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О СТИЛИСТИЧЕСКИХ ПОМЕТАХ В СЛОВАРЯХ СОВРЕМЕННОГО РУССКОГО ЯЗЫКА

О СТИЛИСТИЧЕСКИХ ПОМЕТАХ В СЛОВАРЯХ СОВРЕМЕННОГО РУССКОГО ЯЗЫКА

Author(s): Elizaveta Koltunova / Language(s): Russian Issue: 1/2003

The paper analyzes usage labels in contemporary RussianThe paper analyzes usage labels in contemporary Russian language dictionaries. The original sources include: The Russian Dictionary, edited by A.P. Yevgenyeva, two editions of S.I. Ozhegov’s Dictionary of the Russian Language, Changes of the end of 20th century, edited by G.N. Skluarevskaya, The Stylistic Dictionary by G.Y. Solganik and The Russian Defining Dictionary by V.V. Lopatin and L.E. Lopatina. The analysis used shows that the problem of stylistic gradation of contemporary Russian vocabulary in dictionaries by far has not been solved. There is no integral system of stylistic account of the Russian vocabulary.

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ПРОБЛЕМА ПОНИМАНИЯ СОЦРЕАЛИЗМА В КУЛЬТУРНО-ИСТОРИЧЕСКОМ КОНТЕКСТЕ

ПРОБЛЕМА ПОНИМАНИЯ СОЦРЕАЛИЗМА В КУЛЬТУРНО-ИСТОРИЧЕСКОМ КОНТЕКСТЕ

Author(s): Nadežda Dubrovina / Language(s): Russian Issue: 1/2005

The work reveals stylistic features of socialist realism based on the novels of Soviet writers who received the Stalin prize. The analysis is based on description of the language units which are the key words for understanding the principles of the socialist realism in forming of the new person in the developing Soviet society. The work also exposes connection between the language and style of Russian social realistic novels in cultural-historic context.

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СОНАТНАЯ ФОРМА В ПОЭЗИИ АННЫ АХМАТОВОЙ

СОНАТНАЯ ФОРМА В ПОЭЗИИ АННЫ АХМАТОВОЙ

Author(s): Svetlana Ovsjannikova / Language(s): Russian Issue: 1/2005

The author presents the analysis of A. Akhmatova’s poetry from the point of view of a musical sonata form. The Second and the Third Piano Concert by Rakhmaninov is brought to mind as the poet reaches the unity in multiplicity of presented metaphors and the dramatic development of melodics of a poem.

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Метафорическая экспликация концепта «Америка» в когнитивном контексте Г. Д. Гребенщикова
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Метафорическая экспликация концепта «Америка» в когнитивном контексте Г. Д. Гребенщикова

Author(s): Zhanna Seliverstova,Zhanyl Zhunussova / Language(s): Russian Issue: 2/2018

In the present paper, the peculiarities of G. Grebenshchikov’s American text are analyzed from a theoretical point of view and metaphor is considered as a cognitive mechanism. The authors’ metaphoric models serve as a key for understanding the writer’s intention and help to overcome the difficulties of perception of the writer’s text. The metaphors “America – Mechanism” and “America – Organism” are revealed and compared. Grebenshchikov’s conceptual blend “American Babylon” is reconstructed. The research was carried out on the basis of archive documents from the writer’s personal materials.

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Perswazja w czasach reformacji. Renesansowe teksty apologetyczne trzech konfesji: katolicyzmu, protestantyzmu i islamu

Perswazja w czasach reformacji. Renesansowe teksty apologetyczne trzech konfesji: katolicyzmu, protestantyzmu i islamu

Author(s): Joanna Kamper-Warejko,Joanna Kulwicka-Kamińska / Language(s): Polish Issue: 6/2020

