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« Le crime, phénomène social normal ». Logique argumentative vs logique
du bon sens commun
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« Le crime, phénomène social normal ». Logique argumentative vs logique du bon sens commun

Author(s): Mihaela Niculae / Language(s): French Issue: 6/2017

In order to prove that logical argumentation and the argumentation of the common sense have two different starting points, and therefore they are completely different one from another, we are going to analyze some fragments from Émile Durkheim’s book Les règles de la methode sociologique and face the two opposed voices that can be heard throughout his book: the voice of Durkheim (associated to the voice of the scientist) and the voice of the ordinary man (revealing the point of view of the common sense). Following the Theory of Semantic Blocks, we are going to show that what at first came as a complete nonsense, more precisely, what seemed to be a paradox in the eyes of the ordinary man, reveals to obey in the end the rules of a scientific approach and thus covers the shape of a pseudo-paradox. Thereby, the article aims to show that the scientist’s and the common man’s viewpoint cannot be the same when it comes to the apprehension of the facts of the world. While the mindset of the scientist lacks barriers and prejudices, the ordinary man’s plays the role of a wall preventing him from seeing the world otherwise than through the common beliefs, namely the stereotypes.

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De la beauté de ma mère à celle de ma fille sur le « mur »
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De la beauté de ma mère à celle de ma fille sur le « mur »

Author(s): Carla Şuteu / Language(s): French Issue: 3/2014

I wrote a novel, "Tita". An homage to my mother. I was deeply affected by her death. After the common writing experience I realized that nobody dies. Is just a change of location. A mechanism to double our love capacity…

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Les métamorphoses baroques : l’homme entre mutatio et Deus absconditus ou l’expression du bonheur suprême
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Les métamorphoses baroques : l’homme entre mutatio et Deus absconditus ou l’expression du bonheur suprême

Author(s): Lucian Buciu / Language(s): French Issue: 3/2014

This article is trying to substantiate the validity of a single thesis: baroque metamorphoses ingeniously reveal a very optimistic outlook on death, rediviva in aethernum. Starting with Ovid, the forerunner of this continuous change, to Montaigne and Bergerac, in literature and art, the metamorphosis – an alter ego of the individual in an unstable era – is everywhere and it appears as a leitmotif. What about its status in French literature? Is there a literary connection between Ovid and Montaigne? Is Bergerac the chameleon of the French Baroque? Have the Gardens of the Palace of Versailles got a hidden meaning? These are only a few of the questions whose answer leads to the quintessence of Baroque metamorphosis.

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Fiche anthropométrique : les représentations de Fortune dans le Français 225, le Français 230 et le Français 132 de la B.n.F.
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Fiche anthropométrique : les représentations de Fortune dans le Français 225, le Français 230 et le Français 132 de la B.n.F.

Author(s): Laura Dumitrescu / Language(s): French Issue: 2/2013

Although most capricious, evil and merciless, veiled and blind, fierceful and generally unreliable, Fortuna remains one of the most popular medieval figures. This article depicts the ways Boccaccio’s "De casibus virorum illustrium" highlights and defines three images of the same character as represented within an increasingly rich iconographic production centered on ever-changing human anatomy.

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Image, parole et ouverture. Commentaires sur le manuscrit Français 112(1) de la B.n.F., folio 78
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Image, parole et ouverture. Commentaires sur le manuscrit Français 112(1) de la B.n.F., folio 78

Author(s): Alexandra Ilina / Language(s): French Issue: 2/2013

Automatons are persistent in the memory of medieval literature as a form of raising the issue of Creation and as a remnant of the Ovidian myth, in conjunction with the Oriental tradition. Masculine or feminine automatons brush on humanity, but alas their lack of ontological determination stems from their artificial status, representing the statute of the art object in the medieval world view in parallel with more practical modes of discussing the image.

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Des scarabées
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Des scarabées

Author(s): Ancuţa Mortu / Language(s): French Issue: 1/2012

This paper discusses the image-text relations and puts forth the idea that visual experience is not fully accounted for by the model of textuality. A parallel is drawn between Henri Michaux’s work and Wittgenstein’s remarks about rule following in order to illustrate the pragmatic values of vision.

