santissimo Salvatore risale alia meta del secolo XIV, mentre Santa Elena fu fondata nel 1390. Le fonti conservate ci permettono di conos-cere in modo assai preciso i loro possedimenti, sono scarse invece per quanto concer-ne la loro attivitä. Questa si svolgeva in conformitä alia regola degli eremiti di S. Paolocon modificazioni causate dalla posizione e condizine dei due conventi. A Senj essi possedevano diverse case e negozi (apoteche). Tutti e due i conventi vengono meno nella prima metä del secolo XVI, poiche non erano in grado di asicurare riparo davanti alle continue scorrerie dei Turci. La continuitä della loro presenza a Senj e salvaguardata proprio per mezzo delle case di loro possesso entro le mura della cittä. Un nuovo periodo della storia paolina a Senj incomincia nel 1634., quando venne-ro invitati dal vescovo diocesano Agatić a prender in consegna il convento e la chiesa di San Nocolo, che poco prima erano stati abbandonati dai domenicani. Sull'attivitä di questo convento abbiamo notizie piü frequenti, di cui perö finora e stato pubblica-to poco. Ai paolini di San Nicolo a Senj nel 1725. e stato affidato il ginnasio di Senj, il quale fu da loro gestito fino all'abolizione dell'ordine {1786). Allora si verificarono momenti critici per la scuola. II trasferimento della scuola ai francescani ed a profes-sori laici non ebbe successo duraturo e fini colla chiusura della scuola nel 1803. Alia fine dell'articolo si espongono i dati principali della storia dell'edificio del convento e della chiesa di San Nicolö. Vengono elencati alcuni elementi piu noti dell'in-ventario, varie iscrizioni raccolte da I. Kukuljević prima della distruzione degli edifici stessi, avvenuta nel 1874. Nella chiesa parrochale di Punat nell'isola di Krk (Veglia) ancor oggi si pud vedere l'altare maggiore della chiesa, al duomo di Senj invece e stato trasportato l'altare collaterale con la statua della Pietä (Madonna di sette dolori). La posizione del convento e della chiesa nella piazza oggi chiamata Trg Oslobođenja.

Vyriškumas Algirdo Landsbergio novelėse

Author(s): Gabija Bankauskaitė-Sereikienė,Raminta Stravinskaitė / Language(s): Lithuanian Issue: 40 (45)/2021

In interwar and post-war societies, men were required to show endurance, courage, and emotional stability, but their traumas, caused by the experience of war and the economic, political, and social realities of the post-war period, are just started to be analysed. Algirdas Jeronimas Landsbergis (1924–2004), a playwright, prose writer, editor, literary and theatre critic of the Lithuanian diaspora, conveys these themes in his work. The images of masculinity revealed in the texts help clarify the general experience of the society hidden in the works and understand what kind of masculinity prevailed in society after the world wars changed the lives of women and men. Using K. G. Jung’s theory of analytical psychology, the article analyses A. Landsbergis’ short stories, which literature researchers less studied. Texts are explored as reflections and shapers of society, and in the case of masculinity, it is discussed what is meant by the archetypes of masculinity recorded in the literature. Based on the work of R. L. Moore and D. Gillette and J. C. Campbell, the archetypes of the divine child, the child prodigy, the Oedipus child and the hero and mature masculinity – the king, warrior, magician and lover are distinguished.

XV. Yüzyılın Ansiklopedisi Dürr-i Meknun ve Dili Üzerine Bir İnceleme

Author(s): Zeynep Şimşek Umaç / Language(s): Turkish Issue: 03/2021

In this article, Dürr-i Meknun’s grammatical properties has studied. Dürr-i Meknun was written in Old Oghuz Turkish which is the most important periods of Western Turkish. It is an encyclopedia for the period in which was written due to the richness of its contents. Period of this book is a transition period between the Old Oghuz Turkish to advanced literary language which was called Ottoman Turkish. In this study was aimed to introduce of a transition period’s book’s grammatical properties. The place of the book in our cultural history was tried to be reminded by giving general information about the book and the author. Because of this book has been studied before, in this study only the prominent phonetic and morphological properties of the period are emphasized it is aimed to emphasize the transition period properties that characterize the period. In accordance with the characteristics of the period, the book appears to have gived point to the features of the Ottoman Turkish literary language.

