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Georgian Cultural-Intellectual and National Islands beyond Ideological Frontiers

Georgian Cultural-Intellectual and National Islands beyond Ideological Frontiers

Author(s): Ketevan Gigashvili,Mzia Gigashvili / Language(s): English Issue: 11/2021

This paper examines the Georgian migrant press, which emerged as a result of the flight of Georgian intellectuals from the Soviet Communist regime. It reviews publications such as Chveni Drosha (Our Flag), Tavisuphali Sakartvelo (Free Georgia), Bedi Kartlisa (Destiny of Kartli) and others, which became cultural-intellectual and national islands beyond ideological frontiers. After the occupation of Georgia, the efforts of emigrants focused on generating an information war against the Soviet occupation. The emigrants living in Paris were especially active in this regard. The newspapers and magazines were mainly issued in Georgian, but also in English, French, and German. Special attention is paid to the historical, literary and scientific journal Bedi Kartlisa (Revue de Kartvélologie), founded in Paris, in 1948, by Nino Salia. The journal brought together Kartvelologists living abroad, and played an important role in promoting Georgian history, literature, science, and culture. In this magazine, Georgian and foreign journalists, prominent writers and scientists worked together. The study aims to examine the pathos and the main topics of the emigrant press, based on the analysis of a large number of magazines and personal archives of Georgian emigrants. Their role in keeping the Georgian national soul alive abroad, disclosing the regime, introducing the Georgian intellectual and spiritual culture to the Europeans and transferring European ideas to Georgia are among the most relevant findings. The role of these magazines is invaluable not only in the history of Georgian journalism, but also in the history of the Georgian national struggle.

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Photography and the Imperial Propaganda: Egypt under Gaze

Photography and the Imperial Propaganda: Egypt under Gaze

Author(s): Fatima Zohra Hamrat / Language(s): English Issue: 11/2021

The mid-Victorian era and the Edwardian period witnessed important advances in graphic arts leading to the invention of photography. The eastward imperial expansion of Britain during this period resulted in the emergence of different representations of the Orient. After the role played by paintings in conveying a rather fantasist and imaginative vision based on an orientalist background, photography, in its capacity to reproduce reality, promised a more accurate image. Thus, the aim of this paper is to show that the earliest photographs of the Orient and mainly of Egypt unveiled the role of photography in creating a new orientalist vision tinged with the imperialist ambitions of Britain. It focuses on the use of photography in the press and how it was propelled in the political field to confirm its commitment in a propagandist strategy to gain the support of public opinion. This paper offers a critical review of photography within a specific colonial context and determines the strong links between technological development and the sustainability of the imperialism demanded by the rush to acquire new colonies in the 19th and beginning of the 20th centuries. The study of the images published in the Illustrated London News in relation to the situation in Egypt unveils the manipulation of the image to reinforce the imperial system. One of the conclusions is related to the different strategies used to give the image a propagandist role, notably to enhance colonial policies.

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A CDA Approach to Anti-Pandemic Protests

A CDA Approach to Anti-Pandemic Protests

Author(s): Daniela Şorcaru / Language(s): English Issue: 11/2021

We can definitely say that the SARS-CoV-2 pandemic has changed our lives in such a complex way that it may take us a long time to investigate the ever-branching consequences upon all aspects of our existence. It has come with restrictions, impositions and limitations, established by the authorities and meant to keep the pandemic under control. It was only natural for such forced requirements to be met with protest, as opposing what one deems as infringing upon one’s rights and freedoms is still considered to be a basic human right. Yet, as with everything else in this world, the truth is always in-between, at the intricate crossroads of inter-twining concepts such as human rights, freedom of choice, (mass-)manipulation, conspiracy theories, and individual and mass-psychology. When tackling the numerous and diverse protests that have divided the world over restrictions to be observed or over the vaccination process, Critical Discourse Analysis (CDA) may be regarded as providing a complex view on such matters, revealing the sub-text of what we see and hear nowadays. And let us not forget that, as far as segregation is concerned, one of the oldest tricks in the book reads “Divide et impera!”