The paper comprises a description of the religious language used in the Renaissance. It addresses the topic of the literature of Reformation and Counter-Reformation (Catholic Revival) periods and its significance as a uniting force for a given community of believers. Moreover, the paper describes the linguistic solutions and means of persuasion used to achieve that purpose. The study material are three sixteenth-century texts: two that originated in two Christian denominations – Catholic and Protestant ones (sermons published by Piotr Skarga and Petrus Artomius on the occasion of the Assumption Feast of Mary the Virgin in 1595) and one that derives from Islam (Surah 7 of the Quran “The Heights” translated by the Tatars of the Grand Duchy of Lithuania, 16th century). The analysis covers the structure of these historical texts, the exponents of dialogue and the linguistic means of persuasion which include, among others, evaluative and directive language as well as stylistic devices. Research has shown that the three religious polemical texts can be classified as persuasive literature of the Reformation. They comprise linguistic exponents with impressive and expressive functions. In the linguistic layer, the texts contain universal features of the religious code, such as openness and polysemy, which are expressed by analogy, comparison, metonymy, metaphor, and making non-assertive utterances. The paper discusses lexis excerpted from the texts and denoting values as well as volitive and imperative and persuasive and emotive vocabulary with noticeable dichotomic references to what is good and what is bad. These elements arrange the sacred space of the religious texts and constitute the axis of integration for a given community of believers. The result of religious discourse of the Reformation is the presence of the exponents of the rhetorical style in Polish texts, which is manifested by the use of quotations from authoritative religious works, i.e. mainly from the Bible and the Quran.

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Godzinki moskalofilskie Telesfora Chełchowskiego – uwagi o strukturze i stylu

Godzinki moskalofilskie Telesfora Chełchowskiego – uwagi o strukturze i stylu

Author(s): Jolanta Klimek-Grądzka / Language(s): Polish Issue: 6/2020

Subject to analysis in this article is T. Chełchowski’s Godzinki moskalofilskie. 300 dni łaski carskiej za każdorazowe odmówienie tych godzinek z pokorą i skruszonym sercem [Moscophile Hours: 300 Days of Grace for Each Saying of the Hours with Humility and Contrite Heart]. The Hours is a text that fits the general poetics of the political disputes typical of the Polish émigré milieus at the turn of the 20th century. At the same time, the text retains a lot from the Polish literary tradition. Taking into account the fact that the text exploits a prayer as a textual genre (Canonical Hours), and acknowledging the roots of the genre, the Hours can be classified as a travesty (trawestacja in Nycz’s approach) or as an idiosyncratic token (okaz in Wojtak’s terms) of the prayer genre. The generic linkage is realized by constructing the text of the Hours in seven parts (Matins, Prime, Terce, Sext, Nones, Vespers and Compline) with its introduction, hymn, verses, responsories and prayers; by consecutive use of metre in invocations and hymns; by an apostrophic opening of the hymns; by positioning verses and responsories after hymns or prayers; as well as by stylistic and semantic references (invocations addressed to the Tsar and hymn protagonists, modelled on apostrophes to God and Mary; paraphrases of biblical and prayer collocations). Departures from the canonical text-type include: the reduced form of the final antiphon, lack of prayer and an introduction that is modified per each hour.

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TELL ME YOUR FAVOURITE URBOCHREMATONYM AND I’LL TELL YOU IF YOU'RE A HIPSTER

TELL ME YOUR FAVOURITE URBOCHREMATONYM AND I’LL TELL YOU IF YOU'RE A HIPSTER

Author(s): ANAMARIA RADU / Language(s): English Issue: 1/2020

In the era of hipsters, of brewing craft beer or cold brewed coffee, of minimalism and of quality food, naming a restaurant, a café or a pub is of great importance. Our comparative study focuses on analyzing urbochrematonyms in two cities: Cluj-Napoca, Romania, and Regensburg, Germany. We will examine names of restaurants, pubs and cafés in these two cities, trying to establish to what extent the influence of foreign languages and cultures is reflected in their naming. We will highlight the naming mechanisms used by their owners as marketing strategies. This analysis will indicate the naming trends in two urban places, our focus being the better understanding of how managers use mental representations of global and glocal concepts in order to achieve uniqueness.

