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ПОЭТИЧЕСКАЯ МИФОЛОГИЗАЦИЯ БОЛГАРСКОГО ИМПОРТА В СССР: ТРИ СТИХОТВОРЕНИЯ

ПОЭТИЧЕСКАЯ МИФОЛОГИЗАЦИЯ БОЛГАРСКОГО ИМПОРТА В СССР: ТРИ СТИХОТВОРЕНИЯ

Author(s): Dechka Chavdarova / Language(s): Russian Issue: 6/2014

The text considers the mythologization of Bulgarian import in the USSR in the poetry from the Soviet era and the beginning of the 20th century, as a symbol of Bulgarian-Russian camaraderie: in a poem by V. Savelev a connection is discovered between the mythologization of Bulgarian tomatoes and some ideologemes of the official political discourse, while a poem by I. Kravtchenko seems to situate Bulgarian cognac in the same order with other signs of Bulgaria (towns, rivers, people), reflecting on imported goods as a means of narrowing the distance with the foreign country. Alongside, attention is paid to another semantics of Bulgarian imported goods in a poem by Y.Brodsky, where the names of “Slantze” and “Shipka” cigarettes, recalling the idea of the Soviet lifestyle, become signs of two different worlds, and lose their meaning of “Bulgarian”.

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КАТЕГОРИЯ «ЛЕГЕНДАРНЫЙ ГОРОД» И ЕЕ ФУНКЦИИ ДЛЯ ГЕОИСТОРИЧЕСКОГО РЕГИОНА (НА ПРИМЕРЕ ДНЕПРОВСКОГО НАДПОРОЖЬЯ)

КАТЕГОРИЯ «ЛЕГЕНДАРНЫЙ ГОРОД» И ЕЕ ФУНКЦИИ ДЛЯ ГЕОИСТОРИЧЕСКОГО РЕГИОНА (НА ПРИМЕРЕ ДНЕПРОВСКОГО НАДПОРОЖЬЯ)

Author(s): O.E. Afanasyev,A.E. Trotsenko / Language(s): Russian Issue: 3/2013

Современный ландшафт в географии давно перестал быть просто территорией, превратившись в сложную систему пространственно-смысловых значений. В этом ракурсе в объект географических исследований входят мифические, легендарные географические объекты как сложные пространственно-ментальные системы, основанные на представлениях людей о территориях, на образах мест. Особое место в этих системах занимают «легендарные города» — известные из тех или иных исторических источников населенные пункты, которые на сегодняшний день не локализованы достоверно в пространстве. С ни- ми, как правило, связан огромный информационно семиотический пласт, являющийся неотъемлемой частью духовной культуры народа.

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Von Marburg nach Pittsburgh-2: Anschauung in der Struktur der Erfahrung

Von Marburg nach Pittsburgh-2: Anschauung in der Struktur der Erfahrung

Author(s): Maja Soboleva / Language(s): German Issue: 35/2016

The paper focuses on the problem of constitution of our cognitive experience. Two approaches to this problem proposed by Ernst Cassirer and John McDowell are central for the analysis. Both authors use Immanuel Kant’s theory of cognition as a foundation for their own conceptions und they develop their independent interpretations of it according to the traditions they belong to. Although McDowell’s interpretation emerged within analytical philosophy, we can see similarity with Cassirer’s theory. Comparative studies of these theories will point out the convergences and divergences between them.

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The Infectious Aesthetic of Zombies: An Exploration of Zombie Narratives and Unit Operations of Zombies in Videogames

The Infectious Aesthetic of Zombies: An Exploration of Zombie Narratives and Unit Operations of Zombies in Videogames

Author(s): David Melhart,Haryo Pambuko Jiwandono / Language(s): English Issue: 1/2018

This document details the abstract for a study on zombie narratives and zombies as units and their translation from cinemas to interactive mediums. Focusing on modern zombie mythos and aesthetics as major influences in pop-culture; including videogames. The main goal of this study is to examine the applications of zombie units that have their narrative roots in traditional; non-ergodic media, in videogames; how they are applied, what are their patterns, and the allure of their pervasiveness.

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Границите на Кантовия категориален синтез

Границите на Кантовия категориален синтез

Author(s): Dimitar Tsatsov / Language(s): Bulgarian Issue: 2/2012

The article offers a discussion of the (im)possibility to apply the categories of transcendental analytics to objects beyond the possible experience as things in themselves, God and freedom.

