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БОГ, БІБЛІЯ Й УКРАЇНА У ТВОРЧОСТІ ВЕЛИКОГО КОБЗАРЯ

БОГ, БІБЛІЯ Й УКРАЇНА У ТВОРЧОСТІ ВЕЛИКОГО КОБЗАРЯ

Author(s): Alla Tkach,Ivanna Yaremchuk / Language(s): Ukrainian Issue: 1/2017

Taras Shevchenko - the pride of the Ukrainian people, torch of the Ukrainian and foreign culture. His creative word was devastated to protect the national dignity and pushed society to recovery and self-assertion to Ukrainians as a nation. But Shevchenko's essence, in our opinion, is the brightest and most powerful found themselves in search of truth, unity of man and the ways of eternal life. The social enslavement and corruption of nation were turn him to works that have intertwined national historic era of spiritual and moral values of Christian ethical Ukrainian canons. Peculiar interpretation, philosophical understanding and interpretation T. Shevchenko Biblical truths studied by many scientists (I. Ohiyenko, B. Lepkyj, Y. Sverstyuk, D. Stepovyk, I. Dziuba, M. Zhulynsky i O. Zabuzhko and others). Shevchenko`s phenomenon is devoted to the exploration of B. Barca, E. Sverstyuk, D. Stepovyk, I. Dziuba, V. Pakharenko, D. Dmytrenko, L. Tretiak. But the problem of Shevchenko religious was as his life and work will remain relevant, especially in nowadays. Ukraine as "prophetic word" for Shevchenko had an impotent meaning and irresistible force, awakens the desire to be a real nation, and promotes spiritual and conscious development. Poet use to say to God all his global ideas, his excitement. And thiswas not a profanity, not a blasphemy. That was the sincerity and enthusiasm of the biblical heralds. Taras Shevchenko said patiently, defiantly, frankly, with bitterness and insult the Savior, then asked, then demanded with such words: "In anger he becomes a prophet, in humility transforms into as an apostle; it just goes to prayer, his humility holds in a feat of love and forgiveness, every feeling he brings to the religious fervor and in his every word. Let it be for the great national poet, priest and victim of its people", - wrote K. Chukovski .

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The ‘Edicts of Tolerance’ in the Early 4th Century: Debates and Possible Solutions

The ‘Edicts of Tolerance’ in the Early 4th Century: Debates and Possible Solutions