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ANCHETA DIALECTALĂ PRELIMINARĂ A ZONEI CODRU

ANCHETA DIALECTALĂ PRELIMINARĂ A ZONEI CODRU

Author(s): ANDREEA LARISSA IRIMIEȘ DOMUȚA / Language(s): Romanian Issue: 1/2020

This study represents an overview of the preliminary dialectal research of the Codru area, a Romanian zone that overlaps, from geographical and administrative point of view, over three counties: Satu Mare, Maramureș and Sălaj.The ethnographic delimitation of this space will be followed throughout the survey, by questions addressed to the inhabitants, regarding their belonging or the affiliation of other inhabitants from the neighboring villages to the Codru area.We found out that this mental space has some specific folkloric features: the speech/the idiom, the approaching or the distance from Făget ridge, the peculiarities of the popular ports, the presence of famous wooden barns decorated with traditional motifs, customs, traditions, superstitions. The speech is an important and representative element of the identity of these people. Thus, the purpose of this study is to highlight some linguistic features that we observed during the dialectal survey.The aspects presented in this article represent some landmarks and examples; they are the most obvious and specific language facts that we have found out, but we intend that all the research we have started to be complex, original and innovative, to bring a contribution in Romanian dialectology.

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КОМПЛЕКСНА МЕТОДИКА ДОСЛІДЖЕННЯ ТЕРМІНОЛОГІЧНИХ ОДНИНИЦЬ НІМЕЦЬКОЇ ТЕРМІНОСИСТЕМИ ДИПЛОМАТІЇ

Author(s): Olena Kaminska / Language(s): Ukrainian Issue: 1/2020

A distinguishing characteristic of modern linguistics is a lively interest of linguists in the industry-specific terminological systems, driven by the desire to become aware of the features of the nomination that occurs in various fields of human activity. The terminology reflects the ways of development of human cognition, so the emergence of highly specialized vocabulary is caused by integration processes that take place at the present stage of the science development. The study of specific purpose terminology helps to solve topical issues of lexicology, sociolinguistics and discourse study. Of the main focus is terminology (a functional subsystem of general literary language), which has its own peculiarities both in the terms of expression and in the terms of content. This feature explains the widespread use of not only linguistic but also logical, mathematical and other methods for the terminological studies. In addition, there are purely terminological research methods. The methodology for analyzing the German professional language of diplomacy and its terminology is determined by the subject of the study and the tasks that are required to achieve the goal of the study. The article examines each step separately and describes the methods that have been applied to solve the set tasks that. At each stage of the analysis of the German professional language of diplomacy, general scientific and purely linguistic methods of study have been applied. The structural-grammatical and lexical-semantic peculiarities of the term system determine both the necessity of using certain methods of its research and the specifics of their use. The offered classifications of research methods, as well as a brief analysis of some of the most common methods in terminology allow clarifying both the content of methods and their scope, and the place of each of them in the system of methods. Conclusions. The study of the German professional language of diplomacy at the present stage makes it possible to analyze the interaction between the common literary language and the professional language of diplomacy. Tracing diplomatic relations between countries, we find it important to understand the principles of functioning and the role of linguistic and lexical units, especially terminological ones.

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ТИПОЛОГІЯ НЕПРОЦЕСУАЛЬНИХ ОЗНАК У МОВОСТИЛІ ОЛЬГИ КОБИЛЯНСЬКОЇ (НА МАТЕРІАЛІ НАРИСУ “БИТВА”)

Author(s): Yulia Rusnak / Language(s): Ukrainian Issue: 3/2019

The purpose of the article is to develop a typology of non-processing characteristics and to find out their specifics in the descriptions of Olga Kobylianska. The novelty of scientific research is that for the first time the classification of the non-processing characteristics and its manifestation in Olga Kobylyanska's idiostyle is proposed. The relevance of the article is determined by the need of further in-depth study of Olga Kobylyanskaya idiostyle in order to form a cognitive-pragmatic conception of the writer's artistic discourse. In the article as the main general scientific methods of analysis and synthesis are used, as well as linguistic – descriptive, structural and comparative-historical methods. Conclusions. Olga Kobylyanska in the essay "Battle" uses a lot of non-processing characteristics for multidimensional representation of reality: ontological (in form, size, space, time, material, physical properties, relation), axiological, aesthetic, emotional, sensory (visual, tactile, olfactory, sound, touch) which can be expressed by adjectives, nouns and descriptive constructs. Sensory characteristics as the main way of reality reflection create a voluminous panorama of the non-linguistic situation. Markers of sound characteristic are abstract nouns that can be expressed by adjectives, denoting syncretic relations. The effect of synergy in artistic text is created by different kinds of sensory information. The olfactory characteristic is the least represented. It is reproduced by descriptive constructions. The author uses generic names to denote the visual characteristics, which function both to indicate the spectrum of color features and to distinguish a specific one.

