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Экзистенциальный язык и языковая экзистенция

Author(s): Tomas Kačerauskas / Language(s): Russian Issue: 126/2009

The paper discusses the relation between language and existence. The author presupposes that existence and language are inseparable from each other. The controlling thesis is as follows: existential environment has been created as an interconnection between our activity and language. On this basis one can derive next assumptions: language is not separate from existence as a school of the exit; existential language as a factor of life’s narrative is the main component of human creation (culture). The author follows the Husserl’s phenomenology of living world (Lebenswelt), the Heidegger’s conception of being to the death (Sein zum Tode), and the Bachtin’s theses of interaction between the author and the hero. In this context, the attitude is developed of the creative interaction between existential language and linguistic existence. This attitude emerges in a broader project of culture’s phenomenology. According to the author, we are creating our existence analogous to a roman (not a diary) where all events are included into a harmonious dramatic whole. A life’s event becomes a part of narrative existential roman which forms the identity of the narrator. According to the author, the environment of identity’s becoming is a linguistic one. Herewith it is a spiritual environment, which arises in the interaction of individual existential aspirations. In this way, the spiritual environment as a part of the living world is both the factor of our becoming and the whole that we are creating as the environment of coexistence for realization of existential aspirations.

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Достоевский о русской народной самобытности

Author(s): Alexandr V. Motorin / Language(s): Russian Issue: 127/2009

From May, 1872 Dostoevsky for hours lives on earth of Staraya Russa (Old Russia), deepening into understanding of Russian soil, nationality. It was told on the substantial transforming of creative setting: to a great extent the writer went back to one of the native beginnings of Russian consciousness: to verbal creation, free from the personal tyranny of the artist, from the magic fi gment of the imagination, from the temptation to create and impose to the large God’s world with the own artistic, fi ction world. At the same time in his creative consciousness the idea about the unity of such beginnings of Russian folk mentality, as the faith into Christ, moral cleanliness, meekness, orthodox historiosophy consciousness of The Third Rome, and fi nally, language, which all of these expressing and saving, is normalized. The special meaning the writer gave to the living embodiment of these beginnings in some ideal personalities of the saint devotees of faith, Russian women, simple people. Saving of the beginnings of the folk consciousness in living persons is appeared, by Dostoevsky, with the pledge of further existence of nation in the earth time and happy fate in the Eternity.

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Az egyetem és az európai integráció - Gellner, Wittgenstein és Malinowski esete a Bologna-folyamattal

Author(s): Voldemar Tomusk / Language(s): Hungarian Issue: 4/2011

This paper makes a modest attempt to locate the European higher education project in the context of some major twentieth century concerns. The author follows a lead given by Ernest Gellner – “one of the last great Central European polymath intellectuals” – then reaches out to Ludwig Wittgenstein and Bronislaw Malinowski, and from the three of them to European higher education...

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Philosophy and Post-Totalitarian Practices

Author(s): Serhii Yosypenko / Language(s): English Issue: 9/2018

This writing aims to outline the principles of researches on philosophy in Central and Eastern European countries, preferably USSR, in the latest soviet and post-soviet periods. In author’s opinion,the crucial points for such kind of research are: a) to discover a correlation between philosophy and the phenomenon of totalitarianism; b) to correlate a soviet philosophy with totalitarian experience. The article considers methodological and axiological problems in research of post-totalitarian practices in general as such as in philosophy. In author’s opinion the main problem in development of the post-soviet philosophy is interiorisation of intellectual, cultural and social practices, which were formed concerning to totalitarian experience. This became a reason of “cynicism” and “nihilism” of post-soviet philosophy.It’s impossible to cast mentioned phenomena off without consideration of totalitarian phenomenon and critical reconsideration of the own totalitarian experience

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Prawo spadkowe w obliczu postępu technologicznego (nowe wyzwania w XXI wieku)

Author(s): Anetta Breczko,Marta Andruszkiewicz / Language(s): Polish Issue: 4/2017

Technological progress and achievements in the field of bioethics bring about important changes in the material and personal scope of inheritance law regulation, including the consequences of human death. Particularly, it concerns situations when a deceased person has expressed (or not) a wish to use his or her genetic material (for example, post-mortem fertilization), to decide about his or her life and death (through a will or testament) or to dispose of digital assets, data and online accounts (digital death). The effective legal protection of these entities is justified by the principle of equality and the need to defend personal rights. The latter results in the requirement to propose normative solutions that take into account the consequences of biotechnological development; its effects already noticeable in several areas of law. In the field of inheritance law, besides the property rights traditionally included, new rights have appeared that are without any explicit property character. The authors of this paper argue in favor of including, within the scope of inheritance law, the right to post-mortem conception and to dispose of digital assets. Due to the achievements of modern medicine, a testament also should become subject to legal regulation.