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Artur Rega: „Omul în lumea simbolurilor. Antropologia filozofică a lui Mircea Eliade”

Artur Rega: „Omul în lumea simbolurilor. Antropologia filozofică a lui Mircea Eliade”

Author(s): Magdalena FILARY / Language(s): English Issue: 1/2018

The Polish exegesis of Mircea Eliade's work has grown after 1989 through monographs and studies devoted entirely to hermeneutics that the historian and phenomenologist of religions imposes on the sciences dealing with the study of sacredness, of religious phenomena and related symbolism. The book Man in the Symbol World. Philosophical Anthropology of Mircea Eliade by Artur Rega is among them.

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Scenario as a tool for critical thinking : Climate change awareness and denial as a case study

Scenario as a tool for critical thinking : Climate change awareness and denial as a case study

Author(s): GRAMIGNA Remo,MARLING Raili / Language(s): English Issue: 22 (2)/2018

Critical thinking and effective communication are indispensable skills in any professional setting in contemporary globalized and computerized society. The era of globalization and the Internet pose new challenges to education. On the one hand, people have immediate, global, and facilitated access to information. On the other hand, the increasing amount of information inevitably requires one to operate in a selective and analytical way, and to be able to critically evaluate the knowledge and information acquired. These abilities are instrumental in effective decision-making processes and complex problem-solving in the contemporary world. Moreover, critical thinking skills have a direct impact on fostering initiative, autonomy, and leadership. This paper argues for the relevance of scenario theory and practice for critical thinking. Scenario analysis has been used in complex planning domains, cybernetics, business organizations and in vocational education, but we suggest that this approach can also be used more widely in developing critical thinking. In this article, a scenario refers to a set or collection of projections of future events (Wall, 1983). By allowing the investigation of the ‘what if’ questions, scenarios make in-terpretations about the future and engage with the domains of the possible, probable and hypothetical. Indeed, scenarios allow us to envision possible futures and alterna-tives in a hypothetical course of events. Viewed through this perspective, scenarios could be included in the toolkit of critical thinking as self-reflective tools to assess the present. How, then, could imaginary scenarios enhance critical thinking? After an introduction about the concept of scenario, we will test the scenario-based ap-proach to critical thinking in a two-level analysis. We will first analyze the scenarios employed in a corpus about climate change awareness (NASA Global Climate Change and Yale Climate Connections) and climate change denial websites (Watts Up With That and Climate Depot). Thus, we will build on the research by Oreskes & Conway (2010), Dunlap (2013) and others on the communication of contested science. The Internet plays a central role in shaping public perceptions today and hence needs to be discussed seriously as a source of misinformation. We will ana-lyze how scenarios are used by the two competing interest groups. In the second phase of analysis, the results will be used to develop pedagogical advice for using scenarios in teaching critical thinking.

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Culture informationnelle et pensée critique, 
vers une approche créative

Culture informationnelle et pensée critique, vers une approche créative

Author(s): DESFRICHES DORIA Orélie / Language(s): French Issue: 22 (2)/2018

This article proposes an articulation between the conceptions of information literacy and a cultural and social approach of critical thinking, implemented through an original methodological approach of analysis and cartography of controversies. We begin by discussing some dimensions of the digital environment that affect the definition and consideration of the fields of Information Literacy (IL) and Critical Thinking (CI) and their articulation. We go on to present a state of the literature on critical thinking that reflects divergent visions. We extend this reflection by proposing a synthesis of the convergences between the concepts of information literacy and critical thinking and a form of articulation between the two fields. Subsequently, we present a reflexive analysis of our teachings on controversies at university since 2014, and which constitute an adequate support for teaching our cultural, social and creative approach of critical thinking.

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Виждането за душата в Япония през съвременната епоха. Идеята „Ичи рей ши кон“
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Виждането за душата в Япония през съвременната епоха. Идеята „Ичи рей ши кон“

Author(s): Mila Maneva / Language(s): Bulgarian Issue: 4/2015

The article describes the idea of “Ichirei shikon” – a concept specific to Japanese Shintoism, according to which the immaterial part of man consists of four souls united in one spirit. It looks into the prevalent shintoist views on the human soul in the Kindai period (19th – 20th century) and the ideas of such scholars as Atsutane Hirata, Masayuki Suzuki and Chikaatsu Honda, whose views have played a key role in shaping the ideology of modern Shintoism, become the base of most of the so-called “new religions” and paved the way of modern spiritualism in Japan.

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Телевизионният дискурс в България: постмодерно, модерно, носталгия

Телевизионният дискурс в България: постмодерно, модерно, носталгия

Author(s): Orlin Spassov / Language(s): Bulgarian Issue: 1/2017

The text highlights two main ways in which the television discourse in Bulgaria has unfolded in recent years. The first one is connected with postmodernism, but now it looks retro. The second is the result of the influence of social media and networks on television (digital modern-ism). The interweaving and complementarity between these two main types of television discourse produces effects of nostalgia, thus contributing to the maintenance of conservative myths and status quo.

