Jak obiecywać, by nic nie obiecać — odpowiedzi Andrzeja Maksymiliana Fredry udzielone delegatom wojsk na sejmie w 1652 roku

Author(s): Krystyna Płachcińska / Language(s): Polish Issue: 3/2014

The soldiers (Polish and Lithuanian) had deputed their legations to the seym in the March of 1652 to ask for payment of overdue pay. The president of parliamentarians, Andrzej Maksymilian Fredro, had given two times the responses to the delegates. These speeches are the example of „high-level” style, rich in the applications of rhetorical devices, which provided for dishonest persuassion. This high artistry had served for making the empty promises to soldiers.

Мене, текел, фарес, или за един исторически наратив за вавилонския плен в сръбски сборник от XV в. (Превод, адаптиран вариант на текста и речник)

Author(s): Iva Trifonova / Language(s): Bulgarian Issue: 14/2016

The study is dedicated to a historical narrative, unknown until now and that was carried into the composition of the Miscellany of the XV Century. This narrative tells briefly about the events related to the history of the Jews during the reign of Nebuchadnezzar II, or the so-called Babylonian captivity (598–539 BC). It is probably a translation, like the other texts, published in this Miscellany, and probably in a version known from the middle of the XIV Century., but for the time being it is not known whether or how it was borrowed in this composition. The plot of the story is established on the biblical texts – Book of Daniel, 2 Maccabees, the Book of Jeremiah, and also it is based on the historical facts recorded in the books of Kings and Chronicles – a peculiar chronicle of biblical history (cf. 4 Kings 24 25: 1–22; 1 Chronicles 3: 15–16; 2 Chronicles 36: 4–21). The article includes a translation of the text in Modern Bulgarian, an adapted version and a glossary.

Dlaczego polskie edytorstwo naukowe nie istnieje

Author(s): Paweł Bem / Language(s): Polish Issue: 1/2016

This article addresses the condition of scholarly editing in Poland, projecting the development that could occur thanks to the use of digital tools. Bem demands an evaluation of the editorial tradition and the concepts and categories of classification that have emerged in that framework – a framework that is rooted in a different methodological situation in the humanities. Bem advocates for the promotion and broad realization of digital scholarly editing, which offers an opportunity to change the paradigm of scholarly editing. Digital scholarly editing also promises to liberate editors both from having to choose the base text for the edition and from establishing the critical text that is supposed to reflect the author’s intention.

Lokalne historie literatury (polskie i niemieckie ujęcie teoretyczne)

Author(s): Joanna Maj / Language(s): Polish Issue: 6/2015

The author attempts at comparing Polish and German theories of writing regional literary history. As a starting point, she outlines the historical background and changes of a concept of literary regionalism in 19th and 20th century. In the second part of the article, the author considers a model of local literary history based on new regionalism theory and she takes up a problem of relations between national and regional literary history. She carries an analysis of main elements of that literary history paradigm: the place of the subject in narration, the subject’s connection with the region, the sociological and cultural terms used in the narration and the assumed aims of regional literary history. In the last part of the article Maj the author tries to collect Polish and German contemporary examples of regional literary history. She looks for a dominant of some genre in this enumeration and she recognizes the forms of essay and essayistic encyclopedia as the main ways of constructing the local literary history nowadays.

Teoria komparatystyki wobec nowych zjawisk w humanistyce

Author(s): Emilia Kledzik / Language(s): Polish Issue: 5/2014

Komparatystyka dla humanistów. Podręcznik akademicki is a coursebook that responds to the needs of students of comparative literature at Polish universities. Its extensive chapters are devoted to: the modern background of comparative studies, the old and contemporary debates on intersemiotic relations, comparative literature and new media, the “old” and the “new” subdisciplines of comparative studies, such as: influence studies, translation studies, world literature, intertextuality, intercultural relations, comparative literature after the ethic turn confronted with the so-called new methodologies, cultural studies and – finally – the history of comparative movement based on reports from the International Comparative Literature Association congresses.

Dziewiętnastowieczne zbiory pieśni i piosenek dla dzieci i młodzieży

Author(s): Mirela Kluczniok / Language(s): Polish Issue: 4/2016

This article presents the issues of the 19th – century collection of cantos and songs for children and youth. The types of songbooks were presented and the content of more important songbooks functioning at that time was discussed. The article points out the role of publishing houses which they had on upbringing and education of young generation. The publishing houses were presented and their activity in production of songbooks for children and youth. Editorial forms typical for this genre of children’s practical books were discussed.

