Političnost umetnosti: slučaj Srbije

Author(s): Jelena Đorđević / Language(s): Serbian Publication Year: 0

Until the middle of the 20th century, art was considered to be a distinctive, isolated autonomous structure, parallel to other fields of society, such as economy and politics, but in paradoxical relation to the social reality. The so called cultural turn that marked the second part of the last century positioned art at the very core of the social, cultural, economic and political, local and global changes and currents. This questioned the very notion of art that from then until today was replaced by the notion of artistic practices. The notion of autonomy was put under the question and the stress was put on the close relationship between art and politics. In other words, politics became an inherent part of any artistic practice. This turn is not simple and abrupt, so that we can follow its development from high modernism, through postmodernism to contemporary art. This article examines modalities of art/politics relationships focusing on their forms in artistic practices in post-socialist Serbia.

Miłe martwe dziewczyny. Seksualność, religia i polityka w sztuce współczesnej

Author(s): Ewa Wróblewska-Trochimiuk / Language(s): Polish Publication Year: 0

Kiedy w 2002 roku na ekrany chorwackich kin wszedł film Dalibora Matanicia Miłe martwe dziewczyny (Fine mrtve djevojke), wiadomo było, że skupi on na sobie uwagę opinii publicznej. Powodem zainteresowania był nie tyle zaprezentowany w obrazie wątek miłości lesbijskiej, temat w tamtym czasie rzadko w sposób bezpośredni podejmowany w kinematografii chorwackiej, ile przede wszystkim obraz chorwackiego społeczeństwa, którego reprezentanci przedstawieni w krzywym zwierciadle (lekarz ginekolog, który nielegalnie wykonuje aborcje; mąż, który ukrywa ciało martwej żony, żeby otrzymywać jej rentę; kobieta – ofiara przemocy domowej; dziewczyna lekkich obyczajów i chłopak o skłonnościach rasistowskich) odkrywają swoje prawdziwe ksenofobiczne oblicze w momencie zetknięcia się z seksualną innością głównych bohaterek, Mariji i Ivy. Centralnym wątkiem filmu są bowiem dwulicowość i zakłamanie pozornie porządnych obywateli, dla których papierkiem lakmusowym jest orientacja seksualna wkraczających do ich środowiska dziewczyn.

Kultura wysoka dla mas? Rozmowa z prof. Henrykiem Wojnarowskim, dyrektorem Chóru Filharmonii Narodowej

Author(s): Lidia Lechnio / Language(s): Polish Publication Year: 0

WHY METALLICA CHANGED MUSIC WORLD. EFFECTUATION PERSPECTIVE

Author(s): Erno Salmela / Language(s): English Publication Year: 0

The purpose of this article is to understand the underlying factors why Metallica was capable of creating radical changes in the music industry and conquering the world. Metallica´s history is examined during the period of 1981-1991 when Metallica advanced from a garage band into one of the world’s biggest bands. Metallica also played a remarkable role in the generation of new thrash metal genre. The effectuation theory is utilized in analyzing how this happened. This study provides knowledge on what is needed in creating this kind of success and progress. Prior to this, the effectuation theory has not been connected to the operations of any band or even other artists.

Music on the Wrong Side of Art

Author(s): Goranka Stanić / Language(s): English Publication Year: 0

Music and dance follow human development. The beginnings of music spontaneously hit various kinds of behaving that accompanied free movement (dance) within the community. In addition to relaxation and enjoyment, music has often been used in some undesirable behavior forms by today's standards. Music encourages soldiers to raise the morale and willingness of the army to win. This act intimidated opponents—the first example of using musical instruments in the best-selling Christian book of the Bible (Jericho). Today, music is wide-ranging and classified into different categories; this happens freely in other performers who may encounter hate speech. Music is used as a means of provoking and intimidating certain target groups. Depending on the country and the area, we come across numerous music examples on the "wrong side." The examination refers to how to use music that should inspire and raise the values of human beings in a strange way that causes fear, panic, hiding, discrimination in some groups. These people are primarily in the minority: nationality, religion, skin color, sexual orientation, or any other isolation and mockingly aggressive attitude towards selected people. Music began to use for ideological purposes during the French Revolution, and this firefighting practice spread to Europe in the 19th century. Music by manipulation became the music of hatred towards differents and others. Beautiful and sublime, placed in the proper context, music can evoke strong emotions. The desired effect is achieved by the synergy of music and text, its persistent appearance within a particular ideology, and asocial.