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Games and Utopia

Author(s): Michał Kłosiński / Language(s): English Issue: 1/2018

The main theme of my article is the relationship between virtual worlds of video games and the concept of utopia. I aim to present a wide variety of different definitions and theories of utopia, which seem indispensable in order to further the relationship between video game and virtual reality research and the multitude of utopian studies discourses. The thesis starts with a short recollection of Alexander Galloway’s thesis on video games and utopias from his article on World of Warcraft which I am trying to supplement with some of the most interesting contemporary utopian studies research. The core of the article focuses on sketching an alternative proposal which includes a variety of definitions of utopia and utopianism. My aim is to introduce precise and useful notions which could be further utilized in game analysis and game research.

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Szabadság, állam, adók

Author(s): Julian Nida-Rümelin / Language(s): Hungarian Issue: 19/2012

All the forms of political domination, along with the working of political institutionsshould be traced back to the deep consensus about citizenship. This consensus is basedon the mutual recognition of free and equal citizens. However, “neoliberalism” in thesedays started to depart from these normative foundations of political modernity, classicalliberalism and social democracy, in spite of the fact that without these the democraticrule of law and the democratic political processes are unimaginable.

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Filozofija medija mitovi i imaginacija: Damanhur vs. Cern

Author(s): Divna Vuksanović / Language(s): Croatian Issue: 10/2017

The article examines the relationship of science, art, philosophy and media in today’s era, exploring the role of myth and imagination in the creation of a corpus of knowledge. In this context, there are two cases; as well as two value paradigms in which today’s knowledge, impregnated by myths and imagination, it happens. One concept of research, referred to as institutional represented CERN (European Organisation for Nuclear Research), a second Damanhur (Federation of Damanhur).

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Medijski tekst kao pokretač digitalnih gomila

Author(s): Ivana Ostrički / Language(s): Croatian Issue: 10/2017

The times of manipulative power of Le Bon’s crowd leaders are behind us. In today’s technological day and age, this role has been taken over by information in the form of media text. Modern technology enables us access to vast informational (occasionally dead) capital, making us at the same time participants in the creation, modelling and distribution of the same. Such information, in the scope of the new industrial revolution, takes form of “the living entity” made autonomous by its maker and modified into its endless varieties which receive new meanings in new contexts. Primary source of information is made not only difficult to identify, but is irrelevant. Changes in the informational canal are also seen in the domain of the recipient of the message. A phenomenon of “mass recipients” occurs, communication body formed around the information which enables active participation in the communicational system. Hence, the information becomes the leader of the digital crowd. This work analyses the features of the mass media and media texts and their influence on the digital crowds.

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Kreativnost i mediji: kreativne industrije kao projekt ad absurdum

Author(s): Divna Vuksanović / Language(s): Croatian Issue: 9/2016

Text of the statement deals with the relationship of media and creativity in modern times. This relation is treated critically, through market relations, and elaborates the phenomenon of so-called. creative industries. The issue of creative industries and their service to the world of capital, makes the basic interpretive line of the article. Analysis of the concept of creative industries that come from the phrase ‘cultural industry’ Adorno and Horkheimer - shows the absurdity of the whole project which is in the development of arts and culture, as is commonly thought, but rather serves to supporting the world’s capitalism, which is in a crisis. Therefore creative industry as a branch of economy, in fact, instrumentalize creativity, showing it as a necessary precondition of development not only of art, culture and the media, but of entire communities, which we consider wrong approach, in terms of our understanding of this issue from the perspective of a critically intoned philosophy media.

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Noć muzeja – inovacija, kreacija, edukacija

Author(s): Jadranka Božić / Language(s): Croatian Issue: 9/2016

Creators of Night of Museums offer innovation, a different model for consuming culture, a content custom of today’s audience. This manifestation is a true phenomenon of our time. Gathered young, creative people offered a handful of new ideas of urban character and modern sensibility and so animate thousands of people. During that night employed people with help of animational and educational activities, facilitate the understanding art works as well as artifacts, creating narratives, produce meanings, sending certain messages in the context of the current (set) themes. The emphasis of the organizers of that event is so-called nonmuseum programs: concerts, performances, film screenings, entertaining and educational content, as a form of production and diffusion of culture designed primarily for young audiences.

