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Das Verhältnis zwischen der kulturellen Identität & Religion des Mittelmeerraumes im Reisebericht Reise ins Heilige Land von Anton Prokesch von Osten

Das Verhältnis zwischen der kulturellen Identität & Religion des Mittelmeerraumes im Reisebericht Reise ins Heilige Land von Anton Prokesch von Osten

Author(s): Martina Lučić / Language(s): German Issue: 22/2019

At the end of the March 1829, Anton Prokesch von Osten went on another journey to the Orient; this time to the Holy Land. This country is not only considered as one of the most popular Christian pilgrimage sites, but also as a meeting point between the East and the West in the cultural and the religious sense.Therefore, we will try to explain in this article what is meant by the terms identity, culture and religion, what is the relationship between the cultural identity and the religion of the Mediterranean, whether they influence each other and if so, in which way, which ethnic, cultural and religious identity groups of the Mediterranean can be identified in the Prokesch´s travelogue and also in which way the concept of Camus' "noonday thought" can be applied to this travelogue. The main focus of this article is put on the analysis of the relationship between the different cultural and religious identity groups of the Mediterranean from the point of view of this Austrian diplomat and writer.

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Demiurg jest dwoistością. Alfred Kubin i Bruno Schulz – próba porównania

Demiurg jest dwoistością. Alfred Kubin i Bruno Schulz – próba porównania

Author(s): Krzysztof Lipowski / Language(s): Polish Issue: 2/2013

Both Bruno Schulz and Aflred Kubin moved freely between image and word. In their artistic quests they first turned toward the iconic and only then chose the verbal art.In Schulz’s work, the relationship between woman and man is reduced to adoration. Schulz’s man knows that the beauty he admires is beyond his reach, while Kubin reaches further. For him, the sexual act means loss of masculinity. The Austrian draughtsman approaches sexual desire as difficult to control, sometimes animal in its forms, whilefor Schulz desire is subtler and more sublimated. Both Schulz and Kubin addressed theproblem of limited and imperfect reality which sustains the artist’s imagination while he tries to improve it. Both also surprised the audience with their teriomorphic ideas.In the age when most painters preferred chromatic richness, both Kubin and Schulz chose drawing and etching. They preferred techinques which stressed the realtionship of light and color. White and black, making an ascetic combination, let them achieve the maximum of expression. Their works are visions of somnambulists.

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Der große Fall? Die Rezeption Peter Handkes in Ungarn bis nach dem Nobelpreis

Der große Fall? Die Rezeption Peter Handkes in Ungarn bis nach dem Nobelpreis

Author(s): Gábor Kerekes / Language(s): German Issue: 17/2020

This paper gives an overview of the reception of the works of the Austrian author Peter Handke in Hungary from the beginning up to the year 2020. In the communist times, in the times of the so-called „Peoples Republic of Hungary“ Peter Handke belonged to the group of modern Western authors who were not compatible with the cultural policy of the Hungarian state. Over years it was a great effort of Hungarian intellectuals to introduce and establish Handke in Hungary as a relevant contemporary author with a growing number of published Hungarian translations of his works from the 1970s until 1990. Interestingly with the political changes of the years 1989/90 the interest in Handke and his oeuvre seemed to vanish. In the years 1991–2019, there were no book publications of his works in Hungary, and even after Handke’s winning Nobel prize only one – formerly already published – translation of one of his works was published.

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DER HAUSIERER. DIE DEKONSTRUKTION DER GESCHICHTE DURCH DIE METANARRATION UND DAS VERFAHREN DER NARRATIVEN REDUKTION

DER HAUSIERER. DIE DEKONSTRUKTION DER GESCHICHTE DURCH DIE METANARRATION UND DAS VERFAHREN DER NARRATIVEN REDUKTION

Author(s): Anđelka Ž. Krstanović / Language(s): German Issue: 20/2018

Ханткеов роман Der Hausierer (Торбар), објављен 1967. године, анализирали смо у односу на поступак деконструкције традиционалних приповједних модела а он је спроведен путем метанарације и поступка наративне редукције. Деконструкција традиционалних приповједних модела читаоцу је пласирана на подлози криминалистичког романа. Теоретски дијелови као метанаративни ниво који претходе причи разбијају илузију, а сама прича сведена је на њене формалне елементе, односно садржајно је испражњена. На тај начин читаоцу је наметнуто да се суочи са структуром приповједног модела, а не причом.

