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CONSIDERAȚII PRIVIND EVOLUȚIA RAPORTURILOR MILITARE VLAHO-BULGARO-BIZANTINE DIN PERIOADA 1185-1202

CONSIDERAȚII PRIVIND EVOLUȚIA RAPORTURILOR MILITARE VLAHO-BULGARO-BIZANTINE DIN PERIOADA 1185-1202

Author(s): Vasile Mărculeţ / Language(s): English,Romanian Issue: 1/2019

The anti-Byzantine revolt of the Vlachs and Bulgarians since the autumn of 1185 ends in 1188 with a victory. With the help of the North-Danubian Cumans, the Vlachs and the Bulgarians were establishing the Vlach-Bulgarian Tzardom. The period of time between the autumn of 1185 and the spring/summer of 1202 was characterized by almost uninterrupted military confrontations between Byzantium and the Vlach-Bulgarian-Cumans. During the Vlach-Bulgarian-Byzantine military reports from this period of time can be identified three stages: a) autumn 1185 – summer 1186; b) autumn 1186 – 1196; c) 1196 – spring/summer 2002. In the first stage the military superiority of the Byzantine Empire was indisputable. The second stage is characterized by the establishment of some balance between strength ratios. The third stage marks the complete takeover of the military initiative by the Vlach-Bulgarian-Cumans allies.

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Морской Чулек — Шамси — Аржан Бугузун: миграции степных кочевников в постгуннское время и «княжеская» культура
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Морской Чулек — Шамси — Аржан Бугузун: миграции степных кочевников в постгуннское время и «княжеская» культура

Author(s): Michel Kazanski / Language(s): Russian Issue: 5/2020

The finds (burials and commemorative places) of the post-Hunnic nomads in the steppes of Eastern Europe are examined, which testify to the Central Asian influence on the “chieftain”/“princely” culture of the steppe population of the middle 5th — mid 6th centuries. This is a set of horse equipment, weapons, women’s jewelry. It is likely that their appearance in the western part of the Eurasian belt of the steppes is associated with the movements of nomadic peoples — Onogurs, Saragurs, Urogs, Savirs. At the same time, when it comes to borrowing in the “chieftain” culture, the usual diffusion of the prestigious “princely” fashion, reflecting the military-political and cultural orientation of the ruling elites and not directly related to migration, is very possible.

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THE MIDDLE BRONZE AGE IN THE MIDDLE DNIESTER AREA (CATACOMB CULTURE)

THE MIDDLE BRONZE AGE IN THE MIDDLE DNIESTER AREA (CATACOMB CULTURE)

Author(s): Svetlana V. Ivanova,Gennady N. Toschev / Language(s): English Issue: 30/2019

The article is devoted to the consideration of the sites of the Catacomb culture, which are located between the Middle Dniester and Prut rivers, as well as on the left bank of the Dniester. Structure of the grave, position of the buried, funeral assemblage, with other sites of this culture from the North-Western Black Sea region are analyzed. The researchers note the infiltration of the population of the Yamna and Catacomb cultures into the Syan River basin, which was reflected in the ritual site Swente (Poland). Probably, the ways of moving of part of the steppe population to Central Europe in the early and middle Bronze Age could pass through the territory of the Middle Dniester. The proposals concerning the correspondence of civilization experiences of community groups, settling the north-western Black Sea Coast and the Baltic basin, should be treated as an important voice in the possible further discussion. It puts a «Сentral European perspective» on the Dniester Contact Area of interest to us. The data of radiocarbon dating of the Catacomb sites of the Middle Dniester region are also analyzed.

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Формування антиномічної концепції Бога в філософії та мистецтві християн II – VI століть

Формування антиномічної концепції Бога в філософії та мистецтві християн II – VI століть

