1898. 25 години от обесването на Левски: юбилей и преса

Author(s): Elena Getova / Language(s): Bulgarian / Publication Year: 0

The year 1898 marked the first jubilee of Vasil Levski – 25 years since his hanging. The dynamics of political processes in liberated Bulgaria at the time present a rather interesting and particularly complex picture against the background of which this event unfolded. The stereotype of jubilee celebrations was yet to consolidate and this particular occasion – the anniversary since the death of the Apostle of freedom – makes visible the deep political contradictions inherited from previous historical realities. The manifestations of these contradictions can be seen in the press in 1898.

1926–1940

Author(s): Historical Future Editors / Language(s): Hungarian / Issue: 02/2016

The journal Korunk (“Our Age”) celebrates the 90th anniversary of its founding in February this year. One of the oldest Hungarian-language social-scientific/cultural/literary journals of the Carpathian Basin still published today has played an essential role not only within Transylvanian Hungarian literary, scientific and cultural life, but also in the integration of European values into Transylvanian culture. Its founder and editor until 1931 was Dienes László, who, from January 1929, co-edits the journal with Gábor Gaál. The Korunk establishes a new type of journal, aimed at encompassing the whole of modernly differentiated spiritual life, hitherto lacking from Romanian Hungarian culture, which, as “a journal of four countries”, enlists its authors from more countries for almost every issue, even in the issues of the first series, from February 1926 to August 1940. The second series of the Korunk commences in February 1957, under editor-in-chief Ernõ Gáll and managing editor Edgár Balogh. The thematic centre of the journal is defined as the modernisation of its profile and themes and as the rendering of national and ethnic characteristics “between universal coordinates”. However, the ever-increasing censorship sees to it that the initiatives of this second start soon turn grey, and that the journal limits itself to the preservation of forms and to the mere presentation of worldwide cultural life, tolerated by the censors. The second part of the 1960s, with the easing up of the political climate, brings about a new change. This is the beginning of the truly “good period” of the Korunk, due to experimenting with new forms, new editorial conceptions, and, not least, to the exploitation of the possibilities inherent in thematic editing. By this time, the journal has become not only a much needed forum for Transylvanian Hungarian intellectuals, but also an institution of consciousness formation and ethnic self-cognizance. Again, after 1984, the year when the repressive characteristics of the political regime start to become increasingly dominant, the possibilities are narrowed down once more. In fact, from now on, the life of the journal limits itself to isolated editorial work. The third series, launched in January 1990, will have Lajos Kántor as editor-in-chief, followed by Imre József Balázs, and then by Gyöngy Kovács Kiss. In its present form, Korunk remains a forum for intellectuals and a mediator of scientific results. On the one hand, it is a blend of Transylvanism and Europeanism – due to the discussion of global and local themes –, on the other hand, it also fulfils the function of a bridge between the segments of Transylvanian and universal Hungarian spiritual life. The fragmentary corpus of this issue presents the virtual, longitudinal, or rather latitudinal, section of a textual archive, its horizontal and vertical approach. And, in this reading, it is also an attempt at a self-reflection of the Korunk at its jubilee.

1957-1989

Author(s): Historical Future Editors / Language(s): Hungarian / Issue: 02/2016

The journal Korunk (“Our Age”) celebrates the 90th anniversary of its founding in February this year. One of the oldest Hungarian-language social-scientific/cultural/literary journals of the Carpathian Basin still published today has played an essential role not only within Transylvanian Hungarian literary, scientific and cultural life, but also in the integration of European values into Transylvanian culture. Its founder and editor until 1931 was Dienes László, who, from January 1929, co-edits the journal with Gábor Gaál. The Korunk establishes a new type of journal, aimed at encompassing the whole of modernly differentiated spiritual life, hitherto lacking from Romanian Hungarian culture, which, as “a journal of four countries”, enlists its authors from more countries for almost every issue, even in the issues of the first series, from February 1926 to August 1940. The second series of the Korunk commences in February 1957, under editor-in-chief Ernõ Gáll and managing editor Edgár Balogh. The thematic centre of the journal is defined as the modernisation of its profile and themes and as the rendering of national and ethnic characteristics “between universal coordinates”. However, the ever-increasing censorship sees to it that the initiatives of this second start soon turn grey, and that the journal limits itself to the preservation of forms and to the mere presentation of worldwide cultural life, tolerated by the censors. The second part of the 1960s, with the easing up of the political climate, brings about a new change. This is the beginning of the truly “good period” of the Korunk, due to experimenting with new forms, new editorial conceptions, and, not least, to the exploitation of the possibilities inherent in thematic editing. By this time, the journal has become not only a much needed forum for Transylvanian Hungarian intellectuals, but also an institution of consciousness formation and ethnic self-cognizance. Again, after 1984, the year when the repressive characteristics of the political regime start to become increasingly dominant, the possibilities are narrowed down once more. In fact, from now on, the life of the journal limits itself to isolated editorial work. The third series, launched in January 1990, will have Lajos Kántor as editor-in-chief, followed by Imre József Balázs, and then by Gyöngy Kovács Kiss. In its present form, Korunk remains a forum for intellectuals and a mediator of scientific results. On the one hand, it is a blend of Transylvanism and Europeanism – due to the discussion of global and local themes –, on the other hand, it also fulfils the function of a bridge between the segments of Transylvanian and universal Hungarian spiritual life. The fragmentary corpus of this issue presents the virtual, longitudinal, or rather latitudinal, section of a textual archive, its horizontal and vertical approach. And, in this reading, it is also an attempt at a self-reflection of the Korunk at its jubilee.

