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Gurbet Türkülerinde İstanbul İmgesi: “Yârim İstanbul’u Mesken mi Tuttun”

Author(s): F. Gülay Mirzaoğlu / Language(s): Turkish Issue: 100/2019

Istanbul, which is one of the main centers in the shaping of Turkish music culture, in the process of creation, performance and dissemination of music, has been visualized with striking beauties in many of folk songs as in our classical music according to the socio-cultural contexts of the era, time and place. Istanbul is known with love in both folk and classical music traditions and on the contrary, in the songs of love, separation and folk songs originating from the events that took place in various regions of Anatolia; Istanbul is an insurmountable obstacle that separates the lovers. In this research, Istanbul image will be examined in the songs on the themes of love, separation and expatriate, its main features will be revealed and the social and cultural realities that form this image will be examined.

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Farklı Yaşlar Benzer Kareler

Author(s): Çiğdem Kara,M. Muhtar Kutlu / Language(s): Turkish Issue: 102/2020

Birthday photographing is a modern tradition that attached to birthday ritual, and considered within the family photograph type. In this article, seven photos of birthday celebrations from first half of 1960s and 1990s that they are belong to same family’ four children from two different generations, are examined. And problem is why birthday photos of different persons from different ages have similar frames. The photos are analyzed by Panofsky’s iconographic and iconological methods. However, a perspective formed by the main questions and terms of anthropology is used while analyzing photographs. The owner of the photos is Mustafa Muhtar Kutlu, whose biography was recorded orally. Therefore, the meaning of the photographs, the personal experiences and authenticities hidden in the photographs are revealed through the biography of the owner of the photographs. In the article, it is claimed that practiced three patterns creates the similar frames. One of these patterns is schemata which uses portrait art and also folk art. The other two patterns are created by ritual and family image that these are reasons of the taking the photographs. Although these three patterns make the photos understandable at first glance, they are not the only factor that determines their value. The creativity of the eye that shoot the photographs and a bit of luck are elements that make the photos aesthetically unique. Semantic value is related to both the ethnographic characteristics of the images reflected by the photographs and the memories that the owners fit them.

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Legendy Polskie Allegro jako narracja transmedialna

Author(s): Małgorzata K. Wierzbowska / Language(s): Polish Issue: 22 (29)/2019

The first short films from the Allegro Polish Legends series attracted great popularity. Further productions were created on the wave of this trend – short films, audiobooks and music videos. A feature film was also announced. The Legends are a unique narrative in Polish popular culture, not only because of the circumstances of its creation, but also the manner of its execution, distribution and the subject matter. In the article, I analyse this popular series, judging whether it can be considered a transmedia narrative. Firstly, I reflect on concepts such as an entertainment supersystem, a universe, a narrative and a transmedia story. Secondly, I relate these concepts to The Legends in an attempt to ascertain their applicability in an analysis of the series. I also reflect on the current situation of the franchise, as well as its potential and development prospects.

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21. Yüzyılda Biyosanat

Author(s): Ayşe Azamet,Çağatay İnam Karahan / Language(s): Turkish Issue: 63/2019

In this study, the paradigm of art, which changes according to the scientific structure, is examined within the scope of bioart; In the 21st century, the examples of bioart applications in the arts have been discussed and explained. Nowadays, it is necessary to accept the current facts as to where art is on, what processes and parameters it is going on, and which reflections it will present on its journey. At the point where these human-centered changes in the biosphere have reached an unstoppable pace, art also needs to bring up the current scenarios, including interventions. In the paradigm of art, the depiction of extinction or re-existence in the anthropocene age we are in is depicted as the beginning of its most primitive form, and the ability to represent will continue to be reflected to humanity with the services of the artist in the context of the existing systems. Despite the developments in art in the global context, it is seen that interdisciplinary practices are not widespread in art education in our country today. Based on the necessity of updating the content of art education and integrating it with the data of the age; It was concluded with the opinion that the lack of bioart applications and the beginning of the researches will be started. In the documentary research, the biotechnological applications included in the field of bioart were explained with the artist and his creation. In the light of the data obtained, it was concluded that interdisciplinary studies in this field of design contribute to art.

