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Počiatky motoristického športu v Bratislave a Košiciach v rokoch 1921 – 1933

Počiatky motoristického športu v Bratislave a Košiciach v rokoch 1921 – 1933

Author(s): Mikuláš Jančura / Language(s): Slovak Issue: 2/2014

The tradition of motor sport in Slovakia is not rooted so deeply as in the Czech lands, or west European states, where it was developed since the turn of 19th and 20th century. This expensive and marginal activity at the beginning started to grow through the organized motoring associations, which were based in Slovakia during the 1920s and 1930s. In Slovakia didn’t exist stable speedway in this period and the races were organized on public roads, what required the cooperation of the districts’ structures and security forces. This kind of races were more attractive and it made them accessible to a wider circle of audience. From the slowly beginnings in the first half of the 1920s a solid base of sports motoring has been formed, subsequently extended its activities range from small club trips to events such as: Competition reliability,„Star-driving“, Speed races or Competition of elegance. This positive trend, however, was temporarily dampened by the impact of the global economic crisis, which also closed the pioneering stage of development of motor sport in Slovakia. This paper aims to capture the character of a relatively dynamic growth of modern sport activity in its pioneering stage in Slovakia.

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Политическите послания в турските сериали по българските телевизии и "Нетфликс"

Политическите послания в турските сериали по българските телевизии и "Нетфликс"

Author(s): Zhana Popova / Language(s): Bulgarian Issue: 10/2021

The text presents the main conclusions based on the study of the political messages in the Turkish series broadcasted on Bulgarian television and on Netflix. The main political messages in the series, showed on Bulgarian television, are the responsibility for decisions, connect with the life of a woman and a child. Among the important political topics are: migration, education abroad and returning home, conflicts between rich and poor.

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The 'Doubled-Sided' Chapel at Pyrga (Cyprus, 1421-1424).

The 'Doubled-Sided' Chapel at Pyrga (Cyprus, 1421-1424).

Author(s): Vladimir Agrigoroaei / Language(s): English Issue: 6/2022

Après avoir reconfirmé la datation de Camille Enlart (vers 1421 ou 1421-1424) et identifié le comman-ditaire (l’évêque de Limassol Barthélemy Gui) dans une inscription fragmentaire, la présente étude explore: d’une part, les modèles des inscriptions en langue vernaculaire française de Pyrga (Chypre); d’autre part, la lo-gique du programme iconographique et le contexte culturel que sous-tend cette dernière. Dans la première par-tie, l’analyse des inscriptions de la chapelle prouve que le concepteur du décor peint a suivi un modèle manuscrit, sans doute un psautier avec un grand cycle d’enluminures. L’étude évoque trois termes de comparaison célè-bres: le Psautier de la reine Ingeburge (Chantilly, Bibliothèque du Musée Condé, 9 – tournant du xiiie siècle), le psautier de l’évêque Henri de Blois (Londres, British Library, Cotton Nero C iv – vers 1160) et le livre d’images de Marie de Rethel (Paris, Bibliothèque nationale de France, n. acq. fr. 16251 – vers 1285). Dans la source manuscrite reconstituée, les inscriptions en ancien français étaient probablement transcrites en tant que tituli, d’après une typologie tripartite: noms de fêtes religieuses, groupes nominaux ayant une fonction analogue et légendes sous forme d’énoncés introduits par l’adverbe coument. La langue des inscriptions de Pyrga, un français d’Outremer, présente les traits particuliers des scriptae chypriotes de la fin du Moyen Âge. De plus, on constate que la déco-ration de la chapelle inscrit le monument de Pyrga dans la catégorie des chapelles royales de l’Europe occidentale (xive et xve siècles). Le transfert du codex à la paroi concerne non seulement les images, mais également les textes qui accompagnent ces dernières. L’auteur s’intéresse ensuite à la disposition symétrique de la décoration dans les deux travées de la chapelle, ainsi qu’à la manière dont cette disposition accentue l’Uniatisme catholique-orthodoxe. La logique dos-à-dos de la décoration émule celle des icônes à double face – termes de comparaison directs pour la chapelle – notamment leur choix d’apparier deux scènes : la Crucifixion / la Mère de Dieu. Le con-cepteur du décor peint souhaitait évoquer l’osmose de deux églises: une église latine, orientée vers l’Est; la sug-gestion d’une église byzantine, orientée vers l’Ouest. Cela explique le choix particulier de la décoration des voûtes (christologique pour la travée Est et mariale pour la travée Ouest), la double représentation de l’An-nonciation (pour marquer l’orientation des deux églises) et le choix d’une composition de type pala d’altare pour la paroi Est, tandis que la paroi Ouest imite la décoration des templons byzantins. L’osmose des deux églises est indiquée de manière encore plus claire par le choix de représenter les martyriums des saints Étienne (signifiant l’Orient) et Laurent (signifiant l’Occident) au-dessus des entrées latérales. Ce serait une allusion à l’osmose des corps de ces saints dans la Coniunctio corporum sanctorum Stephani et Laurentii (bhl 4784b). Après une réévaluation du texte fragmentaire (aujourd’hui perdu) de l’inscription dédicatoire, il est évident que la dédicace proprement dite concernait l’Assomption de la Vierge. Qui plus est, l’osmose Est-Ouest était de nou-veau indiquée par la représentation dans un même cadre de la Dormition de la Mère de Dieu (sujet à connotation byzantine) et du Couronnement de la Vierge (thème occidental par excellence). Les textes littéraires des xive et xve siècles confirment la fixation chypriote de l’appariement de la Mère de Dieu avec la Passion du Christ, de même que plusieurs autres choix de la décoration de Pyrga. La signification de la décoration devait être multiple, en rapport avec la triple utilité du bâtiment: chapelle funéraire (pour Barthélemy Gui), chapelle royale (pour le couple Janus de Lusignan-Charlotte de Bourbon) et point d’entrée au monastère de Stavrovouni, qui hébergeait des reliques de la Sainte Croix.

