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Sistem žanrova u srednjovjekovnoj vjerskoj književnosti – Nekoliko načelnih zapažanja

Sistem žanrova u srednjovjekovnoj vjerskoj književnosti – Nekoliko načelnih zapažanja

Author(s): Jagoda Jurić-Kappel / Language(s): Bosnian,Croatian,Serbian Issue: 1/2012

The particularity of the emergence and survival of the medieval Bosnian state, particularly its church, has determined the territory’s cultural development. Religious literacy, preserved to this day, has been linked with the function of the heretic Church of Bosnia. Its body consists of 13 gospels, 4 apostles, 3 revelations and one psalter. A few shorter texts, believed to be apocryphic, may be added as well. The most comprehensive are the three books – Hval’s and Venetian from the beginning of the 15th century, and much smaller – Radosav’s from the mid 15th century. Genres presented in Hval’s and Venetian books are: gospels, apostles and revelations, with additional compositions and records. The only saved psalter is in the Hval’s book. Radosav’s book contains the full version of the revelation together with some shorter texts whose function has not been determined yet. The isolation of the Church of Bosnia has affected the conservative nature of its written monuments. This paper divides the texts based on their genre and deals with them in the context of the neighbouring South Slavonic literatures. The books’ appearance, the choice of texts and their lay out, the characteristics of letters, orthography and the language, are allowing us to determine the medieval Bosnian literature as a special identity – “redakcija” (editing) – equal to every other literature inside the Slavic world.

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Smijeh kroz suze (Na primjerima iz ruske i bosanskohercegovačke drame)

Smijeh kroz suze (Na primjerima iz ruske i bosanskohercegovačke drame)

Author(s): Almir Bašović / Language(s): Bosnian Issue: 2/2012

This text consists of three parts. The first part of the text deals with comical means in The Government Inspector by Nikolai Vasilievich Gogol, the play which is the first to promote laughter through tears. Comical means in The Government Inspector are treated through influential theory of comical/laughter of Henri Bergson. However, it is also revealed how – in relation to the type of comedy based on human society and emotional distance – The Government Inspector displays certain surplus. The second part of this text examines two examples from Bosnian-Herzegovinian drama – plays Childhood Disease: When Father Was Away on Business by Abdulah Sidran and Grow in Width by Dževad Karahasan. Starting from reflection on stylistic tendencies introduced by Volker Klotz in his book on closed and open forms of drama, this text shows that Sidran’s play is written entirely in accordance with the rules of open form of drama, while Karahasan’s play is written in accordance with the rules of closed form. Finally, in the third part, this text shows that, despite the difference in style, these two plays demonstrate certain resemblance with the tradition of laughter through tears which was introduced by Gogol in his The Government Inspector. This leads to conclusion that this type of comical/laughter is broader than the notion of style and that it could be described as a genre in the European dramatic tradition.

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Zašto i kako – tri Hasanaginice i jedan Hasanaga?

Zašto i kako – tri Hasanaginice i jedan Hasanaga?

Author(s): Adriana Car-Mihec,Iva Rosanda Žigo / Language(s): Croatian Issue: 2/2012

Hasanaginica (1909) by Milan Ogrizović, the two homonymous plays by Alija Isaković (1981) and Nijaz Alispahić (1999), as well as the play Hasanaga (1990) by Tomislav Bakarić are four examples of twentieth-century theatrical texts whereby the authors consider the difference in interpretation and transposition of the folk ballad Hasanaginica.

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Egzil i slika domovine u poeziji Jozefine Dautbegović

Egzil i slika domovine u poeziji Jozefine Dautbegović

Author(s): Naida Osmanbegović / Language(s): Bosnian Issue: 2/2012

In the paper, I tried to elaborate the meaning of exile and homeland, recognizing this as a symbol (and problem) of the whole 20th century literature and culture, but also as one of the most interesting relations in Jozefina Dautbegović’s poetry. Esthetisizing the situation of exile, the poetess showed / proved continuity of nomadism and legitimated historical chronologicum from Jewish refuges and Moses to post-Dayton BosnianHerzegovinian refuges. Direct poetic expression (revised in Polish poetry) emerges as necessity in the mechanisms of writing war trauma and post-war existential and social horror. The homeland (Bosnia) becomes a synonym for eternal war chaos, but also a key concept in the clash of modern and postmodern cultural paradigms.

