A Comparison of 20th Century Theories of Style (in the Context of Czech and British Scholarly Discourses)

Author(s): Michal Křístek / Language(s): English

The book is focused on a comparison of theoretical approaches to issues of style, in the context of Czech and Anglo-Saxon (especially British) scholarly discourses. The aim was to show and compare different methodological approaches based on different theoretical bases – for this reason, two different cultural contexts were selected, attention being paid also to mutual contacts within these contexts. The 20th century was chosen intentionally, as the period during which, in both of the respective contexts, stylistics was constituted as a modern scholarly discipline rooted in the fields of linguistics and literary theory. The book is aimed at members of academic communities, at teachers as well as at students, especially at those focusing on Czech and English studies.

Rozbor filmu

Author(s): Radomir D. Kokeš / Language(s): Czech

The aim is to offer a comprehensive textbook focused on formal analysis of stylistic, narrative, and thematic arrangement of a film work. The publication should be useful for students of film studies and audio-visual culture, as well as for wide audiences (academics, film reviewers, and film fans). The book structure follows a bottom-up explanation model which starts with searching for a research problem and the thesis formulation and goes on to questions related to the text outline and the structure of argumentation. The final part of the book offers more complex film case analyses rooted in the perspective of the previous chapters.

Język Artystyczny. T. 17: Obrzeża, marginesy, rudymenty…

Author(s): / Language(s): Polish

There are a few topics considered in the monograph. One can distinguish among others: question of perimeters in artistic oeuvres, cultural phenomena of margin character and their manifestations in literature, main streams versus niche, different understanding of non/normativeness, interfusion, collages, nebulosity of genres, styles, discourses, changes of subject category (e.g. posthumanism, transhumanism). All of them could be treated as detrituses, remains, scraps as a new perspective of world description, expression of many system metamorphosis of artistic language, style and discourse.

Technopoetics of Textual Bodies: Writing, Culture and Desire in XX Century Latin American Literature

Author(s): Ksenija Bilbija / Language(s): English Publication Year: 0

What Do Prefaces Actually Do? The Function and Transformation of Authorial Prefaces in the Eighteenth Century Novel

Author(s): Vesna Bogojević / Language(s): English Publication Year: 0

The Satire of Ishmael Reed: From Non-standard Sexuality to Argumentation

Author(s): Jiří Šalamoun / Language(s): English

This book addresses a gap in Ishmael Reed scholarship by contextualizing his use of satire and by establishing which satirical techniques are most frequently used and when. It demonstrates that Reed’s satire has evolved from a stage which frequently criticizes society through non-standard sexuality (as can be seen in his early novels) to a stage which frequently criticizes through logical argumentation (as can be seen in novels published after 1990). The book connects these two modes of satire to two types of American racism: overt (present in the public discourse until the Civil Rights Movement) and covert (present in the public discourse after the Civil Rights Movement). It concludes by illustrating that as overt racism became unacceptable in American public discourse, Ishmael Reed updated his satire so that it would remain an effective type of social critique. The book is intended for those interested in the novels of Ishmael Reed, African American literature, and satire.

Figure bjelina

Author(s): Nikola Košćak / Language(s): Croatian Publication Year: 0

Stylistics and rhetoric have always neglected stylogenic procedures associated with the writing level of the language message, procedures based on manipulating the spacing between the words remaining peripheral even in one of the most elaborate overviews of the figures of writing, that of the German rhetorician H. F. Plett, who displays a series of procedures the basis of which is playing of graphemes (or graphs), punctuation and spelling signs. The method of this research will be inspired by the research of Plett, who divides and defines the graphemic figures (as he calls the processes known as figures of writing) by the addition, subtraction, permutation, substitution and equivalence of individual elements of the writing. According to these operations, five subtypes of these figures will be identified and exemplified: the addition, subtraction, permutation, substitution and equivalence figures of spacing, depending on whether any conventional record is modified by adding, omission or displacement of spacing, by replacing spacing with any other means of writing, or about whether any equivalence of the methods of manipulating the spacing between the word within a record is shown. The corpus consists of examples from the Croatian advertising, journalistic and literary discourse, also including examples from other contexts, in order to address the omnipresence of these figures in contemporary culture.

La remise en question ironique dans la vision de Jankélévitch

Author(s): Emilia Dolcu / Language(s): French Publication Year: 0

Many literary critics, philosophers and linguists have studied the concept of irony, but Jankélévitch not only devoted a specific book to it, he also placed the concept in a broader perspective which is at the same time philosophical, historical and literary. Even more, one of his major book, ‘The I Don’t Know What and AlmostNothing’, is the expression of an ironic relationship to the world. My aim is to make visible with Jankélévitch the internal structure of irony and the relation to reality that it establishes. I also intend to bring to light the functions that this figure of speech and thought fulfils. Through a thematic analysis of the work, ‘The I Don’t Know What and Almost Nothing’, I will seek to determine an ironic relationship to the world to see then by what phenomena and linguistic signals it is translated.

