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Језик као немогућност комуникације у делу Ингеборг Бахман

Author(s): Sunčica Šido / Language(s): Serbian Issue: 1/2014

The work of Ingeborg Bachmann, as well as numerous studies that observe it through the prism of gender theories, gave an important contribution to the representation of women’s identity and to the creation of theoretical frame for the construction of women’s political subject. By exploring the language in accordance with contemporary philosophical thoughts, Ingeborg Bachmann undermines the basis of absolutist, exclusion and domination - the basic principles of contemporary, men-determined world and society. Using a distinct approach Ingeborg Bachmann defines language, as a representation of the world, while having a specific focus on the position of a woman. The work of Ingeborg Bachmann underlines the neccessity of feminist reconstruction of history, finding previously hidden elements of women’s culture, at the same time takes part in developing alternative approaches to language, literature and culture at large.

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Калейдоскоп на българското в съвременни немскоезични литературни текстове

Author(s): Snezhana Boycheva / Language(s): Bulgarian Issue: 1/2010

The paper dwells on German and Austrian authors and their literary works depicting the Bulgarian reality. The way of reception the contemporary Bulgarian reality on behalf of the German- language authors, respectively from their literary works outlines the following scheme of: Conflict with the other, which does not belong to the common set of knowledge and experience of the recipient (in most cases cultural shock). As a result of the conflict - a reflex towards approaching and exploring the other, the strange in order to define the new cultural fact. The scheme of the one’s own cultural pattern is to be transformed by means of comparison and relativity in order the other fact be compatible to the facts of one’s own experience. The other fact, at the very beginning confronts our way of thinking, but later turns into an extra element of our knowledge and experience (intercultural competence).

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Маґребінський кабінет фігур: національні образи в романі Ґреґора фон Реццорі “Горностай з Чернополя”

Author(s): Petro Rychlo / Language(s): Ukrainian Issue: 88/2013

“Maghrebian” novel “An Ermine in Czernopol” by G. von Rezzori is considered to be the first multicultural novel in the postwar German literature. Its multicultural nature is linked to the Bukovyna origin of the author, who was born in a region that is rich in different ethnic groups, languages and religions, where the author could collect his childhood experiences and later transform them into artistic images. The author lightly encrypts topographic concepts of Czernopol and Teskovyna, by which real historical topoi of Chernivtsi and Bukovyna shound be understood. In his novel the author describes real “maghrebian cabinet of figures” marked by unique originality. Here we see Germans and Jews, Romanians and Ukrainians, Russians and Poles, and representatives of the other nationalities, ethnic origin of which is undefined. In the images of the protagonist of the novel major Tilda, such original characters as Pashkano or prefect of Teskovyna Tarangolian, national identity of which is rather blurred, the Romanians Nastaze or Aleksyanu, the Germans professor Foyera and editor Adamovsky, the Jewish children Blanche Schlesinger and Sally Brilya, the Jewish entrepreneurs Ushera Brilya, Ephraim Perko and Wolf von Leybish Merores, Ukrainian prostitute Mititka Pyovarchuk, we see the colorful national gallery of types that, despite the author’s tendency to operate by the stale cliches appear to be eventually strong individuals. The report also touches the problem of Rezzori’s “anti-Semitism” and the satirical methods of depicting “maghrebian” reality.

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МАЛЫЯ І МІНІМАЛЬНЫЯ ЛІРЫЧНЫЯ ФОРМЫ У БЕЛАРУСКАЙ І ЗАМЕЖНАЙ ЛІТАРАТУРАХ: ГІСТОРЫКА-КУЛЬТУРНАЯ ПЕРСПЕКТЫВА

Author(s): Lûdmila Sadko / Language(s): Belarussian Issue: 11/2019

The author of the article discusses the stages in creating aesthetics and poetics in small and miniature lyric forms in Belarusian and foreign literature from antiquity to modern times. On the basis of literature of various periods the author analyzes such forms as “vacuum poetry”, texts with the reduction of formally significant components, texts with one word/sign repeated once or several times, udeterone, or single-liner, monopoem.