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Wooden Language - a Contemporary Tool in Political and Advertising Communication

Wooden Language - a Contemporary Tool in Political and Advertising Communication

Author(s): Daniela Cătău-Vereș / Language(s): English Issue: 2/2021

Appeared with the totalitarian ideology, the wooden language remains a linguistic phenomenon frequently used in contemporary discourse. Used in contemporary thought circles, by advertisers, by communication agencies, by the media, by politicians, by polling institutes, etc., the wooden language pejoratively qualifies the discourse that contains it, provided that its specific structures be decrypted, as well as the intention of the issuer who wants to give the impression of authenticity, credibility and transparency. The issue of the use of wooden language in discourse presupposes a complex and transdisciplinary decryption process, which goes first through the identification of the means and procedures of realization, then through the identification of the functions that these linguistic structures hold at the level of discourse.

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Piśmienne przejawy Strajku Kobiet w świetle koncepcji 
wydarzenia piśmiennego Béatrice Fraenkel

Piśmienne przejawy Strajku Kobiet w świetle koncepcji wydarzenia piśmiennego Béatrice Fraenkel

Author(s): Dorota Ucherek / Language(s): Polish Issue: 12/2021

Béatrice Fraenkel proposes her own understanding of the concept of a writing event, in opposition to the approach of New Literacy Studies, which perceives such an event as an element of everyday life, repetitive, routine and not worthy of attention, like reading a bedtime story to a child. The French anthropologist, on the other hand, calls writing events completely different activities: uncommon, subversive acts of performative power, revealing and releasing social energy, the need to contest reality or the desire for expression. According to Fraenkel, such events have a collective and historical meaning; they imply a break with the existing order, a change in the fate of society. As such events, the researcher recognises Zola’s open letter J’accuse, expressions of protest against the occupant appearing on the walls of Warsaw during World War II, especially the Fighting Poland anchor, or altars of remembrance spontaneously built after the attack on the World Trade Center. This is also how the Chilean action “NO+”, analysed by Pedro Araya, can be seen. The aim of the paper is to show in this perspective the written manifestations of the Women’s Strike of autumn 2020 and to examine, from this point of view, the traces it left behind in the urban space and network folklore. The notion of the humanities of protest, proposed by Filip Mazurkiewicz in relation to the protests in Hong Kong, provides the context for the discussion.

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Problem ekwiwalencji terminów w międzynarodowej
komunikacji naukowej w kontekście projektu wielojęzycznego słownika encyklopedycznego typów dokumentów

Problem ekwiwalencji terminów w międzynarodowej komunikacji naukowej w kontekście projektu wielojęzycznego słownika encyklopedycznego typów dokumentów

Author(s): Elżbieta Herden,Jakub Maciej Łubocki / Language(s): Polish Issue: 13/2021

The purpose of this study (based on the analysis and discussion of cases of erroneous use of words monografia / monograph, autentykacja/authentication, kolaboracja/collaboration, pamflet/pamphlet, stary druk/alter Druck, Frühdruck/old print, old book) was to outline the problem of term equivalence resulting from unintentional linguistic interference (loanwords, tautonymy, anisomorphy, calques) in the communication of various members of the scientific community (authors, translators, editors and proofreaders). Multilingual dictionaries, noting only the equivalents without indicating their meaning or examples of their use, not only do not protect against committing such errors, but can also be their source. The study resulted in a concept of a multilingual encyclopaedic dictionary, which, by preventing the incorrect equivalence of terms in the field of document types, will help in formulating correct oral and written presentations, descriptions of documents used in information resources, their correct translation and building search tools on their basis – in particular, bibliographic databases and digital libraries, where they are used as a search or selection criteria for materials

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Del indigenismo al posmodernismo. Notas sobre los discursos identitarios latinoamericanos del siglo XX

Del indigenismo al posmodernismo. Notas sobre los discursos identitarios latinoamericanos del siglo XX

