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Lektury bohaterek Jane Austen – utopijna edukacja sentymentalna czy ucieczka przed odpowiedzialnością?
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Lektury bohaterek Jane Austen – utopijna edukacja sentymentalna czy ucieczka przed odpowiedzialnością?

Author(s): Sylwia Grusza / Language(s): Polish Issue: 2/2019

The article is to describe an interesting phenomenon of the duplication of the literary patterns of behaviour among female protagonists created by Jane Austen. The subject of the paper is the analysis of the set books of the heroines invented by the British author in the both social and cultural context. Jane Austen’s novels can be regarded as the treasury of knowledge on the existence of the young girls at that time. The omnipresent conventions took away their right to dreams and self-fulfilment in almost every sphere of life. Lots of them found the coveted hope of improving their lives on the pages of overly aesthetic, sentimental novels. The characters from the books became inspirational among the female sex. The view of young ladies was based on their inner cultivation of the behaviour and mood which were inseparable from the girls from the popular romances. The patterns, continually given by fiction, took the place of humanistic and scientific knowledge, making the girls unaware – without the simplest information about the world. The subjects given in a wrong way by wrong teachers lowered their interest in education among youth, which also led to the popularity of sentimental, historical (especially those presenting the romance on the background of crucial events form the history of the given country) and Gothic novels. The text will concern the analysis of the attitude of the heroines created by the British author – on the basis of their set books and the position of Jane Austen in the range of literary criticism and the above-mentioned social phenomenon.

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Testy rzeczywistości. Narracje o zbrodniach w powieściach Jane Austen
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Testy rzeczywistości. Narracje o zbrodniach w powieściach Jane Austen

Author(s): Agnieszka Karlińska / Language(s): Polish Issue: 2/2019

The aim of the article is the consideration of the way in which Jane Austen asks in her novels about the status of reality. The subject of the interest are the narrations about “crime” understood as the events breaching the normal social experience and revealing how fragile the reality is. The significant context of the consideration is the classical detective literature. The author proves that the work of Jane Austen can be characterized by the similar reflection on societies in which the project of social reality is entangled. Referring to the conception of Luc Boltanski, she shows that, in the novels of the British writer, crime is a form of “reality testing”. Austen casts in doubt the frames of reality and reveals the conventional dimension of the social life. Her purpose, however, is not to disclose the social world – she sees the possibility of its integration.

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Okładki polskich wydań utworów Jane Austen po 1989 roku
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Okładki polskich wydań utworów Jane Austen po 1989 roku

Author(s): Elżbieta Koziołkiewicz / Language(s): Polish Issue: 2/2019

The graphic designs proposed by Polish publishers cannot be compared neither in number, nor in diversity to those presented by Margaret C. Sullivan in Jane Austen Cover to Cover: 200 Years of Classic Book Covers. Nevertheless, they are a valuable and still undiscussed source of knowledge on the Polish reception of Austen’s novels. Further information on this subject is provided in the first part of the paper by a compilation of book series in which some or all of the texts by Austen have appeared since the 1990s. The analysis of the book covers takes into consideration the relation between the design and the content of the narrative as well as the character of the artwork and its origin. The most popular were 19th century paintings (portraits, genre scenes, less frequently landscapes), film stills from the movie adaptations and floral patterns. As one of the aims of the study was to answer the question how the covers direct the reading process and place the text in the literary tradition, the remarks on the publishers’ choices were supplemented with the readers’ reviews. In the conclusion, it was suggested how the potential, new editions could be designed to stand out from the former ones.