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Der Journalist als Detektiv

Der Journalist als Detektiv

Kischs "Der Fall des Generalstabschefs Redl" und die Reportage der Neuen Sachlichkeit

Author(s): Christian Kirchmeier / Language(s): German Issue: 25/2016

Der Spionagefall des Oberst Redl war einer der großen Skandale am Vorabend des Ersten Weltkrieges. Der Beitrag untersucht die literarische Bearbeitung der historischen Ereignisse in Egon Erwin Kischs "Der Fall des Generalstabschefs Redl" (1924) und entwickelt zwei Thesen: Erstens soll gezeigt werden, dass Kischs Fiktionalisierung dieser Reportage einer neusachlichen Poetik nicht etwa entgegensteht, sondern im Gegenteil für die Neue Sachlichkeit programmatisch ist. Zweitens soll der Nachweis erbracht werden, dass der Text ein Dokument für die Genese einer Überwachungsgesellschaft ist, in der die Kontrolle über die Kommunikationsmedien zum kriegsentscheidenden Faktor wird.

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Der Mensch im Tiergewand. Rilkes Panther und seine Bedeutung in der Corona-Pandemie

Der Mensch im Tiergewand. Rilkes Panther und seine Bedeutung in der Corona-Pandemie

Author(s): Annabelle Jänchen / Language(s): German Issue: 6/2022

The article examines the role of Rilkeʼs panther in Marica Bodrožićʼs Pantherzeit, an essay about the first corona lockdown in spring 2020. The approach is based on the methods of cultural animal studies. What can human-animal relationships contribute to understanding exceptional situations and crises such as the Covid19 pandemic? To answer this question, Bodrožićʼs panther is examined in terms of its contextualization, historicization and poetization. It becomes clear that human-animal relationships that deviate from conventional, anthropocentric readings can trigger a reorganization of self-images, identities and attitudes towards life.

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Der verlorene Dichter Josef Reif

Der verlorene Dichter Josef Reif

Author(s): Erich Unglaub / Language(s): German Issue: 17/2020

The writers from the provinces of old Austria have earned only individually the interest of the literary science. Apart from the Prague School, only few German-Bohemian authors have crossed the threshold of recognition. With the scientific inclusion of the German-Moravian authors, one has cast an important glance into another literary landscape, although thus the writers from Northern Moravia enjoyed attention. The German-speaking literature of Southern Moravia awaits comparable research. One emphatically refers to the poet Josef Reif (1891 – 1971) from Brno as a lyrical author, whose work is highly respected by his contemporaries, but it has never been collected. A tightly-knit characterization of person and work requires a new starting point. A first list of published works is added.

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Die drückende Last der Mittelmässigkeit: Betrachtungen zu Robert Schneiders Roman Die Offenbarung

Die drückende Last der Mittelmässigkeit: Betrachtungen zu Robert Schneiders Roman Die Offenbarung

Author(s): Maria Roxin / Language(s): German Issue: 60/2022

The Austrian writer Robert Schneider had significant success with his first novel Schlafes Bruder/ Brother of Sleep, which sold about one million copies and was translated into over 36 languages. The following novels were not nearly as successful, although they had a favourable reception from the reading public. This paper explores how Schneider describes the destructive dimensions of ideals in his sixth and so far latest novel, Die Offenbarung/ The Revelation. Whereas most of Schneider’s characters are usually geniuses and thus outsiders or misfits, Jakob Kemper, the protagonist of the novel Die Offenbarung, is characterized precisely by the lack of any feature that could take him out of anonymity. Kemperʼs fear of being ordinary generates an endless number of failures. His whole existence is described as a long chain of humiliating personal and professional situations, defeats, and rejections. At the same time, this novel represents Robert Schneider’s attempt to reply with self-irony and disarming humour to his vocal critics, who often placed his works at the edge of trivial literature.

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Die Funktion der Kamera im Roman Der Kameramörder von Thomas Glavinic

Die Funktion der Kamera im Roman Der Kameramörder von Thomas Glavinic

Author(s): Mersiha Škrgić / Language(s): German Publication Year: 0

This article analyzes the media and their consumers in the novel Camera Killer written by Thomas Glavinic. It concentrates on the camera motive and its different functions in the novel. The camera is not only used as a murder weapon and as as murder motive, but it also plays an important role in the reporting of the murder and for the narrative situation. The following article will show that the influence of the media on our perception and emotions can not be denied and that it also defines our behaviour.

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Die Konstruktion Österreichs in der polnischen Germanistik

Die Konstruktion Österreichs in der polnischen Germanistik

Author(s): Gabriela Ociepa / Language(s): German Issue: 1/2008

The article makes an attempt at reconstruction of a distinct research course in the German studies in Poland, focusing on Austrian literature. Apart from the significance of the image of Austria and the contemporary Austrian literature created in this way, the article discusses primarily the historical development of this research direction.