Author(s): Alina Țiței / Language(s): Spanish Issue: Special/2021

El enfoque objetivista (esencialista o sustancialista) o la tendencia «fijista-purista», según la propuesta conceptual del antropólogo Víctor H. Ramos (2003: 118), concibe la identidad, y particularmente la identidad étnico-racial, como un dato fijo, una entidad ya constituida e inmutable, un acervo de experiencias comunes y valores fundamentales compartidos, que se formó para siempre en algún momento del pasado y en función de la cual se define el sujeto, individual o colectivo. De ahí que cada pueblo o nación tenga su propia esencia, encapsulada en un conjunto establede significados, códigos y signos referenciales que subsisten a las diferencias superficiales o a las transformaciones históricas. Si bien puede perderse temporalmente, olvidarse, abandonarse o incluso ser ignorada por ciertos segmentos sociales, dicha esencia no puede desaparecer ni alterarse totalmente; puede ser recuperada y restaurada apelando a una veta cultural geográfica, étnica, religiosa o lingüística, que permita la asunción de la identidad. A tenor de este planteamiento, el presente estudio se propone delimitar el significado del término identidad en el contexto polivalente y multidimensional de América Latina y analizar la cuestión de la identidad étnico-racial desde la perspectiva de cuatro discursos de índole esencialista (indigenista, hispánico, occidentalista, mestizo) contrapunteados por la visión posmodernista. Se observa que, pese a los esfuerzos de sus promotores por calificarla de purista, la identidad latinoamericana recibe la fuerte influencia tanto del factor indígena como del europeo. Hay, sin duda, un sustrato indo-ibérico-africano en la base de la identidad, que ciertamente no se puede excluir ni ignorar, pero creemos que los elementos étnicos y raciales europeos (distintos del hispánico) también han contribuido en gran medida a su desarrollo.

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Marketing Semiotics in Digital Games: Myth’s Analysis in The Walking Dead and Heavy Rain

Marketing Semiotics in Digital Games: Myth’s Analysis in The Walking Dead and Heavy Rain

Author(s): Dinko Jukić / Language(s): English Issue: 2/2021

The paper analyses the significance of the role of parenting and guardianship in the digital games The Walking Dead and Heavy Rain. The aim is to present, analyse and explain the phenomenon of myth, mythical structures in digital games, culture, and brand identity. R. Barthes’ semiotic theory was used, which analyses constructs through denotation, connotation, and myth. The units of research analysis are scenes from the games that will be presented, described, interpreted, and understood by deconstruction analysis. In the first part, the phenomenon of myth is theoretically elaborated, and then the mythic structure in digital games is analysed. The focus is on myth as a phenomenon, which from a pedagogical point of view, shows the role of parenting and guardianship. Also, the analysis of the connotative sign shows the influence of the media on digital culture, but also on the creation of elements of brand identity of digital games. We will confirm these theses by analysing the content of the mythical structure. The unit of analysis is the mise-en-scène and refers to everything that interacts with the digital game and the player. The central concept is a semiotic analysis of the psychological concept of fidelity that is connected to the model of brand identity through the model of attachment. Finally, through a semiotic analysis of the attachment construct, the attachment construct from the aspect of brand identity is also presented. The brand was observed according to J. N. Kapferer’s theory and analysed at the message and sign level. The contribution of this study is manifested in an interdisciplinary approach to work through marketing, psychology, pedagogy, media theory and semiotics.

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I Passed Away, but I Can Live Again: The Narrative Contextualization of Death in Dead Cells and Sekiro: Shadows Die Twice

I Passed Away, but I Can Live Again: The Narrative Contextualization of Death in Dead Cells and Sekiro: Shadows Die Twice

Author(s): Matteo Genovesi / Language(s): English Issue: 2/2021

In digital games, the player’s activity often includes a necessary repetition to achieve an appropriate knowledge of the game’s mechanics and dynamics. This process can involve various failures of the player. Even if a digital game can be theoretically completed without failures, the player must practically learn from every mistake, which often corresponds to the death of the main character. Every avatar constantly lives in a vulnerable existence that includes its death during the gameplay. If a character can be vulnerable, the player can be inadequate, but digital games always provide a chance of redemption, and a failure becomes a necessary step on the path to further growth. On the basis of various Italian and other international scientific contributions on the themes of failure and death in digital games, the following essay will analyse two different case studies: Dead Cells and Sekiro: Shadows Die Twice. In these titles, death is not only a necessary part of the gameplay, but it also becomes a focal concept of the storytelling thanks to two different principles which will underline specific modes to emphasize the narrative importance of death and failure in the digital game medium.