1990–2015

Author(s): Historical Future Editors / Language(s): Hungarian / Issue: 02/2016

The journal Korunk (“Our Age”) celebrates the 90th anniversary of its founding in February this year. One of the oldest Hungarian-language social-scientific/cultural/literary journals of the Carpathian Basin still published today has played an essential role not only within Transylvanian Hungarian literary, scientific and cultural life, but also in the integration of European values into Transylvanian culture. Its founder and editor until 1931 was Dienes László, who, from January 1929, co-edits the journal with Gábor Gaál. The Korunk establishes a new type of journal, aimed at encompassing the whole of modernly differentiated spiritual life, hitherto lacking from Romanian Hungarian culture, which, as “a journal of four countries”, enlists its authors from more countries for almost every issue, even in the issues of the first series, from February 1926 to August 1940. The second series of the Korunk commences in February 1957, under editor-in-chief Ernõ Gáll and managing editor Edgár Balogh. The thematic centre of the journal is defined as the modernisation of its profile and themes and as the rendering of national and ethnic characteristics “between universal coordinates”. However, the ever-increasing censorship sees to it that the initiatives of this second start soon turn grey, and that the journal limits itself to the preservation of forms and to the mere presentation of worldwide cultural life, tolerated by the censors. The second part of the 1960s, with the easing up of the political climate, brings about a new change. This is the beginning of the truly “good period” of the Korunk, due to experimenting with new forms, new editorial conceptions, and, not least, to the exploitation of the possibilities inherent in thematic editing. By this time, the journal has become not only a much needed forum for Transylvanian Hungarian intellectuals, but also an institution of consciousness formation and ethnic self-cognizance. Again, after 1984, the year when the repressive characteristics of the political regime start to become increasingly dominant, the possibilities are narrowed down once more. In fact, from now on, the life of the journal limits itself to isolated editorial work. The third series, launched in January 1990, will have Lajos Kántor as editor-in-chief, followed by Imre József Balázs, and then by Gyöngy Kovács Kiss. In its present form, Korunk remains a forum for intellectuals and a mediator of scientific results. On the one hand, it is a blend of Transylvanism and Europeanism – due to the discussion of global and local themes –, on the other hand, it also fulfils the function of a bridge between the segments of Transylvanian and universal Hungarian spiritual life. The fragmentary corpus of this issue presents the virtual, longitudinal, or rather latitudinal, section of a textual archive, its horizontal and vertical approach. And, in this reading, it is also an attempt at a self-reflection of the Korunk at its jubilee.

Aneksja kolektywu czy dyktat wybiórcy? Z zagadnień antologii tłumaczeń (na przykładzie nowych wyborów poezji rosyjskiej)

Author(s): Ewa Goczał / Language(s): Polish / Issue: 157/2017

The article attempts to present the comparison of two translator’s achievements: Zbigniew Dmitroca’s Radio Swoboda and Jerzy Czech’s Wdrapałem się na piedestał. The anthologist’s work is considered here as both the act of translation and revelation — joining the translation of literary texts and their compilation in anthologies with scrutinizing the particular writers and literary phenomena as well as the process of translation itself, and introducing a new, transforming quality to the native poetry. A translator-anthologist can be perceived in that perspective as a link between two literary cultures, and also as an initiator of changes and an independent creator who develops, in his own language and on his own conditions, a certain new Polish canon of Russian poetry

Artur Rega: „Omul în lumea simbolurilor. Antropologia filozofică a lui Mircea Eliade”

Author(s): Magdalena FILARY / Language(s): English / Issue: 1/2018

The Polish exegesis of Mircea Eliade's work has grown after 1989 through monographs and studies devoted entirely to hermeneutics that the historian and phenomenologist of religions imposes on the sciences dealing with the study of sacredness, of religious phenomena and related symbolism. The book Man in the Symbol World. Philosophical Anthropology of Mircea Eliade by Artur Rega is among them.