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Ментори та Інґеборґ Бахман: письменницька майстерня успішного старту

Author(s): Yulia Isapchuk / Language(s): Ukrainian Issue: 106/2022

The article studies the image of a mentor for the development of a novice author on the example of the work of the successful Austrian writer Ingeborg Bachmann (1926–1973). The role of a tutor is analysed from her first texts to the status of a Viennese intellectual in the middle of the 20th century. The direct influence of older writers and artists from the same generation on the formation of her author’s style is gradually investigated. The figure of the first mentor, the Carinthian writer and teacher Joseph Friedrich Perkonig is emphasized in the example of her early story “The Cross of Hondich” („Das Honditschkreuz”, 1943/1944) and “Letters to Felician” („Briefe an Felician”, 1946). The figure of the second mentor, the Austrian repatriate writer Hans Weigel and his writing workshop (“Group 50”) is examined. Attention is focused on H. Weigel’s autobiographical novel “Unfinished Symphony” („Unvollendete Symphonie”, 1951) and I. Bachman’s first novel “Nameless City” („Stadt ohne Namen”) on his consulting during 1947–1952. Attention is turned to the I. Bachman’s acquaintance with Paul Celan in Vienna, started the artistic dialogue between two young authors: the collection of poems “Deferred Time” („Die gestundete Zeit”, 1953) and “Invocation to the Big Dipper” („Anrufung des großen Bären”, 1956) by I. Bachman and “Poppy and Memory” („Mohn und Gedächtnis”, 1952) by P. Celan. The parallel correspondence of the author with H. Weigel and P. Celan is also compared. We study the role of Hans Werner Richter, the leader of the prominent “Group 47”, whose prize (1953) finally convinced the young author to become a professional writer. Communication with the German composer Hans Werner Henze is stressed as a coexistence of “twins in spirit” and successful intermedial tandem.

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МЕХАНИЗАМ ВАСПИТАЊА У РОМАНУ АУТОБИОГРАФСКИ СПИСИ ТОМАСА БЕРНХАРДА

Author(s): Nataša P. Rakić / Language(s): Serbian Issue: 68/2019

Diese Arbeit befasst sich mit dem Erziehungsprozess der zweiten Generationder Österreicher nach dem Zweiten Weltkrieg und mit der Auseinandersetzungmit nazistischer Vergangenheit und all das wird durch die Erinnerungen an Schulzeitdes österreichischen Schriftstellers Thomas Bernhard dargestellt. Durch kritische undanalytische Bewertung des Menschen im 20. Jahrhundert, durch Humor, Ironie undParadox befasst sich diese Arbeit auch mit Thesen über die Schuld und Verantwortungfür die Verbrechen, die die erste Generation durch Verfälschung der Wahrheit undunkritische Haltung gegenüber der Vergangenheit durchgeführt hat und die die neuenVerbrechen im Namen der Bildung weitermacht. Ziel der Arbeit ist die Darstellungsowohl der in allen gesellschaftlichen Instanzen sichbaren (un)kritischen Haltungder Elterngeneration, als auch der (Un)Fähigkeit der nachkommenden Generationen,deren sozio-kulturelles und familiäres Umfeld die Teilnahme an NS-Regime ablehnt,auf ihren Schultern die Last der Verantwortung ihrer Vorfahren zu tragen.

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Модернизм – постмодернизм – неомодернизм (Повествовательные стратегии в немецкоязычном романе XXI века)

Author(s): Galina Aleksandrovna Frolova,E.M. Shastina / Language(s): Russian Issue: 4/2016

The paper deals with specific features of the narrative strategies in the German-language novel of the 21st century which is regarded as a phenomenon of the whole contemporary literary process. The poetics of novels written by contemporary Austrian writers (Daniel Kehlmann’s Measuring the World (Die Vermessung der Welt) and Christoph Ransmayr’s The Flying Mountain (Der fliegende Berg)) is presented as a dynamic force with the narrative principles and elements of different types of paradigms, including modernism (subjective perspective and narration), realistic writing in its traditional form, and postmodernism (synthesis of the fictional and non fictional, intertextual irony, and metaplay with the text). The novels under discussion are defined as neo-modernist metanarratives, where the authors of the paper disclose both radical literature experiments and, at the same time, repetition in the forms and tendencies already familiar and well-studied in modernism and postmodernism. The study of Daniel Kehlmann’s and Christoph Ransmayr’s novels is significant and important, because it helps to identify the typical narrative strategies of the Austrian novel in the 21st century, as well as to understand the objective laws of the development of German-language fiction and Western literature in general.