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Museographic Objects, Saints, and Sacred Places: Saint Antony Pechersky, Esphigmenou Monastery (Mount Athos), and the Museum of Christian Antiquities (Athens).

Museographic Objects, Saints, and Sacred Places: Saint Antony Pechersky, Esphigmenou Monastery (Mount Athos), and the Museum of Christian Antiquities (Athens).

Author(s): Katerina Seraïdari / Language(s): English Issue: 6/2022

L’article nous présente la manière dont trois histoires, avec des finalités très différentes, s’avèrent en réalité interconnectées. La première histoire est celle de saint Antoine Petchersky (xe-xie siècle), père du monachisme russe et fondateur de la Laure des Grottes de Kyïv; la deuxième concerne un monastère du Mont Athos, où ce saint aurait vécu pendant un certain temps au xie siècle; la troisième nous parle d’un objet qu’il aurait porté. La présente étude permet d’explorer la rivalité entre Grecs et Russes au Mont Athos dans la seconde moitié du xixe siècle. Elle permet également d’interroger la question des ‘faux’ objets et la pertinence culturelle de ces derniers.

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Products of Russian Visual Culture in the Treasury of Rakovica Monastery in Belgrade (17th – 20th Centuries).

Products of Russian Visual Culture in the Treasury of Rakovica Monastery in Belgrade (17th – 20th Centuries).

Author(s): Ivana Ženarju Rajović / Language(s): English Issue: 6/2022

L’article présente une série d’icônes et d’objets liturgiques provenant du trésor du monastère Rakovica à Belgrade, en Serbie. Plusieurs exemples, datant de différentes périodes, témoignent de l’influence culturelle russe sur le milieu local serbe. Le monastère possède six icônes peintes dans le Palais des Armures du Kremlin à Moscou vers la fin du xviie siècle. Ces icônes, qui comptent parmi les témoins conservés les plus anciens, nous renseignent sur les relations serbo-russes au sein de la vie religieuse de Belgrade. D’innombrables guerres ont jalonné l’existence du monastère Rakovica, ce qui explique que le trésor soit aujourd’hui relativement modeste. Il comprend, par exemple, quelques icônes russes des xixe et xxe siècles, principalement des artefacts produits en série, sans valeur artistique significative. Toutefois, les revêtements en argent de trois de ces icônes nécessitent une analyse approfondie. Aussi, le trésor comprend-il plusieurs livres liturgiques imprimés à Moscou ou dans la Laure des Grottes de Kyïv, de même que deux objets liturgiques.