Author(s): Yaroslava Bondarchuk / Language(s): Ukrainian Issue: 3/2020

Purpose of the article: to trace the evolution of the conceptual definition of God in the works of Christian philosophers II-VI centuries. and the influence of religious and philosophical thought on the evolution of the artistic image of Christ from symbolic and allegorical in early Christian art to mimetic and spiritual in the icon painting of Byzantium. The methodology consists of using analysis and comparison of written sources and artifacts, reviewed in historical sequence. Scientific novelty: for the first time, is traced a dependence of the evolution of an artistic image to the conceptual definition of God in the works of early Christian apologists. Conclusions. The formation of the image of God in Christian art of the II-VI centuries was due to the development of theological thought, which evolved from the denial of the material nature of God to the affirmation of the unity of His transcendent and immanent principles. Emphasis by Christian thinkers I – II centuries on the transcendence and ―without imagery‖ of God denied any possibility of its depiction. The development of ideas about the presence of God in the immanent world prompted to the perception of the earthly world as a symbolic picture of otherworldly existence and opened up the possibility of the embodiment of spiritual essences in allegories and symbols that prevailed in the art of the 2nd - 3rd centuries. Comprehension of the antinomic unity of the divine and human natures of Christ became the ideological basis for creating mimetic-spiritual images, which was stimulated by a change in the status of the Christian church in the 4th century. and was entrenched by decisions IV and V - VI Ecumenical Councils.

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Топоси на преминаване от профанно в сакрално пространство
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Топоси на преминаване от профанно в сакрално пространство

Author(s): Valeria Fol / Language(s): English,Bulgarian Issue: 25/2020

The article looks at the topoi that mark sacred and profane in sanctuaries. Attention is focused on water sources, the door and the threshold in an architecturally internalized space. Written sources and architecturally absorbed space are analyzed. Attention is also paid to the transformation of water, threshold and door into metaphors on the boundary between sacred and profane space.

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За наследниците на Буребиста: някои бележки от хронологичен и териториален характер
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За наследниците на Буребиста: някои бележки от хронологичен и териториален характер

Author(s): Stoyanka Dimitrova / Language(s): English,Bulgarian Issue: 25/2020

According to Strabo, after the plot against the Getic king Burebista and his assassination, the kingdom was divided between the conspirators into four, later on, five parts (Str. 7. 3. 11). The study is focused on the disputes concerning the different identifications and ethnic belonging of some dynasts, who were assumed as Burebista’s successors or the dating of their rule over separate military and political formations that had emerged immediately after Burebista’s death. The text also provides a brief overview of the different approaches in discussions about the localization and the territorial limits of the 4 parts, mentioned by Strabo. The aim is not to give categorical answers, but rather to substantiate the need for presenting the problems in a more flexible variant.

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Походът на „демона“ Александър между сакралното и профанното
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Походът на „демона“ Александър между сакралното и профанното

Author(s): Kalin Stoev / Language(s): English,Greek, Ancient (to 1453),Bulgarian Issue: 25/2020

The article deals with a curious event, described by Cassius Dio – a bacchic procession, led by certain “deamon”, “spirit” that claimed to be Alexander the Great, passed through the Roman provinces of Moesia and Thrace and crossed the strait of Bosporus. The event is approached in scientific literature as an imitation both of Alexander of Macedon’s campaign in Thracian lands and Caracalla’s own version of imitatio Alexandri, but there is more to be added. Caracalla’s imitatio probably intended to present a good omen for his campaign against the Parthic Empire and thus, the procession of Pseudo-Alexander seems to be organized as an imitation of Caracalla’s pompous travel and is probably organized by the Bacchic adherents nearby the camps of the Roman legions – an inscription from Boutovo (Nedan), near the Roman camp of Novae seem to present a documental evidence for one of the societies concerned.

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Likovna umjetnost i fizika
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Likovna umjetnost i fizika

Author(s): Nikola Godinović / Language(s): Croatian Issue: 25/2020

Ovaj esej o likovnoj umjetnosti i fizici proizišao je iz potrebe da razumijem zašto su neka umjetnička djela remek-djela, a druga nisu. Čitajući knjige iz povijesti umjetnosti, kroz diskurs fizičara, primijetio sam da postoji veza između likovne umjetnosti i fizike, koja nije baš tako očita i koju nije baš jednostavno raspetljati. Osnovna je teza koja se provlači kroz ovo promišljanje o isprepletenosti fizike i umjetnosti: znanost definira duh vremena (»zeitgeist«) određene epohe, dok ga umjetnost interpretira, propituje i holistički sublimira u umjetničkom djelu. To djelo odražava narativ određenog povijesnog razdoblja, naravno često puta propituje i ruga se aktualnom ili nametnutom narativu, i tako potiče stvaranje drugačijeg, novog načina promišljanja i doživljavanja svijeta.