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Dva osnovna polazišta interkulturalnih odnosa u putopisima Z. Džumhura

Dva osnovna polazišta interkulturalnih odnosa u putopisima Z. Džumhura

Author(s): Mirzana Pašić Kodrić / Language(s): Bosnian Issue: 2/2012

In this paper, the author has tried to point out intercultural nature of Z. Džumhur’s travelogues, which is generally achieved through: (1) visual historical elements in a given place which the narrator describes by his travelogue, and which are only just a motive for travel story, as well as (2) memory or so-called “knowledge” of the narrator, or in the frames of all that is his awareness of certain individuals and events, which are, again, only a motive for development of fictional narrative. This approach to Z. Džumhur’s travelogues illuminates travelogues of this author in a slightly different way, presenting them, in the field of intercultural understanding, as an interesting and topical literature, as well as one of great importance

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INSCENACIJE DJELA JUŽNOSLAVENSKE DRAMSKE BAŠTINE U REŽIJI AHMEDA MURADBEGOVIĆA

INSCENACIJE DJELA JUŽNOSLAVENSKE DRAMSKE BAŠTINE U REŽIJI AHMEDA MURADBEGOVIĆA

Author(s): Mirsada Suljić / Language(s): Bosnian Issue: 3-4/2022

The subject of the work „Staging works of the South Slavic dramatic heritage directed by Ahmed Muradbegović“ are the directing settings of drama works by Miroslav Krleža, Skender Kulenović, Branislav Nušić and Svetozar Ćorović, which Muradbegović directed as a guest on the stage of the National Theater in Tuzla from 1959. to 1964. director. Ahmed Muradbegović as a guest in the indicated period directed Messrs. Glembajs, Djelidba, Suspicious Face and the drama Zulumćar. The aim of the paper is to point out the selection of works by the author Ahmed Muradbegović, who staged local and world classical works on professional theater stages in Bosnia and Herzegovina, with the very goal of bringing them closer to the environment in which he works, raising and educating the theater audience in accordance with classical drama and theater values. The research and analysis of the subject in the paper required an interdisciplinary approach. Theater history, theatrography, theater sociology, dramaturgy, scientific disciplines, each in their own way, according to their methods, have contributed to new knowledge regarding Ahmed Muradbegović as the director of the aforementioned dramatic works on the Tuzla theater scene (1959‒1964). Synthesis and analysis methods, inductive‒deductive method, content analysis method, interview method was used in the paper, with the aim of reaching new results by questioning and analyzing the subject in the title of the paper and thereby contributing to the science of theater. Based on the basic theatrical material, that is, direct (posters) and indirect sources (scenic photos, newspaper articles, theater reviews, theories that talk about the subject being analyzed), it was concluded that Ahmed Muradbegović in the period from 1959 to 1964. carefully selected and staged dramatic works of the South Slavic dramatic heritage on the Tuzla stage and treated current human problems. The research contributed to the knowledge that Ahmed Muradbegović had an authentic theatrical expression when directing dramatic works of South Slavic dramatic heritage on the professional theater scene in the mentioned time.

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Riječi u slobodnoj plovidbi

Riječi u slobodnoj plovidbi

Author(s): Zdravko Kordić / Language(s): Bosnian,Croatian,Serbian Issue: 129-130/2023

Pod milozvukom zvonkih riječi škripi pero zapelo u teška i nemila doba, zaplelo u miomirise; u zvuke proljeća, ljeta, jeseni, zime... zapelo se i zaplelo u jug, u Mediteran – ishodište civilizacije, dok sricaše riječi one nam izmaknu, iskliznu od prevelke ljubavi: od pjesničkoga zanosa, zatalasaju, razvigore se: penju i padaju lanci – i duhovi pred unutarnjom slobodom koju donosi i sriče riječ, ničim ograničena: unutarnja sloboda – pjeva. Miljkovićevski rečeno kao što su sužnji znali pjevati o njoj i težiti za njom do iščeznuća. Bajkovitost lahori, vigori i igra svoju igru, ne misleći na strogi oblik – ne misleći ni na ono izrečeno; puštajući i ispuštajući riječi u plovidbu morem, zemljom i nebom. Vatra plamti – unutarnja i vanjska!