Předmluva

Author(s): Jana Horáková,Milan Kreuzzieger,Terezie Petišková / Language(s): Czech Publication Year: 0

Od roku 2016 vydává Spolek přátel Domu umění města Brna publikace, které uvádí tvorbu prezentovanou v Domě umění do širšího kontextu současného přemýšlení o umění a uveřejňují uměleckou tvorbu a dokumenty, které se o ní podařilo při přípravě výstav shromáždit. Idea vydat publikaci s tématem kosmopolitní modernity, doprovázející výstavu Federica Díaze Bigh Light (Dům umění m. Brna, 7. 12. 2016 – 12. 3. 2017), vznikla již při přípravě výstavy v roce 2016. Publikace momentUM je výsledkem dlouhodobé spolupráce jednoho z editorů knihy Milana Kreuzziegera s Federicem Díazem.

MomentUM kosmopolitní modernity

Author(s): Milan Kreuzzieger,Jana Horáková / Language(s): Czech Publication Year: 0

První perspektivu představují sociologické studie kosmopolitní modernity, které zkoumají z různých hledisek „kosmopolitní obrat“ (Ulrich Beck a Edgar Grande) a jeho důsledky pro společnost i sociologii jako vědní disciplínu. Současná modernita je v mnoha aktuálních interpretacích odborníků z různých disciplín – převážně sociologů, politologů a antropologů – pojímána jako kosmopolitní. Někteří sociologové rozpoznávají zásadní proměnu tradičních kategorií sociologického pohledu na svět, jakými jsou národní stát, kulturně homogenní společnost či občan, a přesouvají důraz na studium globálních aktérů, civilizačních a kulturních makrocelků a s nimi spojených různorodých modernit (multiple modernities). Všímají si rovněž nových způsobů konstituování individuálních identit formovaných kosmopolitizujících se společnostech, které jsou ovlivněny mobilitou a nomádským životním stylem, proměnou kategorií času a prostoru ve prospěch instantního „teď“ konstituovaného planetárně propojenými informačními a komunikačními sítěmi, ale také novými technickými obrazy poskytujícími globální pohled na naše životy a na planetu Zemi (Bronislaw Szerszynski – John Urry).

Umělecké dílo v masové kultuře

Author(s): Tereza Krementáková / Language(s): Czech Publication Year: 0

Cílem této práce je poukázat na aspekty, které se zdály být problematické či negativně ovlivňovaly umění a jeho tvorbu na pozadí masové kultury podle vybraných autorů. Technologický proces, monopolizační snahy, industrializace společnosti, to jsou okolnosti, které daly umění možnosti nového směrování. Proto se staly terčem kritiky Theodora W. Adorna a Waltera Benjamina. Oba autoři jsou představitelé Kritické teorie, která se formovala v první polovině dvacátého století. Zkoumají podmínky, které se vynořily pro svět umění v moderní a postmoderní společnosti. Tyto nové aspekty považují za možnou příčinu úpadkovosti a představují tak určité nebezpečí.

PARYSKA KULTURA – 1954 / 077

Author(s): Juliusz Mieroszewski,Łukasz Winiarski,Michał Sokolnicki,Czesław Miłosz / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

PARYSKA KULTURA – 1954 / 078

Author(s): Juliusz Mieroszewski,Georges Bernanos,Paweł Hostowiec (Jerzy Stempowski),Józef Wittlin,Jan Ulatowski,Karol Zbyszewski / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

PARYSKA KULTURA – 1954 / 079

Author(s): Paweł Hostowiec (Jerzy Stempowski),François Fejtö,Józef Łobodowski,Witold M. Gombrowicz,Tymon Terlecki,Stanisław Westfal,Bogumił Andrzejewski,Juliusz Mieroszewski / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

PARYSKA KULTURA – 1954 / 080

Author(s): S.L. Sharp,Paweł Hostowiec (Jerzy Stempowski),Zdzisław Broncel,Józef Łobodowski,Witold M. Gombrowicz,Stanisław Westfal / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

PARYSKA KULTURA – 1954 / 081 + 082

Author(s): Zbigniew Jasiński,Teodor Pamicki,Witold M. Gombrowicz,Czesław Miłosz,Marian Pankowski,Jan Brzekowski,Danuta Bieńkowska,Stanisław Zembrzuski / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

