Cookies help us deliver our services. By using our services, you agree to our use of cookies. Learn more.
  • Log In
  • Register
CEEOL Logo
Advanced Search
  • Home
  • SUBJECT AREAS
  • PUBLISHERS
  • JOURNALS
  • eBooks
  • GREY LITERATURE
  • CEEOL-DIGITS
  • INDIVIDUAL ACCOUNT
  • Help
  • Contact
  • for LIBRARIANS
  • for PUBLISHERS

Content Type

Subjects

Languages

Legend

  • Journal
  • Article
  • Book
  • Chapter
  • Open Access
  • Fine Arts / Performing Arts
  • Sociology of Art

We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

Result 6181-6200 of 9871
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 309
  • 310
  • 311
  • ...
  • 492
  • 493
  • 494
  • Next
SĠNOP ĠLĠ YÖNLENDĠRME VE ĠġARETLEME TASARIMLARI ÜZERĠNE BĠR DEĞERLENDĠRME

SĠNOP ĠLĠ YÖNLENDĠRME VE ĠġARETLEME TASARIMLARI ÜZERĠNE BĠR DEĞERLENDĠRME

Author(s): Asım Topakli,Emine Nas / Language(s): Turkish Issue: 37/2019

The aim of this research is to contribute to the creation of universal designs that are suitable for the identity of the city, people's appreciation and perception levels, to facilitate the work of individuals more, to eliminate the visual pollution created by environmental graphics, to make the perspectives of private, public and local government authorities more conscious in this context. The research focused on the determination of the characteristics of orientation and marking designs discussed in informational design within the scope of environmental graph. In this context, orientation and marking designs were evaluated in Sinop City Center and evaluations were made about how these designs should be. Research is qualitative research based on interpretation. The designs were hand-picked and evaluated by the researchers in terms of graphic design in line with the data obtained from the literature survey. As a result of the evaluation, different color, typography, material, icon, size, etc.of the existing orientation designs used in Sinop city center. it has features such as. It is also thought that the use of signs together in many places creates a problem of undetection and negatively affects functionality. It was also concluded that these designs negatively affected the identity of Sinop province by creating a visual pollution.

More...
Umjetnik kao jurodivi: svetac ili luđak?

Umjetnik kao jurodivi: svetac ili luđak?

Author(s): Dina Pokrajac / Language(s): Croatian Issue: 31/2019

This essay deals with the holly fool (yurodivy) phenomenon in the cultural history of Russia providing interpretations of various texts – religious, medical, but primarily artistic ones (literature and film). Russian artists and intellectuals often practise mysticism and for them the sacred is a transcendental ontological reality to be experimented with. The author examines the way in which the yurodivy, an idiosyncrasy of Russian folk culture,at a certain historical moment became entwined with the thought of Russian authors such as Dostoevsky, Berdjajev and Tarkovsky, providing them with a form for a religious conception of art and a specific vision of the artist as a yurodivi “who mocks the world by day, only to mourn it by night” and artistic works as “pathways towards the other world”.

More...
NEURODIDACTICS - A FIELD WITH MULTIPLE IMPLICATIONS IN MUSICAL EDUCATION
4.50 €
Preview

NEURODIDACTICS - A FIELD WITH MULTIPLE IMPLICATIONS IN MUSICAL EDUCATION

Author(s): Tatiana Hilca / Language(s): English Issue: 1/2019

In the current socio-cultural background, we can feel an ever-growing enlargement of the range of tools one has available for engaging the demands and the reality of the modern world. Neurodidactics comprises the understanding of behavioural, emotional and cognitive manifestations. It is, therefore, one of the tools through which we try to attract all of the beneficial results attributed to neurosciences, in order to postulate them and to involve them in the didactic teaching and learning processes. This interdisciplinary area therefore attempts to establish some principles and solutions for more efficient means of teaching and learning, which are based on the studies of neurosciences.A brief incursion in this interdisciplinary domain – a concise analysis of its basic principles, of the canons postulated by various specialists in this field is therefore necessary as long as the benefits brought forth by this area of study in the teaching and learning processes have proven to be ever more efficient.

More...
Plastična i duhovna simbolika…

Plastična i duhovna simbolika…

Author(s): Zoran Koprivica / Language(s): Serbian Issue: 29/2019

Nikolić je odlučno odbijao ona shvatanja i pristupe koji su u svojoj manirističkoj nedoslednosti /i nedorečenosti!/ dekor svodila na nivo egzaktno 'dokučivog' modela koji za određenu situaciju mora imati i određenu formu ispoljavanja, jednako kao i ona mizanscenska rješenja koja bi preko, ili uz pomoć dekora, doprinosila bržem i sveobuhvatnijem rasvjetljavanju psiholoških odnosa u filmu.