Author(s): Dimitar Yordanov Dimitrov / Language(s): English Issue: 4/2017

The article is dedicated to the religious policy of the Roman emperors inthe early 4th century and the legal texts issued in that connection. My main task, running outof any excessive ambition, is to reconsider again the events and texts in order to demonstratehow they fully fi t to the logic of the contemporary politics and to the mentality of the age, distancing them from any legends, created in later centuries. The legal texts, known as theEdict of Galerius and Edict of Milan, are presented in their full and discussed. Accordingly, theproblems of the religious identity are involved, making some mandatory elucidation of howreligion was accepted and what was to be Christian at that time. Concerning the much debated ‘Edict of Milan’, what we have as a text, at least in the version of Lactantius, is a, quite probably,mandatum of Licinius promulgated in June 313 in Nicomedia and directed openly against the restoration of persecutions by Maximinus Daia. The other text, translated from Latin into Greekand given to us by Eusebius, is a variant of that text with the role of Constantine stressed, but without any other clues to confi rm an overall legal text edited in Milan in the early 313. Finally, the role of Constantine was observed, including the ‘white’ and ‘black’ legends created later. The article is dedicated to the religious policy of the Roman emperors in the early 4th century and the legal texts issued in that connection. My main task, running out of any excessive ambition, is to reconsider again the events and texts in order to demonstrate how they fully fi t to the logic of the contemporary politics and to the mentality of the age, distancing them from any legends, created in later centuries. The legal texts, known as theEdict of Galerius and Edict of Milan, are presented in their full and discussed. Accordingly, theproblems of the religious identity are involved, making some mandatory elucidation of howreligion was accepted and what was to be Christian at that time. Concerning the much debated ‘Edict of Milan’, what we have as a text, at least in the version of Lactantius, is a, quite probably, mandatum of Licinius promulgated in June 313 in Nicomedia and directed openly against the restoration of persecutions by Maximinus Daia. The other text, translated from Latin into Greek and given to us by Eusebius, is a variant of that text with the role of Constantine stressed, but without any other clues to confirm an overall legal text edited in Milan in the early 313. Finally, the role of Constantine was observed, including the ‘white’ and ‘black’ legends created later.The article is dedicated to the religious policy of the Roman emperors in the early 4th century and the legal texts issued in that connection. My main task, running out of any excessive ambition, is to reconsider again the events and texts in order to demonstrate how they fully fi t to the logic of the contemporary politics and to the mentality of the age, distancing them from any legends, created in later centuries. The legal texts, known as the Edict of Galerius and Edict of Milan, are presented in their full and discussed. Accordingly, the problems of the religious identity are involved, making some mandatory elucidation of how religion was accepted and what was to be Christian at that time. Concerning the much debated ‘Edict of Milan’, what we have as a text, at least in the version of Lactantius, is a, quite probably, mandatum of Licinius promulgated in June 313 in Nicomedia and directed openly against the restoration of persecutions by Maximinus Daia. The other text, translated from Latin into Greek and given to us by Eusebius, is a variant of that text with the role of Constantine stressed, but without any other clues to confirm an overall legal text edited in Milan in the early 313. Finally, the role of Constantine was observed, including the ‘white’ and ‘black’ legends created later.

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On the date and the interpretation of the complex at the Southwestern gate of Augusta Traiana/Beroe

On the date and the interpretation of the complex at the Southwestern gate of Augusta Traiana/Beroe

Author(s): Vanja Popova / Language(s): English Issue: 4/2017

The present paper deals with the bath gymnasion (probably the known from inscriptions Severan gymnasion) with theatron in front of it, a piazza and an equestrian statue, all located near the Southwestern gate of Augusta Traiana-Beroe. Since long time the function and the date of every part of the complex has become the subject of discussion. The piazza was identified by its researchers as the forum of the city. But in the opinion of the author,it should be rather the agora, not the forum, located most probably not here, but almost in the Northern centre of the city, because it was Greek-speaking and organized similarly to the other Greek cities in the Balkans and Asia Minor. The first building period with three phases of the thermen-gymnasion is related to the time of the Severan dynasty. This theatre-like place was functioning simultaneously to the still not found theatre (or theatre-amphitheatre) of Augusta Traiana. The complex at the Southwestern Gate has several main functions: as a place of training in sports and for humanitarian and artistic education; as thermen for hygienic and recreational purposes; and finally as a place for demonstrations of the skills of the young men,probably in connection with the veneration of the imperial and other local cults. The visitors of the thermen and the city elite as spectators were watching from the auditorium the athletic games, the theatre-like performances and possibly other competitions. In the second period, beginning after the recovering from the Goths’ devastations in the middle of the 3rd century and ending in 351, the piazza has changed its function and has become the arena of gladiatorial combats, some venationes and bestiaria, with a special railing, separating the decumanus and the traffic from the combats. In the third period, removing of the railing and erecting of an equestrian statue, probably of Constantius II, this put to an end the gladiatorial games in the piazza and generally of paganism in the city. The piazza with the statue has become one of the several centers of the imperial cult in Beroe in Late Antiquity. The whole area was Christianized, including thetransformation of the bath’s vestibule into an Early Christian basilica and bishop residence.

