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„Popi and Huhuu” ning tema eelkäija eesti kirjanduses

Author(s): Pille-Riin Larm / Language(s): Estonian Issue: 10/2012

The short story „Popi and Huhuu” (1914) by Friedebert Tuglas can be considered the crown of the canon of Estonian short stories. Yet up to now nobody has pointed out its resemblance to an anonymous pastime story Ahvi armastus ja kättemaksmine („The love and revenge of a monkey”) published in the literary magazine Meelejahutaja in 1881. To gain new knowledge about the birth of „Popi and Huhuu” and to clarify the relations of Tuglas with his preceding generation, the so-called epigons, the two stories are compared, using influence criticism’s method. It appears that Tuglas, however overtly sensitive to authenticity problems and inimical towards his predecessors, was closely bound to them by his borrowing one of their motifs. The spread of attitudes, ideas, motifs and plots during the decades between the pastime story and Tuglas’s short story demonstrates a huge development in Estonian literary thought. Nevertheless, the advent of Tuglas and the other representatives of Young Estonia did not mean a total break from the past, as they were also epigons, in a positive sense, carrying on from their predecessors: Estonian short prose had been playing with grand symbols long before the Young Estonians modernist project, although falling short of great abstractions or a truly artistic effect. Even the ideas known from the Young Estonians’ manifesto were in the air and expressed in the cultural press of the late 19th century.

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Wenn Krieg in postheroischer Gesellschaft ausbricht. Überlegungen zu ‚Cassandra-Rufen‘ der Literatur

Wenn Krieg in postheroischer Gesellschaft ausbricht. Überlegungen zu ‚Cassandra-Rufen‘ der Literatur

Author(s): Monika Wolting / Language(s): German Issue: 31/2022

Literature has the ability to refer to potential conflicts in societies earlier than any other media. Contemporary German-language literature reacts enthusiastically to the wars in Iraq, the former Yugoslavia, in the peripheral regions of the Russian Federation and last but not least in Afghanistan. A new figure of the soldier emerged. A soldier who comes from the post-heroic society and breaks down mentally and physically in wars. So the question arises, how would people react if a war broke out in post-heroic society and not on its fringes?

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XIX sajandi pilk XX sajandi kirjandusele XXI sajandil

Author(s): Johanna Ross / Language(s): Estonian Issue: 01/2012

Review of: Rein Veidemann. 101 Eesti kirjandusteost. Tallinn: Varrak, 2011. 224 lk.

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Emakeele seltsis

Author(s): Killu Paldrok / Language(s): Estonian Issue: 05/2012

Report on the conference held on February 16th of 2011.

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Facing the Black Death: Sigrid Undset’s Kristin Lavransdatter in Times of Pandemics

Facing the Black Death: Sigrid Undset’s Kristin Lavransdatter in Times of Pandemics

Author(s): Sissel Furuseth / Language(s): English Issue: 1/2022

At the end of Sigrid Undset’s medieval trilogy Kristin Lavransdatter (1920–1922), the heroine encounters the bubonic plague that so violently hit Europe in the mid-fourteenth century. The aim of this paper is to explore the connections between the 20th century novel and the European tradition of plague literature from the broader perspective of environmental history. Furthermore, it discusses the historical novel’s effect as a distant mirror for 20th and 21st century readers. An underlying argument is that the ethical imperative in Kristin Lavransdatter is affecting the way the protagonist encounters the plague, which may explain what distinguishes Undset from many of her contemporaries.

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Intymna historia humanistyki

Intymna historia humanistyki

Author(s): Artur Hellich / Language(s): Polish Issue: 1/2022

The author investigates the sources of thinking which leads to opposing the theoretical and the autobiographical or literary texts written by the scholars. Citing selected examples of the contemporary autobiographies of Polish academics, he outlines the intimate history of the humanities’ concept, based on the broad utilization of autobiographical texts when considering the whole work of each scholar. The main goal of this project is to supplement the history of humanities with the personal perspective of female and male researchers.