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DICTONS ROMANS AVEC LES DOUZE MOIS : LA CARACTÉRISATION PARÉMIQUE ET MENSUELLE DE L’ANNÉE

DICTONS ROMANS AVEC LES DOUZE MOIS : LA CARACTÉRISATION PARÉMIQUE ET MENSUELLE DE L’ANNÉE

Author(s): Maria-Reina Bastardas Rufat,Joan Fontana I Tous,José Enrique Gargallo Gil / Language(s): French Issue: 4/2020

Romance Proverbs with the Twelve Months: the Paremical and Monthly Characterization of the Year. There are various types of weather and calendar proverbs in the Romance languages. Not only concerning their motivation, but also concerning their length. Among the proverbs referring to the months, some are very short, just two or three words, the so-called "minimal proverbs", while others are quite long, and curiously defy any kind of mnemonics. Our corpus will be made up of the latter type: thirteen proverbs mentioning all the twelve months of the year, which represent five different Romance varieties; from west to east: Portuguese (1 proverb), Spanish (2), Catalan (5), Italian (4) and the Laziale Italian variant (1). We classify these formulae, which lie on the thresholds of what strictly might be considered proverbs, in two groups: proverbs without meteorological implication and meteorological proverbs. On the other hand, we classify the examples of the second group in four sections according to the characteristics that are attributed to one or several months: proverbs with a characteristic for several months, proverbs with a characteristic for each pair of months, proverbs with a characteristic for some of the months, and sayings attributing a different feature for each month. This corpus offers a glimpse to the way Romance peoples view the months and it reveals affinities in the form of paremic types (or "paremiotypes"), which tell us about the popular culture shared by the peoples that are heirs of Rome.

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Atributna uloga lokativnih i instrumentalnih prijedložnih izraza u značenju namjere

Atributna uloga lokativnih i instrumentalnih prijedložnih izraza u značenju namjere

Author(s): Jadranka Mlikota / Language(s): Croatian Issue: 1/2010

This paper brings a list and description of locative and instrumental prepositional phrases expressing purpose or intention. The meaning of purpose and intention is put into correlation with the meaning of cause and reason and then the reasons for their neutralization are determined.

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Epitet w adaptowanym libretcie barokowej opery. Rozważania nad kształtem stylistycznym Wybawienia Ruggiera z wyspy Alcyny Stanisława Serafina Jagodyńskiego

Epitet w adaptowanym libretcie barokowej opery. Rozważania nad kształtem stylistycznym Wybawienia Ruggiera z wyspy Alcyny Stanisława Serafina Jagodyńskiego

Author(s): Artur Rejter / Language(s): Polish Issue: 20/2020

The aim of this paper is to characterise epithet and its functions in Wybawienie Ruggiera z wyspy Alcyny by S.S. Jagodyński. Performed analysis has demonstrated that epithet, in the work covered by the study, is a form of expression of instrumental nature, although also one that serves a stylistic function. It is characterised by semantics that lack originality, rarely evoke metaphor, nevertheless, undoubtedly, it completes both the world presented on the plot level as well as the depiction of characters. It also often serves an important role as a component that improves cohesion of the text. This instrumentality and, at the same time, efficiency of an epithet may be attributed to the generic dimension of the work, i.e. opera libretto, and that is usually governed by plot and its dynamics, which is very important in an opera, as a peculiar synthesis of the arts.