PARYSKA KULTURA – 1954 / 083

Author(s): Józef Czapski,Paweł Hostowiec (Jerzy Stempowski),Czesław Miłosz / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

PARYSKA KULTURA – 1954 / 084

Author(s): Juliusz Mieroszewski,Józef Czapski,Wiktor Weintraub,Paweł Hostowiec (Jerzy Stempowski),Jan Tokarski,Danuta Bieńkowska / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

PARYSKA KULTURA – 1954 / 085

Author(s): Konstanty Regamey,Paweł Hostowiec (Jerzy Stempowski),Witold M. Gombrowicz,Jan Tokarski,Wacław Alfred Zbyszewski,Florian Śmieja,Stefan Legeżyński / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

PARYSKA KULTURA – 1954 / 086

Author(s): Fernand Tourret,Anatol Mühlstein,Charles de Gaulle,Manès Sperber,Czesław Miłosz,Witold M. Gombrowicz / Language(s): Polish

In this issue of "Paryska Kultura," the magazine from the heart of Paris, readers are immersed in a world of Polish literature, culture and history. Through poignant essays, evocative poetry, and insightful discussions, the theme of nostalgia takes center stage as exiled Polish voices reflect on their homeland from afar, creating a rich tapestry of emotions.

Art vs. Product

Author(s): Goranka Stanićst,Sandra Bačić,Branka Kožuh / Language(s): English Publication Year: 0

We are witnessing the development and opening of an increasing number of art schools and colleges. The curriculum covered by these organizations is versatile and comprehensive encompassing various emerging branches. However, a fundamental question arises: can inspired works of art be created when they are dictated by market demands and order, and to what extent mediocrity and kitsch are involved in such a process? Commercialism, pop, and marketing are susceptible areas when we talk about creation. The pandemic and the lockdown provided a unique opportunity to think, envision the future, and express our ideas. Art in the field of the market is looking for its place. Education needs to be directed and distracted from the automatic repetition of facts by increasing the level of "general culture" and encouraging pupils and students to focus on problem-solving so that they can use all available materials and resources. This kind of education enables the development of innovation rather than the complete repetition of facts. Nowadays, various media platforms and libraries inundate society with ideas and information. Progressing personally and contributing to society requires hard work. History represents the past, while homology teaches us how to upgrade and shape knowledge, but if we get stuck learning, we risk perpetuating old patterns through imitation. Therefore, it is crucial to look ahead, address problems and facilitate the enrichment of humanity's collective experience while upholding ethical principles and moral imperatives. This article emphasizes that art has a special place in this dynamic world.

Digital curating and ai curating: the network of terms

Author(s): Jana Horáková,Monika Szűcsová / Language(s): English Publication Year: 0

This chapter contains a selection of concepts crucial for understanding the conceptual and theoretical background of contemporary curatorial practice conducted online, with a sensitivity to the specificities of digital and networked media (Digital Curating). In turn, it serves as a basis for theoretical reflection on using artificial intelligence (machine learning) in curatorial projects focused on processing digitized art collections or experimenting with AI as a new medium in digital art (AI Curating). This chapter aims to provide a basic understanding of the current discussion on digital media curation by defining the terms used in this publication.

Текст и изображение. Т.1. Изображението в текста. Текстът в изображението

Author(s): / Language(s): English,Bulgarian

On September 12, 2023, the First Interdisciplinary Anniversary Conference “Image in the Text, Text in the Image” opened in the Aula of the National Academy of Theatre and Film Arts “Kr. Sarafov”. Its organizers are: the National Academy of Theatre and Film Arts “Kr. Sarafov”, the Institute of Literature at the Bulgarian Academy of Sciences, the Institute for the Study of Arts at the Bulgarian Academy of Sciences and the New Bulgarian University. This conference was dedicated to three anniversaries: the 75th anniversary of the establishment of the National Academy of Theatre and Film Arts “Kr. Sarafov”, the 75th anniversary of the establishment of the Institute of Literature at the Bulgarian Academy of Sciences, the 75th anniversary of the establishment of the Institute for the Study of Arts at the Bulgarian Academy of Sciences. The initiative for conducting a large-scale and ongoing interdisciplinary inter-institutional project of scientific conferences under the title “Text and Image” belongs to the Department of World Culture.