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L’écrivain roumain entre vie publique et vie privée a l’époque communiste

L’écrivain roumain entre vie publique et vie privée a l’époque communiste

Author(s): Lucia Dragomir / Language(s): French Issue: 2/2002

Vu que l'objet de mes recherches est constitué par le milieu littéraire roumain entre 1944-1989, je propose une analyse du rapport public/privé sous le communisme à travers la perception des gens des lettres tel qu'il ressort de leur confession exprimée dans les récits autobiographiques. Une telle analyse suscite plusieurs interrogations sur les notions d'espace pu­blic/ espace privé dans un contexte non-démocratique. Peut-on parler d'une véritable sphère publique dans un contexte contraignant? Sous quelles formes la vie privée continue-t-elle à fonctionner? Comment les écrivains ont-il géré ce rapport pu­ blic/ privé dans un contexte de censure, de limitation de la liberté? La double identi­té sur laquelle ils avouent avoir joué a-t-elle été une solution réelle, est-ce qu'elle a offert une vraie liberté intérieure ou elle n'a fait qu'en entretenir l'illusion?

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Democrația în românește. Istoria veche a cuvântului

Democrația în românește. Istoria veche a cuvântului

Author(s): Daniel Barbu / Language(s): Romanian Issue: 4/2002

L ‘identification, la classification et I ‘explication du contexte intellectuel des premières occurrences en langue roumaine du terme démocratie font I’objet de cette étude. Aux XVIIe et XVIIIe siècles, le mot n’est présent que quatre fois en roumain. D’abord, dans une traduction manuscrite des Histoires d’Hérodote, réalisée en 1668-1670 par Nicolas le Spathaire Milescu. Ensuite, dans une traduction imprimée à Bucarest en 1678 d’un recueil de sermons du moine ukrainien Ioannikij Haleatovskyj, où celui-ci fait une courte description des régimes politiques d’après Aristote, afin de montrer que I’Église a une constitution monarchique. En troisième lieu, dans I’ Histoire hiéroglyphique manuscrite rédigée en 1705 par le prince moldave Démètre Cantemir, qui inclut une critique radicale du principe démocratique et une apologie de la monarchie conçue dans les cadres de la tradition byzantine. Enfin, dans la traduction imprimée en 1795 par Amphiloche, évêque de Khotin, du manuel de géographie du P. Claude Buffier. Chaque occurrence comporte aussi une glose, parfois originale par rapport au modèle utilisé. Néanmoins, on ne saurait parler dans la culture roumaine d’avant 1800 d’une histoire du concept de démocratie, mais tout simplement d’une histoire politico-philologique de I’importation et de la naturalisation du mot lui-même.

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AL-ĞĀHIẒ’S AR-RADD ‘ALĀ N-NAṢĀRĀ: FICTIONAL EXTERNAL GEOGRAPHY SUPPORTING DOMESTIC AGENDAS?

AL-ĞĀHIẒ’S AR-RADD ‘ALĀ N-NAṢĀRĀ: FICTIONAL EXTERNAL GEOGRAPHY SUPPORTING DOMESTIC AGENDAS?

Author(s): Andra Ramona Dodiță / Language(s): English,Arabic Issue: 18/2018

For the longest time, perhaps because of its genre as polemic, Ar-radd ‘alā n-naṣārā (Rebuttal against Christians) has rarely been taken into consideration or taken seriously as a historical source, despite its potential relevance to history. However, the treatise is deemed, nowadays, as a primary source for understanding shifting Muslim sensibilities towards Christian ḏimmī social status in a period of official anti- Christian sentiment. The accuracy and intentions of Al-Ğāhiẓ’s writings have been drawn into question on numerous occasions, by both his contemporaries and by later historians, and Rebuttal is not an exception as the timing of its creation and the motivation behind it suggest a connection to Al-Mutawakkil’s anti-ḏimmī measures of 850. The purpose of this paper is to show how, in order to achieve his goal, Al-Ğāhiẓ actively tries to blur the lines between (various) ḏimmī and Byzantine Christians by simultaneously taking on doctrinal and social issues while perpetrating generalizations and decontextualizations. Structured as responses to a series of questions asked by some fellow Muslims and initially addressed by some Christians, al-Ğāhiẓ’s purpose was either to provide a genuine answer or to raise awareness over what was perceived as haughtiness from Christians, as ahlu ḏ-ḏimma, in the Abbasid society at that time. Ultimately, the goal of his criticism and rebuttal was the (re)enforcement of the law, either as a natural, next-logical-step measure, or as a calculated measure, enforcing the caliph’s agenda. Despite being, almost certainly, exaggerated for effect, Rebuttal nevertheless gives a unique insight into the mixed urban life of the period and contains relevant information about the social and legal conditions of Muslim-ḏimmī, especially Christian, relations in ‘Abbasid society.