More...
ITALIJANSKI VESTERN

ITALIJANSKI VESTERN

Author(s): Stuart M. Kaminsky / Language(s): Serbian Issue: 279/1982

Serđo Leone je najpoznatiji autor italijanskog vesterna; ali, da bismo odredili njegov doprinos i interesovanja, treba da razumemo i ispitamo dve stvari. Najpre, nije bio prvi režiser tih filmova. Mnogi prethode njegovom prvom vesternu »Za šaku dolara« koji je završen 1964. Drugo, mnogo tematskih interesovanja i »stilizacija« koje se pripisuju Leoneu, nisu originali; one su izvedene. Pojavljuju se u značajnom broju italijanskih vesterna pre i za vreme njihovog nastanka i prihvatanja.

More...
The Possibilities and Limits of Participatory Theatre: Exploring Belonging and Resistance with Second Generation Black and Muslim Dutch Youth in the Netherlands

The Possibilities and Limits of Participatory Theatre: Exploring Belonging and Resistance with Second Generation Black and Muslim Dutch Youth in the Netherlands

Author(s): Valerie Stam / Language(s): English Issue: 2/2020

Grounded in a collaborative theatre project with Black and Muslim second-generation Dutch youth in the Netherlands, this paper critically examines the use of participatory theatre as a method of knowledge production. Drawing on vignettes from the theatre project, I investigate the possibilities and limits of theatre as an embodied research method for practicing resistance to, and fostering public dialogue about, Islamophobia and racism. I argue that theatre can be a citizenship practice by prefiguring alternate futures, rehearsing resistance to oppression, and facilitating cross-racial and public dialogue.

More...
APOLINER I AVANGARDA

APOLINER I AVANGARDA

Author(s): Ješa Denegri / Language(s): Serbian Issue: 266/1981

Nalazeći povod u obeležavanju stogodišnjice rođenja Gijoma Apolinera (Rim, 1880-Pariz, 1918), Galerija moderne umetnosti u Rimu je krajem prošle i početkom ove godine organizovala izložbu Apollinaire e l’avanguardia, na kojoj su bila prikazana dela Pikasa, Braka, Ležea, Grisa, Deloneja, Marisa, Derena, Gleza, Mecenžea, Arhipenka, Erbena, Pikabije, Dišana, Bočonija, Bale, Karaa, Seveririija, Sofičija, Rosula i drugih, dakle, pretežno protagonista kubizma i futurizma, dva pokreta s kojima je Apoliner bio prisno vezan kao kritičar.

More...
KANTOV POJAM "TEHNIKA PRIRODE" U VEZI S NJEGOVIM POJMOM UMETNOST

KANTOV POJAM "TEHNIKA PRIRODE" U VEZI S NJEGOVIM POJMOM UMETNOST

Author(s): Milan Damnjanović / Language(s): Serbian Issue: 253/1980

Pojam »umetnost« (Kunst) u Kantovoj Kritici moći suđenja ne može se razumeti polazeći od onog pregnantnog značenja tog pojma koje mi danas imamo u svesti, nakon razvoja koji je posle Kanta potekao u prošlom stoleću i posle iskustva moderne umetnosti.

More...
AKTIVIZAM AVANGARDE I KIČ KAO OPREDMEĆENI SVET

AKTIVIZAM AVANGARDE I KIČ KAO OPREDMEĆENI SVET

Author(s): Sreten Gagić / Language(s): Serbian Issue: 251/1980

Proučavajući protivrečni karakter avangardne umetnosti i njenu kontroverznu psihologiju, mnogi teoretičari su zapazili izvesne konstante i određene stalne karakteristike avangardnog pokreta u celini.