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Od emocjonalnej do relacyjnej historii wiedzy: pojęcia, zwroty, kierunki

Od emocjonalnej do relacyjnej historii wiedzy: pojęcia, zwroty, kierunki

Author(s): Agnieszka Sobolewska / Language(s): Polish Issue: 1/2022

The article is an introduction to the emotional history of knowledge that in recent years has been developed within French anthropology, sociology, and the history of science. The author reflects on Françoise Waquet’s work entitled Une histoire émotionnelle du savoir. XVIIe-XXIe siècle (The emotional history of knowledge. XVII–XXI century) published in 2019, and analyzes it in a broad context of the interdisciplinary reflection on the history of knowledge and science. The aim of this article is to reflect on Waquet’s most important arguments and to contrast them with other propositions emerging in the field of the history of science.

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Umiejscawianie nauki (o literaturze)

Umiejscawianie nauki (o literaturze)

Author(s): Adela Kobelska / Language(s): Polish Issue: 1/2022

Pointing that geographical context of scientific knowledge development is still insufficiently recognized, the author tries to establish a method of placing (literary) science with a use of (auto) biographical factors and cultural history approach. The University of Poznan Polonists’ Circle from the twenties and thirties of the XX century serves as an exemplary research object for analysis designed in that manner.

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Jak jeździć na nartach. Autobiografizm w przestrzeni literacko-naukowej Kacpra Bartczaka

Jak jeździć na nartach. Autobiografizm w przestrzeni literacko-naukowej Kacpra Bartczaka

Author(s): Łukasz Żurek / Language(s): Polish Issue: 1/2022

The first part of this article discusses the specificity of Kacper Bartczak’s work, determined by the interdependence of his poetic, literary and translation activities. At the same time, the reasons for the lack of interest of critics writing about Bartczak in the issue of autobiography are indicated. The second part of the article, focused on a comparative analysis of two versions of a fragment of the autobiographical essay The Law of the Poem and the poem In Love I Have an Access to My Father’s Body from the book Naworadiowa (2019), shows that Bartczak’s purpose in including autobiographical material in his texts is not to point to the biographical underbelly of his work, but to gain new access to the matter of his own biography, allowing him to develop new techniques or forms of writing.

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Co warto widzieć na pierwszy rzut oka? Zarys praktyki dydaktycznej Franciszki Themerson w latach 1963–1968

Co warto widzieć na pierwszy rzut oka? Zarys praktyki dydaktycznej Franciszki Themerson w latach 1963–1968

Author(s): Honorata Sroka / Language(s): Polish Issue: 1/2022

In the article I concern a period of Franciszka Themerson’s life when she was a lecturer at two academies in Great Britain: Wimbledon School of Art (1963–1968) and Bath Academy of Art (1967–1968). I display a didactical practice of the painter, putting attention on material outputs of collaborations – the selected issue of magazine “It’s”. The aim of analysis of publishing experiments made by Themerson together with her students is to show relations between artistic, editional and didactical practices of this vanguard artist.

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Trans-krypcje. Subwersywna gra z transmemuarem Paula B. Preciady, Susan Faludi i Maggie Nelson

Trans-krypcje. Subwersywna gra z transmemuarem Paula B. Preciady, Susan Faludi i Maggie Nelson

Author(s): Izabella Adamczewska-Baranowska / Language(s): Polish Issue: 1/2022

This article takes a closer look at a new strategy of real-life adventure writing: autotheory, a mode of critical artistic practice that follows autofiction and autoreportage. Autotheory, defined as a fusion of autobiography and scientific literature or a philosophical treatise, can take the form of a memoir with footnotes. The examples of „Testo Junkie” by Paul Preciado, „Argonauts” by Maggie Nelson and „In the Darkroom” by Susan Faludi, discussed in this article, show that autotheories have subversive possibilities (in this case, autotheory subverses trans memoir as a genre). The author makes reference to the theory of the autobiographical triangle, proposed by Małgorzata Czermińska, to argue that autotheories function as the challenge.