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NOMINA ACTIONIS ÎN VEACUL AL XVII-LEA ROMÂNESC ȘI ÎN CEL SPANIOL

NOMINA ACTIONIS ÎN VEACUL AL XVII-LEA ROMÂNESC ȘI ÎN CEL SPANIOL

Author(s): Andreea Ionica Micu / Language(s): Romanian Issue: 2/2020

This paper presents the abstract derivatives which form both action names and action result names, from morphological and semantic perspectives. We will briefly follow the suffixes used in the formation of these nouns in Romanian and Spanish languages, from 17th century. Considering the evolution of the suffixes -tu and -ti from Indo-European and of the Latin formations in -tus and -tio, we will analyse the action names suffixes from both Romance languages, according to their etymology: inherited, borrowed or created. Through this study, we will try to have a short description of these suffixes which can encompass their origin and evolution, but, especially, to capture their appearance and transformation by comparing them. In order to investigate the derivatives with these suffixes, from the mentioned period, we will build an inventory of words from a relatively small, but very significant corpus, more exactly, from two representative works of each language, namely, Divanul sau Gîlceava înțeleptului cu lumea sau Giudețul sufletului cu trupul by Dimitrie Cantemir and Historia de la vida del Buscón, llamado don Pablos; ejemplo de vagamundos y espejo de tacaños by Francisco de Quevedo. Even though, in Latin language, the abstract names were used day to day with minimal frequency, once the Romance languages were formed, they have become widespread in different environments. The diverse nature of these nomina actionis will be studied in the light of formations from verbal and adjectival bases, to which suffixes, such -tione, -itia, -tu, -mentu/ -men, -antia, -tura, -sura, -antia will be added. Since the many derivatives are built according to the participle of the main verbs, we will focus on the verbal base types and the characteristic suffixes, like in the case of -antia. The continuation of these action names and the usage of the suffixes from their structure will be observed in Romance languages, which generate a multitude of varieties, applying, with priority, infinitive and supine bases. In Romanian language, the abstract derivatives are formed from verbal bases, to which lexical suffixes can be added, for example, -tură, -ciune, -anie, -eală, -ie, -mânt, -toare, -enie, -et, -ință, -iș, -șag, -șug, -re, from which there can be distinguished the suffixes -re and -tură having the biggest productivity. Similarly, in Spanish, we detect action names derived from verbal bases and Latin suffixes, such as -ado/-ada, -dero, -ero, -ido, -miento, -ción, -ón, -zón, -ura. By means of this corpus, we will grasp the utilization frequency of these suffixes, the formed derivatives and their values.

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Frazemi kroz funkcionalne stilove

Frazemi kroz funkcionalne stilove

Author(s): Milica Mihaljević,Barbara Kovačević / Language(s): Croatian Issue: 1/2006

Functional styles show differences in the occurrence and use of a number of language features. In this paper the authors analyze different usage of phraseological units in different language styles, ranging form styles in which phraseological units are rare or nonexistent to the styles in which phraseological units are extremely common, and form an important language characteristic of the style. Phraseological units are especially frequent in the journalistic style. This style is especially interesting for researchers of phraseology as new phraseolgical units first occur in this style.

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Janosik – gwara na szklanym ekranie?
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Janosik – gwara na szklanym ekranie?

Author(s): Monika Kresa / Language(s): Polish Issue: 10/2014

The paper is an attempt to analyse the language used by the characters of one of the most popular Polish films of the 1970s, that is Janosik, directed by Jerzy Passendorfer. Research on the dialect stylisation exponents (conducted based on Stanisław Dubisz’s methodology) in the movie lead to the following conclusions: // 1. The most important stylisation role is played by systemic exponents (in particular phonetics), while non-systemic ones, including lexis, on the basis of which it can be precisely determined which type of stylisation is in question (dialecticisation, colloquialisation or archaisation), are less signifi cant; // 2. The majority of the features used for stylisation purposes are characteristic of the Podhale dialects (although, which needs to be emphasised, some of them have quite a broad general dialectal reach), owing to which stylisation fulfi ls the localisation function; yet there are also exponents which prove that the stylisation process determinants were at certain points intuitive rather than scientifi c (e.g. mazuration of ž derived from r’); // 3. The majority of the exponents play the descriptive function, mainly with reference to the social and psychological description of the characters of highland robbers and highlanders inhabiting Podhale villages, thanks to which they can be distinguished from the court characters or hajduci of the burgrave. The language of Janosik lacks, however, clear differentiating features which would be characteristic of one character only. The descriptive function is blurred with this respect.