More...
Visual survey of Everydayness

Visual survey of Everydayness

Author(s): Jiřina Hankeová / Language(s): English Issue: 1/2020

Jiřina Hankeová (* 1948) was born in Kladno. She has a wide range in her work, from drawing and painting, to poetry and lyrics, to photography. She took up photography during her secondary school studies, but eventually she found her creative expression mainly in drawing and painting. She already started to exhibit her paintings and drawings in the ’70s. In the ’80s, she was strongly influenced by her friendship with the Trasa group, especially by the work of Olbram Zoubek and Válová sisters. In the ’90s, her activity expanded to lyrics that she wrote for her daughter Lucie’s music. She published several books of poetry: What to Do with It?, Chlorophyll People, Acrylic Poetry, Other Views and Leaving the City Behind One’s Back. At the turn of the century, she returned to photography again without leaving her previous creative activities. She has exhibited her photographs at more than 40 solo exhibitions both in the Czech Republic and abroad. She called her first photo series in which she plays with lights and shadows “It Started Quite Innocently” (2004) with the subtitle “Light & Shape”. One of her most significant photo series “An Awkward Attempt at Self-Therapy” (2005-2006) originated inside an intimate space. The photo series “Cyclic Landscapes” (2010-2012) which resonates with the optically vibrant softness of reality is in contrast to the trivial snippets of the urban environment in the photo series “Banalities” (since 2010). She fulfills her feelings and visions in extensive photo series of staged images, such as “Same as Different” (since 2015) where she uses her imagination to transform everyday objects, “Lost & Found” (since 2016) in which she tells stories of found things, or “A Little Morbid Images” (since 2018) where she designs constructions from animal fragments.

More...
OČEKIVANJA UČENIKA OD OBRAZOVANJA U GLAZBENOJ ŠKOLI

OČEKIVANJA UČENIKA OD OBRAZOVANJA U GLAZBENOJ ŠKOLI

Author(s): Davor Brđanović / Language(s): Croatian Issue: 30/2019

Music education provided by music school has an optimal proportion of traditional and contemporary pedagogical methods, thus serving as a good example of successful coexistence of the “old” and the “new” in education. Its constant challenge is questioning the demands of time and planning necessary educational adjustments. This is the premise which this work focuses on and has come into being as part of the activities carried out to mark the 190th anniversary of the founding of Varaždin Music School and exploring today’s expectations of the education students receive in this school. The research, which was voluntary and anonymous, involved 152 Varaždin Music School students. The sample included students in the first preparatory grade, and in Grades from 1 to 4 of the secondary music school. The questionnaire on expectations of music education designed for this research was used. The t-test showed no statistically significant differences in the expectations of music education in the music school with respect to the sex of the respondents. An exception is the expectation of earnings, where the estimate of male students that they learn music because it creates the prospects for good earnings is statistically significantly higher than that of the female (t=3.81, p=0.000) respondents. Kruskal-Wallis’s test amongst the constructed groups - 1st and 2nd grade of preparatory education for secondary music school (MS43); 1st and 2nd grade of secondary MS; 3rd and 4th grade of secondary MS - showed statistically significant differences in the estimates of expectations of music education regarding the following statements: my parents motivated me to go to music school (estimates increase with age), I was surprised that for MS one has to regularly practice playing/singing (estimates decrease with age), I go to MS because I want to be a professional musician (estimates increase with age), MS did not meet my expectations (estimates increase with age), I learn music because it allows good earnings (estimates increase with age), I enrolled in MS because playing and singing is not difficult (estimates decrease with age), MS should offer more practical music content (estimates increase with age), MS does not provide enough theoretical music content (estimates increase with age), the most important in MS is to achieve good marks (estimates decrease with age).

More...
MENININKĖ KAIP ANTROPOCENO PARTIZANĖ: AURELIJOS MAKNYTĖS IR CASTOR FIBER BENDRADARBIAVIMAS

MENININKĖ KAIP ANTROPOCENO PARTIZANĖ: AURELIJOS MAKNYTĖS IR CASTOR FIBER BENDRADARBIAVIMAS

Author(s): Agnė Narušytė / Language(s): Lithuanian Issue: 14/2019

The 6th mass extinction of many species of wild animals that has already started prompts artists to take on a partisan approach in order to change people’s minds, because those in power are too indebted to the fossil fuel industry to stop the climate change. One of such partisans is the Lithuanian artist Aurelija Maknytė who explores the lives of beavers in marshes, rivers and melioration ditches for her on-going project The Landscape Partisan: Castor Fiber (started in 2013). She photographs the dams and lodges that beavers construct against the will of humans that keep destroying their work. By trying to access the point of view of other species unpolluted by human perception, the artist questions the traditional distinction between culture and nature, the ownership of landscape and the apparent lack of subjectivity in animals. She practices what Timothy Morton has defined as an ecological thinking and discovers the interconnectedness of cultural-natural ecosystems in the spirit of Bruno Latour. Since her project is never finished, Maknytė attempts to remain in the prolonged everyday documenting what appears to have survived the catastrophe, seeks to keep time in its indecisive state, while living into Giorgio Agamben’s messianic time, “the time it takes us to bring time to an end”.