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Die Poetik der Stadt in der Lyrik von Rainer Maria Rilke und Aleksandr Blok
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Die Poetik der Stadt in der Lyrik von Rainer Maria Rilke und Aleksandr Blok

Author(s): Mária Gyöngyösi / Language(s): German Issue: 1/2012

The aim of this paper is to open up the typological parallelisms (motives, colors, and the position of the lyrical “me”) between the city imageries of Rilke and Blok. The analysis covers Rilke’s lyrics and Blok’s three cycles (The City, Terrible World and Italian Verses). The comparative analysis focuses on the poetry of their hometowns (Prague and St. Petersburg), that of modern cities, and of Italian towns visited by the authors. The question of the modern city and the criticism of civilization represent several similarities in the two p o e ts’ works, but the secessionist garden, park, and castle motives occur only in Rilke’s poetry. The topics of Venice and St. Petersburg, which are related to each other in many ways, are formulated in the objective lyrics of Rilke’s volume New Poems.

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DIE POETISCHE DARSTELLUNG DER MACHT IM WERK DAS LAND ZWISCHEN DEN KATARAKTEN DES NIL VON ANTON PROKESCH VON OSTEN

DIE POETISCHE DARSTELLUNG DER MACHT IM WERK DAS LAND ZWISCHEN DEN KATARAKTEN DES NIL VON ANTON PROKESCH VON OSTEN

Author(s): Martina Lučić / Language(s): German Issue: 18/1/2017

The main subject of this article is the poetic portrayal of „Power” in the travelogue Das Land zwischen den Katarakten des Nil (in English: The Land Between the Cataracts of the Nile) by Anton Prokesch von Osten. Prokesch von Osten was an Austrian diplomat and travel writer in the 19th century. There are many reasons why this travelogue today should be considered an important and interesting literary work. Firstly, the travelogue Das Land zwischen den Katarakten des Nil is rich in detailed descriptions and historical, imagological, ethnographical and geographical information about the land to which Prokesch von Osten traveled in 1827 and that he described in his travelogue. Secondly, Anton Prokesch von Osten was a diplomat and a general, who had a very successful military and diplomatic career in Europe and in the Levant.

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Die Reaktionen österreichischer Schriftsteller auf den Kriegseintritt  Italiens am Beispiel der  D’Annunzio-Rezeption

Die Reaktionen österreichischer Schriftsteller auf den Kriegseintritt Italiens am Beispiel der D’Annunzio-Rezeption

Author(s): Arturo Larcati / Language(s): German Issue: 25/2016

Die vorliegende Studie analysiert die Reaktionen österreichischer Schriftsteller auf Italiens Kriegseintritt an der Seite der Entente im Mai 1915. Der Fokus liegt auf der D’Annunzio-Rezeption, weil der Autor der Laudi für diesen Schritt Italiens verantwortlich gemacht wird. Alles, was im österreichischen Literaturbetrieb Rang und Namen hat, beteiligt sich an der heftigen Polemik gegen den italienischen Dichter; dabei profiliert sich speziell Stefan Zweig – ein Umstand, der bisher in der Forschung unbeachtet geblieben ist. Die heftige Auseinandersetzung bietet den Autoren der Wiener Moderne die Möglichkeit, mit ihrer bisherigen D’Annunzio-Faszination abzurechnen.

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Die Rezeption von Karl-Markus Gauß in Slowenien
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Die Rezeption von Karl-Markus Gauß in Slowenien

Author(s): Tanja Žigon,Petra Kramberger / Language(s): German Issue: 1-2/2020

This article deals with the reception of the Austrian writer, essayist, columnist, journalist, chronicler, editor, and critic Karl-Markus Gauß in Slovenia. Gauß has received several recognitions of his work, including the European Charles Veillon Essay Prize (Prix Européen de l’Essai Charles Veillon) in 1997, the Austrian Book Trade Honorary Award for Tolerance in Thought and Action (Ehrenpreis des österreichischen Buchhandels für Toleranz in Denken und Handeln) in 2001, and the Austrian Art Prize for Literature (Österreichischer Kunstpreis für Literatur) in 2013, as well as two Slovenian awards: the Portorož International Award Writers Meeting at the Border (Srečanje pisateljev na meji) in 1989, and in 2005 the Vilenica award for outstanding achievement in literature at the twentieth Vilenica International Literary Festival, which brings together authors from Central Europe. This article presents Slovenian translations of Gauß’s works, their reception among critics and readers, and Gauß’s profile in Slovenian culture and literature.