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Потопено наследство, изгубени места и пейзажи на паметта
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Потопено наследство, изгубени места и пейзажи на паметта

Author(s): Lina Gergova / Language(s): Bulgarian Issue: 4/2022

The text introduces in the problem of a collective research on the settlements obliterated during the construction of dams in Bulgaria, making an attempt at a terminological discussion. Based on the examples of the cultural practices of village commemorations, of the narrative patterns of fellow rural communities, and of the intimate gestures of connecting family memory and public spaces, different kinds of optics to the phenomenology of loss are proposed. The submerged as a particular case of lost heritage is in opposition to the heritage of loss, which is valorised as a value in the intergenerational discourse. Efforts are made to interpret the submerged and obliterated village not only as a lost place, but also as an irretrievably lost world. The cultural landscape is correlated with the landscape of memory – all this on the example of one of the most popular dams and the submerged village of the same name – Zhrebchevo.

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Българските язовири. Политика по именуване
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Българските язовири. Политика по именуване

Author(s): Grigor Har. Grigorov / Language(s): Bulgarian Issue: 4/2022

Choosing a name is an important part of the construction of significant infrastructural projects, such as dams. Naming is not only a utilitarian procedure of individualizing a concrete space, but also a symbolic act that gives value to a specific name and transforms it in a cartographic and geographical “site of memory”. The selected name is picked out among other possible variants and is thus the result of a choice that implies an intention or at least a mental attitude. The article attempts to reconstruct the logic underlying the naming of Bulgarian dams.

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Несигурност при преселване от язовирната чаша
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Несигурност при преселване от язовирната чаша

Author(s): Petar Petrov / Language(s): Bulgarian Issue: 4/2022

The resettlement of the inhabitants of the village of Bara, Bulgaria, due to the construction of the ‘Aleksandar Stamboliyski’ Dam prolongs from 1942 to 1953. During this long period, social and economic life in the village is marked by uncertainty. A number of unpredictabilities, caused mainly by political and economic factors, hinder people from making informed choices and adequate decisions. My research interest is focused on the context that produced uncertainty and on resettlers’ worries. The reconstruction is based on archival documents dealing with the resettlement; they include also local complaints.

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Цимлянското море в разказите на жителите на потопените (преселени) станици
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Цимлянското море в разказите на жителите на потопените (преселени) станици

Author(s): Olga Belova / Language(s): Bulgarian Issue: 4/2022

The article analyses the plot-motive content and genre structure of the oral narratives (memories) about the submerging of the Don stanitsi [stations] in connection with the construction of the Tsimlyansk Dam in the middle of the 20th century. The focal points of the narratives about submerging are: the loss of the ‘small homeland’ as a result of the catastrophe, the eschatological experiences, the miraculous ‘return’ of the submerged territories and objects (in visions and in reality, depending on natural phenomena). The narratives about the submerging from the Don region demonstrate a typological similarity with texts from other regions of the former USSR, which allows us to speak of a separately developed genre of modern verbal folklore.

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„Язовир Йовковци е истинско богатство“: спомените на един хидростроец
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„Язовир Йовковци е истинско богатство“: спомените на един хидростроец

Author(s): Lozanka Peycheva,Ventsislav Dimov / Language(s): Bulgarian Issue: 4/2022

This empirical study presents the results of a field research in the town of Elena and other settlements around the ‘Yovkovtsi’ Dam. The content presents fragments of an interview with Sava Kovachev, one of the hydro-builders of the ‘Yovkovtsi’ Dam. The proposed text includes our interlocutor’s memories about his first workday at the dam; brief descriptions of several submerged settlements (Yovkovtsi, Karadzhovtsi and Zingievtsi); an account of a particular case of resistance to the resettlement; memories of destroyed church, school and inn; evidences for the life of the dam builders with details about technological elements and processes of the construction, as well as for the everyday life of the builders; observations on the creation of landscapes for local dam tourism, developed by rediscovering and constructing a memory and a monument of Valchan Voivode above the ‘Yovkovtsi’ dam.

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„Нашите преместени гробища“: концепцията за гробище в наративите за принудително преселване
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„Нашите преместени гробища“: концепцията за гробище в наративите за принудително преселване

Author(s): Iryna Koval-Fuchylo / Language(s): Bulgarian Issue: 4/2022

In the narratives of migrants from submerged areas, four main concepts can be distinguished: home, land, church and cemetery. The article is devoted to the concept of a cemetery in the memories of forced resettlement from areas submerged during the construction of hydroelectric power plants in Ukraine. Excerpts from memories about the moving of cemeteries are presented. Folk beliefs, nominative vocabulary for events, places, characters, plots, persistent themes, and basic folklore plots are explored. The following main ideas are identified: it is not possible to move a cemetery entirely; disturbing the peace of the cemetery leads to dangerous consequences and provokes the wrath of the dead; the re-installation of grave crosses restores the sacredness of the graves, consolidates the resettled community and updates the memory of its historical past.