More...
The concept of a new nation or the new concept of a nation

The concept of a new nation or the new concept of a nation

Author(s): Julius Rozenfeld / Language(s): English Issue: 1/2018

According to Spiegel and Dawson “the meaning of ‘America’ in the 21st century is itself subject to the transnational flows of a ‘global’ image market in which television and digital media play a central role” (Tillet 2008). The direction(s) of the development of digital media is/are unpredictable and its transformations beyond its classical boundaries defined by the postmodern era is subject to investigation. Postmodernism operates with the concept of nation that revolves around culture, geographical positioning, and language therefore cannot offer a suitable apparatus for re-defining its meaning in the era of the digitalized transnational world. This also may evoke the false idea that the very concept of nation has become obsolete and outworn, however we may only lack the suitable vocabulary necessary for the correct description of its new meanings. The objective of this paper is to investigate whether digimodernism, as one possible alternative to postmodernism, has the potential to redefine the concept of nation in a globalized world, maintain its original meaning, and at the same time suitably describe it in this new epoch of social evolution.

More...
NJË VËSHTRIM PËR GRAFITET NË FOLKLOR
4.90 €
Preview

NJË VËSHTRIM PËR GRAFITET NË FOLKLOR

Author(s): Ylberza Halili / Language(s): Albanian Issue: 49/2019

This paper is a research and an effort to treat graffiti as an expressive form of folklore and to present the history and stories that these graffiti represent in the Albanian capital of Kosova and Albania, in Pristina and Tirana. To be more precise, the object of our research is graffiti and its characteristics that connect it with folklore. Graffiti represents a kind of popular speech, an artistic image, the protest or revolt that is expressed and written by people who want to be anonymous but heard in society. Therefore, the main issues discussed in this paper are: What is considered folklore today? Can graffiti be considered as folklore? What features bring it closer to folklore? Are there graffiti in Kosova and Albania and what is their history? etc.

More...
“GRAFITET NË FOLKLOR”, NJË STUDIM I RI NË FOLKLORISTIKËN SHQIPTARE

“GRAFITET NË FOLKLOR”, NJË STUDIM I RI NË FOLKLORISTIKËN SHQIPTARE

Author(s): Arbnora Dushi / Language(s): Albanian Issue: 49/2019

The review of: Ylberza Halili, “Grafitet në folklor”, botoi: Instituti Albanologjik, Prishtinë, 2019; 168 f.

More...

«COLD WARRIORS» ГЛАЗАМИ СОВРЕМЕННЫХ РОССИЯН: РЕЦЕПЦИЯ КИНООБРАЗОВ МАСКУЛИННОСТИ АМЕРИКАНСКИХ ВОЕННЫХ ПЕРИОДА ХОЛОДНОЙ ВОЙНЫ

Author(s): Tatjana Borisovna Riabova,Ekaterina Vladimirovna Pankratova / Language(s): Russian Issue: 4/2019

Based on focus-groups, conducted in Saint Petersburg and Ivanovo in November 2018, the paper examines the contemporary Russians’ reception on the images of U. S. militaries’ masculinity that were created by the Soviet and American films. The authors, at first, analyze the informants’ views on cinematic images of U. S. militaries, then, compare them with evaluations of these images after the screening the fragments of the Cold War movies (“Red Dawn”, “The Russians are Coming! The Russians are Coming!”, “713 Asks for Landing”, “A Cadet from the Schooner «Columbus»”, and others). The informants had stable and shared beliefs about how Soviet and American cinema represented U. S. militaries’ masculinity. After screening the fragments of movies the informants’ evaluations have changed: 1) they gave strong emotional response; 2) the informants started to identify themselves stronger with the Soviet past; 3) their evaluations became more nuanced. They considered the image of the American militaries created by Soviet movies more truthful that created by U. S. films. The informants’ attitudes varied depending on only their age (their gender, education, place of residence, and political preferences were not important).