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Mito-poetika elemenata i fenomenologija mora Carl Schmitt i Ivo Andrić

Mito-poetika elemenata i fenomenologija mora Carl Schmitt i Ivo Andrić

Author(s): Ugo Vlaisavljević / Language(s): Bosnian,Croatian,Serbian Issue: 131-132/2023

Carl Schmittovo temeljno opredjeljenje da se poredak (Ordnung) ne misli isključivo kao pravni poredak u apstraktno-normativnom smislu, što je gledište koje odavno dominira pravnom znanošću, nego da ga treba svagda analizirati u njegovoj nerazdvojnoj povezanosti s određenim mjestom, smještenošću, lokalizacijom (Ordnung), otvorilo je put za do tada nečuven ili barem neuobičajen uvid da „pravo ima zemaljski karakter i da je na zemlju upućeno (Das Recht ist erdhaft und auf die Erde bezogen)“ (Schmitt 1997, 13). Neki poredak je konkretno postojeći samo ako ima svoj zemaljski topos, što onda nalaže da se njegov normativni sustav promišlja s njegovom smještenošću na tlu. Stoga se poreci mogu međusobno bitno razlikovati upravo po svojoj „prostornoj strukturi“. Nastanak modernog međunarodnog prava (jus publicum Europaeum) pretpostavljao je i odgovarajuću globalnu prostornu predstavu, sliku o Zemlji kao zajedničkom staništu.

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Being Roma: Impressions of the Book “Cenotaph for the Murdered Roma from Tešanj” by Amir Brka

Being Roma: Impressions of the Book “Cenotaph for the Murdered Roma from Tešanj” by Amir Brka

Author(s): Hajrudin Somun / Language(s): English Issue: 1/2023

In April 2022, which today slips away from the being, but not the memory of the human individual, there were several dates of all three monotheistic faiths that rarely occur in exactly one month. Although in Bosnia and Herzegovina, it could be like that every month due to its religious interwinement that is forcibly unraveled by the butchers of Balkan nationalisms. One date is the eighth of April, which the United Nations declared Roma Day, who wander around the world, religions and languages, but also unconsciously preserving something of the civilization from their ancestral homeland of India.

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Biti Rom: Impresije uz knjigu “Kenotaf za ubijene tešanjske Rome” Amira Brke

Biti Rom: Impresije uz knjigu “Kenotaf za ubijene tešanjske Rome” Amira Brke

Author(s): Hajrudin Somun / Language(s): Bosnian,Croatian,Serbian Issue: 1/2023

U ovom aprilu 2022. koji se danas izmiče bivstvovanju, ali ne i pamćenju ljudske jedinke, bilo je više datuma sve tri jednobožačke vjere koji se rijetko steknu baš u jednom mjesecu. Iako bi u Bosni i Hercegovini takav mogao da bude svaki mjesec po njenoj vjerskoj isprepletenosti koju silom raspliću kasapi balkanskih nacionalizama. Bio je i osmi april, koji su Ujedinjene nacije proglasile Danom Roma, koji lutaju po svijetu, religijama i jezicima, ali i nesvjesno čuvajući ponešto od civilizacije iz svoje pradomovine Indije.

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Prikazi
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Prikazi

Author(s): Rusmir Mahmutćehajić,İsmail Albayrak,Alija Pirić,Faruk Dizdarević,Faiz Softić,Faiz Softić,Esad Kučević,Božidar Proročić,Safet Hadrović Vrbički,Edin Smailović,Miraš Martinović / Language(s): Montenegrine Issue: 93-94/2023

Reviews of: 1. Fajko Kadrić “Šta su meni ptice: Kazivanja Ekrema Redžića”, Tešanj: Planjaxkomerc, 2022. 2. Haverić Džavid, “Historija islama i muslimana u Australiji: Rane interakcije, naseljavanja i zajednice prije sredine 1940-ih” Haveric, Dzavid, History of Islam and Muslims in Australia: Early Encounters, Settlements and Communities Prior to the Mid-1940s, Lambert Academic Publishing, Germany, 2019. (263 pp.) ISBN 978-0-9580103-6-8. 3. Enes Karić, “Boje višnje”, Tugra, Sarajevo, 2023. treće izdanje. 4. Ulvija Mušović, “Vatan”, Almanah, Podgorica, 2023. 5. Dino Burdžović, “Memoari Besima Jusufovića”, Centar za očuvanje i razvoj kulture manjina Crne Gore, Podgorica, 2023. 6. Fatmir Bači, “Zalog svjetlosti”, Matica Bošnjaka, Novi Pazar, 2020. 7. Sve što je Dino napisao bilo je z(l)ato: Dve decenije od prerane smrti pesnika Aladina Lukača 8. Safet Hadrović Vrbički, “DIVAN - antologija vlastite lirike (tom I)”, Rožaje 2023. Izdavač: Udruženje bošnjačkih pisaca Crne Gore) 9. Zehnija Bulić: „Čekajući Turke“, Izdavač: BUKS, Novi Pazar, 2019. Faruk Dizdarević, “Druga obala: Ogledi i razgovori”, Grafičar, Užice, 2022. 10. Esad Kočan, “Naša Rijeka”, Almanah, Podgorica 2023.