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K některým slovenským a českým prezentacím metafor

K některým slovenským a českým prezentacím metafor

Author(s): Karel Sekvent / Language(s): Czech Issue: 43-44/2020

Metaphors are traditionally divided into lexicalized and stylistic. Linguists agree in seeing the relationship of similarity of phenomena as the source of both types. Opinions diverge on whether metaphors are based on a transfer of meaning or a transfer of denomination, and this question therefore seems irrelevant. Not distinguishing between lexicalized and stylistic metaphors and understanding them as a uniform, undifferentiated phenomenon is methodologically ineffective. It hides the danger of omitting some important metaphorical techniques. The following functions of metaphor formation can be distinguished: 1. Denomination of an unnamed phenomenon. 2. Alternative neutral denomination of an already named phenomenon. 3. Alternative marked denomination of a named phenomenon. 4. Conventional figurative denomination of a phenomenon. 5. Innovative figurative denomination of a phenomenon. The resulting metaphors can be divided into two groups: polysemic metaphors (types 1 to 3) – denomination of a phenomenon after similar phenomena (further divided into marked and neutral), and synonymic metaphors (types 4 and 5) – figurative reformulations of denominations (further divided into conventional and inventive).

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Rhetorical questions as aggressive, friendly or sarcastic/ironical questions with imposed answers

Rhetorical questions as aggressive, friendly or sarcastic/ironical questions with imposed answers

Author(s): Džemal Špago / Language(s): English Issue: 1/2020

Rhetorical questions (RQs), as a cross-breed of questions and statements, represent an effective tool in putting forward the Speaker's ideas, as well as influencing the ideas and opinions of other people. Because of their communicative effectiveness and multifunctionality, they are frequently used in different contexts and for different purposes, and, as such, they represent an interesting topic for further research. The aim of this paper is threefold: (i) to explore the nature of the implied answer to RQs, (ii) to offer a classification of RQs based on the Speaker's communication style, and (iii) to examine whether (or to what extent) the Speaker-Addressee relationship (peer-to-peer, superior-to-inferior, inferior-to-superior) influences the selection and frequency of use of different types of RQs. Using Stalnaker’s (2002) model of Common Ground and Caponigro and Sprouse’s (2007) concepts of Speaker's and Addressee's Beliefs, the author redefines the nature of the answers implied by RQs, claiming that they are imposed on the Addressee rather than mutually recognized as obvious. Based on the model of communication styles as defined by Yuan et al. (2018), RQs are classified into aggressive, friendly and sarcastic/ironical questions with imposed answers. The analysis of the corpus, which consisted of 275 RQs taken from ten American movie scripts, showed that friendly RQs are more common than the other two types, and that, in instances where one of the interlocutors is in a superior position, superior-to-inferior RQs are by far more common than vice versa. The finding that RQs asked by inferiors make up less than a third of RQs occurring between interlocutors with different social standing is in line with the view that answers to RQs are imposed on Addressees.

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Le visuel publicitaire, champ de débat icono-prosodique

Le visuel publicitaire, champ de débat icono-prosodique

Author(s): Perihane Adel / Language(s): French Issue: 11/2018

Visual communication is a reliable tool to draw the attention and convey information. Advertising posters, just like written communication, are an interesting yet ‘quiet’ research topic.The posters of the campaign “Restons civils sur toute la ligne”launched by the Parisian public transport company, aimed to raise the awareness of passengers with respect incivility in a playful and surprising way. These posters rely on half human/half animal figures to emphasize a deplorable phenomenon. The use of anthropomorphism return to it source: the fable of de La Fontaine. This iconographic and prosodic study sets to see if this campaign represents a rewriting of La Fontaine’ fables or is simply an entertainment tool.

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Stilistička analiza kriopoetičkih elemenata u romanu Prokleta Avlija Ive Andrića

Stilistička analiza kriopoetičkih elemenata u romanu Prokleta Avlija Ive Andrića

Author(s): Edim Šator / Language(s): Bosnian Issue: 14/2021

The paper analyzes some of the cryopoetic elements in Ivo Andrić ‘s novel The Damn Yard from a stylistic aspect. Special attention is paid to the strong positions of the text, ie. analysis of titles, incoative and finite sentences, names of characters, as well as other interesting elements.

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