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Recepcja Jane Austen w polskojęzycznym Internecie na przykładzie stron internetowych poświęconych pisarce
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Recepcja Jane Austen w polskojęzycznym Internecie na przykładzie stron internetowych poświęconych pisarce

Author(s): Ewa Szczepkowska / Language(s): Polish Issue: 2/2019

The subject of the article is the reception of Jane Austen in the sphere of e-culture – its fragment connected to websites and discussion forums concerning the writer. The phenomenon of “Austen mania” starts in Poland mainly because of the popularity of the movies based on Jane Austen prose. These sites and forums played not only a popularizing role, spreading the knowledge about the writers’ biography, work, film adaptations, or Regency, but they also grouped the society of fans who felt the need of being close to the other readers of Austen and some virtual companion in a feminine sphere created by numerous, common interpretation of the behaviour of the heroes of her prose, and also fans’ creativity in the area of gadgets, Regency costumes and literary tourism. The other form of activity is fan fiction, slightly represented on the forums and sites, especially in the comparison to fan fiction around the work of Austen in the English-speaking circle. They are most frequently the translations from The Republic of Pemberley, not prepared, unfinished, fragmentated, or personal attempts of a romance kind, in a style of Harlequin literature and a sentimental tone.

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Zagubione w Austen: Duma i uprzedzenie w postmodernistycznej odsłonie – między parodią a nostalgią
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Zagubione w Austen: Duma i uprzedzenie w postmodernistycznej odsłonie – między parodią a nostalgią

Author(s): Urszula Terentowicz-Fotyga / Language(s): Polish Issue: 2/2019

The article analyses an ITV series Lost in Austen (2008), directed by Dan Zeff, as an example of postmodern play with Pride and Prejudice. Moving the contemporary heroine to the imaginary, textual sphere, the movie compares the reality of the 19th and the 21st century, emphasizing the visibly different positions of women. It not only “rewrites” the course of events, but also makes the tensions (which were previously silenced by the romance convention) more dynamic. Oscillating between the parody and nostalgia, Lost in Austen both continues and enriches Pride and Prejudice. Playful engagement with the original novel is the principal theme and motif of the series, but also the subject of its parodistic criticism. Lost in Austen engages both with the novel and with its 20th century reception. Moreover, by creative reinterpretation of the writer’s text, it shows the changing paradigms of the 20th century criticism and the cultural and literary theory. Highlighting the aspects of the novel important for the contemporary era, it initiates an interesting dialogue with the rich intertextual tapestry that contemporary popular culture weaved around Jane Austen.

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Współczesna (re)interpretacja powieści Jane Austen – o poszukiwaniu wolności
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Współczesna (re)interpretacja powieści Jane Austen – o poszukiwaniu wolności

Author(s): Ewelina Włodzyńska / Language(s): Polish Issue: 2/2019

Contemporary (Re)interpretation of Jane Austen’s Novels – about Looking for Freedom is a comparative study of the works of the author of Sense and Sensibility and the British series Taboo. As the main aim of paper the author took the search for analogies in these, far and totally different, as it may seems, texts of culture. Naming after Carrie Vaughn the works of Miss Austen as the “universe mirrors”, the author drew the attention to the modern “reflections” of Austen’s characters (anti-heroes, look-alikes) and today’s reinterpretation of the 19th century. For the palimpsest reading of the Austen’s novel she used the tools of the feminist criticism and the postcolonial theory. It allowed her to observe the femininemasculine relations, the relations based on a master-servant pattern, and, at the end, to analyse the political, social, cultural image of the coloniser and the colonised, which has been made by the colonial regime at that time. The author of the article put these two discourses together in order to prove that the rights of the 19th century wife were limited to those of a slave from the Dark Continent.

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Dwa modele postrzegania historii. Herodot Cypriana Norwida i Tukidydes Zbigniewa Herberta
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Dwa modele postrzegania historii. Herodot Cypriana Norwida i Tukidydes Zbigniewa Herberta

Author(s): Tomasz Barszcz / Language(s): Polish Issue: 1/2020

The article presents and compares historiosophical conceptions of Cyprian Norwid and Zbigniew Herbert based on particular notes and pieces of both poets. It shows that the author of Vade-mecum sees history by – say – methodology of Herodotus, and the author of Pan Cogito creates vision of history like in Thucydides’s one. Both perspectives are valuable and stem from different original presuppositions, nonetheless both of them lead to the same aim, which is understanding of mechanisms ruling human history.