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Чешката и словашката следа в България
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Чешката и словашката следа в България

Author(s): Ivana Srbková / Language(s): Bulgarian Issue: 1/2023

Book review

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Oliver Jens Schmitt, Biserica de stat sau biserica în stat? O istorie a Bisericii Ortodoxe Române (Bucharest: Humanitas, 2023), 457p.

Oliver Jens Schmitt, Biserica de stat sau biserica în stat? O istorie a Bisericii Ortodoxe Române (Bucharest: Humanitas, 2023), 457p.

Author(s): SZABÓ Csaba,Dragoş Ursu / Language(s): English Issue: 7/2023

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Етническата памет в топонимите на Артануджи (историческа Грузия)
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Етническата памет в топонимите на Артануджи (историческа Грузия)

Author(s): Inga Ghutidze / Language(s): Bulgarian Issue: 4/2023

Artanuji, the oldest city of Klarjeti, historical Georgia, is within the boundaries of Turkey on the grounds of Kars Treaty (1921). According to the data, gathered through the fieldwork in 2010‒2014, ethnic Georgians were exiled from Artanuji after the World War II. The article deals with the written sources and field data, providing detailed information about the Artanuji population, ethnic Christian Georgians as well as Muslim Georgians. The historical past in this region reminds of itself through the toponyms that appeared in the places of historical Georgia and through the speech of population and covers the history of the ethnic groups. The toponyms attested on the territory of historical Georgia have a great importance for they shed light on a certain period of history and are the only witnesses of Georgian settlement here.

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Св. Георги в грузински културен контекст
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Св. Георги в грузински културен контекст

Author(s): Nino Abakelia / Language(s): Bulgarian Issue: 4/2023

The article briefly evaluates the vast literature relating to the worship of St. George in Georgia and draws on the ethnographic data collected by the author in the years 1977 to 1987. It explores the worship of St George in the Caucasus Georgia both in the past and present. Consequently, it discusses such categories as religious practice, belonging to the parish and territory, identity and, sharing holy places, epithets of the Saint, hybrid cults, etc. The materials used are: written historical sources, ethnographic data attested in the writings of Christian Missionaries (Christopher Castelli, Jean Chardin, Arcangelo Lamberti, etc.), the ethnographic data gathered (during 2018-19) among Internally displaced persons, and contemporary emic and etic researches undertaken by anthropologists of the 20th and 21st centuries. The argument of the present contribution is based upon a series of ethnographic observances that present traditional feasts of the saint and their transformations in the light of current political processes. Accordingly, detailed ethnographic field data and observations are contextualized in time and space, using the explorations and studies of anthropologists and historians. The article tries to show how once traditional Christian site (lieux de mémoire in Pierre Nora’s sense) with its real environment and with is firm identity is deterritorialized and transformed into a shared place of mixed and ambiguous pilgrimage place through the political processes and hybridization.

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ILLUSTRATIONS
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ILLUSTRATIONS

Author(s): Rossen Malchev,Konstantin Rangochev / Language(s): Bulgarian Issue: 23/2024

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Woodcut Illustrations to the Gospel Text in Early Printed Cyrillic Liturgical Tetraevangelia. Part 1: Lviv editions.

Woodcut Illustrations to the Gospel Text in Early Printed Cyrillic Liturgical Tetraevangelia. Part 1: Lviv editions.

Author(s): Jerzy Ostapczuk / Language(s): English Issue: 8/2024

Le présent article se concentre sur les cycles d'images narratives de l'Évangile, présents dans les premiers Tétraévangiles liturgiques imprimés en cyrillique et publiés à Lviv. Les sept éditions des Évangiles publiées par l'imprimerie de la Confrérie de Lviv, ainsi que celle publiée par Mykhailo Slozka, comportent de nombreuses illustrations narratives placées en lien direct avec les versets qui décrivent les scènes représentées. Une étude approfondie de ces cycles évangéliques d'images narratives, ainsi que les changements que les illustrations ont subis dans chaque édition, nous permettent de classer les modèles de représentation en trois groupes, et de diviser les huit Tétraévangiles de Lviv en deux groupes. Deux annexes présentent toutes les images narratives gravées sur bois dans les éditions des Évangiles de Lviv. Le premier appendice contient des représentations d'événements évangéliques dans les Tétraévangiles de Lviv, tandis que le deuxième appendice présente les illustrations narratives de l'édition de Mykhailo Slozka.