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LE VOYAGEUR MUSULMAN MEDIEVAL ET LA FRONTIERE

LE VOYAGEUR MUSULMAN MEDIEVAL ET LA FRONTIERE

Author(s): Laura Sitaru / Language(s): English,French,Arabic Issue: 18/2018

The medieval Muslim lives with a very vivid consciousness of the border that separates the world not only from a geographic point of view. The Muslim traveler crosses multiple frontiers within the Islamic world, discovering different spaces whose features create climates with varying degrees of alterity. The journey, as part of the average medieval Muslim’s education, gives today's reader a measure of the identity fragmentation that the Islamic world experiences in the medieval period. Travelers like Ibn Ğubayr and Ibn Baṭṭūṭa are engaged in a creative dynamic of identity trough the relation between peripheries and center, inevitably marked by borders. The border appears to us in the travel stories as an insurmountable point, but also a window to other spaces. The frontier is also an opportunity for a homo islamicus, untiringly in search and move, such as Ibn Baṭṭūṭa.

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Le néo-français de Raymond Queneau à l’épreuve de la traduction – défis et limites
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Le néo-français de Raymond Queneau à l’épreuve de la traduction – défis et limites

Author(s): Diana Dinică / Language(s): French Issue: 11/2022

The divorce between the written and the spoken French has been one of Raymond Queneau’s preoccupations for over thirty years. His literary project, the neo-French, was however abandoned in the late years of his activity, when the author admitted being in the wrong with regards to the evolution of French. Despite the project’s failure, the neo-French remains one of the central elements of Queneau’s thinking and its understanding is crucial not only for the exegesis of his works, but also for their correct translation.

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A Subverted Eden, López Velarde’s Jerez:
A Past and Present Disaster

A Subverted Eden, López Velarde’s Jerez: A Past and Present Disaster

Author(s): Luis Juan Solís Carrillo,Alma Leticia Ferado García / Language(s): English Issue: 1/2022

The year 1910 marks the beginning of a civil war that ravaged Mexico for the next seven years, leaving an estimated death toll of well over a million. This conflict, known to Mexicans as ‘La Revolución’, gave rise to a vast literary output encompassing both oral and written genres. The former in the countless ‘corridos’, songs whose lyrics cover the whole gamut of actions, from the heroic patriotism of the caudillos to the savagery and sacrifice endured by the population. For its part, the written genre played a pivotal role in modern Mexican letters, in the form of what critics call ‘Novela de la revolución’. Apart from its representation in novels and short stories, this violent armed conflict also found its way into the poetic output of Ramón López Velarde (RLV), who is Mexico’s literary figure closest to national poet. Velarde’s highly evocative poems and essays are a paean to Mexico’s provincial life. Jerez, López Velarde’s birthplace —a backwater in the Northern state of Zacatecas— was his very own personal Eden, albeit one caught in the crossfire of the warring factions. In 1910, Jerez, Zacatecas, stood as a symbol of senseless bloodshed and indiscriminate violence. Once more, but one hundred years later, this remote corner of the Mexican geography stands out as one of the most violent zones in the whole country. This article analyses Velarde’s Women in Exile and The Maleficent Return, together with some other theme-related texts dedicated to the conflict, while discussing its new violent avatar, a century later.

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Кордон як фактор мексикано-американської ідентичності

Кордон як фактор мексикано-американської ідентичності

Author(s): Svitlana Chernyshova / Language(s): Ukrainian Issue: 108/2023

The article explores the dynamics of the formation of Mexican-American identity since the end of the war between Mexico and the United States in 1848. The establishment of a new border between the two countries resulted in the leveling of the culture and traditions of those Mexicans who remained in the territories under the control of the new government. Gradual and coercive state policies against locals who tried to preserve not only their ranches and material possessions but also their spiritual practices, caused a situation of forced historical amnesia. New waves of migration, caused by complex political and economic conditions in Mexico, had a significant impact on both those Mexicans who had long lived on ethnic lands and the migrants themselves, who were forced to assimilate and live according to the laws of the “white world”. It was only in the mid-20th century that the radicalization of the Chicano political movement sparked the beginning of a reconsideration of the identity of Americans of Mexican origin. The border, as a dividing line, not only separates two countries but also splits the inner world of the Mexicans who live in the United States, signifying their border state, belonging to two worlds, two cultures, and two ways of being.