О статусе редакционных статей в изданиях Достоевского

Author(s): Vladimir Nikolaevich Zakharov / Language(s): English,Russian Issue: 1/2017

Lots of anonymous articles were published in the periodicals edited by Dostoevsky in the 1860s–1870s. Traditional methods of their attribution often turn out to be ineffective. As a rule, discussing this issue researchers try to decide definitely who one or another article belongs to, but they do not take into consideration a specific character and practical aspects of journalistic and editorial work of those times, prerequisites and conditions of publication of articles, their genre singularity. Almost all the anonymous articles in these periodicals were editorial, written by editors or employees and authors under a commission of the editor in chief. Sometimes the editors office bought someone else’s text and revised it. The given articles manifested the journal’s policy, put into force ideas and instructions of the editor in chief. The authorship of the articles did not matter. The author was deprived of his rights for the article, which became the journal’s property. Thus, it is advisable to consider the editorials as a particular genre meant to formulate the journal’s policy, bring its program into effect, and implement the editor’s instructions. Their attribution is possible but not necessary. Among the anonymous articles in the journals "Vremya" and "Epokha" and the weekly "Grazhdanin" the most distinguished are the publications of F. M. Dostoevsky, as well as those prepared in collaboration with the following co-editors — M. M. Dostoevsky ("Vremya", "Epokha") and V. P. Meshchersky ("Grazhdanin"). In the editorial domain, the leading role belonged to F. M. Dostoevsky. As a specific genre, the given articles should be published and included into actual editions on history of Russian literature and journalism.

The Long History of “doublethink”: A Response to Djelal Kadir’s “Agnotology and the Know-Nothing Party: Then and Now”

Author(s): Manuel Broncano Rodríguez / Language(s): English Issue: 1/2017

Kobiety w literackiej przestrzeni „rosyjskiego Izraela”

Author(s): Agnieszka Lenart / Language(s): Polish Issue: 27/2017

This article discusses the role of women in the life of „Russian-speaking Israel”. The author gives the names of outstanding women — writers, poets, literary critics, representatives of Russian aliyah in Israel, the seventies and nineties. Among them are: Dora Shturman, Lydia Yanovska, Nina Voronel, Elena Axelrod, Maya Kaganskaya. It turns out that women are a significant part of the cultural space of Israel and the Russian literature of emigration.

Językowy obraz historii Polski w skeczach współczesnych kabaretów

Author(s): Marzena Adamczyk / Language(s): Polish Issue: 46/2012

This work addresses the problem of cabaret groups and sketches. First of all, it describes and analyses the linguistic picture of the Polish history, including Polish stereotypes (e.g. the stereotype of a German or Russian person), in sketches of modern cabaret groups. This article presents the linguistic methods of creating a comic interpretation of history used by the authors of sketches. As a result of data analysis, three kinds of sketches are distinguished: historical ones, sketches based on convention, and manners sketches.

Поетът, съдбата и любовта (непубликувани писма на Теодор Траянов)

Author(s): Rumen Shivachev / Language(s): Bulgarian Issue: 3/2016

The text presents some unknown letters from Teodor Trayanov to Dora Dustabanova written from 1932 to her death in 1937. Analyzed are the private relations between the poet and the actress, as also her influence on his creativity. An unknown poem, probably devoted to Dora Dustabanova is included.

Указания за авторите

Author(s): Author Not Specified / Language(s): English,Bulgarian Issue: 3/2016

Зависимият човек. Фактори на зависимостта. Национална научна конференция с международно участие

Author(s): Emiliya Alexieva / Language(s): Bulgarian Issue: 38/2019

Katastrofi zm poetycki. Próba stabilizacji pojęcia i „ciągi dalsze”