Muzica nunţilor domneşti

Author(s): Eduard Rusu / Language(s): Romanian Issue: 67/2021

The princely court has over time hosted everything that was most important in the country in terms of music. Here you could find a great musical diversity, catalogued according to the specifics of the area, with many foreign influences, taking into account the taste of the princes, who commanded and supported financially different events. Nowhere outside the Court could a greater musical diversity be found, as music was for a long time an attribute of sovereignty, through which its exponents could manifest their pre-eminence. Therefore, the music of princely weddings not only had the role of beautifying the atmosphere, but also was intended to transmit a message of power. In the case of weddings held at the Court, great emphasis was placed on pomp and spectacle, and the examples we have clearly show emphasize that music was one of the elements that made the difference. Considering that in general the matrimonial ties were established with important people from outside the country, proving the power and the wealth was a priority for the Romanian princes. Therefore, in this context we have many testimonies of the presence of musical groups and games (intrinsically linked to music) brought from outside the country, especially from Constantinople, which have the role of proving the power of the prince.

Danii româneşti în favoarea aşezămintelor ortodoxe sud-dunărene. Noi mărturii documentare

Author(s): Gheorghe Lazăr / Language(s): Romanian Issue: 67/2021

La reconstitution de l’aide accordé par les princes roumains, depuis les premiers siècles de l’existence des deux principautés extra-carpatiques et jusqu’au moment de la sécularisation de la richesse des monastères à l’époque d’Alexandre Ioan Cuza (1863), reste encore un objectif à accomplir dans l’historiographie roumaine, bien que les recherches réalisées dans ce sens au cours des dernières décennies soient plus que remarquables et aussi prometteuses. Malgré ces efforts et ces bénéfices historiographiques on trouve encore, dans les archives du pays ou de l’étranger, de nombreux « miettes » documentaires de ce genre qui attendent encore d’être récupérés et qui contribueront sans doute à une meilleure connaissance de cette réalité. Les documents analysés et publiés par l’auteur dans cette étude sont également un témoignage dans cette direction. Ayant comme point de départ les données fournies par les documents au-dessus mentionnées, dans une première section l’auteur reconstitue l’historique des liens entre le monastère de Vlatadon (Thessalonique, Grèce) et Valachie, à partir de l’année 1587 jusqu’au milieu du XVIIIe siècle. Dans la deuxième section, l’auteur offre des détails sur les contacts, inconnus jusqu’au à ce moment dans l’historiographie roumaine, entre la Moldavie et l’établissement monastique – dont l’existence ne semble pas également être connue – de Schepastos / Chepastos, tout près de la ville d’Adrianopol (aujourd’hui Edirne, en Turquie), mise sous le patronage de la Sainte Vendredi. Dans l’annexe de l’étude, l’auteur publie le texte intégral des neuf documents découverts et qui ont été à la base de son analyse.

Between “millet” and self-determination: the Ottoman-Armenian case

Author(s): Remus Tanasă / Language(s): English Issue: 67/2021

The “millet” was an ethno-religious community within the Ottoman political system, created in order to facilitate the act of government and the relationships between the numerous religions and ethnicities ruled by the Sultans and Ottoman authorities. The Armenian “millet” was defined by three dimensions that shaped for better or worse the “Armenian question”. Firstly, the geopolitical characteristic of the Empire: the center of power where most important decisions were made was Istanbul, while the powder keg of the matter in discussion was Eastern Anatolia. Secondly, the daily cohabitation of Armenians and Kurds at the eastern border of the Empire, where they needed to share and fight for the same land and resources. Last but not least, the diplomatic interests that transformed the Ottoman Empire into an open field of battle for influence. All this elements shifted the commitments of the Armenian leaders and the decisions of the Ottoman government in such a way that the path from “millet” to “self-determination” blended together gradual reform and secessionist activity.

Nihon No Sensou – The Japanese War Experience Illustrated through the Lens of Ningen No Joken (The Human Condition)

Author(s): Mihai Chiș / Language(s): English,Romanian Issue: 58/2021

Japan’s military campaigns in Asia during the Second World War were taboo, especially during the 1950s and the 1960s in Japanese society. After the Second World War, Japan experienced a political and social transformation, which unfortunately could not ‘eradicate all the elements of militarism’ still present in the society of the time. Instead of repenting for their misdeeds, many conservative leaders and people who experienced the war chose to identify themselves as the actual victims of the war. Consequently, they ignored the suffering of the inhabitants of the Japanese-occupied territories during the Second World War. I will not dwell, however, into the reminiscences of the past present in the Japanese society of the time nor discuss the issue of war responsibility, but instead look into the case of a noteworthy attempt of coming to terms with the past, the case of Kobayashi Masaki’s trilogy, Ningen no Joken. The trilogy was not the first attempt at reconciling with the past. However, it is one of the most ambitious and well-acclaimed attempts to acknowledge Imperial Japan’s misdeeds. By using Kobayashi’s movies, I will endeavor to sketch a portrait of the Japanese war experience and those who lived in the Japanese-occupied territories of the time.