BEYOND THE HISTORY OF A LITERARY GENRE: THE ENCYCLOPEDIA OF ROMANAIN MEMORY WRITING

Author(s): Doris Mironescu / Language(s): English / Issue: 2/2019

Beyond the History of a Literary Genre: The Encyclopedia of Romanian Memory Writing. The paper presents the theoretical frame of the research project The Encyclopedia of Romanian Memory Writing, currently being developed at the “A. Philippide” Institute for Romanian Philology. This encyclopedia joins other recent projects, such as literary dictionaries, in an effort to construct an alternative approach to the (national) literary history by subverting the (legitimizing) causal narration. It will include canonical texts, memoirists, various categories of title-articles, but also a set of operative concepts that allow for a definition of memoir-writing starting from the psychological, philosophical and anthropological implications of memory. By indexing literary phenomena in an encyclopedic manner, the textual corpora of Romanian literature may be described and analyzed in a transnational, comparative and interdisciplinary manner.

Cultura tradiţională imaterială românească din Bistriţa-Năsăud, vo. II, Sărbătorile ciclului social şi calendaristic sau Munci şi zile în Ţinutul Bistriţei şi Năsăudului

Author(s): Dana-Maria RUS / Language(s): Romanian / Issue: 1/2016

Alcătuit dintr-un număr consistent de pagini, volumul de faţă prezintă, într-o manieră amănunţită, aspecte din cultura imaterială a populaţiei din judeţul BistriţaNăsăud de-a lungul secolului XX. Aşa după cum bine remarca profesorul Vasile Dâncu în prezentarea de pe coperta 2 a cărţii, volumul se diferenţiază de alte lucrări de gen prin scopul pentru care a fost scris, şi anume acela de ,,a oferi societăţii şi omului modern o alternativă la pierderea sensului, la uitarea de sine sau la crizele identitare’’. Spaţiul investigat de cei doi autori este bine delimitat chiar din titlu: Ţinutul Bistriţei şi Ţinutul Năsăudului, locuri familiare autorilor care au copilărit şi au crescut în zonă.

Din C. spre Ch

IMAGINARUL LITEREI

Author(s): Grigore Chiper / Language(s): Romanian / Issue: 3/2019

Dominik Chechelski, Cycerona i Jana Pawła II myślenie o starości, seria: Horyzonty dogmatu, Kraków: wyd. Scriptum 2017, ss. 221. Print. ISBN 978-83-65432-48-3

Author(s): Dariusz Piasecki / Language(s): Polish / Issue: 12/2017

Etnologia europeană în jurul anului 1800. Culegeri cu ajutorul corespondenților și al chestionarelor

Author(s): Ion Taloş / Language(s): Romanian / Issue: 30/2016

Um 1800 richteten Regierungen und wissenschaftliche Gesellschaften ihren Blick auf die Volkskultur (Bräuche, Aberglauben, Lieder, Sagen, Märchen usw.). Es entstand eine neue Wissenschaft - die Ethnologie -, für deren Entwicklung die Korrespondenten viel beigetragen haben, denn sie konnten auf Grund der vom Zentrum verschickten Fragebögen, die notwendigen Informationen aufnehmen und sie den Wissenschaftlern zur Verfügung stellen. Die Anfänge der europäischen Ethnologie stehen also unter dem Zeichen des Sammelns mit Hilfe von Korrespondenten. Vorläufer dieser Methode waren die in die Neue Welt gesandten spanischen Priester (z. B. Bernardino de Sahagún im 16. Jh.), die Informationen aller Art über die eroberten Völker sammeln sollten, und der schwedische König Gustavus Adolphus, der 1630 Antiquaren und Historiker damit beauftragte, Märchen und Sagen sowie Kenntnisse der Volksmedizin und der Wetterkunde der einfachen Menschen aufzunehmen. Auf ähnlicher Weise verfuhren 1798 Napoleon und 1805-1810 Erzherzog Johann von Österreich, die „zum Zwecke einer besseren Regierungstätigkeit”, ein Inventar aller Feld-, Industrie- und Kunstarbeiten, und nicht zuletzt der Bräuche, Aberglauben sowie der Ruinen alter Monumente haben wollten. Société des Observateurs de l’Homme (1799-1804), Académie Celtique (1805) sowie das Grimmsche Projekt Aufsammlung der Volkspoesie (1808, 1810) stellten Fragebögen zusammen, die die Verbesserung der Forschung von Exploratoren im Übersee, bzw. das Kennenlernen der Vergangenheit der Kelten und Deutschen durch die Gegenwart bezweckten.