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Bosanske elifnice (2023)

Bosanske elifnice (2023)

Author(s): Elvir Musić / Language(s): Bosnian Issue: 34/2023

Review of: Bosanske elifnice (2023), priredili Sumeja Bičević i Amir Sakić, Edicija Alhamiadica Bosniaca, Knjiga II Svezak I, urednici Adnan Kadrić i Alen Kalajdžija, Sarajevo: Institut za jezik Univerziteta u Sarajevu i Orijentalni institut Univerziteta u Sarajevu, str. 726.

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Accipe Librum Et Devora Illum

Accipe Librum Et Devora Illum

Author(s): Ivan Sivrić / Language(s): Bosnian,Croatian Issue: 115-116/2023

Sarajevo, siječnja 1991. Izbori su završili i započele su demokratske promjene. Nekim sretnim slučajem sam dobio privremeni posao na popisu stanovništva te sam morao u Sarajevo na obuku. Trebalo je preživjeti. Ne znam kako je Jakov Jurišić doznao da sam u Sarajevu i kako me je odmah našao u hotelu Zagreb. Iste smo večeri otišli na promociju djela Anđelka Vuletića. Poznavali smo ga obojica, prilično. Jakov je tada bio sekretar Udruženja književnika BiH. Nakon te promocije smo se priključili promociji izdanja knjiga Meše Selimovića.

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Životna ponornica i pomrčina

Životna ponornica i pomrčina

Author(s): Zdravko Kordić / Language(s): Bosnian,Croatian Issue: 115-116/2023

Pjesnik suza, uza nade i beznađa. Pjesnik uzaludna uzdanja; pjesnik raznolikih zdanja. Pjesnik pomrčine, čavla, vječne pomrčine između intermezza – Stojan Vučićević! Nije sve kako izgleda na prvi pogled, nije tako ni u zbilji, ni u životu – možda u snovitim/somnabulnim pjesmama. Riječi ne iskazuju apsolutno, ne iskazuju Apsolut – pjesnik bi htio doseći Apsolut kroz vidovito penjanje u sjeni borova, u tihom valovlju mora; u maestralu, u buri; u hridi. Tko je komu zemlja u tolikoj tmici – tjelesno smo samo zemlja i prah, a htjeli bismo te protege uvući u dušu, kroza duh. Ujevićev cjelov sluti tajnu nebesku.

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FRANCUSKI PRIJEVODI HASANAGINICE
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FRANCUSKI PRIJEVODI HASANAGINICE

Author(s): Paul-Louis Thomas / Language(s): Bosnian Issue: 102/2023

Narodna pjesma Hasanaginica, koju je opat Fortis objavio 1774. u Viaggio in Dalmazia, (tekst u originalu sa talijanskim prevodom), bit će prvi tekst, srpske, hrvatske i bosanske književnosti, preveden na francuski jezik: već 1778. anonimni prevodilac preveo je Putovanje po Dalmaciji, zatim je to ponovilo njih dvadesetak, zajedno sa velikim piscima (Nodier, Mérimée, Nerval), što je jedinstven slučaj u prevođenju južnoslavenske književnosti na francuski jezik. Francuski prevodioci koriste ili Fortisovu verziju (ponekad njegove prevode na talijanski ili njemački) ili verziju Vuka Karadžića, ili obje. Njihovi komentari i fusnote pokazuju zašto ih zanima tekst, kao i kakva su očekivanja čitalaca, svakog vremena. Nakon prevoda namijenjenih obrazovanim čitaocima, ljubiteljima romantičarskog egzotizma, slijede naučni prevodi (Fauriel, Dozon, Jovanović), koji se obraćaju zahtijevnoj, univerzitetskoj publici. Francuski su prevodi, za razliku od prevoda na druge jezike, skoro uvijek u prozi.

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Kulturološki aspekti postratnog itinerarija

Kulturološki aspekti postratnog itinerarija

Author(s): Nina Alihodžić-Hadžialić / Language(s): Bosnian Issue: 14/2024

This work is the analysis of the novel titled Stidovi i krivnje of the Bosnianherzegovinian writer Izet Perviz who accentuates most wonderfully the reflections of both war and postwar periods through the prism of cultural aspects. The narrative is realized on the observation of two female characters, Anđa and Elvira, and emphasis of the subtlety of female voice in the background story which elaborates the problematic criminal demagogy whilst questioning phalloscentric culture. Parallelly, this novel is a very successful example of spiritual-cosmic imaginary within the itinerary discourse dimension. Literary critical but also cultural analysis challenges reinterpreting the categories such as identity, exile, home and homeland through criticism of ethnocentricism.