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НАДЗОРОТ НА ТЕЛОТО И НЕГОВАТА РАЗМЕНА НА ПАЗАРОТ ВО СВЕТОТ НА ЕЛФРИДЕ ЈЕЛИНЕК

Author(s): Nataša Avramovska / Language(s): Macedonian Issue: 68/2016

Elfriede Jelinek's opus is centered around the idea of body surveillance, evidenced in the examples of the novel The Piano Teacher (1983) and the play A Sport Play (1998).The renewed interest in the aforementioned play, right before the 2012 Summer Olympics in London, England, refocused Jelinek's lament about the body surveillance that oversees the achievement of top results in the world of art or sports. These two works by Jelinek function as each other's binary, namely an image and its negative, in the same way the two spheres of corporeality and spirituality mirror each other's reflection within Western culture.

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Роман Г. Майринка “Голем” и готическая традиция в литературе

Author(s): Sergei Tuzkov / Language(s): Russian Issue: 94/2016

The analysis of G. Meyrink's novel “The Golem” is represented in the article in terms of gothic tradition in literature. The advantage of this investigation is that the majoriry of literary scholars point out those aspects of the novel “The Golem” that are connected with G. Meyrink's interest to occult sciences, alchemy, Buddhizm and Kabala learning. The value of these aspects for the authentic perception of G. Meyrink's text is beyond doubt. But at the same time the role of the elements referring to the gothic tradition in literature is not less important in the narration organization of the novel “The Golem”. For example in narration organization the author of the novel uses not only gothic chronotope but also the elements of the gothic invariant such as mystory and horror, play-acting, fate, manuscript, phantom etc. As a result the system of the characters of the novel “The Golem” correlates in its turn with the characters of a classic gothic novel: the main characters go through some hardships before they find happiness in the ideal love at the ending of the novel; the gothic villain embodies the evil incarnate and is inavitably punished; the phantom being the character's clone shows the transparence (ephemerality) of the border line between two worlds – real and infernal. The given aspect of G. Meyrink's poetics is not taken into account in numerous investigations of literary scholars. Therefore the aim of this investigation to examine the poetics of G. Meyrink's novel “The Golem” in terms of gothic tradition in literature gains particular actuality. As a result the analysis of G. Meyrink's novel “The Golem” shows how meaningful the gothic invariant in the XX th century literature is.

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Роман-фрагмент Інґеборґ Бахман “Реквієм за Фанні Ґольдман”: рецепція післявоєнної австрійської метрополії та провінції

Author(s): Yulia Isapchuk / Language(s): Ukrainian Issue: 94/2016

The study analyzes the novel fragment of the outstanding Austrian writer Ingeborg Bachmann (1926–1973) “Requiem for Fanny Goldmann” (“Requiem für Fanny Goldmann”) from the cycle “Death Styles” (“Todesarten”). The attention is paid to the spatial organization of the text in particular to the author’s depicting of the centre and periphery of the country with an emphasis on the historical and social features of the state’s development in the first half of the 20th century (dissolution of the Habsburg Monarchy, Anschluss, Holocaust etc.). The special role of Vienna as a cultural metropolis of Austria after the Second World War is stressed. The family Wischnewski and married couple Goldmann represent both the generalized image of the Austrian capital city, which contrasted with the negative stereotyped image of a periphery. As a result this phenomenon is demonstrated in the relationship of the heroine Fanny Goldmann as the representative of the exquisite Viennese society with the character of the young writer Anton Marek from the remote province. Consequently I. Bachmann shows one of the possible variants of the correlation between centre and periphery, where the Austrian province manifests its aggressive intentions towards the Vienna from its point of view as a metropolis.

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ТРАНСГУМАНІСТИЧНА МІФОЛОГЕМА У РОМАНІ Г. МАЙРІНКА «ГОЛЕМ»: ВІД АЛХІМІЇ ДО ПСИХОАНАЛІЗУ

Author(s): Lyudmila Sergeevna Gotz / Language(s): Ukrainian Issue: 4/2020

The purpose of this article is to investigate and explicate transhumanistic cultural messages found in G. Mairink's novel "The Golem" (1914). The methodology of research within the framework of Cultural Studies consists of the use of structural-functional plot analysis, semiotic and hermeneutic analysis, axiological, and archetypal analysis (analytical psychology of C. G. Jung). The scientific novelty of this paper lies in the fact that within the framework of the humanities, in particular cultural studies, for the first time the analysis of the "Golem" novel is carried out in the context of the transhumanist paradigm. Also offered are the author's definitions of the concepts of "transhumanism" and "transhumanistic act". Conclusions. G. Meyrink‘s esoteric transhumanism insists on the need to overcome the "golemic", that is, the "incompleteness", the original imperfection of man, and reach self deification.