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Early monasticism in Thrace: an issue of archaeology

Early monasticism in Thrace: an issue of archaeology

Author(s): Alexander Manev / Language(s): English Issue: 4/2017

The identification of monastic structures in Thrace is closely related to their presumed coenobitic character. The main issue in recognizing a monastery within the archaeological process is generated by the lack of a clear spatial scheme of the Early Christian cloisters. This is why some structural elements of the large eastern complexes are being translated into standard landmarks of the monastery core, namely: the enclosed character of the monastic space; the chain disposition of the cell-dwellings and the binding presence of a katholikon. A particularly important role in the series of buildings take the ones for communal activities, i.e. a kitchen or refectory. Archaeological research has not encountered such spatial program within the diocese of Thrace. The lack of explicit coenobitic complexes predetermines the uncertainties related to the identification of the early monastic sites. Not all the sites can be chronologically specified correctly, and yet the lack of evidence for monastic organization in Thrace before the middle of fifth century is quite notable. This could be due to the imperfection of the archaeological method, but possibly must be related to the full institutionalization of monasticism by the Church after the Fourth ecumenical council of 451. We should point out that all sites in Thrace which can be assigned monastic emerge after this date. All examined sites bring us to the conclusion that the main challenge for the identification of an Early Christian monastery is presented by their unclear archaeological context. A structural character of the Early Christian monastery cannot be laid down and the lack of wide-range of archaeological results can bring incorrect conclusions.

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ЛЕГЕНДАТА ЗА АВГАР И ПРЕСЛАВСКАТА КЕРАМИЧНА ИКОНА

ЛЕГЕНДАТА ЗА АВГАР И ПРЕСЛАВСКАТА КЕРАМИЧНА ИКОНА

Author(s): Totyu Totev / Language(s): Bulgarian Issue: 14/2014

The legend of Avgar had provoked an extreme interest for centuries in Syrian medieval literature and a number of Syrian and Greek authors focused on it from IVth until XII-XIVth century. At the end of IXth century – the beginning of Xth century Bulgaria turned into a crucial center in Christian culture and one of the numerous translated Greek texts into Slavonic is the legend of Avgar. The first ceramic icon in the capital city of Veliki Preslav during the reign of Tsar Simeon appeared in a miraculous way from a received image of Avgar - the holy Mandylion. This image could also be put down to the images which were not handmade and gained broad recognition. Two basic conclusions could be derived from the legend of Avgar: 1. the initial “sacredness” of the ceramic iconography could be explained and 2. the Tsar Simeon’s ruling ambitions became explicit, that “new Avgar”, during which reign the legend was translated into Bulgarian in the capital city of Preslav.

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ЗАКОН ЗА ЦЪРКВАТА НА ЦАР СИМЕОН В АРХИВСКИЯ НОМОКАНОН (ЦИАИ 1160)

ЗАКОН ЗА ЦЪРКВАТА НА ЦАР СИМЕОН В АРХИВСКИЯ НОМОКАНОН (ЦИАИ 1160)

Author(s): Ancho Kaloyanov / Language(s): Bulgarian Issue: 12/2012

The article "On the kings and those under their power" (sheets 37a-41b) in the Archival Nomokanon represents Church Law. We give proof that it was written by tsar Simeon (913-927). The historic references in the text allow us to date its creation to 913, the year when Bulgarian church was proclaimed autocephalous in Veliki Preslav.

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МАНАСТИРЪТ ВЕЛЮСА (ИСТОРИЯ, АРХИТЕКТУРА, ИЗКУСТВО)

МАНАСТИРЪТ ВЕЛЮСА (ИСТОРИЯ, АРХИТЕКТУРА, ИЗКУСТВО)