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Spatialités et temporalités de l’environnement domestique dans l'image photographique: entre la représentation et la figuration des femmes brésiliennes appauvries

Spatialités et temporalités de l’environnement domestique dans l'image photographique: entre la représentation et la figuration des femmes brésiliennes appauvries

Author(s): Ângela Cristina Salgueiro Marques,Angie Biondi,Eduardo De Jesus / Language(s): French Issue: 23 (1)/2019

Les photographies documentaires, mais aussi les photographies de presse, font appel à des femmes démunies en tant que personnages appropriés aux différents types d'illustrations de maux sociaux. L’attention portée à la situation précaire d’innombrables femmes devient un aspect récurrent chaque fois qu’il faut faire face à la précarité et à la pauvreté. Dans ce texte, nous observons comment les person-nages féminins sont décrits à partir d’une étude comparative des deux régimes: l’information et le documentaire. Nous avons cherché à comprendre comment leurs modes d'enregistrement permettent des expériences visuelles distinctes, ce qui attes-terait des changements dans leurs formes de représentation et de figuration dans la culture visuelle, mais principalement dans la manière dont ces femmes apparaissent. *** Documentary photographs, but also photographs of the press, refer to impoverished women as characters appropriate to the different types of illustration of social ills. The focus on the precarious situation of countless women becomes a recurrent aspect whenever one must deal with precariousness and poverty. In this text we observe how female characters are portrayed from a comparative study between two photographic regimes: the informative and the documentary. We sought to understand how their modes of representation and figuration enable distinct visual experiences, which would attest to changes in their forms of representation in the visual culture, but mainly in the ways these women appear.

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À la vie, à la mort. Le deuil au sein d’une communauté d’amateurs

À la vie, à la mort. Le deuil au sein d’une communauté d’amateurs

Author(s): Cathia Papi,Guillaume Desjardins / Language(s): French Issue: 23 (1)/2019

This paper focuses on the specificity of interactions in a group of mourning created within a community of amateurs in a sociodigital network. it allows to observe that on the creation of a post-mortem digital identity of thedeceased constituting at the discretion of tributes is articulated with emphasis ofmemories, thoughts and affects also participating to the presentation of themselves and the bereaved. The comparison of the main results of analysis of this group with those of 4 other groups without community link, highlights that, in spite of the fame of the deceased, the collective dimension of the identity is more at stake than the individual dimension when the mourning is made within a community. *** Cet article s’intéresse à la spécificité des interactions ayant lieu dans le cadre d’un groupe de deuil créé au sein d’une communauté d’amateurs sur un réseausocionumérique. Il permet d’observer que la création d’une identité numérique postmortemdu défunt se constituant au gré des hommages s’articule avec la mise enavant de souvenirs, pensées et affects participant également de la présentation quefont d’eux-mêmes les endeuillés. La comparaison des principaux résultats d’analysede ce groupe avec ceux de 4 autres groupes sans lien communautaire fait ressortirque, en dépit de la notoriété du défunt, la dimension collective de l’identité est davantage en jeu que la dimension individuelle lorsque le deuil s’effectue au sein d’une communauté.

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PERFORMATIVITY AND SELF-EXPLOITATION: BODY SIGNIFICANCE IN LATE CAPITALIST ERA

Author(s): Inna Yuliia Meliakova,Inna Igorivna Kovalenko,Eduard Anatoliyovych Kalnytskyi,Hanna Kovalenko / Language(s): English Issue: 4/2021

The paper represents a philosophical study of the social, political, legal, labour, cultural and anthropological status of a human in the contemporary environment of information technologies development, economic neoliberalism, limited employment, post-democracy, transhumanism, visual culture and pandemic. It attends to the performative practices of social activities, political will and human rights protection, which demonstrate the optimal opportunity of self-preservation and self-identity in the world of biopolitics and cognitive capitalism. The growth of the precariat is regarded as a catalyst of the opposite motion vectors: power activities and political subjects’ activities. The performative actionism is viewed as a relevant strategy of human self-realisation in arts, politics, legal, commercial and business activities, as well as a kind of compensation for the human online existence in these areas. For a late capitalism autonomous individual, his or her corporeal and mental self-exploitation is considered as an effective integrative tactics.

