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Schopenhauer’s concept of the will-to-life was transformed by one of his main disciples, Philipp Mainländer, in his Philosophy of Redemption (1876) into the will-to-death, preceding Freud’s investigations regarding the death drive in Beyond the Pleasure Principle (1920). The post-Schopenhauerian conception that non-being is preferable to being anticipates Cioran’s discussion of suicide from A Short History of Decay (1949) and his vision of the “catastrophe” of birth from The Trouble with Being Born (1973). If, from a Nietzschean perspective, Cioran’s obsession with death is a symptom of passive nihilism, from an extreme-contemporary perspective, his pessimistic thanatophilia may resonate with our anxious crepuscular mentality, prefiguring contemporary Antinatalism.
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The substance of the secularization theory, as formulated by most sociologists in the 1960s and 1970s, presupposed that modernity would implicitly lead to the decline of religion in society, ultimately to its elimination. Secularization, as a separation of the sacred-profane spheres, was the direct result of modernization. Today's reality contradicts this religious skepticism.
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The new center of gravity of the world, the Indian Pacific region, is the subject of this article. “Free and Open Indian Pacific Policy”, adopted by the USA in 2017, is on the foreign policy agenda. By addressing the geopolitical, geoeconomics and geostrategic importance of the region, it will be explained why the USA has implemented this policy. The fact that the competition between China and the US in the global system can result in war is the subject of the article that the dual containment strategy applied to the Soviet Union during the Cold War period and it is a geopolitical area that has gained importance in the context of the alliance relations established with the countries in the region. The importance of the geographical area will be evaluated from the US perspective.
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Since the commencement of colonial modernity in India, English, French, and German literature and philosophy have influenced Indian literature. Along with these three major literary spaces, authors also studied new European literature, particularly that of the former USSR republics and small European nations. Translations of literature from Romania, Hungary, Ukraine, the Czech Republic, Finland, Sweden, Denmark, and many more nations have begun to appear frequently in Bengali magazines since the second decade of 20th century. The Bengali literary canon also was being reshaped by such translations and Europe was redefined beyond the established colonial map, as translation appeared as a new cartography. The literary canon of the colonisers was seen as a dominating literary source and the literature of such minor nations was alternative to those. Additionally, Indian minds were attempting to comprehend various European perspectives on World War- I and II at the moment of the shattering of the nations. Amita Bhose, a well-known translator, spent her life translating from Bengali and Sanskrit to Romanian and Romanian into Bengali and created an emotional bond between Romania, her Bengali as well as Indian heritage, and herself. This paper argues Amita Bhose and her works are attached to an emotional bond that causes a translator to find a new home in the world, and a translator may be regarded best as a cultural ambassador. Amita Bhose through her works from and into Bengali and Romanian bridges between two nations and produced a generation of students who essentially become comparatists in various capacities. An international initiative of an individual brought a new dimension in imagining world literature from a particular location and such paradigmatic practices can be argued as an alternative way of doing a non-anglophone, non-canonical literary comparison
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Researcher, writer, translator and teacher Amita Bhose (Calcutta, 1933 - Bucharest, 1992) has a special place in the Romanian cultural landscape. Born in Calcutta in 1933, in a family with a rich cultural and scientific activity, she graduated from the Faculty of Chemistry, Physics and Mathematics of the University of Calcutta, in 1953. In 1959, she came to Romania with her husband, a geological engineer, where she enrolled in a two-year Romanian language and literature course. She then returned to India, where she debuted in the Indian press with the article Rabindranath in Romania. It was the beginning of a long series of Bengali and English articles about Romanian culture and literature, from which she also translated. In 1965 she graduated from the Faculty of Bengali-English at the University of Calcutta, and in 1971, the beneficiary of a scholarship from the Romanian state, she enrolled in a PhD programme at the Faculty of Romanian Language and Literature, the University of Bucharest. In 1975 she defended her thesis titled The Indian Influence on the thoughts of Eminescu. From 1971 until her death she lived in Romania, "the country she loved perhaps more than many Romanians did, and served with her intelligence and her pen" (Zoe Dumitrescu-Buşulenga, the scientific advisor of the thesis). In India she published translations into Bengali from contemporary Romanian poetry, from Sadoveanu, Zaharia Stancu and Marin Sorescu, and plays by I.L. Caragiale and Mihail Sebastian were set on stage. In 1969, the volume Eminescu: Kavita (Poems), the first translation of Eminescu in Asia, was published in Bengali.