MEHMET KAVUKCU VE FÜSUN ONUR’UN POSTMODERN SANAT YAKLAŞIMLARI

Author(s): Ömer Tayfur Öztürk,Ahmet Türe,Fatma Al / Language(s): Turkish Issue: 84/2021

Postmodernism, a concept created after 1970, refers to the category of artistic production. Postmodernism has emerged with new art forms such as deconstruction. Computer-based artistic productions, new media and conceptual art studies can be given as examples of these production categories. Conceptual art wanted to demolish many things and come to terms with the past. Conceptual art The artist, who made a wholesale criticism of Western culture and rebelled against all kinds of artistic authority and monopoly understanding, started to make art with a thought that he adopted with his heart. In this study, Mehmet Kavukcu, who created his works in the context of conceptual art, and Füsun Onur, one of Turkey's first female sculptors, are discussed. Kavukcu reflects the waste generation, environmental pollution issues that negatively affect natural life, issues such as waste, extravagance, violence, terrorism, death and eternity, nature and the city, historical architecture, climate, refugee problem, city structuring in his works. We see that he buys from the problems he encounters in daily life and from the objects around him to solve these problems. This study aims to give information about the dynamic points and movement capabilities of today's Turkish art. In the research, six works of Mehmet Kavukcu's five Füsun Onur were examined with a critical approach and the thought, essence and form that formed the background of the works were examined.

SAVAŞ, PROPAGANDA VE SANAT İLİŞKİSİ

Author(s): Tolga Akalın / Language(s): Turkish Issue: 85/2021

The art using of propaganda is the easiest way to direct the societies to the desired goals and to shape the attitudes and behaviors of the people, in the face of events or around an ideology is to use the art of propaganda. The simplicity of this method in reaching public at large and states uses propaganda tools throughout wars. Realizing, the power of propaganda, many states entered into fierce propaganda races with posters, which they prepared during the First and Second World Wars. The posters were used both to speed up the gathering of soldiers and to gain public support. The state administrators, who carried out propaganda activities, wanted to make the people believe that the war was necessary for freedom, by creating the perception of having an enemy. In this sense, this research focuses on analyzing the connection between the trio of war-politics-propaganda and a use of posters during war for propaganda.

LIJEVO ORIJENTIRANA SOCIO-POLITIČKA USTREPTALOST I ESTETIČKO-KRITIČKA MISAO DŽEMILA DŽEME KRVAVCA

Author(s): Ikbal Smajlović / Language(s): Bosnian Issue: XIX/2021

The paper provides a brief overview of cultural and socio-political circumstances in BiH from the end of the 19th and the beginning of the 20th century, whose repercussions inevitably and strongly reflect on the overall literary and artistic creation in BiH, with special emphasis and focus on the literary criticism segment, the one with Bosniak determination. Although this paper offers a basic insight into totality of literary criticism creation between wars, revealing the general guidelines of its evolutionary and formative-qualitative paths, it is primarily focused on specific texts of Dž. Krvavac, which at the same time mirror and confirm the previously selected general characteristics – distinct underdevelopment of literary critical practice (at least in terms of systematization and scientific foundation according to modern standards), its conditionality of socio-political circumstances, hybrid form of texts which combines and unites different elements at the same time: literature (and art in general), ethics, politics, philosophy...

ХУДОЖНЬО-ЕСТЕТИЧНІ ПРИНЦИПИ НІМЕЦЬКОГО ЕКСПРЕСИВНОГО ТАНЦЮ У КОНТЕКСТІ РОЗВИТКУ СУЧАСНОГО ТАНЦЮ В ХХІ СТОЛІТТІ

Author(s): Olha Babich / Language(s): Ukrainian Issue: 40/2021

The purpose of the article is to identify the artistic and aesthetic features and leading trends in the development of German expressive dance of the first half of the twentieth century. and determine their impact on the development of modern dance in the first decades of the XXI century. Methodology. The system method is applied, thanks to which the peculiarities of German expressive dance are considered; the method of comparative analysis, which helped to identify common and distinctive features in the central concepts of dance K. Joss, M. Wingman, and P. Bausch; method of art history and artistic and stylistic analysis, through which identified and substantiated trends in the development of German modern dance and modern dance). Scientific novelty. The artistic and aesthetic principles of German expressive dance are studied on the basis of the analysis of choreography, aesthetics, and discourse of movement K. Joss, M. Wingman, and P. Bausch; the basic theatrical concepts of the range of emotions of the leading representatives of the German expressive dance motivating physical movement are revealed; determined that P. Bausch, M. Wingman and K. Yosse work with emotional space, which is directly related to physical movement and configures their own unique aesthetics of movement experience - dancers aestheticize the human body, covered and subject to strong emotions. Conclusions. The characteristic interest of German expressionist dance to inconspicuous, accidental, or natural manifestations of corporeality, the focus on violating previously established boundaries of art, the search for innovative ways to approach the chaos of reality, causing the formation of certain models of corporeality, and others. can be clearly seen in the modern dance of the early XXI century – phenomena, representing a unique way of artistic and bodily modeling of the world, become one of the important dancers and generators of current cultural and artistic values and meanings.