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Teatar i marketing Drama kao instrument profita

Author(s): Ivana Ukropina / Language(s): Croatian Issue: 9/2016

Marketing is the area that is constantly evolving and expanding with the market development, and aims to lay the theoretical foundation for the strategy of the business market. In marketing theory, success on the market is most often associated with understanding and satisfying market needs (consumer needs), but more and often occur new, more advanced concepts. Although, as science of modern society, originated in economics, and is a synthesis of the activities that are used to direct the flow of products and services from the producer to the consumer (user, customer, client) - a successful marketing in practice, in its process, relies crucially on the activity of creative provenance. This paper aims to prove that the creative marketing process, following established brand strategy, products or services, fully draws strength from dramatic elements, in order to establish a final identification of the customer relationship with the brand positioning in the market. In reviewing the course of its marketing and media life as well as his relationship with dramatic elements, the goal is to prove that the dramatization of the truth about this brand represents the priority driver of the global profit of modern society.

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Świadectwo uniwersalizmu myśli: listy Edyty Stein do Romana Ingardena

Author(s): Beata Garlej / Language(s): Polish Issue: 17/2017

The core of the article constitute the letters that Edith Stein (who later became St. Teresa Benedicta of the Cross) and Roman Ingarden, whom she met in Gottingen, exchanged between 1917 and 1939. When they met they were both students of Edmund Husserl and were among the members of so-called Gottingen Phenomenologists’ Club that was not only of international nature but also accepted females as its members, which was quite an exception in the first two decades of the 20th century. The issues addressed in Stein’s letters to her friend from Poland centered on two aspects: behind-the-scenes functioning of the phenomenologists gathered around their master (Husserl), as well as the inner path in the course of which Stein’s spiritual metamorphosis takes place. It is obvious that with reference to the former issue, the works and the philosophical views of Edmund Husserl served as the source of intellectual inspiration. The young scholar reached beyond them though. Her philosophical achievements as well as her inner development were deeply influenced by another professor of philosophy, Adolf Reinach, thirty four years of age at that time. The latter problematic plane discussed in the letters confirms that “[t]he biography of Edith Stein is one of the most fascinating life stories not only in modern times. It is connected both with the content of her thought as well as with her life path that was bold climbing towards perfection as well as a great transformation; this transformation has been defined both as the grandest and the most complex one since the change that was the part of St Paul’s, or Saul of Tarsus, life” [in: Anna Grzegorczyk, Ponad kulturami. Uniwersalizm Edyty Stein, Poznań 2010, p. 37; own translation]. This duality of thought, seemingly referring to the realms so distant that virtually impossible to combine, become connected by one feature: the author’s universality of thought which points clearly that Edith Stein’s philosophical attitude reaches the intercultural dimension. Consequently, the brilliance of the author and philosopher becomes obvious, and „stems from the unique combination of cognitive passion with transcendent sense” [Ibid, p. 41]

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Politička (ne)kreativnost u medijima

Author(s): Radenko Šćekić,Mimo Drašković / Language(s): Croatian Issue: 8/2016

Mass media play a particular role in the formation of public opinion. Mass media also play a very important role in the processes of political communication. In modern democratic countries, the mass media are not legally under the direct control of the government. This creates the impression of fully free and independent media. Politicians try to address their voters through the media. The way in which the media report on the election process and politicians is very important. That is why politicians attempt to promote themselves in public in the best possible way, some with more and some with less creativity. In addition to the traditional media, radio and television, they have at their disposal the media on the rise - the Internet. Through web portals, Facebook pages, Twitter, Instagram and the like, political promotion is presented with a certain touch of creativity.

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Umrežavanje prošlosti: memorijske kulture novomedijske ekologije

Author(s): Zlatan Delić,Mirza Mahmutović / Language(s): Croatian Issue: 7/2015

In this paper we want to develop an interdisciplinary framework for a critical review of traditional theories of meaning, as well as the status, discourses, forms and practi-ces of memory (and forgetting) in digitally mediated cultures. We propose the phro-nesis approach to the analysis of fluid field of media/communication studies. We pose following question: how dynamics of new communication ecology conditions, institutionalizes and transform the practices of social construction of the past within post-Dayton BH context. With the function of forming an alternative understanding of that context, we undertake some sort of mind experiment. We also use methodo-logical procedures from critical digital studies and findings from sociology of info-rmation society and cyberculture.

