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3.90 €
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"Достоевски и руският религиозно-философски ренесанс от ХХ век"

Author(s): Nonka Bogumilova-Todorova / Language(s): Bulgarian / Issue: 6/1995

REVIEW

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"Жан Пиаже. Двата морала"

Author(s): Stanka Hristova / Language(s): Bulgarian / Issue: 2/1999

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"Иие, духовата музика": Ние, философите

Author(s): Vassil Penchev / Language(s): Bulgarian / Issue: 3+4/1999

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"Консумативното обшество"

Author(s): Veronika Ratzeeva / Language(s): Bulgarian / Issue: 3/2010

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"Логика" на Васил Хаджистоянов — Берон в контекста на философско-логическата мисъл през XIX в. и днес

Author(s): Doroteya Angelova / Language(s): Bulgarian / Issue: 1-2/2002

V. Beron's life and activities ensure the uniformity of our spiritual growth. In his work „Logic" he uses idealistic and teological ideas with aspects of transcendental philosophy. There is a conceptual proximity with Kant in respect of the purpose and the borders of cognition . He accepts philosophy as ontology, gnoseology and methodology simultaneously . He shows the philosophical essence of logic which consists in the search for truth. He poses the conception for the methodological functions of logic and considers the interrelations between psychology and logic, between mathematical and logical thought, too. Beron expresses a dialectical attitude to scientific cognition and thought in his idea of system. The conditions, which he poses, for constructing the systematic entity, get near the contemporary opinion for a syntactic fullness and a logical consistency of the system. His idea concerning the doctrine of system finds it objective expression in the contemporary science for abstract or cybernetic systems.

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"Модуси на битието" (Отзиви: Христов, Бойко "Modi Entis. Приноси към достоевистиката", Стара Загора, 2003)

Author(s): Nonka Bogumilova-Todorova / Language(s): Bulgarian / Issue: 5-6/2003

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"Мъдростта на Дионис", или за преодоляването на нихилизма от Ницше

Author(s): Nikolay Turlakov / Language(s): Bulgarian / Issue: 3/2010

In this paper I will investigate and distinguish the basic form and meaning of the overcoming of nihilism in the philosophical thinking of Nietzsche.

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"От" динамическата "към" хомокосмическата система, или опит за логическа "история" на световния разум

Author(s): Zdravko Dunov,Rumyana Mironova / Language(s): Bulgarian / Issue: 2/1999

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"Постмодерната наука и нейните критици"

Author(s): Vassil Karlukovski / Language(s): Bulgarian / Issue: 3+4/1999

review of: Николина Сретенова. Постмодерната наука и нейните критици. Sofia, Херон Прес, 1998

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"Пътеводител по демокрация" на Еразим Кохак, или за думите без вратовръзки

Author(s): Nonka Bogumilova-Todorova / Language(s): Bulgarian / Issue: 3-4/2000

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"Рефлексивност и социална онтология", или за виртуозната перформативност на социалния учен

Author(s): Tanya Marincheshka / Language(s): Bulgarian / Issue: 3/2010

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"СЪТВОРЕНОТО НОВО" - ПРОТИВОРЕЧИЕ В ОПРЕДЕЛЕНИЕТО?

Author(s): Plamen Makariev / Language(s): Bulgarian / Issue: 2/1994

POSITIONS IN DEBATE

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"Убиецът" на логическия позитивизъм

Author(s): Ralitsa Atanassova / Language(s): Bulgarian / Issue: 5/1995

A PHILOSOPHICAL TEXT WITH COMMENTS

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"Философстването — съзерцание и съпричастие"

Author(s): Maria Nikolova / Language(s): Bulgarian / Issue: 4/2007

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#Foodporn: fetishized sharing of food and its images