FOLKLORE ARCHIVES – WITNESSES OF THE HISTORY OF ETHNOLOGICAL STUDIES

Author(s): Eleonora Sava / Language(s): English / Issue: 2/2019

Folklore archives – witnesses of the history of ethnological studies. This study proposes a rereading of the documents kept in a folklore archive from Romania, with a focus on the methods used by those who drafted and archived these documents. The research demonstrates that, in the absence of testimonies regarding the manner in which fieldwork was conducted, the documents of the archive can provide valuable information on the field research and the vision on folklore of several generations of researchers. Thus, archives of folklore are seen as witnesses of the history of ethnology.

FROM CLOSE TO DISTANT READING OF 100 ROMANIAN NOVELS FROM 1850 TO 1920

Author(s): Luiza Marinescu / Language(s): English / Issue: 2/2019

From Close to Distant Reading of 100 Romanian Novels from 1850 to 1920. In Romania, among the academic personalities, Solomon Marcus (b. the 1st of March 1925, Bacău – d. the 17th of March 2016, Bucharest) was perhaps the only one who happily combined linguistics and mathematics, being known in the Romanian philological environment especially for Lingvistica matematică [Mathematical Linguistic], Modele matematice în lingvistică [Mathematical Models in Linguistics], 1963, 1966, and Poetica matematică [Mathematical Poetics], in 1970, and in the international scientific field for numerous translation and also for numerous papers published in prestigious publishing houses in Paris, New York and Bologna. Grounded in the Distant reading paradigm (i.e. using digital humanities in analyzing large collection of literary texts) the paper, From close and to distant reading of Romanian novels from 1850 to 1920 provides a historical classification of texts in order to be included in a multilingual European Literary text Collection (ELTeC), permitting to test methods and compare results across national traditions and consider the consequences of such resources and methods for rethinking fundamental concepts in literary history. The paper is following main ideas in relation with the consequences of an absent research field in Romanian academic studies, digital humanities: Close and distant reading in digital humanities: Romanian literature case from 1850 to 1920; Romanian literary history and ways of transnational knowledge through Distant Reading of literary facts: 100 Romanian novels from 1850 to 1920; Transnational redefinition of periods in national history through a literary species: the novel; The problem of "translation / export" of national literary histories.

GOETHE AND HIS FOLLOWERS: WELTLITERATUR AND ITS AFTERLIVES

Author(s): Leena Eilittä / Language(s): English / Issue: 2/2019

Goethe and his Followers: Weltliteratur and its Afterlives. Goethe´s Weltliteratur, which recalls cosmopolitan ideas of the 18th century, drew attention to literature´s multicultural role in the international exchange and networks. His ideas were developed by subsequent scholars who reflected upon the importance of translations, literatures belonging to small nations, and putting in contact local and global aspects in their discussions about literary studies. Hugo Meltzl emphasized multilingualism for development of literary studies; Georg Brandes drew attention to the importance of small literatures; and Fritz Strich proclaimed that world literature should challenge the Eurocentric notion of literary studies.

HOMERSKE HIMNE

Author(s): / Language(s): Serbian / Issue: 450/2008

Osim Ilijade i Odiseje, pod Homerovim imenom sačuvan je i zbornik Himni. Najstarije, nama u celini poznate, grčke himne pisane su u heksametrima. Obeležene su, zajedno sa mnogo mlađim pesmama, kao: ΄Ομηρικοι υμνοι – homerske himne i sačuvane su u zborniku koji je, verovatno, nastao tek u doba helenizma.

Intelectualii și istoria

Author(s): Simona Antofi / Language(s): Romanian / Issue: 2/2016

The Romanian intellectuals and their political commitment become one central issue in focus of Manea-Kanterian dialogue (before and after 1990). The different situations of intellectuals's position towards the regime (overt or covert political commitment or, on the contrary, total disapproval) are honestly and objectively approached.