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Netaknuta doslovnost reklame

Author(s): Jelena Rvović / Language(s): Croatian Issue: 5/2014

When we talk about advertising, media are the frame of reference for understanding and theorization of this phenomenon, but taking into account only that we will once again explain the impact of their content to the audience, which is, after all, not questioned. A different approach to the study of these topics is wider frame of reference - a society, and the basic research question is actually how the study of misogyny in commercials directing attention to the social context in which the recipient makes decisions regarding the release of information? If we recognize misogynistic content in advertisements and interpret it only in the discourse of feminist theory, the question is whether the information obtained in such way will produce the terror of surplus of meaning and why are we doing it at all? Would such an approach and the analysis itself reduced to complete insignificance, not realizing at the end of its significance? On the other hand, if we observe the same analysis through the eyes of human relationships, we must use other discourses.

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Suvremena izlagačka praksa: nove tendencije u prikazivanju kulturnog naslijeđa

Author(s): Ljiljana Manić,Marija Aleksić,Mileva Pavlović / Language(s): Croatian Issue: 5/2014

Because of its symbolic meaning, the cultural and historical heritage has a specific value for the modern generations, since it forms the identity and shapes the collective and individual culture of memory. It is of great importance that more and more young people get in touch with the works of art that make the material cultural heritage. However, the traditional ways of presentation are usually not very popular with the audience, since people are so used to the dynamics of the new media.Contemporary exhibitions are becoming a way for the audience to get information, entertainment and education, since they tell stories and offer arguments of diversity and importance of cultural heritage.In this paper we will analyze the advantages of technology in presentation and promotion of cultural heritage on the example of the multimedia exhibition “Refreshing of memory”. Through animation, projection and interactive presentation, intriguing lighting and sound sensations, the author of the exhibition Ivan Mangov has presented the medieval painting to the younger audience.

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Masmediji: glasogovornici znanstveno tehnološkog aparata

Author(s): Fulvio Šuran / Language(s): Croatian Issue: 4/2014

The dominant scientific-technological apparatus has brought the world to a big and inexorable inversion of all values, as from simple means in the hands of man; it has become a self-functioning apparatus which includes man as its official.This matter, generalized and extended to the whole world of technique, applies also to the mass media, as their spokesman (Stuart Wilde). Mass media evolving from simple instruments and becoming a separate reality of their own. It is a radical change, as each computerized mass media represents only one part of the “web” which, in the function of “mega apparatus” or “cyberspace» “, is in fact a separate world, within which there is no freedom to act, except for that of following its rules, as beforehand conditioning, just to be somebody in the world. This inversion of the media into aims clearly brings also an anthropological transformation caused by the mass media themselves.Man, in fact, is not a “something” granted by its being; his existence in the world depends also on the way he manipulates the surrounding reality, so that not only the mass media transform themselves, but man himself does. And this happens independently on how he uses the media or on the aims he wants to achieve when using them. In fact, we are facing the birth of a new kind of man: the technological man.

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Zemlja izvan EU i mediji bez EU: diskurs Bosanskohercegovačkih medija o EU

Author(s): Lejla Turčilo,Belma Buljubašić / Language(s): Croatian Issue: 4/2014

This paper presents results of media analysis of B&H print and broadcast media, as well as web portals regarding the topic of EU integrations. Bosnia-Herzegovina has not made significant progress in the past few years when it comes to fulfilling obligations related to EU accession and many media present this failure as a problem for B&H further development. So, the analysis of traditional and online media was aimed at finding main trajectories of reporting when it comes to (re)presentation of Europe. The results show that media discourse is quite different in two B&H entities (Federation of B&H and Republic of Srpska), that media do not report much on EU integrations (especially not online media) and even when they do they mainly report protocol-news, written in bureaucratic manner and presenting opinions of officials from EU and B&H.

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Tjelesnost i virtualnost

Author(s): Tatjana Milivojević,Violeta Cvetkovska-Ocokoljić,Dragana Jovanović / Language(s): Croatian Issue: 3/2013

The center of consciousness of one’s existence and the existence of all other things and phenomena, is the experience of one’s own body. The interaction of all sensory systems and their unification in the unique, concrete awareness of one’s self and the world; form the integral experience, which finds its sublimated expression in art. Analogies, metaphors, symbols, meanings and cognition emerge from the neurophysiological systems of all our senses. However, the media virtual reality is audiovisual, with visual predominance. The other exteroceptive (touch, smell and taste), as well as interoceptive (visceral) and proprioceptive senses (information from muscles, sense of grounding) remain unstimulated and unemployed. Knowing that the formation and differentiation of experience, therefore development of creative potential is based on the richness and varietyof one’s perceptual and sensory basis, we’ll try to ifigure out the possible consequences of the reduction of our sensory experienceto two dominant senses: sight and hearing.

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