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УЧИМ СЕ ГЛЕДАТИ

Author(s): Miodrag Žalica / Language(s): Serbian Issue: 2/2018

Пишући „Zapise Malte Lauritis Bridža”, да ли 30-ту или 131-ву реченицу, Рајнер Марија Рилке посвећује учењу о посматрању. „Учим се гледати” – значи – настојим сазнавати. Тежња таквог учења је – уздигнути се изнад просјека, одлијепити се од малограђанина, одробити се из свијета који није сазвучје. „Учим се гледати”, то је реченица која се уздижe изнад поезије Рајнера Марија Рилкеа. Посматрање људи, њихових узбуђења и смирења, њихових замирања, долазака и пролазака чини живот, литературу, умјетност. То је пут ка сазнању, зрењу, формирању. Напуштању једних страсти и примању других, сложенијих, искренијих. То је пут који умјетника чини умјетником.

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Херман Брох или орнаментът като трансмедиален концепт

Author(s): Boris Minkov / Language(s): Bulgarian Issue: 1/2016

The concept of ‘ornament’ has an important role in the work of the Austrian writer Hermann Broch. For him this concept subsumes a historically complete depiction of a particular period and its style, autopian unity of an all-encompassing value system. Broch‘s ornamentis a cognitive concept too. The paper studies how this concept helps organize narrative structures in the trilogy of novels The Sleepwalkers. Another aspect under scrutiny is how the ornament facilitates cross-media transfer (for example between the media platforms of the opera, the theatre, the church, and in architecture).

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Эстэтыка i паэтыка «садысцкiх вершыкаў» у полiсiстэме сучаснай беларускай i замежнай паэзii

Author(s): Lûdmila Sadko / Language(s): Belarussian Issue: 13/2021

The article describes peculiar features of aesthetics and poetics of “sadistic verses” in the creative work of modern Austrian poet E. Yandle, Russian author A. Grygoriev and Belarusian masters of artistic word V. Zhybul and V. Burlak. Using the means of grotesque, carnivalization, illogic and black humour the authors show their protest against an excessive normativity and nihilistic pathos to modern reality with its standards, and create a peculiar lyrical hero – a weirdo, an eccentric person who falls into the chain of catastrophes, crashes and accidents.

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ЯЗЫКОВЫЕ СПОСОБЫ РЕАЛИЗАЦИИ РЕЧЕВЫХ ВОЗМОЖНОСТЕЙ ГЕРОИНИ РОМАНА И. БАХМАН «МАЛИНА»

Author(s): Elena Olegovna Semschikova / Language(s): Russian Issue: 5/2014

The article deals with the narrator’s verbal expression in the novel “Malina” by the Austrian writer Ingeborg Bachmann. The syntactic, phonological, lexical and thematic levels of the text are studied. It is shown that the changes in the narrator’s verbal appearance are determined by the introduction of intermedial elements from the musical sphere in the narrative. Such synthesis of the two kinds of art has its own features. The rhythmical component of the verbal text is an important sound characteristic of the analyzed extract. Numerous techniques used for the complete assimilation of the musical component in the novel are found, which makes it possible to talk about the character’s “new” language and the author’s original style.

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ქალური ენისა და თვითგამოხატვის პრომლემები ინგებორგ ბახმანისა და ლია სტურუას პოეტურ ტექსტებში

Author(s): Salome Pataridze / Language(s): Georgian Issue: 20/2/2019

Feminist theories mainly take the initial from the idea that there exists an established identity expressing the category of “woman”. The identity shall create the subject that may be politically and historically represented. The concept “representation” has two functions in this case: on the one hand it gives more public visibility and legitimacy to the woman as a subject, and on the other hand, the representation is considered to be a normative function of the language either revealing or distorting the category of woman. Feminist theories/literary studies often see the creation of such language as the main need for the full and adequate representation achieving the public visibility of women (establishment as the subject). This article analyzes some lyrical works of Austrian Ingeborg Bachmann and Georgian Lia Sturua from the perspective of post-structuralism, namely, Jacques Derrida’s concept of written language and its binary nature, Lacan’s denial of the Woman’s existence and the subject’s shift to the symbolic order, also Julia Kristeva’s, Luce Irigaray’s, Hélène Cixous’ ideas on problems of feminine language and self-representation in the patriarchal/symbolic order. The analysis of poems of Ingeborg Bachmann and Lia Sturua shall highlight specific features of feminine language and challenges to the self-representation of woman.

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