(Neoklasyczna) analiza retoryczna George’a A. Kennedy’ego w perspektywie medioznawczej

Author(s): Monika Worsowicz / Language(s): Polish Publication Year: 0

The chapter describes the method of rhetorical analysis by George A. Kennedy and its modification to meet the needs of media analysis. It includes a discussion of the objectives and subject of research as well as methods of analysis, taking into account the possibilities and limitations that the tool created for the needs of biblical exegesis puts on the researcher of the content of contemporary media. The proposed approach can also be used by students when writing bachelor's and master's theses.

Jarosław Kurski, "Prezydent Obywateli" – analiza retoryczna

Author(s): Monika Worsowicz / Language(s): Polish Publication Year: 0

The chapter contains a rhetorical analysis of a journalistic article entitled “President of Citizens” by Jarosław Kurski. The text published in “Gazeta Wyborcza” in November 2019 was a voice in the discussion on the candidates in the presidential election planned for 2020 in Poland. The analysis presents the publication as material in a specific issue of the journal, in the situational context (current socio-political events) and as a message with a specific persuasive purpose. The genological characteristics, composition and means of persuasion used by the author were established. In the final part of the analysis, observations related to the readers' reactions to the publication of “Gazeta Wyborcza” were also taken into account.

Avangardizam Hamze Hume na primjeru pripovijetke Slučaj Raba slikara

Author(s): Elbisa Ustamujić / Language(s): Bosnian Publication Year: 0

This work deals with narrative elements in Hamza Humo`s prose work titled Slučaj Raba slikara. The title of the narrative announces turn from the fable elements to the inner world of the character, showing the intimate psychological flows and reflections.

Uloga i značenje epiteta u Huminoj poeziji

Author(s): Ivana Tomić / Language(s): Bosnian Publication Year: 0

Depending on the poetic description of poetry, the particulars it refers to, or in what way we as a reader experience an imaginary, potential element of this image, they can be: visual, acoustic, tactile, tasteful and olfactive images . Successful poetic images are generated by a description that is realized by a special selection of “decorative adjectives” or epithets. Expressionistic sounds, colors and images are present in this poetry. Most often these are descriptions of Herzegovinian landscapes pervaded by the poet’s inner experience or the most personal intimate feelings, etc. The aim of the paper is to explain the linguistic role of “decorative adjectives”, that is, epithets on the basis of which the poet builds poetic images, as well as their expressive but impressive meaning poetry. This paper will give general information on Expressionism and Hamzi Humi as one of the most significant representatives of expressionist lyrical literature in BH literature. After the basic information about the author and the literary line, theoretical definitions of the epithets will be discussed with regard to the subject analysis. The corpus on which the analysis was made relates to a large number of selected Huma songs from different cycles – Old Motives, Herzegovina Landscapes, City of rhyme and rhythms, Sounds in the heart, Inner life.

Neki stilistički postupci u pripovijeci Taj čovjek Alije Isakovića

Author(s): Edim Šator / Language(s): Bosnian Publication Year: 0

Modernism of Alija Isaković’s prose is, among other things, reflected in the way he uses language. This paper deals with certain phonostylistic and syntaxostylistic elements in the short story Taj čovjek by Alija Isaković. Special attention is paid to the syntaxostylistic aspects where parallelism, elliptical sentences are analyzed. In addition, the paper points out the importance of the inchoative and finitive sentences in the understanding of the text.

NAUČNI SKUP O IZETU SARAJLIĆU

Author(s): / Language(s): Bosnian

Naučni skup o Izetu Sarajliću održan je u četvrtak, 28. marta/ožujka2013. godine od 10:00 do 14:00 sati u Kožnoj sali Akademije nauka i umjetnosti Bosne i Hercegovine.

NOMEN EST OMEN: FUNKCIJE VLASTITIH IMENA I TOPONIMA U SARAJLIĆEVOJ POEZIJI

Author(s): Marina Katnić-Bakaršić / Language(s): Bosnian Publication Year: 0

Iako se može reći da nema sustavnog istraživanja Sarajlićevog stila, književni kritičari uočili su karakteristične stilske postupke u poeziji ovoga pjesnika (npr. Martinović 1984/85, Vučković 1998). U opće stilske odrednice tako spadaju specifična ritmičnost i melodičnost stiha, uvjetovana različitim postupcima poetske sintakse, zatim elegičnost, sentimentalnost, odnosno pojačana emotivnost; ovome se može dodati i svojevrsna retoričnost, te narativnost koja, paradoksalno, ne dokida liričnost stihova. Svakako ne treba zaboraviti ni duhovitost, ponekad i aforističnost, te sklonost ka završetku pjesme u nagloj i snažnoj poanti. Na planu stilskih figura frekventne su figure ponavljanja – anafora, anadiploza, te općenito paralelizmi, što sve dolazi u funkciji stvaranja prepoznatljive ritmičke strukture, ali ima i mnemoničku funkciju, jer je poznato Sarajlićevo uvjerenje kako poezija treba biti zapamtljiva.