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Les Disparus de Daniel Mendelsohn et La Carte postale d’Anne Berest : deux succès aux antipodes

Les Disparus de Daniel Mendelsohn et La Carte postale d’Anne Berest : deux succès aux antipodes

Author(s): Aurélie Barjonet / Language(s): French Issue: 108/2023

This study compares the success of two books written by descendants of Holocaust victims in France. With The Lost. A search for six of six million (2006) / Les Disparus (2007), Daniel Mendelsohn brought from the United States a new look at the Holocaust and a true originality in the restitution of this event. Fifteen years later, French writer Anne Berest’s La Carte postale (The Postcard) (2021) trivializes the model of third-generation family investigation that The Lost represented. The study first details the markers of success (sales, prices, reception in the media) which already indicate two very different target audiences, then – in a second part – compares these investigations which, despite some similarities, are differently narrated, Anne Berest even adopting on the essential the opposite positioning of Daniel Mendelsohn. Finally, the last part relies on readers’ opinions to verify and clarify the trivialization detailed in the second part.

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Irony and Yearning in W.D. Snodgrass, John Berryman, and Allen Ginsberg: a Close Reading of Three of Their Confessional Poems

Author(s): Hristo Boev / Language(s): English Issue: 28/2023

This paper examines three poems by three American poets – W. D. Snodgrass, J. Berryman and A. Ginsberg who subscribe to the confessionalism of the 1950s and 60s being largely spared the complication of clinical depression which plagued the other three major confessionalists – Sylvia Plath, Anne Sexton, and Robert Lowell. Not having a severe form of it – Snodgrass – has resulted in generally more light-hearted texts by them containing irony and yearning which differ in mood from the rather mostly bleak verses of the other three mentioned American poets. These three, however, were also perfectly capable of their own personal darkness represented in verse and in turn did not fail to scandalize with the content of some of their verses. The paper also discusses the power of sincerity in these autofictional poems vs what could have been mere authenticity of dissimulated lived experience. As such, it aims to dispel possible attacks of self-display or glorification, as well as of possible victimization that autofictive poets, including some of the ones under scrutiny, have come under.

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Are We Still at War with the Other: Media Language Now and Then on Roma, Gypsies and Travellers

Author(s): Desislava Cheshmedzhieva-Stoycheva / Language(s): English Issue: 28/2023

The focus of the paper is upon a comparison of the language media in Bulgaria and the UK when talking about ethnic minorities, and more specifically on Roma in Bulgaria and Gypsies and Travellers in the UK. Applying the sociocognitivist approach within the Critical discourse studies (van Dijk 2016), I revisit one of the most frequent metaphors, i.e. the one related to WAR, used by the media at the beginning of the century (2001-2005) and in 2020-2022. The reason to select that particular device is the fact that metaphors reflect thinking patterns and emotions that people share and are conducive to the establishment of a generalized image of various phenomena, and, in this particular case, of an ethnic group. At the same time, I hypothesize that the pandemic would probably take media attention away from ethnic minorities and thus coverage of the groups would be scantier and the language, in case there are articles on Roma and Gypsies and Travellers, more neutral and void of metaphors. The corpus for the analysis at hand comprises some of the most popular dailies circulated online in Bulgaria and the UK. The analysis has shown that despite the time difference and the pandemic, the attitude and the language the Bulgarian and the British media use in their presentations of this ethnic group in particular has not changed significantly and has not been affected significantly by Covid-19.