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Историософията на Августин Блажени
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Историософията на Августин Блажени

Author(s): Zhelyazko Stoyanov / Language(s): Bulgarian Issue: 4/2020

Blessed Augustine was the progenitor of the theological philosophy of history. In the first half of the fifth century, he used several texts by Eusebius of Caesarea (260– 340), considered the founder of patristic historiography, but mostly of the Chronicle of the Beginning of the World, by Sulpicius Severus, and Seven Books of History Against the Pagans by Paulus Orosius. His historiosophical theses are embedded in the work “On the City of God”. Here he proposes a theory of history oriented toward the future, not the past. He united the heuristic Hellenistic chronology and historical tradition with Christian historicism, which led to the formation of the Christian philosophy (more precisely – theology) of history. He also sharply opposed some Christians who, because of the fall of the “fourth kingdom”, foretold the “end of the world”. At this point his “idea of time” and the notion of the essence of the state (kingdoms – divine and secular) are very useful. And therefore his work is considered the real beginning of a new stage in historical thought, known as “medieval historiography and historiosophy”.

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Pliny the Younger and Christians: An Attempt at Evaluation

Pliny the Younger and Christians: An Attempt at Evaluation

Author(s): Maciej Jońca / Language(s): English Issue: 78/2020

The famous letter of Pliny the Younger concerning Bithynian Christians was widely commented by the lawyers, historians, theologians etc. Many generations of researchers tried to justify the conduct of Pliny and the later reaction of Trajan to it. From the legal point of view everything seemed to be fine. As a Roman governor Pliny was obliged to take any steps to retain the public order in his province. Yet, no one dared to ask whether he had to appeal to such drastic methods. It seems that he had not to. His conduct in relation to the Bithynian Christians destroys prevalent image of Pliny as a well-educated humanist and sensitive aesthete. The whole story puts in quite bad light also his superior – the emperor Trajan.

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Historický vývoj kanonizačného práva – od staroveku po reformy pápeža Urbana VIII.

Historický vývoj kanonizačného práva – od staroveku po reformy pápeža Urbana VIII.

Author(s): Vojtech Vladár / Language(s): Slovak Issue: 77/2019

Like other canon law branches, canonization law has its own special history too, the beginnings of which can be found in antiquity, in this case in ancient cult of early Christian martyrs. Since then, not only theology, but also norms of particular law, which dominated the area to the High Middle Ages, have gradually formed. Only in this period, Pope Alexander III reserved the power of canonization of saints for the Bishops of Rome, as the power belonged to diocesan bishops until that time. However, his regulation was enforced only gradually in practice. Supervisory powers of the Apostolic See in processes of beatification and canonization can be considered generally accepted only after successful reforms of Pope Urban VIII. The main aim of this study is to point out the history and the most important impulses of development of canonization law from ancient times until the above-mentioned reforms of Urban VIII that in many respects predetermined further development of this branch of law.

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Sea Journeys in Roman Sculpture from the Territory of Bulgaria
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Sea Journeys in Roman Sculpture from the Territory of Bulgaria

Author(s): Marina Koleva / Language(s): English Issue: 1/2020

The paper draws attention to some scenes of sea journeys, symbolic or actual, found on various kinds of Roman funerary monuments from the territory of Bulgaria. Herе will be discussed some images of members of the marine thiasos, considered companions in journeys over water. Analysis focuses on the funerary monuments from Odessos, Philippopolis, Novae and Nicopolis ad Istrum featuring the above mentioned depictions. The overview concludes with a monument from Odessos, referring to an actual sea voyage.

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Izidin hram u Pompeji

Izidin hram u Pompeji

Author(s): Teodora Jovanović / Language(s): Serbian Issue: 10/2020

U ovom radu obrađuje se razvoj kulta egipatske boginje Izide u rimskoj religiji i njoj posvećen hram u Pompeji. Grad Pompeja je, zbog vulkanske erupcije, ostao veoma dobro očuvan i kao takav daje dosta materijala za proučavanje. Ono što se u njemu odvijalo, kao u jednom od najvećih trgovačkih centara na Apeninskom poluostrvu, odraz je onog što se dešavalo i u celoj rimskoj državi. Kultove i religije sa Bliskog istoka preuzimali su Rimljani i prihvatali ih kao svoje, menjali obrede i običaje prilagođavajući ih rimskoj kulturi. Izidin hram u Pompeji predstavlja jedan od dobro sačuvanih primera ovakve prakse i veoma je pogodan za proučavanje različitih kultova i njihove asilmilacije u okviru rimske kulture.