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Professor Surendranath Dasgupta (1887-1952) is probably best remembered as a Philosopher and for his contributions to the historiography of Indian Philosophy. This spirit of philosophical enquiry can also be discovered in his famous works on Yoga and Tantra – knowledge systems which are based in praxis. However, as a thinker, Professor Dasgupta defied all disciplinary boundaries and wrote and lectured on the sciences, literature, art history, aesthetics and so on. Even a cursory look at his teaching career establishes the essentially interdisciplinary nature of his calling: among other things, Dasgupta served as a Professor of Sanskrit and Bengali in Rajshahi and Chittagong College; then taught Bengali at Oxford University; became Professor of Philosophy at Presidency College; then Principal of Sanskrit College; afterwards Professor of Philosophy at the University of Calcutta. He was deeply influenced by poetry, especially Rabindranath Tagore, and many of his essays on philosophy would include Tagore’s poetry as an instance to prove his point or as a moment of epiphany in an otherwise structured argument. Besides these scholarly pursuits, he has also authored poetry collections and novels in Bangla. Dasgupta liked to keep himself informed about the latest developments in World Literature and at times, he even participated in the literary debates that were taking place in the public sphere at that period. Perhaps, his initial training as a student of Sanskrit served as the foundation for this lifelong engagement with languages and literatures. My presentation seeks to locate this literary persona of Professor Dasgupta through a reading of some of his works including Sāhitya Paricay and The History of Sanskrit Literature – in which he worked as an editor and as one of the two contributors. Supplementing these with texts on art and aesthetics by Dasgupta, we seek to understand his way of approaching literature – characteristically comparative; looking for patterns of relationships and connections across time, space, cultures
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Born into a socially conservative but intellectually liberal family, Maitreyi was the daughter of scholar-philosopher Surendranath Dasgupta and Himani Madhuri Rai ( sister of Himanshu Rai, owner/ founder of Bombay Talkies). Her early childhood corresponded with the trying years of the First World War while in her youth she was exposed to the political lessons of the Second World War — to fascist Italy, to the Hitlerite regime in Germany, to Stalinist and post-Stalinist Russia, to Republican and communist China — when Maitreyi, was perceived as a left-wing sympathiser. This was the era of the emergence of nation-states, of obsessive nationalism and revolts against hegemonic and capitalist forces. As an intimate protégée of Rabindranath Tagore, wherever she travelled, to China, Russia, Eastern and Western Europe, she practised the transnationalism that marked out the travelogues of Tagore. This meant that both colonial perceptions and the nation-state centric approach were disrupted by discourses of inter-connectedness that in turn challenged conceptual boundaries of difference and ethnicity
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Maitreyi wrote books of philosophy and also travel books. For Na Hanyate (It Does not Die), the reply-novel to Mircea Eliade’s story, Maitreyi Devi received, in 1976, the Sahitya Akademi Award, the most important distinction from the Academy of Indian Letters. She was invited to give lectures on life and works of her dear friend and mentor, the Nobel laureate Rabindranath Tagore, or on Indian philosophy and culture, all over the world. She also had a special role in the emancipation of Indian women. Marked by the drama of children left on the roads as a result of territorial divisions and political struggles, Maitreyi Devi set up an orphanage and attracted significant funds for educating and empowering young people in disadvantaged environments.
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