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Dlaczego (auto)biografie? Literatura dokumentu osobistego kiedyś i dziś

Dlaczego (auto)biografie? Literatura dokumentu osobistego kiedyś i dziś

Author(s): Anna Pekaniec / Language(s): Polish Issue: 1/2022

This text is a review of selected ways of defining autobiography and biography, showing the specificity of each genre of personal writing, as well as indicating points of contact and exposing mutual dependencies. The (auto)biographical theories of e.g. Małgorzata Czermińska, Phillipe Lejeune, George Mish combined with theoretical approaches to biography by Jerzy Jarniewicz, Lucyna Marzec, Michał Paweł Markowski, complemented by a gender component, not omitting also the specificity of letters as a genre more strongly related to autobiography than biography, served to indicate the reasons for the permanent attractiveness of personal document literature. Moreover, by taking into account narrative theories of identity, an attempt was made to reconstruct possible constructions of the (autobiographical) subject. The whole article (in an extended version) was delivered as an inaugural lecture during the opening of the Biography and Autobiography Research Workshop at the Faculty of Polish Studies of the Jagiellonian University.

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TEMA RĂZBOIULUI ÎN DRAMATURGIA ROMÂNEASCĂ ȘI FRANCEZĂ DIN PRIMA JUMĂTATE A SECOLULUI AL XX-LEA

TEMA RĂZBOIULUI ÎN DRAMATURGIA ROMÂNEASCĂ ȘI FRANCEZĂ DIN PRIMA JUMĂTATE A SECOLULUI AL XX-LEA

Author(s): Emilia-Eliza Leotescu (Matei) / Language(s): Romanian Issue: 1/2022

The socio-political context of the first half of the twentieth century creates a favorable path for writings that promote the principles of the totalitarian system. Thus, the interest of playwrights for theater inspired by the reality of the time or recent history is growing, the theme of the plays being closely related to the fundamental aspects of life. A major theme that crossed the Romanian and French dramaturgy of the last century as a lait-motive was WAR. Wanting to give the population an impetus to fight, Romanian and French playwrights recall an armed conflict from antiquity that highlights the love of country, courage and sacrificial power of citizens. Thus, a parallel is drawn between the Europe of the first half of the last century, which, threatened by war, does not take any measures to annihilate the danger, and the similar situation from the ancient period of the Trojan War.

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„Odlatujmy razem w wiry niebieskie”: miłość małżeńska w ujęciu Cypriana Norwida

„Odlatujmy razem w wiry niebieskie”: miłość małżeńska w ujęciu Cypriana Norwida

Author(s): Dariusz Kulecki / Language(s): Polish Issue: 22/2021

The submitted article brings closer the theme of marital love as seen by Cyprian Norwid (1821 – 1883), which occupied a significant part of the author’s poetic horizon. He greatly appreciated the feeling between a man and a woman, seeing in it beauty and a divine spark. At the same time, he pointed out the rather common frivolous treatment of love, the immaturity of individuals and the materialistic approach to relationships, which seriously hinder, andsometimes even prevent, the formation of a mature marriage. Only the rejection of all conventions connected with this human covenant and solid preparation to enter a new stage oflife, is a chance to build a bond that will not stand the test of time and circumstances. Norwid linked marital love closely to the sacrament. In his conviction, God Himself enters betweenthe spouses and becomes the third person in this love dialogue of life. The sacrament also sets the husband and wife a goal to aim at. The writer completely disapproved of the practice of divorce, although he was aware of the difficulties connected with the common life of spouses. He believed that every crisis can be overcome and contribute to building a full marital happiness. Norwid’s particularly valuable – because pioneering – observations concern the mutual sanctification of the spouses and their building of a communion of persons.

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‘Kresy’ as The Heart of Darkness: Reading Polish and Belgian Colonialisms
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‘Kresy’ as The Heart of Darkness: Reading Polish and Belgian Colonialisms

Author(s): Anna Shimomura / Language(s): English Issue: 4/2022

‘Kresy’ [borderlands/outskirts] is a sentimental term used by Poles to denote the lands of today’s Western Ukraine, Belarus and Lithuania. The Polish rule in that region has rarely been discussed in terms of colonialism. In this article, I employ the framework of postcolonial theory within the context of Polish rule in ‘Kresy’. The article juxtaposes anthropologist Józef Obrębski’s ethnographic writings about Polesia region (a part of ‘Kresy’ that was polonised in the most extreme manner) with Heart of Darkness by Joseph Conrad – a Polish-British author born and raised in ‘Kresy’, that during his time was subjugated by Russian Empire. The figure of Conrad, whose ambivalent relationship with colonialism was pointed out by many postcolonial scholars starting with Chinua Achebe, becomes a point of departure to think about what Maria Janion describes as ‘the paradoxical Polish postcolonial mentality’: the ambivalence of being a colonised coloniser. The article is an attempt of contribution to the ongoing debate about identity and dependence in the East Central Europe region.