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The Manufactory of Old French Psalters. Part 2. The Genetic Stratigraphy of Douce MS 320 (Continuation) and Its Links with the Maidstone and Orne Fragments.

The Manufactory of Old French Psalters. Part 2. The Genetic Stratigraphy of Douce MS 320 (Continuation) and Its Links with the Maidstone and Orne Fragments.

Author(s): Vladimir Agrigoroaei,Chapel Alessia,Lendinara Patrizia,Delattre Corentin / Language(s): English Issue: 8/2024

Le présent article s’inscrit dans la continuité de celui qui a été publié en 2023 dans la même revue (The Manufactory of Old French Psalters: Part 1…). Ce deuxième volet comprend d’abord une section de addenda qui complètent certaines parties du précèdent article. S’ajoutent ensuite les érasures dans diverses formes verbales, suivies par un recensement des corrections liées aux préfixes ex– et es–. D’autres séries d’érasures concernent différentes parties du discours: articles définis; pronoms personnels; pronoms réflexifs; formes possessives; démonstratifs; avec une étude de cas sur les choix de traduction du génitif eius, dont plusieurs documentent l’existence d’un antigraphe. Il s’agit souvent d’une hésitation entre les formes faibles et fortes. Des sections com-plémentaires sont consacrées aux érasures des pronoms relatifs et de la conjonction que; à l’adjectif pronominal toz / tuit; aux prépositions; à la conjonction é; aux signes de ponctuation; et aux particules négatives. L’ana-lyse des érasures du manuscrit d’Oxford, Bibliothèque bodléienne, Douce 320 se termine par un examen détaillé des corrections liées à différents phénomènes lexicaux. L’article porte ensuite sur les rapports entre le manuscrit Douce et les fragments de Maidstone, dont la transcription a été publiée dans le premier volet. Suivent une transcrip-tion des fragments de l’Orne (Paris, Archives Nationales, dossier AB xix 1734) et une étude sur l’origine de ces derniers et sur leurs liens avec le texte de Douce. Les choix de traduction pour le latin numquid documentent les liens entre Douce, Arundel (Londres, Bibliothèque britannique, Arundel 230) et Orne. Les choix de traduction du latin exaltare permettent en partie de restituer le texte latin de la source de Douce. Les différentes stratégies de traduction d’Orne, de Douce et d’Arundel semblent être des réécritures d’antigraphes similaires. Toutes ces ana-lyses montrent que Douce, Arundel, Orne et Maidstone proviennent de deux ou plusieurs gloses vernaculaires apparentées. L’article propose ensuite une perspective globale sur les approches vernaculaires de la traduction des psaumes en Angleterre jusqu’au xiiie siècle, qui documente l’interaction des langues vernaculaires anglaises et françaises avec les textes (et l’exégèse) latins. Il se termine par une discussion (appuyée sur deux exemples du xiie siècle) concernant le double pliage du Douce, lié sans doute à sa circulation et à son emploi dans la réalisation des psautiers bilingues à deux colonnes. Le troisième volet du présent article est prévu pour 2025. Il comprendra la transcription du texte de Douce (avec l’accentuation originale et l’emplacement des érasures), ainsi que plusieurs études complémentaires.

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Promenade dans le labyrinthe de l’art chretien oriental avec Raphaelle Ziade.

Promenade dans le labyrinthe de l’art chretien oriental avec Raphaelle Ziade.

Author(s): Ioana Feodorov / Language(s): French Issue: 8/2024

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Българските народни песни с мотив „Девойка спасява Малта“ – публикации, изследвания, въпроси. Част 1
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Българските народни песни с мотив „Девойка спасява Малта“ – публикации, изследвания, въпроси. Част 1

Author(s): Snezhanka Gencheva / Language(s): Bulgarian Issue: 2/2024

The article summarizes the concepts of historicism of the folklore-poetic works established in our science at the end of the last century. It reviews the recordings and publications of Bulgarian folk songs with the motif "A Virgin Rescues Malta" and examines the research and opinions concerning them. The article also analyses the metadata, associated with the already published versions, throwing more light on the context of their existence at the time of their recording in written form.

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