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Словотвірне гніздо з вершиною Христос у мовній картині світу
українців

Словотвірне гніздо з вершиною Христос у мовній картині світу українців

Author(s): Vasyl’ Greshchuk / Language(s): Ukrainian Issue: 8/2020

The article discusses the example of a word-formative nest with the apex of Christ. It analyses the role of word-formation in the formation of the language picture of the world of Ukrainians. The word-formative nest fi xes the word-forming segment of the semantic space of the Christ concept of the sacred conceptual sphere. Despite the fact that the anthroponomies as vertices of word-formation nests do not exhibit derivational productivity in the Ukrainian language, the word-formation nest with the apex of Christ has a branched structure: in the three stages of derivation, 25 derivatives of diff erent parts of the language, created in diff erent ways, have been certifi ed. This is due to the semantics of the vertex word of the nest, the importance of the concept named by it, in the perception of Ukrainians, in their culture of belief. In the linguistic consciousness of Ukrainians, Christ – Jesus Christ, the Son of God, the God-man, the incarnate God, the Savior, the Teacher, the Creator of the new religion. Such a broad semantic spectrum determines the activation of the derivation possibilities of the base word and the verbalization of word-formative means by a number of conceptual components. An analysis of the word-formative nest with the apex of Christ has shown that the word-formative dimension in the language picture of the world of Ukrainians, along with the universal conceptual components inherent in many diverse Christians, also has a number of individual-language derivational means of categorizing the world.

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Фразеологічні одиниці з ойконімним і відойконімним компонентами
як свідчення історичної пам’яті українців

Фразеологічні одиниці з ойконімним і відойконімним компонентами як свідчення історичної пам’яті українців

Author(s): Lidiya Hnatyuk / Language(s): Ukrainian Issue: 8/2020

The paper’s subject is tracing the historical memory of the Ukrainian people as evidenced in (broadly understood) phraseological items that contain oikonyms as well asadjectives derived from oikonyms, and refl ect the 19th c. Ukrainians’ perception of theirhistory and neighbouring countries, and also their everyday life, local customs and memorable occurrences related to some inhabited places both in Dnieper Ukraine, then belongingto the Russian Empire, and in Western Ukraine, then part of the Austrian (after 1867,Austrian-Hungarian) Empire. Some of the phraseological units discussed in the paper anddrawn from M. Nomys’ 1864 collection “Ukrainian sayings, proverbs and the like” arerecorded in modern dictionaries, while the others are only found in the 19th - early 20th c.dictionaries. The author attempts to elucidate the origin and meaning of phraseologismsthat are incomprehensible for Present-day Ukrainian speakers. In her reconstruction ofrelevant fragments of the 19th c. Ukrainians’ world picture, she uses the methods of historical-linguistic and linguistic-cultural analysis, also taking into account extralinguistic data.

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Християнські сакральні символи у просторово-часовому
континуумі поетичного мовлення українського письменника
Юрія Андруховича

Християнські сакральні символи у просторово-часовому континуумі поетичного мовлення українського письменника Юрія Андруховича

Author(s): Veronika Horodets’ka / Language(s): Ukrainian Issue: 8/2020

This article explores the linguistic worldview of a Ukrainian poet – postmodernist Yuriy Andrukhovytch – realized through the concept of “Christian sacred symbols” analyzedfrom the perspective of anthropological and cognitive aspects of lingual and cultural studies. It defi nes the essence and the ways of implementing the concept in the spatio-temporal continuum of poetry collection “India” as well as highlights the role of man in thepoet’s imaginary world through the archetypes of the world culture and decodes symbolicmeaning of cultural context of the author’s works. Contrary to a generally accepted viewthat the earth is round, spatial reality for the author turns out to be a planet which resembles a cake, a fl at surface, a desert, a kingdom and a bridge. The sky is seven crystalhemispheres, out lining the heavenly space with stars and planets fi xed at each level. Thespace is represented by such geographical notions as East Asia, India, China, the river Nile. The author of the article supposes that India becomes for the writer the embodimentof our civilization at all times of mankind, another way to present man in the space ofeternity, and a kind of life philosophy. The synthesis of pagan, Jewish, Hindu, Muslim andChristian ideas about man’s place in the world and his moral peace, happiness and overalllove is represented by such symbols as angels, harpes, gehennr hell hrifony, dragons,percale books, lilies, honey, pythons, fl ags, birds, reptiles, saints, timpani, newts, tulips,furies, devils, Yuri’s sword, Yasmin and others.