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Listy Gottloba Fregego. Uwagi o polskim wydaniu [rec. Gottlob Frege: „Korespondencja naukowa”]

Listy Gottloba Fregego. Uwagi o polskim wydaniu [rec. Gottlob Frege: „Korespondencja naukowa”]

Author(s): Krystian Bogucki / Language(s): Polish Issue: 48/2022

The present article reviews the Polish-language edition of Gottlob Frege’s scientific correspondence. In the article, I discuss the material hitherto unpublished in Polish in relation to the remainder of Frege’s works. First of all, I inquire into the role and nature of definitions. Then, I consider Frege’s recognition criteria for sameness of thoughts. In the article’s third part, I study letters devoted to the principle of semantic compositionality, while in the fourth part I discuss Frege’s remarks concerning the context principle.

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Diagram, diagrammatics, and diagrammatology in semiotics
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Diagram, diagrammatics, and diagrammatology in semiotics

Author(s): Karl Joosep Pihel / Language(s): English Issue: 24/2023

The objective of Pihel’s chapter is to introduce the concept of the diagram, as found in contemporary semiotics, especially after a renewed interest in its role in Charles S. Peirce’s epistemology and logic, spearheaded by scholars such as Ahti-Veikko Pietarinen and Frederik Stjernfelt. This entails a re-evaluation of both diagrams and iconicity in Peirce’s thought, but also their role in modern semiotics, where the concept of the diagram can be seen to bridge Peircean semiotics and iconicity with studies on discrete symbolic systems such as natural language, bridging the gap with Saussurean semiotics, and between semiotics and cognitive linguistics and sciences, which rely on a similar schematism as being inherent to cognition. The chapter proceeds by giving an overview of Peirce’s conception of the diagram-sign and its role in his semiotics and sign-typology. Following that undertaking, the chapter considers conceptual parallels between diagrams and other developments in modern semiotics and humanities. Finally, it considers an alternative conception of the diagram concept, as found in works by Gilles Deleuze and Félix Guattari. Pihel’s main academic interests are in music semiotics, Peircean semiotics in general, and the study of diagrammatic signs in music in particular. He has divided his time and interest between both practice and theoretical study of music and semiotics, having previously written on the modelling of space and motion in music, and on the narrative analysis of classical music. More recently, he has devoted time to Deleuzean and continental philosophical thought.

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The language of multimedia presentation

The language of multimedia presentation

Author(s): Rumjana Stefanova / Language(s): English,Bulgarian Issue: 17/2023

The present study is devoted to one of the forms of visual communication – multimedia presentation, considered in semiotic terms as a sign system. A structural approach is used in the present consideration and the basic principles for transforming a sign system into a signifying one are presented, as well as the conditions it should meet. The study uses the principles of linguistic analysis as a basis, analysing semantically the form and meaning of each text. In this case, the presentation is analyzed as a text and a part of language. Following the analysis, the study concludes that multimedia constitutes a sign system whose functioning is carried out in two axes: the simultaneity axis and the succession axis, which does not correspond exactly to the two axes in language: the paradigmatic and the syntagmatic. Each multimedia presentation is a complex hierarchical system with a tree-like semantic graph structure, but without meaning units and with syntax principles respected. Multimedia presentation in contemporary presentation forms is a typical example of the synergy of technology and the means of graphic design, and its integrated impact on the senses for marketing and advertising tailored to the specific target group of users.

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ДО ПИТАННЯ СЕМАНТИКИ МОНУМЕНТАЛЬНОГО ЖИВОПИСУ ЦЕРКВИ СПАСА НА БЕРЕСТОВІ 1643–1644 рр.

ДО ПИТАННЯ СЕМАНТИКИ МОНУМЕНТАЛЬНОГО ЖИВОПИСУ ЦЕРКВИ СПАСА НА БЕРЕСТОВІ 1643–1644 рр.