ТЕРНОПІЛЬСЬКА ФІЛІЯ ВИЩОГО МУЗИЧНОГО ІНСТИТУТУ ІМЕНІ М. ЛИСЕНКА ЯК КУЛЬТУРНО-ОСВІТНІЙ ЦЕНТР ТЕРНОПОЛЯ (ПЕРША ПОЛОВИНА XX СТОЛІТТЯ)

Author(s): Olena Volodymyrivna Spolska / Language(s): Ukrainian Issue: 40/2021

The purpose of the article is to analyze the historical and cultural background and the main aspects of the formation of professional piano performance in Ternopil in the late nineteenth - first half of the twentieth century on the example of VMIL branch activity. Methodology. The methodological basis of the publication is historical-stylistic and comparative approaches, methods of historical-cultural discourse (according to V. Cherkasov). The formation of professional piano performance is considered in terms of musicological and stylistic approaches in broader cultural, educational, and musical-pedagogical contexts. The problem of studying the regionalism of music and performance centers and schools as a dynamic historical and cultural phenomenon is actualized. A thorough study of the history of regional piano educational centers and performing schools has been the subject of a number of musicological studies. In particular, the works of N. Kashkadamova, T. Starukh, L. Mazepa, and others are dedicated to the piano art of Lviv, its artistic education, and cultural institutions. Scientific Novelty. Based on the study of scientific and archival sources, we can see that the educational and pedagogical traditions of the Higher Music Institute named after M. Lysenko as the first Ukrainian professional center and its branches in Eastern Galicia have continued in the activities of pianists, teachers, and performers in Ukraine and abroad, mainly Western Of Ukraine. Attention is focused on the opening and initial stage of the branch of the Lysenko Higher Music Institute (VMIL) in Ternopil, in particular, on the activities of piano teachers. Based on historical, comparative, and individual approaches, the role of individual performers, composers, and teachers as the founders of piano performance in the region is highlighted. Thus, the novelty of the article is to trace the initial stage of the formation of piano performance in Ternopil in the late nineteenth - first third of the twentieth century. as a process of transition from the amateur period to academic performance and professional music education. Conclusions are made about the decisive role of the branch of the Higher Music Institute named after M. Lysenko (VMIL) in Ternopil and its founders, in particular, Iryna Krykh (Lyubchakova) and Yuri Krykh, in the development of music education and performance in the region.

XII международен научен симпозиум „Търновска книжовна школа“

Author(s): Kamen Dimitrov / Language(s): Bulgarian Issue: 43/2021

Анатолий Турилов на 70 години

Author(s): Anisava Miltenova / Language(s): Bulgarian Issue: 43/2021

Reviews

Author(s): Anna Horeczy,Piotr Kuligowski,Maciej Górny,Svetlana Vassileva-Karagyozova / Language(s): English Issue: 124/2021

Reviews of: 1. Saskia Metan, Wissen über das östliche Europa im Transfer. Edition, Übersetzung und Rezeption des “Tractatus de duabus Sarmatiis” (1517), Wien–Köln–Weimar, 2019, Böhlau, 316 pp., 2 tables, 1 ill., index; series: Bausteine zur Slavischen Philologie und Kulturgeschichte. Neue Folge, Reihe A: Slavistische Forschungen, 91; 2. Catherine Brice (ed.), Exile and the Circulation ofPolitical Practices, Newcastle upon Tyne, 2020, Cambridge Scholars Publishing, UK, 225 pp.; 3. Vedran Duančić, Geography and Nationalist Visions ofInterwar Yugo-slavia, Cham, 2020, Palgrave Macmillan, 285 pp., ills, indexes; series: Modernity, Memory and Identity in South-East Europe; 4. ЕвелинаДжевиецка [Ewelina Drzewiecka], Юбилейноимодерно. Кирило-методиевскиятразказпрезсоциализмавБългария, София, 2020, Кирило-МетодиевскиятнаученцентърприБАН, 232 pp., bibliography, ills; series: Кирило-Методиевскистудии, 29.

Една книга за забравените приятели на България. Александър Гребенаров, Николета Войнова. Чуждестранните почетни членове на Македонския научен институт (1923 – 1947). Македонски научен институт, София, 2021, 380 с. с ил.

Author(s): Slavi Slavov / Language(s): Bulgarian Issue: 1/2021