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Біблійні слова-образи в текстах українських народних пісень

Біблійні слова-образи в текстах українських народних пісень

Author(s): Nina Danylyuk / Language(s): Ukrainian Issue: 8/2020

The article investigates the fi gurative language (words) of the biblical origin such asGod, Jesus Christ, God’s Mother and other that obtained new national cultural meaningsand became ethnologemes in the texts of Ukrainian folklore. The research is conducted onthe basis of a great number of reference texts, written down mainly in the 19th – beginningof the 20th centuries. It was found out that the texts of oral lore are linguo-aesthetic signsof ethnic culture refl ect a mode of thinking of a nation at diff erent historical periods. It was pointed out that modern authors understand the meaning of such terms asa “word-image” and “language image” in diff erent ways and add their individual interpretations. Key words-images have been analysed in the context of the linguistic conceptualmap of the Ukrainians in whom pagan and pre-Christian beliefs of our people are refl ected.It was discovered that Biblical words-images in the Ukrainian folklore were reconsidered and, as a result, it led to the changes in their forms and meanings. The analysis ofthe folk songs texts makes it possible to conclude that the word-images of Jesus Christand God’s Mother are developed to the level of language images obtaining specifi c sensesthat are typical to a real man, a master/landlord, and a woman, a mother and a hostess/landlady.

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Своєрідність формування релігійних значень за допомогою
внутрішньослівного гіпонімійного зв’язку

Своєрідність формування релігійних значень за допомогою внутрішньослівного гіпонімійного зв’язку

Author(s): Albina Kovtun / Language(s): Ukrainian Issue: 8/2020

The article is devoted to the study of the specifi cs of the formation of religious meanings with the help of the intraword hyponymic (genus-species) relations. It was revealedt hat in semantic structures of lexemes, this type of semantic derivation is capable of activelydeploying stable specialized religious(specifi c, hyponymic) meanings from commonly used(generic, hypernymic) ones. It was also found that in times of Christianization, the fi xationof hyponyms often led to the disappearance of hypernyms. The process of transferringreligious hyponyms without hypernyms from other languages into the Old Kyiv languagewas quite active. Forming a paradigm through hyponymic relations refl ects a variety ofchanges in the represented reality associated with the linguistically conservative religioussphere of Ukrainians: the names remained unchanged, while language objects, acquiringnew functions, changed, and the speakers’ knowledge of the objects deepened.

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Християнські цінності в мовно-естетичній рецепції
Василя Стефаника

Християнські цінності в мовно-естетичній рецепції Василя Стефаника

Author(s): Vitaliy Kononenko / Language(s): Ukrainian Issue: 8/2020

The article deals with t he linguistic and aesthetic principles of characters’ understanding of the Christian values in the texts of Vasyl Stefanyk’s novels. The main constants oflanguage and thinking, which reproduce Pokuttian country folkideas concerning followingthe Christian ethics and morality, have been described. In the worldview of the peasants,depicted by Vasyl Stefanyk, elements of pagan belief, customarylaw, and mythologicalperception of the image of the world have been refl ected. The author’s position on theethical norms of the characters is not refl ected directly, but through the reference to livingconditions, their psychological self-consciousness. The texts of Vasyl Stefanyk containa positive assessment of such features of the peasants as benevolence, truthfulness, fearof sin, faith in God.