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PANTOFI, UMBRELE ȘI ÎNMORMÂNTĂRI – RITUL FUNERAR CA SPECTACOL LA MATEI VIȘNIEC

PANTOFI, UMBRELE ȘI ÎNMORMÂNTĂRI – RITUL FUNERAR CA SPECTACOL LA MATEI VIȘNIEC

Author(s): Georgeta Orian / Language(s): Romanian Issue: 1/2022

The novel Iubirile de tip pantof, iubirile de tip umbrelă... [Shoe-like Loves, Umbrella-like Loves...] allows the writer Matei Vișniec to play a fictional game with several stakes, some of which of pragmatic intentions – theory and application of fragmentarism, analysis of the self with the aim to find the starting point for the great journey of art (in particular of the dramatic art) and the resort to an identity nucleus (the birth place) turned into a symbol etc. The intentions behind the present text will focus on these premises, as here the author proves to be a mediator of traditional culture/mentality between his country of birth and his country of adoption, France, and, through his fame, to any country the novel would be translated in. The present article analyses the modality in which the funeral rite as is known in the Romanian folklore represents the starting point for Matei Vișniec's dramatic art.

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ЗА ПРЕМЕСТВАНЕТО НА РЕЗИДЕНЦИЯТА НА АВТОКЕФАЛНАТА БЪЛГАРСКА ЦЪРКВА ОТ ОХРИД ВЪВ ВЕЛИКИ ПРЕСЛАВ ПРЕЗ 1156 Г.

ЗА ПРЕМЕСТВАНЕТО НА РЕЗИДЕНЦИЯТА НА АВТОКЕФАЛНАТА БЪЛГАРСКА ЦЪРКВА ОТ ОХРИД ВЪВ ВЕЛИКИ ПРЕСЛАВ ПРЕЗ 1156 Г.

Author(s): Ancho Kaloyanov / Language(s): Bulgarian Issue: 22/2022

The Second Crusade (1147-1149) and the Autocephaly of Kliment Smoliatich in Kiev (1147 – 1155) forces Manuel Komnenos, the emperor of Constantinople, and John Komnenos, the archbishop of Ohrid, to reform the churches of which the liturgical language was Slavic (the language of God the Word). In 1150 the diocese of “Justiniana Prima and the whole of Bulgaria” joins the metropolitan of Solun and the residency of the autocephalous Bulgarian church moves from Ohrid to Preslav along with its books, redacted in Strumitsa by John Komnenos. The reform was approved at the antiheretic council in Constantinople in 1156 and Leo was appointed as archbishop, enthroned at the council of the Bulgarian church in Preslav on the 14th of February 1160. The Speech of Cyril the Philosopher of how he converted the Bulgarians (the Legend of Solun) was created to glorify the event. In the Speech it is symbolically reported that a rising of all Bulgarians occurred along with shedding lots of blood for Cyril the Philosopher who was given to them by God the Word.