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Die Symbiose von Mensch und Tier in Marlen Haushofers Roman "Die Wand". Tiere als Ersatzfamilie

Author(s): Beate Petra Kory / Language(s): German Issue: 22/2022

Marlen Haushofers Roman "Die Wand" (1963) rückt seit dem Beginn der Corona-Pandemie verstärkt in den Blickpunkt der Aufmerksamkeit, da im Zentrum des Textes eine Protagonistin steht, die plötzlich durch eine über Nacht aufgetauchte Wand von dem Rest der Welt getrennt wird und daher sich selbst überlassen nach Wegen des Überlebens suchen muss. Um in der vollkommenen Isolation nicht den Verstand zu verlieren, stürzt sie sich in die Arbeit, widmet sich ihrem gebliebenen Hund Luchs sowie den anderen ihr zugelaufenen Tieren, einer Kuh und einer Katze und bewahrt sich durch das Setzen von Kartoffeln und Bohnen vor dem Verhungern. Schließlich, als ihr nach zweieinhalb Jahren auch der Hund Luchs und ein männliches Kalb genommen werden, entschließt sie sich wieder am Tiefpunkt ihrer Existenz angelangt, einen Bericht über das Erlebte zu verfassen. Vorliegender Beitrag setzt sich zum Ziel, einen Blick auf die Tierfamilie der Protagonistin zu werfen. Dabei soll nicht nur ihre Beziehung zu den Tieren sowie deren Funktion für ihr Überleben beleuchtet, sondern gleichzeitig sowohl auf die Veränderungen der Tiere durch den engen Kontakt mit ihr als auch umgekehrt auf ihre eigene Verwandlung durch die Sorge um ihre Tierfamilie eingegangen werden sowie auf Verhalten in der Tierwelt, welche der Protagonistin das Überleben sichern könnten. Desgleichen soll die Kommunikation mit den Tieren beleuchtet werden.

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Die Zerrissenheit des inneren Ichs im Roman Malina von Ingeborg Bachmann

Die Zerrissenheit des inneren Ichs im Roman Malina von Ingeborg Bachmann

Author(s): Sandina Herić,Anela Alijašević / Language(s): German Issue: 13/2018

In der Arbeit wird die vielfältige innerliche Zerrissenheit des inneren Ichs der Hauptprotagonistin, deren Namen wir nicht kennen, analysiert. Besonders betont wird die emotionale Zerrissenheit, die Seelenlage und der innere Konflikt der Ich – Erzählerin. Thematisiert wird auch das Alter Ego in Bezug auf die Titelfigur Malina, der für den Verstand steht und das zerrissene Ich, das die Leidenschaft, Emotionalität, Hysterie und den Wahn symbolisiert.

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Dođi, slatka smrti

Dođi, slatka smrti

Author(s): Wolf Haas / Language(s): Bosnian Issue: 5-6/2016

Sada se ponovo nešto desilo. Ali dan, koji ovako počinje, može biti samo još gori. Ovo ne treba zvučati nekako praznovjerno. Sigurno ne pripadam ljudima koji se plaše kada im preko puta pređe crna mačka. Ili kada hitna pomoć prođe a ti se moraš odmah prekrstiti da ne bi bio sljedeći kojeg će kompjuterski tomograf isjeći na hiljade režnjeva.

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Edgar Alan Po i teorija kratke priče

Edgar Alan Po i teorija kratke priče

Author(s): Saša Simović / Language(s): Serbian Issue: 9/2014

The concept of effect elaborated in his poetry, Edgar Allan Poe applied to the short story. In his well-known review of Hawthorne’s Twice-Told Tales (1842), Poe claims that apart from a poem the demands of a genius are best fulfi lled in the short story requiring from a half hour to one or two hours to be read in order to obtain the unity of effect and make it functional. According to Poe, in a well written story, each element has to fit into a previously conceived plan to contribute to the overall effect of the whole. This paper deals with fundamental postulates of Poe’s short story theory.

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EIGENKULTUR – FREMDKULTUR

Author(s): Pál Deréky / Language(s): German Issue: 1/2003

Im Jahre 1909 brachen der Wiener Aktivist Rober Müller (1887–1924) und der Budapester Aktivist Lajos Kassák (1887–1967) zu einer jeweils exotischen Reise auf: Müller bereiste die Vereinigten Staaten, Mexiko, sowie einige Länder Mittelund Südamerikas, Kassák pilgerte nach Paris; er brauchte für seinen Fußmarsch etwa drei Monate. Es war nicht der Geist der Moderne oder der Avantgarde, die er dort suchte – „ich sah Paris und ich sah nichts“, schrieb er später –, es ging ihm, wie auch Müller im Urwald, um die eigene Wiedergeburt als „neuer Mensch“, als Literat mit großer Öffentlichkeitswirkung. Die Berichte beider Ich-Reisen wurden in Wien verlegt, Müllers erschien 1915, Kassáks 1922 (dt. 1923). Müller und Kassák lebten 1920–1924 in derselben Stadt und hatten sicher Kenntis über die Arbeit des jeweils anderen. Dass sie einander nie auch nur mit einem Wort erwähnt haben, liegt daran, dass (vereinfacht gesagt) Kassáks Konzeption der Massenwirksamkeit eine linke war, während die von Müller eher aus Begriffen der rechten Ideologien bestand.

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