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Modality in Sustainability Discourse by Harrods and Liberty: Analysing British Cultural Icons’ Discursive Practices

Author(s): Oleksandr Kapranov / Language(s): English Issue: 28/2023

The article presents and discusses a mixed-method study whose aim is to find out how Harrods and Liberty, two luxury department stores in London (the United Kingdom) that are referred to as British cultural icons (visitbritain.com 2023), use modality that is expressed by modal verbs (e.g., can) in their discourse on sustainability. Methodologically, the study is based upon the literature (Aiezza 2015; Bu et al. 2020; Garzone & Catenaccio 2022; Kranich & Bicsar 2012), which argues that modal verbs play a number of important pragmatic roles in corporate discourse. Following the literature, it is hypothesised in the study that modal verbs in sustainability discourses by Harrods and Liberty are employed in a pragmatically similar manner. In order to verify the hypothesis, a corpus of Harrods’ and Liberty’s sustainability discourses is collected and analysed quantitatively in the computer program AntConc (Anthony 2022) to compute the frequency of the occurrence of modal verbs. Thereafter, the most frequent modal verbs in the corpus are examined qualitatively to establish their pragmatic roles in Harrods’ and Liberty’s sustainability discourses. The findings indicate that these discourses make use of the modal verbs will and can as boosters that contribute to a positive corporate image-building.

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Bridging Cultures, Intersecting Paths of Recognition: Larabi’s Ox: Stories of Morocco (1992) by Tony Ardizzone

Author(s): Elisabetta Marino / Language(s): English,Italian Issue: 28/2023

As well as being an academic, Chicago-born Tony Ardizzone is one of the most prominent American writers of Sicilian origin. In 1985 he travelled to Morocco and settled in Rabat, where he taught at Mohammed V University. As he has elucidated in more than one interview, he had no intention of writing about Morocco, even though, during his stay, he kept a diary. He travelled to Morocco a second time, in 1988, and, when he came back, he decided to weave some of the stories he had already started to draft into one collection of fourteen interlaced pieces, entitled Larabi’s Ox: Stories of Morocco, re-issued in 2018 as The Arab’s Ox to mark the 25th anniversary of the book publication. As this essay sets out to demonstrate, by setting the collection in a foreign territory at the crossroads (between Europe, Africa, and the Arab world), by choosing American characters (not just Italian Americans) who are struggling to balance their identity in a country whose mores they do not fully understand, Ardizzone aims at casting light on the difficulties and the negotiations each person of ethnic origin has to grapple with, in his/her path of recognition in America.

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Recreating the Medieval Past through Neomedievalism: Knights, Tournaments and Fangirls in Popular Romance

Author(s): Noemi Neconesnic,Nadia-Nicoleta Morăraşu / Language(s): English Issue: 28/2023

The purpose of this paper is to investigate the paradigm of neomedievalism in historical popular romance novels as the process of recreating the medieval past through a combination of character types and medievalist tropes accepted by the readership as iconic. Considering that the typical readers of popular romance novels set in the Middle Ages are less preoccupied with historical accuracy, and neomedievalism does not prescribe specific gender tropes (Ford 2015), we shall explore the ways in which knights are developed as male characters, and whether the cultural assumption about the medieval past as “a time of unrelieved misogyny” (Ford 2015: 31) is subverted in heteronormative popular romance contexts. While popular romance novels are usually heroine-centric, the selected novels by author Alice Coldbreath feature the knight archetype repeatedly and prominently, with slight variations related to background, thus suggesting that the readers are particularly interested in a certain type of rugged, military manliness associated with a warrior physique, prowess in battle and honour. Unlike other novels typical of the popular romance genre, Coldbreath’s novels do not take interest in war but in tournaments attended by the knights, predominantly war veterans with romantic interests, frequently as part of the audience, and sometimes as knowledgeable and invested supporters. Throughout this paper, our focus will be on the representation of the knight and its two ideals – chivalry and prowess –on display during tournaments, as well as on the dichotomy knight/lady (and implicitly, man/woman), and their manifestations in the medieval popular romance genre.

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From “Burning Bridges” to Bridging Cultural Gaps: Water and Fire Idioms in English and Romanian

Author(s): Alexandra Stan / Language(s): English Issue: 28/2023

The relation between culture and language can offer important information to the language learner. In fact, one way to understand a culture is through its language. Teachers of English as a foreign language (ought to) provide knowledge of the culture along with the mandatory curriculum items as a means to support students in bridging any cultural gaps. This paper aims to analyze English water and fire idiomatic expressions by describing their meanings and origins and identifying their Romanian equivalents. The research starts with a theoretical overview of the definitions and classifications of idiomatic expressions in the specialized literature, followed by the contrastive analysis of twenty English idioms functioning as verbs. More specifically, the description of their meanings and origins is provided, as well as the Romanian counterparts, and where possible, the origins of the translated items. The last part of the paper draws some conclusions on the significance and practical teaching implications of this analysis.

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