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АМФОРАТА С НАДПИС И ЗНАК ОТ МЕСТНОСТТА „МАНАСТИРЧЕТО“ КРАЙ ПРЕСЛАВ

АМФОРАТА С НАДПИС И ЗНАК ОТ МЕСТНОСТТА „МАНАСТИРЧЕТО“ КРАЙ ПРЕСЛАВ

Author(s): Pavel Georgiev,Kremena Stoeva / Language(s): Bulgarian Issue: 22/2022

The authors offer a new reading and interpretation of a partially preserved proto-Bulgarian inscription – graffiti on an amphora, produced by a local craftsman towards the middle or the second half of the 10th c. AD. It has been found during excavations in a monastic skete with a cenobitic monastery, dedicated to St. Panteleymon above the “Patleyna” valley. The preserved part of the inscription could be translated as: “…give [the] olovnik to [your] wife to hide [it], 17th [day] of the month August”. The word olovnik is a rare and specific name for a vessel with the beverage olovina, so far familiar from old Russian manuscripts and Bulgarian written monuments from the late Middle Ages and newer times. There it replaces the biblical name of the alcoholic beverage siker/a. The second key word in the inscription is “wife”, inscribed without the expected Dative suffix. The text also contains two verbs. The first one in 2nd person singular, jussive. The second one is a form for 3rd person, singular and is related to an action which needs to be undertaken by the aforementioned wife. With all that in mind, the text appears to be a command from a person towards someone's wife to hide the likely full with olovina amphora – olovnik. The semantics of the large sign engraved under the inscription is also important for the correct interpretation of the text. Arguments are made that it is a cryptic symbol-theonym, which can be deciphered as a designation or an invocation towards Jesus the Saviour. Because the amphora was found in a small, secluded mountain monastery, the authors think it is better founded to consider that the inscription and the accompanying sign on the vessel are delivering an order from above, according to which the olovina (i.e. sikera) contained in the amphora has been placed there under prohibition for consumption. In the books Judges 13:2-25 and in I Kings 1:1-20, the prohibition to consume exactly this alcoholic beverage is the main condition when childless wives are giving a vow in front of God, so they can have a baby. As a consequence of such a vow, famous biblical characters are born: the nazirite and judge of Israil – Samson, as well as the recognised by the church of Christ as a saint – the prophet Samuel. The date at the end of the inscription – the 17th of August, most likely has designated the day of the vow for abstinence from the mentioned wife from Preslav. Based on this the authors assume that it might have been associated with the forthcoming ecclesiastical celebration (the 20th of August) of the holy prophet Samuel, whose name in Hebrew means “asked from God”. If this is the case, the inscription appears to be a written vow made in the mountain skete, formulated according to the lines from the Holy Scripture. All this forms the possibility that the skete close to Preslav has been dedicated to the holy prophet Samuel, whose birthplace and grave in Rama (Hebr. height) are in a mountainous area close to Sion. Placed in the light of the recently reconstructed by A. Kaloyanov Bulgarian text of “Sermon for worship of the Cross” from the 10th c. AD, this looks like the result of a consciously sought after opportunity to liken the Bulgarian capital to the sacred for the Christians city of Jerusalem.

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Фантастичното като място на балканския междулитературен диалог

Фантастичното като място на балканския междулитературен диалог

Author(s): Boryana Tsvetkova / Language(s): Bulgarian Issue: 107/2022

The study is divided into several thematic cores, which consistently consider, argue, and analyze the idea of the fantastic as a place of Balkan inter-literary dialogue. The intercultural contacts in the Balkans and the problem related to the topic of the Balkan identity are presented. The idea of dialogues in literature is discussed, and the fundamental theories of dialogism in the works of Mikhail Bakhtin and Martin Buber are presented. In addition, the founding concept of Nikola Georgiev’s “silent dialogues” is introduced. The study outlines the specifics of each national context (Bulgarian, Serbian and Croatian) with an emphasis on fantastic discourse. Similar motifs and archetypal symbols, united by the genre of the fantastic, are analyzed. The authors whose novels were used for the study are Agop Melkonyan, Goran Tribuson, Zoran Živković and Boban Knežević.

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Discursive Intertextuality, Parody, and Mise en Abyme in A.S. Byatt's Short Stories

Author(s): Francesca Pierini / Language(s): English Issue: 12/2022

This essay analyses three short stories from A.S. Byatt's collection Elementals: Stories of Fire and Ice (1998) in light of several self-reflexive strategies. The short narratives Crocodile Tears and Baglady will be discussed from the perspective of “discursive intertextuality,” a literary practice that foregrounds a discursive element established and detectable across genres. Christ in the House of Martha and Mary will be examined from the standpoint of intertextuality and mise en abyme. Once again, the study of this narrative will hinge on the discursive aspects of mise en abyme as a meta-generic approach put in place not to indefinitely reiterate “the same” concept, but to show the potentially endless possibilities of interpretation a text may offer its readers. Across these short stories, the opposition between fire and ice gets reworked in corresponding dichotomous sets: North vs. South, West vs. Orient, contemplative vs. active life. The specific goal this article sets itself to achieve is to show the contrasting trajectories at play in these short stories. Dense with contrasting and intersecting meta-generic paths, such narratives perform and make visible a double register of devotion/affection and questioning/deconstruction of genre norms in relation to established Anglophone discursive tropes.

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