Author(s): Andrzej Niewiadomski / Language(s): Polish Issue: 4/2018

Catastrophism is a concept often used in Polish historical-literary discourse, but the frequency of the occurrence of this term does not go hand in hand with its precision. The article is an attempt to disambiguate it (following the concept of Edward Balcerzan) as a term meaning strictly poetic convention rather than a ‘view’ or ‘world-view attitude.’ The paper is also an attempt to determine the time frame of catastrophism in modern Polish poetry with culmination between 1930 and 1943, ordering its variations due to: the type and extent of catastrophic ‘fantasies,’ the consequences of the catastrophe, and temporal construction. This ordered phenomenon presents itself as an important part of modern Polish poetry, which, together with other aesthetics, marks the moment of the solstice in the middle of the 20th century. A separate issue is the problem of the presence of poetic catastrophe in post-war poetry up to the present times. Researchers using the term ‘poetic catastrophe’ in relation to contemporary poetic phenomena treat it very freely. The confrontation of works considered by them as catastrophic with the convention of catastrophic poetics indicates that there are free connections rather than a simple continuation of the pattern. Such references can be found in the late works of Czeslaw Milosz and Jerzy Zagorski, in the works of Tadeusz Rozewicz, Zbigniew Herbert, Rafal Wojaczek, poets of Nowa Fala, Bronislaw Maj, Jan Polkowski, and Marcin Swietlicki. The poems of the latter question the sense of using the catastrophic convention in the face of mental changes taking place in the post-modern world.

Polni stereotip u etničkom: prilog srpskoj imagologiji

Author(s): Gordana Đerić / Language(s): Serbian Issue: 1/2007

The article deals with explanatorily relevance of the concept of stereotype in one of its original meanings - as a "mental image". This meaning of stereotype is starting point for further differentiations between linguistic and behavioral stereotypes (in sense of non-verbal and expected reactions); universal and particular stereotypes; selfrepresentative and introspective stereotypes; permanent and contemporary stereotypes; finally and most importantly for our purposes, difference between silent and audible stereotypes. The first part of this article discusses functions and makes differentiation of stereotypes. In the second part, the relations of silent and audible stereotypes are tested against introduction of "innovative vocabularies" in popular inheritance. In other words, the explanatory power of this differentiation is investigated through an analysis of unconventional motives in Serbian epic poems. The goal of the argument is to clarify a procedure of self-creation of masculinity as a relevant feature of "national character" through "tactic games" of silent and audible stereotypes. Examination of these "poetic strategies" has a two-fold function: to illustrate the process of construction of particular features of "ethno-type", on the one hand, and to check hypothesis and models which are considered as frameworks of stereotype analysis, on the other.

Losy szkolnictwa białoruskiego w Polsce międzywojennej na łamach "Przeglądu Wileńskiego"

Author(s): Aleksander Barszczewski / Language(s): Polish Issue: V/2000

Сербский эпос в Курсe славянских литератуp A. Мицкевичa : методологический аспект

Author(s): Aleksiej Dmitrowskij / Language(s): Russian Issue: V/2000

Біблійна фразеологія в сучасній українській мові : (українсько-польські паралелі)

Author(s): Maria Czetyrba / Language(s): Ukrainian Issue: V/2000

An ecocrıtıcal readıng of representatıons of nature in modern Turkısh novel

Author(s): Berrin N. Aksoy / Language(s): English Issue: 2/2019

Modern Turkish novel developed in the 19th century, greatly inspired by the translations of foreign models. Since then, it has undergone a gradual transformation in terms of style, subject matter and innovative genres and modes of expression thanks to the potentials provided by local cultural and traditional literary sources. Of those, people’s ballads, court poetry and folkstories and songs which have celebrated the geographical, regional and natural characteristics of the homeland and which portrayed the forms of a relationship between the human and nature lie deep in the cultural memory and consciousness of the people. Such a literary climate enables novelists to weave several representations of this relationship between human and nature as a dominating metaphor or motif in their work. In this paper, I will trace the manifestations of this relationship and their artistic and literary functions in the novel Kuyucaklı Yusuf (Yusuf from Kuyucak) by Sabahattin Ali, and Ortadirek (The Wind from the Plain) by Yaşar Kemal.

Юбилейната смърт на националния герой (Късни употреби на образа на Васил Левски: из социалистическата художествена литература, социалистическия печат и отвъд тях)

Author(s): Gergina Krasteva / Language(s): Bulgarian Issue: 50/II/2019

Thе paper discusses some applications of the image of the 'Apostle' of the Bulgarian freedom Vasil Levski during the communist and post-communist decades in Bulgaria. The survey examines a chronologically wide empirical territory outlined by the socialist press and literature of the 1960s and 1970s, but also approaches models of interpretation in two contemporary lyrical anthologies devoted to the 'Apostle' (2000 and 2017). Models of ideological „absorption“ of the figure of the 'Apostle' are analyzed in the context of the socialist anniversary procedures most of which are dominated by the marking of his death. The text focuses further on specific cases that reconstruct totalitarian imagery and language practices in representative artistic editions from the last two decades of XX century.