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Stereotypical Negative Female Gender Roles in Digital Games

Stereotypical Negative Female Gender Roles in Digital Games

Author(s): Borivoje Baltezarević,Radoslav Baltezarević,Vesna Baltezarević,Ivana Baltezarević,Piotr Kwiatek / Language(s): English Issue: 2/2021

Digital games represent a new media form dominated by men, either as characters or as players. The perception of digital games as ‘Boys’ Fun’ has been denied by the latest research that points to the fact that women are increasingly accessing this medium. But the analysis of digital games shows that gender roles appear in this media as real-world stereotypes. It means that there is discrimination against women who often have a passive role, whether they appear as victims or as sexual objects. When they are not damsels in distress helplessly awaiting their saviour or playing heroines, then, they are most often portrayed as rebellious beauties with oversized dimensions. The subject of this paper is female representation in digital games. Authors used content analysis of 30 digital games with female protagonists, published at J Station, to examine the female gender roles in such digital games. The aim of the empirical study is to demonstrate that the elements of gender discrimination are present in digital games and that they can lead to the creation of harmful stereotypes against women.

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IMMERSION, NARRATIVE, AND GENDER CRISIS IN SURVIVAL HORROR VIDEO GAMES

IMMERSION, NARRATIVE, AND GENDER CRISIS IN SURVIVAL HORROR VIDEO GAMES

Author(s): Mária Koscelníková / Language(s): English Issue: 2/2021

Review of: NAE, A.: Immersion, Narrative and Gender Crisis in Survival Horror Video Games. London, New York : Routledge, 2022. 223 p. ISBN 978-1-003-01902-2.

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FREE GUY: A FILM PORTRAIT OF A DIGITAL-GAMING PRESENCE

FREE GUY: A FILM PORTRAIT OF A DIGITAL-GAMING PRESENCE

Author(s): Juraj Malíček / Language(s): English Issue: 2/2021

Review of: LEVY, S. (Director): Free Guy. [DVD]. Los Angeles, CA : 20th Century Studios, 2021.

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INDEPENDENT VIDEOGAMES: CULTURES, NETWORKS, TECHNIQUES AND POLITICS

INDEPENDENT VIDEOGAMES: CULTURES, NETWORKS, TECHNIQUES AND POLITICS

Author(s): Juraj Kovalčík / Language(s): English Issue: 2/2021

Review of: RUFFINO, P. (ed.): Independent Videogames: Cultures, Networks, Techniques and Politics. London, New York : Routledge, 2021. 302 p. ISBN 978-0-367-33620-2.

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“Sorry Guys, I Can’t Play with You Anymore”: Regulations of Online Gaming of Minors in China

“Sorry Guys, I Can’t Play with You Anymore”: Regulations of Online Gaming of Minors in China

Author(s): Miroslav Macák / Language(s): English Issue: 2/2021

The Chinese market has been an enticing target for digital games producers for quite some time. With an enormous potential player base and the Chinese government opening up to more digital game releases in the country, producing games with demographic and regional restrictions in mind could be seen as a potential boost to sales and revenues.

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Two Steps Forward, One Step Back: What the Recent Lawsuit against Activision Blizzard Tells Us about the State of the Industry

Two Steps Forward, One Step Back: What the Recent Lawsuit against Activision Blizzard Tells Us about the State of the Industry

Author(s): Alexandra Kukumbergová / Language(s): English Issue: 2/2021

The digital-gaming industry is a place notorious for two problems: crunches and ever-present sexism. In this context, it seems that 2021 has not been kind to Activision Blizzard, or at least to its top representatives, although Activision Blizzard is not the only name shaken by accusations of macho culture, a toxic environment, or sex-based discrimination.

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“Die Monster! You Don’t Belong in this World”: The Spectre of Genocide in Japanese Digital Games

“Die Monster! You Don’t Belong in this World”: The Spectre of Genocide in Japanese Digital Games

Author(s): Priyanka Das / Language(s): English Issue: 2/2021

Castlevania, the Japanese action-adventure digital games series developed by Konami, has enjoyed an exceptional status since its debut in 1986. From early consoles to OTT platforms, the franchise has been widely adapted.