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Внесок Варшавської україністики в розвиток методики викладання
української мови як іноземної

Внесок Варшавської україністики в розвиток методики викладання української мови як іноземної

Author(s): Oksana Korpalo / Language(s): Ukrainian Issue: 8/2020

The article provides an overview of the latest textbooks, articles and dictionaries published by the Department of Ukrainian Studies at Warsaw University over the last decade.The development and implementation of a competency-based approach to the studyof the Ukrainian language as a foreign language signifi cantly stimulates the developmentof language didactics, opens new perspectives for the practical use of its achievements.

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Фразеологічний мінімум з української мови для слов’яномовних
студентів (рубіжний та високий рівні, В1-В2)

Фразеологічний мінімум з української мови для слов’яномовних студентів (рубіжний та високий рівні, В1-В2)

Author(s): Halyna Kuz’ / Language(s): Ukrainian Issue: 8/2020

The article deals with the volume and composition of the phraseological minimum asa necessary and eff ective element of the formation of linguistic and cultural competencein the process of language learning at intermediate and upper intermediate levels, outlinesthe quantitative and qualitative structure of the phraseological minimum for learning theUkrainian language by Slavic students, and off ers a list of phraseological units as a component of the described minimum. The material presented in the textbooks of the Ukrainianlanguage as a foreign language was used to form the list of phraseological units, whichwas minimized according to the criteria of selection of the phraseological minimum forlevels B1-B2.

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Хистиянські імена як твірні основи архаїчної ойконімії України

Хистиянські імена як твірні основи архаїчної ойконімії України

Author(s): Zoryana Kupchyns’ka / Language(s): Ukrainian Issue: 8/2020

Proper names of people as creating stems are represented in oiconymy of Ukraine.Anthroponymy separated from o iconymy of Ukraine ending in *-inъ is only a small fragment of a large amount of proper names and their variants. The actual problem is creatingthe dictionary of personal names of people, which would contain anthroponymy derivedfrom archaic oiconymy. It would enrich not only the Ukrainian anthroponymicon but AllSlavonic one. 251 anthroponym of canonical origin is distinguished from geographicalnames of Ukraine ending in *-inъ. Most of Christian anthroponyms are represented indictionaries as names of people or as bynames/proto-surnames. It is found out that 30 names(12%) are not represented in lexicographical works: Аврата (< Гаврило), Горпа(< Агрипина//Горпина), Демх(ш)а (< Дем’ян), Домашла (< Домна, Домнікія,Домаха), Ільпа (< Ілля), Кузята (< Кузьма), Макиш(х)а (< Матвій, розм. Макій),Макош(х)а (< Матвій, розм. Макій), Манята (< Марія), Мар’ята (< Мар’яна),Матюш(х)а (< Матвій), Митула (< Дмитро), Михла (< Михайло), Мишера(< Михайло), Мишута (< Михайло), Нита(я) (< Нит), Ол(ъ)ма (< Олъма), Панчоха(< Пантелеймон), Парута (< Парасковія), Пилипчата (< Пилип), Савара (< Север,Северин), Стеська (< Степан), Таша (< Наталія), Теола (< Теофіла, Феофіла),Тимота (< Тимофій), Томара (< Тамара), Фетюха (< Федір), Юриця (< Юрій),Якота (< Яків), Янкулиха (< Ян).

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Християнська мораль і колективний етичний досвід у сучасному
українському художньому дискурсі

Християнська мораль і колективний етичний досвід у сучасному українському художньому дискурсі

Author(s): Nataliya Malyuha / Language(s): Ukrainian Issue: 8/2020

The article in question deals with the fact that contemporary art discourse under the influence of Christian ideas reflects Ukrainian mentality and spirituality, represents profoundly symbolic information on every individual’s outlook, priorities of his/her existenceand criteria for assessing the morality of deeds. The study considers current issues ofcultural identity and national Christian ethics of Ukrainians, the dichotomy of biblical ethical mandates and collective ethical experience recorded in literary works. Taking intoaccount individual samples of literary works, the interpretation of biblical moral postulatesfrom the perspective of collective ethical experience has been examined. The process ofmodifying biblical images in current secular context has been described. It has been takeninto consideration that appealing to biblical parallels is an eff ective way to draw attentionto urgent national issues.