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Oidipuse transmeedialine teekond Baltimail

Oidipuse transmeedialine teekond Baltimail

Author(s): Līva Bodniece,Jovita Dikmonienė,Audronė Kučinskienė,Maria-Kristiina Lotman / Language(s): Estonian Issue: 16/2019

Although the tradition of translating ancient drama in Baltic countries is not particularly ample, it is rich in different approaches. There are versions that aim to be true to ancient originals (foreignising translations) and versions which are to a different degree more free, being domesticated or even adapted for performing (modernising or neutralising translations). As for the performances, the Baltic stages have experimented with both the original Greek theatre and with different modern codes and media. The present paper focuses on the inter- and transmediality of one Greek tragedy, Oedipus Rex by Sophocles. The analysis includes different stage productions of Sophocles’ tragedy, which are examined as polycoded structures, where different verbal, visual and auditive codes are integrated into a complex system. The transmission of these codes will be approached as a translation task and thus attention is paid also to the various strategies used in this process.

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Srednjovjekovna arheološka nalazišta u Podgorju

Srednjovjekovna arheološka nalazišta u Podgorju

Author(s): Radomir Jurić,Iva Škoro / Language(s): Croatian Issue: 1/2017

In the area from Senj to Maslenica many mediaeval sites have been documented. They are fortresses, sacral buildings and cemeteries from 5th to 16th centuries. Archaeological localities and the related finds from the areas of Senj, Sveti Juraj, Senj Starigrad, Stinica, Prizna, Jablanac,Karlobag, Starigrad-Paklenica and Rovanjska, which belong to early Christianity and the Croatian Middle Ages will be elaborated upon. The contribution is based on the results of previous archaeological research and surveys, which are already known and their own research.

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Istraživanje i komunikacija baštine u Starigradu

Istraživanje i komunikacija baštine u Starigradu

Author(s): Ozren Domiter,Ivan Radman-Livaja / Language(s): Croatian Issue: 1/2017

The results are presented of the existing archaeological investigations at the protohistorichillfort of Sveta Trojica (Holy Trinity), not far from Starigrad, and in its wider zone that also includes a Byzantine castrum. Although the results of sounding investigations and surveying, anda set of finds point to a long continuity of inhabitation, only further investigation will tell us more about the characteristics of the hillfort type settlement and the existence of a presumed necropolis plus the significance and role of the Byzantine castrum at the foot of the hillfort. Also highlighted is a section about the presentation and communication of the local heritage with an integral approach,initiated by the Archaeological Museum in Zagreb, with the achieved and planned effects. Laser recording from the air and the making of a digital model of the karst relief is recognised as an adequate method for future investigations, with an interdisciplinary potential.

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Funeral banquet, procession or an offering scene – A few remarks on Roman provincial painting

Funeral banquet, procession or an offering scene – A few remarks on Roman provincial painting

Author(s): Dragana Gavrilovic,Jelena Anđelković Grašar / Language(s): English Issue: 30/2020

The article discusses various types of the scenes that contain servants and deceased depicted in late Roman wall painting, especially in the territory of today’s Serbia, and makes comparisons with analogous examples known throughout the Mediterranean world. These types represent servants in the procession as well as reduced versions, when two or only one servant figures are painted. Well known interpretations of the reminiscences of the prestigious life status of the deceased and their wish for wellbeing in the afterlife are discussed together and in regard to the testified funeral rites, which include a funeral banquet and funeral procession, with special attention to the position and role of servants/slaves in them. A new possibility for the reduced scenes with servants depicted in Viminacium graves G-160 and G2624 introduces an interpretation of this motif as a reference to the custom of offerings at the grave after the funeral or during some of the commemorations which followed the funeral.