Karczmy i zajazdy. Literackie opisy przestrzeni wielokulturowej

Author(s): Andrzej Fabianowski / Language(s): Polish / Issue: 1/2010

In dem Artikel wird eines der wichtigsten Elemente des (reise)literarischen Nachlasses im XIX. Jahrhundert, nämlich das Wirtshaus, dargestellt. Charakteristisch für die damalige kulturelle Wirklichkeit war die Tatsache, dass diese Gasthäuser von den Vertretern der jüdischen Gemeinde geführt wurden. Diese Situation war ein Ergebnis der im XIX Jahrhundert herrschenden Gesetzgebung, die die Ausübung von anderen Berufen als den des Gastwirtes für Juden verbot. Gasthäuser wurden im multikulturellem Polen und später nach dem Verlust der Unabhängigkeit eine Schnittstelle von Interessen folgender drei ökonomischer Instanzen: der polnischen Gutsbesitzer, der jüdischen Pächter und polnischer Bauern. Bei einer Gelegenheit der ökonomischen Verhältnisse kam es auch zu einem spezifischen kulturellen Austausch. Für den polnischen Bauer war ein Wirtshaus nicht nur eine Anlaufstelle, an der er sich nach aktuellen Informationen erkundigen konnte, sondern auch ein Forum, in dem Wissen über die weite Welt ausgetauscht wurde. Die Bilder der ländlichen, von Juden geführten Wirtshäuser, wurde ein Thema vieler Werke der polnischen Literatur. Folgende Autoren sind zu erwähnen: F. Kowalski, S. K. Potocki, W. Wiącek, E. A. Odyniec, J. I. Kraszewski. Das ländliche Wirtshaus in einer typischen Beschreibung ist meistens ein Ort, an dem die Juden die polnischen Bauern ans Trinken gewöhnen und mit Krediten oder anderen Verpflichtungen abhängig machen. In einem kleineren Ausmaß wird auch eine gute Seite des Charakters und nationaler Eigenschaften der Juden gezeigt. Es wird aber darüber geschwiegen, dass die Juden zur Ausübung von Funktion des Pächters von dem damaligen Recht und polnischen Gutsbesitzern gezwungen wurden.

Kuidas luuletada keelest?

Author(s): Tiit Hennoste / Language(s): Estonian / Issue: 1-2/2019

The review of: Keele maitsest. Luuleantoloogia. Koostaja Mart Velsker. Idee autor ja kaaskoostaja Tõnu Tender. Tallinn: EKSA, 2018. 463 lk.

La Judit Guillaume’a du Bartasa (1574) oraz jej parafraza autorstwa Rafała Leszczyńskiego (po 1620): kształt gatunkowy i konteksty ideologiczne

Author(s): Barbara Marczuk / Language(s): Polish / Issue: 2 (35)/2015

The objective of the article is a comparative analysis of the biblical epic La Judit (1574) by Calvinistic poet Guillaume Salluste Du Bartas and the Polish paraphrase written by Rafał Leszczyński (1620), who was the leader of Polish Protestants in Greater Poland. The current state of research on both poems is very modest: the works were discussed exclusively in introductions to the critical editions cited above. In the present article, the two versions have been compared on three aspects: epic poetics, confessional tinge and references to regicide, which was a contemporary issue in both countries in those times. The French poem is composed of six books and comprises 2,837 lines of 12 syllables each, rhyming AABB. The biblical narration was enriched with numerous allusions to contemporary events as well as digressions on both moral and political issues. It is written in a high style enriched with Homeric comparisons, characters’ speeches, descriptions and erudite catalogues. Leszczyński’s adaptation is shorter than the French original: it is composed of five books comprising 1,640 lines of 13 syllables each, rhyming AABB. This reduction owes to the removal of the digressions and contemporary allusions, without touching the qualities of the epic style.

LES OUBLIS DE L’HISTOIRE LITTÉRAIRE ROUMAINE : LA POÉSIE DE GUERRE

Author(s): Corina Croitoru / Language(s): French / Issue: 2/2019

Forgotten Issues of Romanian Literary History: War Poetry. Having as a starting point a general reflection on the belonging of Romanian literature to a cultural geography constantly conditioned by history, this study aims to question the reasons why Romanian poetry of the Great War represents for over a century a taboo subject of Romanian literary history, contrary to tendencies in international literary history.