Author(s): Pavel, Archimandrite Stefanov / Language(s): Bulgarian Issue: 12/2012

This medieval monastery combines Bulgarian, Byzantine and Georgian Orthodox church traditions. It is one of main landmarks of the Stroumitsa region in modern Macedonia. It is devoted to the Virgin Mary Eleusa icon reconsidered by the local populace as "Veliusa". The cloister was founded in 1080 by the monk Manuel who came from St. Auxentius monastery in Bithynia (Asia Minor) and later became Bishop of Tiberioupolis (Strumitsa). Veliusa possessed large land properties confirmed by four chrysobulls of the Emperors Alexius, John and Manel Comnen. The church has four apses and an octagonal dome with a chapel added to the south. In the second half of the 14th century an exonarthex and a shed were built to the south as well. Another shed was later made at the north wall. The church contains partially preserved brilliant frescoes from two periods. The first ones date from the 11th-12th century and belong to the Comnen art school. Later murals from the 12th century are found in ! the exonarthex and the southern shed. Other gems of the church are the original marble iconstand and the floor mosaic of the 11th century. The Veliusa monastery was dependent on the Iber monastery on Mount Athos. It was burnt down during WW1 but is now thriving. The 10 nuns who inhabit it are engaged in lively economic and publishing activities.

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Lead plate with the name of Bishop Theodore found in Serdica

Lead plate with the name of Bishop Theodore found in Serdica

Author(s): Dochka Vladimirova-Aladzhova / Language(s): English Issue: 5/2018

The work presents an interesting artefact discovered during of archaeological excavations in the central part of ancient Serdica. It is a lead plate with an irregular rectangular shape with dimensions: maximum length of 23, 11 mm; maximum width of 18, 35 mm; 3 mm thick and weight of 9.56 g. There is a reason to assume that the present shape of the plate was obtained after a secondary treatment, which is evident from its surface. A block-type monogram is placed in a circular field on both sides of the plate.Obverse: Block monogram. δ - ε - θ - ο - ρ - υ – ω(Θεοδώρου) Reverse: Block monogramε - ι - κ - ο - π - σ – υ(ἐπισκόπου) Translation: Θεοδώρου ἐπισκόπου - (Seal of) Theodore bishop The importance of the published artefact is enhanced by the fact that in 1936 during the excavations in Caričin Grad (Justiniana Prima) a seal was found which has the same monograms and inscription style like the ones of the plate found in Serdica. The newly found lead plate in Serdica with the name of Bishop Theodore is an important discovery for the late antique history and sigillography of the Balkans from the period of 6th beginning of 7th century.

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ORGELFORSCHUNG IN EUROPÄISCHEM GEIST. DIE ORGELLANDSCHAFTEN RUMÄNIENS IN GESCHICHTE UND GEGENWART AM BEISPIEL DER TEMESWARER ORGELBAUFIRMA WEGENSTEIN

ORGELFORSCHUNG IN EUROPÄISCHEM GEIST. DIE ORGELLANDSCHAFTEN RUMÄNIENS IN GESCHICHTE UND GEGENWART AM BEISPIEL DER TEMESWARER ORGELBAUFIRMA WEGENSTEIN

Author(s): Franz Metz / Language(s): German Issue: 2/2019

In Romania there are two of Europe’s major organ landscapes: Transylvania and Banat, which have developed within several centuries. They show own characteristics but have also attributes in common with the Bohemian, Austrian and Southern German organbuilding. The organ builders of those two cultural areas came mainly from other parts of Europe and settled down here. Because of the several demarcation changes resulting from both World Wars of the 20th century the organs of Banat and Transylvania can be documented only by international research and investigation. For the time being the last major organbuilding company of Romania was the one of Wegenstein family in Timisoara. The instruments of this factory are located today in churches and synagogues in Romania, Hungary, Serbia, Bosnia-Herzegovina, Slovakia, Ukraine and Bulgaria. Special historical value is apportioned to the Wegenstein organ of the Catherine church in Timisoara and the one of the basilica Maria Radna. In the publications of Dr. István David we can find also important information about many Wegenstein organs of Transylvania. The Wegenstein company had to stop business after the second World War due to the political circumstances in then Romania and has been disappropriated by the state in 1972. Thereby almost 300 years history of Banat organbuilding came to an end.