More...
CHANGE THE WORLD THROUGH THE ARTS (REVIVING THE ARTS EXPERIENCE FROM LATVIA)

CHANGE THE WORLD THROUGH THE ARTS (REVIVING THE ARTS EXPERIENCE FROM LATVIA)

Author(s): Jana Skubeňová Hubinová / Language(s): English Issue: 1/2019

Art is something that somehow pleases our mind. Except of being a means of selfexpression, art is very often the main reason certain social and socio-political changes were induced. History of human kind has proven that arts have been with us ever since the Lascaux and Altamira paintings and will be with us even nowadays in the digital and digitalized era where arts has shifted from manmade (hand made products) to man-initiated (where the man designed and the industrial equipment or artificial intelligence produced the work of art). Certain areas on Earth, specific nations and national federations can be thankful to art as the moving force for change, for the cultural evolution. Now, more than ever before, art is what we need for its human-kind savior potential. Marketing the arts, to make art businesses a sustainable business at any level, is what our article deals with.

More...
NEW “FEMALE” MARKETING AND PR STRATEGIES

NEW “FEMALE” MARKETING AND PR STRATEGIES

Author(s): Yvonne Vavrová / Language(s): English Issue: 1/2019

Women are considered the ideal target group for each marketing and ad campaign. On the other hand, these ads are mostly made by male directors. Men manage for 90% of advertising and marketing agencies all over the world. The view of the world through the prism of female optics is different if a female director implements the advertising campaign, if the stories are written by female screenwriters. Nowadays sexist ads are no exception in the media world. Often, these ads indirectly promote domestic violence and express themselves about women as men’s assets and about women as beautiful but stupid creatures. All of this could be abolished if men, owners, CEO of advertising, PR and media companies would admit women directors, screenwriters to make such ads. In any case, it would be a win-win effect on both sides. Statistics only confirm this.

More...
Az ideológiai éberség árnyalatai
4.50 €
Preview

Az ideológiai éberség árnyalatai

Author(s): Gábor Győrffy / Language(s): Hungarian Issue: 1/2020

Zsuzsa Plainer edited her doctoral thesis and published it in a book in 2019, in Romanian with the title: Despre vigilența ideologică. File din istoria cenzurii instituțiilor (maghiare) orădene în regimul: presă, filarmonică, teatru. (About Political Awareness. Pages from the History of the Censorship of Hungarian Institutions in Oradea during the Ceaușescu Regime: Press, Philharmonics, Theatre). Gábor Győrffy reviews the book published in Cluj. Next to the research about the press in Oradea, the volume dedicates significant space to the presentation of the political control of the local State Philharmonics and the Oradea State Theatre, as well as to the nuanced presentation of the mechanics of censorship.

More...
Bioethical strategies in the context of bioart

Bioethical strategies in the context of bioart

Author(s): Kamil Gibas / Language(s): English Issue: 21 (28)/2019

The paper discusses topics such as bioart, in the perspective of a cultural phenomenon, present in contemporary Polish and world art. The space of contemporary art, which as a material of expression uses specialist knowledge in the field of bioengineering and tissue culture along with living material, has been a challenge for artists and analysts of art, culture, science and ethics for years. The activity of Eduardo Kac is recalled as well as the Polish bioartist, Karolina Żyniewicz. In her projects, the artist collaborates with scientists, building an interdisciplinary platform for the exchange of knowledge and experiences. These deliberations are supplemented with literature on bioethics: positions, opinions and other regulatory documents (The Committee for Bioethics PAS, the Council of Europe, CIOMS, UNESCO) in the context of non-medical and artistic activities. The paper is an attempt to find answers to questions about the way in which new bioethical regulations should be updated and formulated. What bioethical strategies should be taken in this historical moment of our time, where an artwork is both artistic and also strictly scientific?

More...
Result 6181-6200 of 9871
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 309
  • 310
  • 311
  • ...
  • 492
  • 493
  • 494
  • Next

About

CEEOL is a leading provider of academic eJournals, eBooks and Grey Literature documents in Humanities and Social Sciences from and about Central, East and Southeast Europe. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, researchers, publishers, and librarians. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. CEEOL supports publishers to reach new audiences and disseminate the scientific achievements to a broad readership worldwide. Un-affiliated scholars have the possibility to access the repository by creating their personal user account.

Contact Us

Central and Eastern European Online Library GmbH
Basaltstrasse 9
60487 Frankfurt am Main
Germany
Amtsgericht Frankfurt am Main HRB 102056
VAT number: DE300273105
Phone: +49 (0)69-20026820
Email: info@ceeol.com

Connect with CEEOL

  • Join our Facebook page
  • Follow us on Twitter
CEEOL Logo Footer
2025 © CEEOL. ALL Rights Reserved. Privacy Policy | Terms & Conditions of use | Accessibility
ver2.0.428
Toggle Accessibility Mode

Login CEEOL

{{forgottenPasswordMessage.Message}}

Enter your Username (Email) below.

Institutional Login