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Про лінгвістичні показники взаємодії мова – культура на прикладі
аналізу польсько- українського пограниччя XV-XIXст.

Про лінгвістичні показники взаємодії мова – культура на прикладі аналізу польсько- українського пограниччя XV-XIXст.

Author(s): Halyna Matsyuk / Language(s): Ukrainian Issue: 8/2020

The article is devoted to the formation of a linguistic interpretation of the interaction of language and culture of the Polish-Ukrainian border territories. The material for the analysis includes nomic systems of Ukrainian and Polish languages, which are considered as a cultural product of interpersonal and interethnic communication and an element of the language system, as well as invariant scientific theory created in the works of Polish onomastics (according to key theoretical concepts, tradition of analysis, and continuity in linguistic knowledge). The analysis performed in the article allows us to single out the linguistic indicators of the interaction of language and culture typical for the subject field of sociolinguistics. These are connections and concepts: language-territory, language-social strata, language-gender, language-ethnicity, social functions of the Polish language, and non-standardized spelling systems. Linguistic indicators reveal the peculiar mechanisms of the border in the historical memory and collective consciousness, marking the role of languages in these areas as a factor of space and cultural marker and bringing us closer to understanding the social relations of native speakers in the fifteenth-nineteenth centuries.

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Між експериментом та інтелектуальним письмом: гра
з літературною традицією у романі Майка Йогансена „Подорож ученого
доктора Леонардо і його майбутньої коханки прекрасної Альчести
у Слобожанську Швайцарію”

Між експериментом та інтелектуальним письмом: гра з літературною традицією у романі Майка Йогансена „Подорож ученого доктора Леонардо і його майбутньої коханки прекрасної Альчести у Слобожанську Швайцарію”

Author(s): Mar‘yana Hirnyak / Language(s): Ukrainian Issue: 8/2020

The article deals with the novel The Travel of Scientist Dr. Leonardo […] by Mike Johansen which manifests the author’s predisposition to experimental game with literary tradition and classic poetics as well as to the intellectual writing. The experiment can be observed foremost in the decentration of the novel’s structure and textual communicative strategies. The author creates “the book of Landscape” as opposed to the narrative about events and characters. He plays with the reader, emphasizing on his presence permanently and exposing artistic techniques, uses language code switching and inserted constructions,creating an effect of cinematography. The intellectualization of writing is proved by intertextual links (first of all, parodying different literary styles), presence of irony as worldview principle in the work, motivation for the reader to construct possible worlds and to oscillate at the limit of the factuality and fictionality as well as by reflections devoted to the philosophy of things, landscapes, travels and laws of being.

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Агіологія поетичної збірки Лазаря Барановича Żywoty świętych (1670)

Агіологія поетичної збірки Лазаря Барановича Żywoty świętych (1670)

Author(s): Olena Ruda / Language(s): Ukrainian Issue: 8/2020

The purpose of the article is the analysis of hagiology in Lazar Baranovych’s poetry collection entitled Żywoty świętych (1670). This includes the fulfilment of such tasks:1) To enumerate the saints mentioned in the poetry collection; 2) To determine to which church/epoch/place of worship or order of sainthood they belong; 3) To determine how full the saints’ details of biography are reflected in the poetry collection mentioned above;4) To understand Lazar Baranovych’s view on the topic of different kinds of sainthoodclearly; 5) To measure the actuality of his views given the context of the 18th century Ukraine. The results of the research are shared in the given article, showing how exactly Lazar Baranovych defined for himself the concept of the sainthood at the first place. They also tell us about his views on the call for monkhood and family life and help us to reconstruct the images of the ideal spiritual shepherd, female Christian etc.

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