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ÁROKHÁTY BÉLA – AZ ORGONATERVEZŐ

ÁROKHÁTY BÉLA – AZ ORGONATERVEZŐ

Author(s): Károly Fekete / Language(s): Hungarian Issue: 2/2019

This study present Béla Árokháty’s biography, who was not only a musician but also a minister leading and inspiriting his flock. It also highlights that the people rebelled against him because of the novelties he adopted. Béla Árokháty was convinced that the Protestant musical treasure must become accessible to all. In several of his writings, he accepted the rules regarding religious church music and instrumentation, but from the beginning of his religious musicological activity and, until the last, his aim was to favour the widespread adoption of church music in the Reformed Protestant service. Very few of his contemporaries recognized his personality and mission, however he was the one who launched the reform of the musical culture in the Protestant communities of the 20th century. Béla Árokháty’s exceptional initiatives and his achievements have largely contributed to raising Hungarian Reformed religious music to European standards.

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HAJDÚBÖSZÖRMÉNY REFORMÁTUS ORGONÁI

HAJDÚBÖSZÖRMÉNY REFORMÁTUS ORGONÁI

Author(s): Balázs Szabó / Language(s): Hungarian Issue: 2/2019

The main churches in Hajdúböszörmény, both of remarkable size inherit two Angster-organs with 3 manuals. The older and bigger organ in the church of Bocskai Square was built 1902 with three manuals and 46 stops. All divisions are constructed with different windchests by using tubular pneumatic action: the great and pedal with cone chest, the second manual with Witzig-type pneumatic windchest and the third manual using the Angster-type pneumatic windchest. This is indeed a unique solution by Angster, later one he never used the Witzig-systhem again, for pneumatic windchests he used the Angster-type pneumatic construction. The organ in the Kálvin Square church was originally built 1899, with slider chests, tracker action and barker lever, pneumatic action for the stops. Angster rebuilt it in 1914, the organ received new Angster-type pneumatic windchests and a new console with roll-player mechanism with three manuals and 38 stops. After several modifications, the organ was reconstructed to its original state in 2014–2016 as the first pneumatic-reconstruction project in Hungary. The Bocskai Square organ is after improper reparations still unplayable, the congregation launched benefit concerts by professionals in November 2018 to gain bigger public attention to this organ-treasure.

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„GYERMEK SZÜLETÉK BETLEMBEN.” EGY KÖZÉPKORI KANCIÓ AZ OLTSZAKADÁTI EVANGÉLIKUSOK HAGYOMÁNYÁBAN

„GYERMEK SZÜLETÉK BETLEMBEN.” EGY KÖZÉPKORI KANCIÓ AZ OLTSZAKADÁTI EVANGÉLIKUSOK HAGYOMÁNYÁBAN

Author(s): Timea Benkő / Language(s): Hungarian Issue: 2/2019

Several Hungarian-speaking Transylvanian Lutheran congregations of the 20th century have sung Gregorian passions together with a number of liturgical songs belonging to the Holy Week (such as Kyrie puerorum, Lamentatio Mariae). The Lutheran congregation in Oltszakadát is the only Lutheran congregation in Transylvania, that owns an exemplar of the so-called Öreg Graduál, the Protestant book of devotion that includes these items. The handwritten notes in the Gradual from Oltszakadát, as well as the corrections done by hand in the case of worn-out pages that contained often-sung liturgical hymns, all emphasize the fact of the Gradual’s actual regular use. The congregation in Oltszakadát kept till this day the specific singing practice of Puer natus set in the old hymnals and graduals. The local Hungarian version of the medieval cantio starting with the words Puer natus in Betlehem in hoc novo anno, is sung by the congregation on Christmas Eve’s service, and is repeated in the tower-song subsequent to the church service. The local Hungarian version, starting with Gyermek születék Betlemben ez új esztendőben is actually a variant of the cantio with the same name present in the Gradual from Eperjes (Eperjesi Graduál). The practice of Puer natus singing is still alive in Transylvanian Saxon-Lutheran congregations, and some congregations have recently readopted it. Whether it be due to the Saxon influence or the close relationship to the Gradual from Eperjes, the congregants from Oltszakadát sing the song in simple polyphony.