LJUBAV OSJENČENA RATOM

Author(s): Enver Kazaz / Language(s): Bosnian Publication Year: 0

U Sarajlićevoj poeziji nisam do sada pronalazio izazove interpretativnoj imaginaciji i on je u mome čitalačkom doživljaju dugo bio pjesnik odveć ličan, ritmički glatko baladičan i elegičan, s jezikom koji ne nudi zakučaste igre i zavodljiva prenošenja do krajnjih rubova asocijativnih mogućnosti riječi. Takav doživljaj ove poezije ponio sam još iz srednjoškolskih i fakultetskih dana i njega je bezmalo uobličila kritika koja ju je označavala intimističkom, naglašavajući da je ona imala značajnu ulogu u poetičkim preobražajima književnosti na južnoslavenskom prostoru odmah iz Drugog svjetskog rata. Tako ga književnopovijesno situiravši, ta kritika kao da je obavila interpretativni posao za čitave generacije čitalaca, a Sarajlić je kasnije smještan i u estradne pjesnike koji su lomili poetski hermetizam neonadrelizma i neosimbolizma. I sam je pjesnik doprinosio takvome čitalačkom doživljaju, tim prije što je kasni Sarajlić postao kanonski pjesnik, veoma omiljen u široj čitalačkoj publici, pjesnik povišenog emocionalnog tonaliteta, estradne poetske geste, lirik koji plijeni, a svojom poezijom kao da uobličava ukus doba koje je došlo iza njega i koje je u težnji za postmodernom jednostavnošću znalo prezreti hermetičnu poeziju jezičkih igara.

NAD BEGIĆEVIM ESEJIMA: PRILOG INTERPRETACIJI STILA

Author(s): Marina Katnić-Bakaršić / Language(s): Bosnian Publication Year: 0

Ako bi trebalo odrediti ključno obilježje Begićevog djela, njegovu stilsku dominantu, onda je to svakako esejističnost kao onaj princip iz koga polaze i u koji se smještaju sva ostala stilska obilježja. Teško je stoga i zamisliti govor o Midhatu Begiću bez naglašavanja njegove ključne uloge kao kanonskog esejiste u bošnjačkoj i bosanskohercegovačkoj kulturi, u kojoj je esej i inače dugo bio, a možda je i danas, dominantna forma književne i umjetničke kritike, pa i književne historije. Ova sklonost esejističkom pristupu književnom tekstu i njegova dominacija nad akademskim diskursom znanosti o književnosti u Bosni i Hercegovini zahtijeva posebnu analizu, ali za samog Begića sklonost eseju bila je potpuno prirodna i u skladu sa njegovim stvaralačkim bićem. Zapravo, ako se prisjetimo njegove misli prema kojoj “kritičar mora da nastavi djelo u istom stilu ili da odloži pero pred apsolutnim tvorevinama mašte i poezije” (“Oko Borgesova Alefa”), onda je jasno da je jedino esej stilski mogao odgovarati programski postavljenom cilju - potrebi homologne veze između književnog djela i kritike toga djela. O tome koliko je danas takav pristup prihvatljiv, odnosno aktuelan u savremenoj književnosti, može se diskutirati, ali neupitna je činjenica d aje on utjecao na dominaciju esejističkog stilskog prosedea u cjelokupnom opusu Midhata Begića.

Charakteristika internetové reklamy (s důrazem na reklamu v oblasti vzdělávání)

Author(s): Kateřina Rysová / Language(s): Czech Publication Year: 0

In the introductory part of the article, we briefly introduced theoretical knowledge of advertising and using specialized literature, we defined the basic concepts. We focused on the concept of style and we characterized the style of advertising. In the second part, we concentrated on the style of the contemporary Czech and Russian online advertising which we described on the basis of Internet text advertising. On specific examples, we illustrated selected means of language, typical for advertising in the field of education and we outlined the basic features of the advertising style. Above all, we focused on the means of language that are used to make contact with the advertising addressee, how to appeal to the reader, the vocabulary and some of the syntactic means used in advertising texts.

Malé projekty aneb Prožít vlastní zážitek literárně

Author(s): Zbyněk Fišer / Language(s): Czech Publication Year: 0

Projekt Jak vzniká literatura si klade za cil ukazat a ve spojeni s reflexi ozřejmit studentům, jak lze ze zaznamu drobne skutečne udalosti pomoci literarnich postupů a vybranych stylistickych prostředků vytvořit fikčni text s estetickymi kvalitami. Studenti mohou pozorovat, jak jim pod rukama z jednoducheho zažitku vznika (kvazi)umělecky text. Cvičeni lze použit pro vyspělejši žaky a studenty přibližně od patnacti let, a to s přiměřenymi variacemi.