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NA RAZMEĐU TRADICIJE I SOCIO-POLITIČKE ANGAŽIRANOSTI: DRAMA „ŽRTVE TRADICIJE“ DERVIŠA IMAMOVIĆA

NA RAZMEĐU TRADICIJE I SOCIO-POLITIČKE ANGAŽIRANOSTI: DRAMA „ŽRTVE TRADICIJE“ DERVIŠA IMAMOVIĆA

Author(s): Ikbal Smajlović,Ibnel Ramić / Language(s): Bosnian Issue: 4/2024

The paper provides a brief insight into the evolutionary path of Bosniak drama, with a special interest in the interwar period. However, the work is primarily focused on the dramatic text "Žrtve tradicije" by Derviš Imamović, which actually belongs to a group of his texts from the beginning of his writing career that have been preserved to this day. Although this drama is based on traditional settings and on a "clichéd melodramatic plot" about two unhappily in love, with noticeable influences of folk plays and folklore melodrama, it is not only a text of a love character, but it is a kind of Imamović's criticism of the patriarchal pattern of living and those social currents that strictly and blindly, often irrationally, they strive to preserve the multitude of traditional values that are often an insurmountable obstacle for young people in the "new time" and their identity self-search and self-determination.

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PORODICA I BRAK U RADOVIMA ŠABANA HODŽIĆA

PORODICA I BRAK U RADOVIMA ŠABANA HODŽIĆA

Author(s): Ahmed Hatunić / Language(s): Bosnian Issue: 8/2022

Ovaj rad bavit će se radovima Šaban-ef. Hodžića koji se bave porodičnim i bračnim odnosima. Radi se o značajnom muslimanskom autoru i učenjaku u Bosni i Hercegovini koji je živio i djelovao od 1903. do 1980. godine dajući u svome pisanom djelu veliki doprinos obradi i tumačenju islamskih tema iz područja islamske etike, dogmatike, kulture i civilizacije, povijesti islama i šerijatskoga prava. Ovaj rad prikazat će jedan segmet šerijatskopravnog opusa njegovoga djela koji se bavi porodicom kao osnovnom ćelijom društva koja je u njegovom, ali i kasnijim vremenima bila osnovno polazište za kvalitet i reformu jednoga društva. Rad će zahvatiti njegove napise na ovu temu koji će uz općeniti prikaz važnosti braka i porodice rasvijetliti islamski stav po pitanju dvije važne teme koje su tada, ali ništa manje ni danas, „tačke kritike“ i predmet polemike na Istoku i Zapadu. To su teme razvoda braka i poligamije u šerijatskom pravu koje Hodžić u svojim radovima objašnjava i daje odgovore na brojne zapitanosti, nejasnoće i dileme...

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Moralni gorostas
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Moralni gorostas

Author(s): Aldemar Ibrahimović / Language(s): Bosnian Issue: 95-96/2024

Sredinom osamdesetih godina, prvi put se srećem sa književnim djelom Huseina Bašica. Naime, pročitao sam Tuđe gnijezdo, a nedugo poslije toga i zbirku priča Neviđena zemlja. Knjige su ostavile snažan utisak na mene, tako da sam poželio da se bolje upoznam sa književnim djelom a i samim autorom. To se uskoro i desilo za vrijeme jedne promocije knjige u Rožajama. Tadašnje poznanstvo ubrzo je preraslo u pravo i iskreno prijateljstvo.

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Dobra knjiga u zlo doba
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Dobra knjiga u zlo doba

Author(s): Miraš Martinović / Language(s): Montenegrine Issue: 95-96/2024

Postoje knjige koje predosjetite, a da ih nijeste imali u rukama, da ih nijeste pročitali. Dešavalo mi se da uđem u veliku knjižaru i da mi ruka ode sama ka knjizi koju tražim. Čim sam čuo da je objavljeno reprint izdanje knjige Kad su gorjele božje kuće Huseina Bašića, odmah sam osjetio potrebu i hitnost za tom knjigom, te sam brzo pisao Huseinovoj kćerki, Sejli Kerović, slikarki, pa njenom mužu Atviji Kroviću, te bliskom i dragom prijatelju slikaru Aldemaru Ibrahimoviću. Htio sam da odjednom stvorim nekoliko mogućnosti da knjigu što prije dobijem. I zaista je brzo stigla. Atvija Kerović mi je poslao iz Plava, gdje je prije nekoliko dana promovisano drugo, reprint izdanje. Brzo sam je dobio i brzo počeo sa čitanjem. N

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