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A PRÉDIKÁCIÓ A LITURGIÁBAN

A PRÉDIKÁCIÓ A LITURGIÁBAN

Author(s): Szabolcs Szetey / Language(s): Hungarian Issue: 2/2019

In the present paper, I examine the relationship between preaching and liturgy. I only focus on preaching in the services on Sundays and feasts. First of all, I offer an overview of Hungarian Reformed theoretical and practical liturgical books, service books, and books of liturgics concerning the relationship between preaching and liturgy from the 16th century to the recent days. The importance of preaching overshadows the liturgical function of the sermon; prayers, church music, hymns, and psalms are consequently losing relevance in the worship. The theoretical and practical books emphasize consistently, that the preaching must be presented and regarded as one of the elements of the liturgy/service. Preaching takes place within the service; the sermon has to be based on and contacted all the liturgical elements of the congregation’s worship. Balance between preaching and liturgy should be discovered, and established in order to worthily celebrate our services.

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EPISCOPUL VENIAMIN NISTOR AL CARANSEBEŞULUI (1941-
1949): CTITOR DE REVISTĂ TEOLOGICĂ ROMÂNEASCĂ

EPISCOPUL VENIAMIN NISTOR AL CARANSEBEŞULUI (1941- 1949): CTITOR DE REVISTĂ TEOLOGICĂ ROMÂNEASCĂ

Author(s): Florin Dobrei / Language(s): Romanian Issue: 5/2019

In the Autumn of 1943, in a difficult period of war, in Caransebeş was laid the foundations of a high academic publication, „Banat Altar”, a „magazine for the building of the soul and the theological science”, which was finally imposed-through content, elegance of ideas and excellence-in the Romanian journalistic-theological field; the founder of the magazine was the hierarch Veniamin Nistor, bishop of Caransebeş and the entire Banat Highland (former counties Caraş and Severin) during the heavy period of 1941-1949. The times were, however, troubled, the year 1948 bringing almost total suppression of magazines and ecclesiastical interwar periodicals; among these publications was the Banat theological journal.

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Tautinės ir religinės pasaulėjautos atspindžiai Antano Kmieliausko tapyboje ir skulptūroje

Tautinės ir religinės pasaulėjautos atspindžiai Antano Kmieliausko tapyboje ir skulptūroje

Author(s): Antanas Andrijauskas / Language(s): Lithuanian Issue: 100/2019

The article analyses the works of Antanas Kmieliauskas (1932–2019), one of the most universal representatives of contemporary Lithuanian religious art. At the beginning it briefly discusses the origins of artist’s creativity, the circle of his closest friends (including poet Justinas Mikutis) through which new tendencies of modernization and return to national ideals emerged in Lithuanian art. The article mainly focuses on the artist’s monumental murals and sculptures; discusses in details their compositional peculiarities, the solutions of plastic and other formalistic problems; regards Kmieliauskas as one of the most versatile Lithuanian artist of the second part of 20th century and the beginning of the 21st century, whose creativity evolved within the frameworks of neoclassical secular and religious aesthetics.

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„Taptybė tarsi sala“: Anglijos lietuvių akademinio jaunimo atvejis

„Taptybė tarsi sala“: Anglijos lietuvių akademinio jaunimo atvejis

Author(s): Rasa Račiūnaitė-Paužuolienė / Language(s): Lithuanian Issue: 100/2019

This article examines the cultural and religious identity expressed by the Lithuanian academic youth in the prestigious universities of England. Drawing on the theoretical background of the anthropologists E. Gellner and T. H. Eriksen, particular attention is given to the concept of identity. The analysis of cultural and religious identity is based on the ethnographic fieldwork of the author in England and Lithuania in 2017. The study reveals that the identity of Lithuania academic youth in England is like an „island“ hanging between several continents, where they “feel at home everywhere, but at the same time anywhere“. The analysis of the cultural identities of Lithuanian students and graduates in England emphasis a mixture of identities of several strata – city dweler, ethnographic representative, national, European, international citizen. The importance of religious idendity among academic Lithuanian youth in England was made by an empirical survey. In the three groups of prestigious university students and graduates, the vast majority were atheists, Roman Catholics, and agnostics. Some of the answers revealed undefined religious identities.