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Dezinformacja jako element wojny informacyjnej Federacji Rosyjskiej – założenia i efektywność

Dezinformacja jako element wojny informacyjnej Federacji Rosyjskiej – założenia i efektywność

Author(s): Agnieszka Legucka / Language(s): Polish Issue: 4/2020

The aim of this article is to analyse the Russian concept of disinformation and its effectiveness. It highlights the goals and instruments of Russian disinformation and outline Russia’s methods of manipulating the narrative from the beginning of the war in Ukraine and during the COVID-19 pandemic. Russia uses disinformation to weaken democratic institutions around the world and take advantage of international crises for its own benefit. According to the European Commission, Russia differs from other countries that disseminate disinformation, such as China, Iran, and North Korea. Its actions are long-term, systematic, and employ an extensive range of instruments to spread disinformation.

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Przyczynek do historii dyplomacji kulturalnej II Rzeczypospolitej we Francji

Przyczynek do historii dyplomacji kulturalnej II Rzeczypospolitej we Francji

Author(s): Aneta Nisiobęcka / Language(s): Polish Issue: 4/2020

The article describes the circumstances in which the France-Pologne association, led by Henri de Montfort, was established in 1919 and operated to 1940. In the available literature on the subject, the activity of this association has not been given much attention. The Les Amis de la Pologne association established by Rosa Bailly in 1919 played an important role in creating a positive image of Poland in the city on the Seine in the interwar period. The recognition of the Polish National Committee (KNP) by Paris in August 1917 as the official Polish representation paved the way for the creation of the France-Pologne association. Having realised how important it was to use propaganda in international political and military relations, the Polish delegation to the Paris Peace Conference handed over the competences of the KNP Propaganda Office to the France-Pologne association. Its most important task was to conduct the promotional activities in the central press, supported by the government on the Seine. Throughout the interwar period, to advertise the Second Polish Republic’s achievements in France, France-Pologne co-organised readings, lectures, concerts, anniversary celebrations and participated in the scholarship exchange of Polish and French high schoolers and students. It also informed the French public opinion about economic relations with Poland in its magazines: „La Pologne. Politique, économique, littérraire et artistique”, „Bulletin d’information sur la vie économique polonaise” and „La Revue de l’Est Européen”.

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Countering frames: how Warsaw and Budapest mayors communicated their international activity

Countering frames: how Warsaw and Budapest mayors communicated their international activity

Author(s): Konrad Niklewicz / Language(s): English Issue: 1/2021

This paper examines the Mayor of Budapest, Gergely Karácsony and Mayor of Warsaw Rafał Trzaskowski social media communication related to their international activity in the context of government-linked media bias. The paper’s research verifies the use of communication frames that prompt a given, desired interpretation and justification of mayors’ transborder engagement. By exploring its communication aspect, the paper adds to a better understanding of local governments’ international activity. It also adds to the debate on the role of cities in drawing international public attention towards problems with the rule of law and the quality of democracy in Poland and Hungary.

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Białoruskie i rosyjskie działania dezinformacyjne wobec Polski w kontekście antyreżimowych protestów przeciwko Alaksandrowi Łukaszence

Białoruskie i rosyjskie działania dezinformacyjne wobec Polski w kontekście antyreżimowych protestów przeciwko Alaksandrowi Łukaszence

Author(s): Filip Bryjka / Language(s): Polish Issue: 2/2021

Since August 2020, the political situation in Belarus has become one of the key elements of Russia’s information warfare against the transatlantic community. The main target of Belarusian and Russian information and psychological operations is Poland, repeatedly accused of interfering in the internal affairs of Belarus, inspiring a colour revolution, waging a hybrid war, supporting separatism, historical revisionism, preparation of military intervention or organising an armed coup and assassination of Lukashenko. The main research problem of this article is the answer to the question: what disinformation activities are Belarus and Russia conducting against Poland in connection with the political situation in Belarus after the falsification of the results of the presidential elections of 9 August 2020. The author analyses, among others, why Poland has become the main target of Belarusian and Russian disinformation operations, what the goals are of these activities, on what issues the Belarusian and Russian information narrative towards Poland is focused, and what the effectiveness is of these influence operations.

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