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”Trista unitione” - Portretul Lucreziei Crivelli de Leonardo da Vinci
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”Trista unitione” - Portretul Lucreziei Crivelli de Leonardo da Vinci

Author(s): Andrea Rossi,Maurizio Ziveri / Language(s): Romanian Issue: 9/2020

The painting presented here represents almost an unicum in Leonardo da Vinci's production as it is one of the very few Master’s works in which are documented historical traces: the article aims to collect all the historical and scientific researches carried out in the past decades that have made it possible to reach an attribution to the Master's hand.The historical events that led to the realization of the painting are complex and here are reported the salient steps and even more intriguing appears to be the technical execution of the painting that is executed in the same years in which Leonardo is engaged in performing The Last Supper commissioned by Ludovico Sforza and in which there are the same technical characteristics; of fundamental importance are also some sketches that Leonardo made in his notebooks and that he will also report in the painting and that refer to the human events of the two people who have linked their name to this painting: Ludovico Sforza and Lucrezia Crivelli.

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Explorări în microuniversul mitologic la Ardeu. Despre uriași și comori

Author(s): Iosif Vasile Ferencz / Language(s): Romanian Issue: 1/2019

About the archaeological discoveries from Ardeu (Balşa commune, Hunedoara county), many pages have been written over time. We tried to present a different overview on the site „Ardeu-Cetăţuie”. On this paper we set out to undertake an exploration of the mythological micro-universe, in the form in which it is still preserved among the members of the community of Ardeu village. The investigation is based on small sequences collected from local folklore, directly from the locals, during the research campaigns, as well as by the Hunedoara journalist Laura Oana. The study area is located in the south of the Apuseni Mountains, in a place dominated by rocky cliffs and caves, where there are traces of habitation of populations from many historical times. The walls of some fortifications, visible for centuries on top of the Cetăţuie hill, were a source of inspiration for the collective imaginary of the place, allowing the adaptation of some archetypes widespread in mythology, to the geographical framework of the place. Thus, we had the opportunity to capture details that ensure the connection with the intimate environment of popular beliefs. We noticed the persistence of a series of significant elements, with their own function, which are correlated with each other: giants and their homes, huge guardians and/or treasure owners, underground rooms and tombs of giants. In the mythical universe, the giants lived in “Colţ”, on/in Dealul Cetăţuie (Cetăţeauă), an archeological site registered in the National Archaeological Repertory and in the List of monuments and archeological sites. From the point of view of archeological research, the association of the site with the treasures brings disadvantages, and the activity of the treasure hunters can only be classified as harmful for the national cultural heritage. The material proof of the presence of the giants at Ardeu, in antiquity, is a skeleton, or rather the accidentally unearthed head of a person with larger dimensions than the usual ones. As it is still preserved, the legends with and about giants are part of the general structure and limits of the genre, with details that are widespread, in larges paces, but also with some particular ones. These fairy tales and stories are in a process of updating, but nevertheless we tried to understand their ancestral meanings and to draw research directions. The folklore of Ardeu village is vast unexplored land, in full transformation, land from which representative details are lost every day. Sequences of the mythological universe can still be recovered in Ardeu, such as the set of customs during the winter seasons, whose „piece of resistance” is represented by Căluşerii.

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РАННОВИЗАНТИЙСКИ КАПИТЕЛИ ОТ ЕПИСКОПСКАТА БАЗИЛИКА НА ФИЛИПОПОЛ
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РАННОВИЗАНТИЙСКИ КАПИТЕЛИ ОТ ЕПИСКОПСКАТА БАЗИЛИКА НА ФИЛИПОПОЛ

Author(s): Iva Doseva / Language(s): Bulgarian Issue: 1/2021

For the first time capitals of the Episcopal Basileca of Philippopolis, samples of the and impost the ionic impost type – Byzantine inventions designed to carry arcades – are being published. Some of the specimens testify to a large-scale reconstruction of the roof structure of the basilica a in time the reign of Justinian I. The capitals were probably originated from the imperial quarries and workshops on the island of Proconnesоs, but jugging by some marked but not sufficiently shaped details of the relief decoration as well as by specific decorative schemes of pulvinae, at least the final phase had to be executed on site. The unfinished Ionic capital made of syenite, the material extracted close to Philippopolis during the Roman period is evidence of continuing, albeit limited, stonemasonry activity.

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