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Religinių motyvų interpretacija šiuolaikinėje dailininko knygoje

Religinių motyvų interpretacija šiuolaikinėje dailininko knygoje

Author(s): Rasa Janulevičiūtė / Language(s): Lithuanian Issue: 39/2004

The topic of the article is the contemporary artist’s book. The artist’s book in Lithuania is a significant field of art. It started to develop rapidly in the last decade of the 20th century. Interest in the artist’s book is constantly growing. The article focuses on international triennial exhibitions that have been organised in Lithuania. In the items shown the artists interpreted various religious inspirations. The author is trying to find out the source of inspiration, the intentions that are reflected in the artist’s works.

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Meilės teologija ir idealas. Abelaro ir Eloizos laiškai

Meilės teologija ir idealas. Abelaro ir Eloizos laiškai

Author(s): Dalia Marija Stančienė / Language(s): Lithuanian Issue: 35/2003

The letters of Heloïse and Abélard comprise the most famous medieval document on the complexity of man-woman relations. Heloïse’s letters confirm that in the 12th century educated people had no respect for matrimony. According to her, matrimony is incompatible with morality, for it is founded not on love but on convenience. She was confident that a sexual life outside the sacrament of marriage is not a sin, provided it springs from pure altruistic love. In accordance with this idea, Abélard confirms that sensual pleasures themselves are neither good nor evil but can be made good or evil by intentions.

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Menas versus religija: romantinė sąmonės struktūra ir religiškumo anihiliacija

Menas versus religija: romantinė sąmonės struktūra ir religiškumo anihiliacija

Author(s): Rita Šerpytytė / Language(s): Lithuanian Issue: 35/2003

Studies in romanticism disclose the equivocal character of the term: on the one hand, it could be treated as a historical phenomenon (Romanticism); on the other hand, it is a universal “spiritual category” (romanticism). The article displays an effort to reveal the structure of romantic consciousness in order to distinguish the place of religiousness in this structure and its relation with aestheticism. The description of the phenomenon of Romanticism could be carried out only by taking into consideration the features of Romanticism as a historical phenomenon. Thus, the description of the structure of romantic consciousness is accomplished through the analysis of the concrete context of the art of the romantic epoch. The author exposes Novalis’ and Solger’s aesthetic attitudes, as well as interpreting Hoffman’s, Goethe’s and C.D. Friedrich’s works. The conclusion is drawn that the annihilating act of romantic consciousness involves clearing out the religiousness from this consciousness. The romantic consciousness becomes basically aesthetic consciousness.

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Sadijeva socijalna država

Sadijeva socijalna država

Author(s): Ekrem Tucaković / Language(s): Bosnian Issue: 16/2019

Sa‘di Shirazi is among those poets who believed that literature has an important didactic role in society, especially in promoting morals and good practices in governing and ruling. His peculiar poetic talent is focused on education and advice, and his literary work is filled with numerous instructive narratives, proverbs, examples form the lives of great statemen from the vast region in which he lived and worked, the sedimented experiences of various classes of society, and personal experiences and witnessing. Sa‘di’s Bustan, which is in the focus of this paper, is characterized with particular advice to the ruler and the state administration. The concept of state and rule which Sa‘di promotes makes him an advocate of the contemporary model of welfare state and justice in its key aspect: care for the poor and powerless members of society and consistent exercising of justice in state. This places him among the predecessors of the model of welfare state. This paper discusses the idea and aspects of welfare state in Sa‘di’s Bustan.

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