#Foodporn: fetishized sharing of food and its images

Author(s): Francesco Piluso / Language(s): English / Issue: 1/2021

Once translated into images, food acquires a broader meaning. Food is no longer merely something to eat, but to show, share and look at. The increasing amount of images and pictures of dishes on our social networks, associated with hashtags such as #foodporn, expresses this renewed social, communicative and provocative function of food. However, the exhibition of these images is quite ambivalent when it comes to establishing determined patterns of visual and social relationships with and between users. The aim of this article is to analyze and attempt to provide mediation to this ambivalence. The pornographic exposition of food images no longer presupposes a transitive form of consumption by the user, but becomes pure and self-reflexing spectacle. The images are obscene (Baudrillard [1981] 1994) and characterized by an excess of transparency on their object which abolishes any form of seduction (Baudrillard [1979] 1990). Barthes ([1980] 1981) defines this kind of image as unary. Pornographic images are an emblematic example. In terms of their self-evident objectivity, these pictures lack any punctum, any piercing sign of a relationship with or openness to the observer (see Eco 1962; 1979). Nevertheless, behind their apparent transparency, the images are always products of specific perspective cuts, and still able to convey mystery, meaning and involvement. The unary image of food is a further fragment in a series of multiple perspectives on the same object. Such potentiality is actualized in our (social) media culture in which sharing and continuous remediation of images and pictures of food constitute a complex storytelling of the object. This, in turn, fosters further participation by the users. The ambivalence between the indifference of the pornographic image and the involvement in the serialization of the detail is synthetized by the notion of fetishism (Baudrillard [1972] 2019). The social (and) media scenery seems to exemplify and radicalize a sort of commodity fetishism, in which social relationships between users are shaped and mediated by (social) media relationships between images of food.

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#stayhomefree

#stayhomefree

Author(s): Jelisaveta Blagojević / Language(s): English / Issue: 1/2020

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(Counter)Monuments and (Anti)Memory in the City. An Aesthetic and Socio-Theoretical Approach

(Counter)Monuments and (Anti)Memory in the City. An Aesthetic and Socio-Theoretical Approach

Author(s): Natalia Krzyżanowska / Language(s): English / Issue: 4/2017

This article reflects upon the possibility of the visualisation of different forms of collective memory in the city. It focuses on the evolution of the ways of commemorating in public spaces. It juxtaposes traditional monuments erected in commemoration of an event or an “important” person for a community with (counter)monuments as a modern, critical reaction geared towards what is either ignored in historical narratives or what remains on the fringe of collective memory. While following a theoretical exploration of the concepts of memory and their fruition in monuments as well as (counter)monuments, the eventual multimodal analysis central to the paper looks in-depth at Ruth Beckermann’s work The Missing Image (Vienna, 2015). The latter is treated as an example of the possible and manifold interpretations of the function and multiplicity of meanings that (counter)- monuments bring to contemporary urban spaces.

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(Im)Possible Tolerance. A Paradox from within Multicultural Societies. An Essay on the Mind-Brain Problem and Legal Proof
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(Im)Possible Tolerance. A Paradox from within Multicultural Societies. An Essay on the Mind-Brain Problem and Legal Proof

Author(s): Francesco Trupia / Language(s): English / Issue: 1/2019

This paper deals with the principle of tolerance in our contemporary society in the attempt to highlight limits and paradoxes in the various aspects of minority issues. From this point of view, the first part of the paper discusses Kymlicka’s contribution to multiculturalism with regard to national minorities and immigrant communities, while the second part confronts his Theory of Minority Rights with Antonio Gramsci’s theory of hegemony and circle of humanity. Therefore, this paper aims at shifting the discourse over tolerance-related minority issues from a top-down approach toward an analysis of how tolerance is allowed to be performed. Thus, Gramsci’s philosophy of praxis is employed to disentangle moral and cultural set of values and norms within which both principle of tolerance and performativity of toleration are established and, in parallel, to reflect on reasons why others are not allowed to be performed.

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(Nie)odczytane znaki (Marcel Proust, Gilles Deleuze, Jarosław Iwaszkiewicz)
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(Nie)odczytane znaki (Marcel Proust, Gilles Deleuze, Jarosław Iwaszkiewicz)

Author(s): Tomasz Wójcik / Language(s): Polish / Issue: 4/2020

The article is an attempt to read the story The Maidens of Wilko by JarosławIwaszkiewicz in the light of Gilles Deleuze’s book Proust and Signs. Theinterpretation key is the concept of “sign” proposed and developed by the Frenchphilosopher.

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(Nie)przewidywalność dynamiki. Refleksje o kryzysie i mieście (na marginesie myśli Jurija Łotmana i René Thoma)

(Nie)przewidywalność dynamiki. Refleksje o kryzysie i mieście (na marginesie myśli Jurija Łotmana i René Thoma)

Author(s): Mikołaj Madurowicz / Language(s): Polish / Issue: 4/2020

The article deals with three issues: (1) how to understand the crisis in the context of the city, (2) what components in the urban crisis equation can be distinguished (constant, variable, unknown), and (3) according to which criteria the predictability of the dynamics of processes taking place in an urbanized environment should be understood. In the analysis, categories of text, code, narrative (discourse), structure and conditions were used as levels of crisis interpretation – in the light of findings of culture semiotician Y. Lotman and mathematician R. Thom. The main result of this study is that the crisis is a stable standard (rule) for all unstable morphologies, including cities.

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