Author(s): Alina Kondratiuk / Language(s): Ukrainian Issue: 2/2023

The purpose of the article is to analyse the literature and sources covering the issues of studying the ideological and artistic content of the monumental painting of the Church of the Saviour at Berestove of 1643–1644. The author's main focus is on revealing the semantics of the mural's subjects and interpreting the iconology of the monumental ensemble, which will allow us to determine the place of the monument in the context of the national spiritual and artistic culture of the first half of the seventeenth century. It is planned to characterise the ideological programme of the monumental painting of the Petro Mohyla era and to identify the main accents in the system of paintings. The research methodology is based on the application of a systematic approach, an analytical method, art history, historicalcomparative, historical-genetic, historical-systemic, and descriptive methods for a comprehensive consideration of the given problem and formulate well-founded conclusions. The scientific novelty is characterised by the fact that for the first time, based on a critical analysis of literature and sources, the need for a reliable semantic analysis of the monumental painting of the Church of the Saviour at Berestove of 1643-1644 was identified. Based on a thorough study of the features of the church's painting system, the leading artistic and visual themes are identified and a variant of the interpretation of the iconology of the monumental ensemble of the time of Petro Mohyla is proposed. Conclusions. Summarising, we should note, that in the process of analysing the system of paintings of the Church of the Saviour at Berestove, its integrity and the conditionality of all elements were noted. The nature of the images made it possible to identify the key areas that carry the greatest semantic and dogmatic load. The author identifies the leading theological themes in the system of paintings – the Incarnation and the Eucharistic Sacrifice – and outlines a number of subjects that represent these themes. It is noted that the theme of the Incarnation in Byzantine art acquired special significance after the victory of icon worship. The monumental ensemble of the Church of the Saviour of 1643-1644 was presented as a reminiscence of Macedonian Renaissance art. It was noted that the programmatic archaism of the system of paintings and a specific set of subjects were related to the actual tasks of the spiritual life of the time of Petro Mohyla.

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Автономността – (не)решената задача на съвременността

Автономността – (не)решената задача на съвременността

Author(s): Ilinida Markova / Language(s): English,Bulgarian Issue: 2/2024

The social development of goodness into virtue, of duty into due action, and of freedom into autonomy, pose enormous questions concerning the potentials of the individual, but only according to his limitations. This resignation to the restrictive regime of society is an indispensable requirement for the individual’s commitment and solidarity to social structures. Social negotiation, available a priori, gives the illusory “taste” of any self-presence. The misunderstanding of limited relations leads as a result in its wake the misunderstanding of the Self as “itself”. It provokes its primitive rebellion and distances it from the meanings of the truth to bring it closer to a deeper profanation.

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The blue brain metaphor for AI

The blue brain metaphor for AI

Author(s): Bent Sørensen,Martin Thellefsen / Language(s): English Issue: 1/2025

Artificial Intelligence (AI) is an absolute key term in contemporary digital reality. It has become an umbrella term for a wide range of technologies developing rapidly, spanning and influencing diverse sectors and domains and, thereby, with an increasing impact on how more and more people live their daily lives and/or work. Public discourse on AI often involves metaphor or other imagery and thus a common way to represent AI is by what is sometimes called the “blue brain metaphor”. This visual metaphor is frequently used by a number of rather diverse addressers (stakeholders), in order to capture the essential elements of AI by conferring to it human-like characteristics. In the following work we describe the semiosic background of the “blue brain metaphor” for AI. Inspired by the terminology of Umberto Eco, we understand the metaphor as a function of the socio-cultural format of the encyclopaedia which decides the relevant relations of similarity between AI and the human brain underlying the metaphorical production and interpretation. We address what characterises the “blue brain metaphor” visually and try to interpret (some of) its meanings. We will also accentuate how it builds on to the (old) metaphor: the “computer is a brain”. Finally, we briefly describe how the “blue brain metaphor” is related to diverse normative discourse concerning AI.

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Metaphor of the database: A taste construction

Metaphor of the database: A taste construction

Author(s): Karina Astrid Abdala Moreira / Language(s): English Issue: 1/2025

At the present time, we are metaphorizing in the sense of Lakoff (1998) regarding the creation of a database which can generate new tastes using artificial intelligence. On the one hand, there is a discussion about whether artificial intelligence is capable of creating new tastes, while on the other hand, there is a metaphorization based on the translation of our experiences and sensory perception. These elements are central when analyzing the metaphorization of the database for the construction of new tastes. The discussion is characterized by the problematic translation of perception between humans and its transfer to the machine. In order to analyze this phenomenon, I shall rely on Lotman’s (1999) notion of translation, as well as the notion of Hartley, Ibrus, and Ojamaa (2021) of how the translation from sensory perception to digitization occurs. It is important to note that, according to Hartley, Ibrus, and Ojamaa (2021), this translation to the digital sphere is primarily carried out through linguistic means. It is this element which allows me to connect it to Lakoff ’s (1998) notion of metaphor. The methodology developed in this article is based on the semiotics of Charles Sanders Peirce (1839–1914), since it enables me to comprehend the notion of experience. Additionally, I shall draw on concepts developed by Biggio (2020) as he focuses on the computational phenomenon, combining a linguistic and social perspective. In order to understand these phenomena, I shall present some case studies related to taste and artificial intelligence. In summary, this study aims to shed light on the metaphorical connections between artificial intelligence and the construction of new tastes.

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