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![[Inter]sections](/api/image/getjournalcoverimage?id=inter-sections-1528.jpg)
[Inter]sections is the annual double-blind peer reviewed journal of American Studies at the University of Bucharest (ISSN 2068 – 3472). The language of the journal is English (US). Its first peer reviewed issue came out in 2009. From 2009 to 2012, it was a quarterly peer-reviewed publication. Between 2012 and 2014, [Inter]sections was on hiatus. It returned in 2015 as an annual double-blind peer reviewed open access publication.
More...![[rev. on] Galen Strawson: Things That Bother Me. Death, Freedom, the Self, Etc.](/api/image/getissuecoverimage?id=picture_2020_57250.jpg)
Review of: Galen Strawson: Things That Bother Me. Death, Freedom, the Self, Etc. New York: New York Review Books, 2018, 240 pages
More...![[rev. on] Neil Roughley and Kurt Bayerts (eds.): The Normative Animal?](/api/image/getissuecoverimage?id=picture_2020_56296.jpg)
![[spr.] Sprawozdanie z udziału historyków filozofii UKSW w konferencji „Filozofia polska na tle filozofii europejskiej w XX wieku”](/api/image/getissuecoverimage?id=picture_2014_20534.jpg)
ЯВОРОВ КАТО КОЛЕКТИВНА МЕТАФОРА
This article, which may conventionally be classified under the genre philosophy of history, develops two metaphors of high symbolic value. The first is the year 1914, as the start of World War I, the third and last in a se-ries of wars at the start of the 20th century in which Bulgaria was involved. It led teleologically to the year 1919 (Neuilly) which marked the symbolic – therefore absolute – end of the Bulgarian National Revival. The second metaphor is the figure of Yavorov in its his mytho-biographical projection – the poet’s suicide in October 1914 can be seen as a collective metaphor, as a metaphor of a collective ontological loss; but also as an attainment of a qualitatively new state; as the loss of the Revival’s monolithic national aspect and the acquiring of the tragic experience of Modernity and its social fragmentariness.
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