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Op Art Sanat Akımının Giysi Modasına Etkisi

Author(s): Fatma Yelda Gezicioğlu,Özlem Uslu / Language(s): Turkish Issue: 63/2019

Art and fashion have influence eachother for centuries. When the works of artists and clothing designers who worked in the same period are examined, it is seen that they are influenced by eachother and they even work together. Op Art is a movement based on the system at each vestigation of the light and the light that brings the eye forward and backward to create visual-perceptual effects. In this article, the works of Victor Vasarely, Bridget Riley and Richard Anuszkiewicz, one of the artists who are the artists of Op Art, one of the trends that marked the 1960s, are reflected in the designs of Andre Courreges, Mary Quant, Pierre Cardin and Paco Rabanne who are the clothing designers of the same period. It was investigated. In this study, the interaction of the artists of Op Art with the clothing designers in the same period is explained with the visuals.

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Sanayi Sonrası Kentleşme Sürecinde Heykelin Mekânsal İşlevi

Author(s): Caner Şengünalp / Language(s): Turkish Issue: 64/2019

The industrialization process, which is the undisputed main actor of social transformations for nearly one hundred and fifty years, is an important factor triggering urban problems. This process, which is one of the main determinants of social and urban dynamics, has an indispensable effect on the increasing growth of important problems related to urban growth, development and planning. The urban texture of the pre-industrial urban environment has been transformed with the changing production techniques and the cities, which have the character of an art work, have become a product. This negative transformation, spreading in a global influence, has infiltrated into daily life and prepared the ground for the emergence of ugliness, kitsch, incompatibility, distortion and commodification in urban space. Post-industrial cities need to be repaired with some kind of renaissance, a planned process of thought and activity. Urbanization problem; aesthetics, political, spatial and cultural can be opened to a discussion in a spiral, design and solution processes can be carried out in this axis. One of the ways to solve the problems that arise in the process of creating urban fabric is to take concrete steps in order to transform the city into a ından work deneyim that is experienced again. First of all, we must return to the tradition of urban space-art cooperation which has been going on since Ancient Greece. In this context, inclusion of the possibilities of contemporary art in the planning processes of spatial productions may contribute to the practices of constructing physical, social, mental and spiritual spaces in urban fabric, may help to repair the deterioration of post-industrial urban fabric, and may form a common denominator in problem-solving.

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Güzel Sanatlar Fakültelerinde Müzik Eğitimi Alan Öğrencilerin Geleneksel Türk Müziği Derslerine Yönelik Tutumlarının İncelenmesi

Author(s): Cantürk Bayrakçi,Ülkü Sevim Şen / Language(s): Turkish Issue: 65/2020

The objective of this research is to determine students’ attitudes toward “Traditional Turkish Music” courses, who study music at Faculties of Fine Arts. It is aimed to contribute to the quality of education with determination of attitudes toward these courses. This is a qualitative study designed in the correlational survey model of descriptive research methods based on quantitative data, and the questionnaire technique was used. According to the results, considering Traditional Turkish Music course hours students receive at the universities they study, it has been found that students taking more Traditional Turkish Music courses differed highly and students' attitudes do not vary across gender and classes. It has been resulted that attitude levels of the students taking more Traditional Turkish Music courses are superior to those taking fewer, attitude affects and the gender and class differences do not make significant differences in students’ attitude levels.

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Karadeniz Çalıklı Teknikli Çorapların Tasarım Özellikleri

Author(s): Pınar Arslan,Hatice Feriha Akpinarli / Language(s): Turkish Issue: 65/2020

Culture offers the opportunity to express each society in a unique way. As a result of the combination of differences, cultural diversity occurs. Art, tradition, custom, belief, language, literature, architectural spaces, history, geography, food, etc. cultural elements are shaped and diversified according to the perception of each society. This variety is seen in different regions. One of these regions is Rize province, located in the Black Sea Region. It is possible to come across textile products reflecting traditional and localism in Hemşin, Çamlıhemşin and Ayder in Rize. Hand knitted socks, which are among these products, attract attention with their pattern, motif and color features. Scanning method was used as a method in the study. The universe of the research is the product design features of hand knit socks in Rize, while the sample of the research is 47 çalıklı technique hand knit socks which are found in Hemşin and Çamlıhemşin. The aim of this study is to examine the patterning technique, motif and color properties of Hemşin, Çamlıhemşin socks in terms of design features. It is understood that the socks samples examined within the scope of the study have 4 different motif features as vegetative, geometric, figured and symbolic. Generally, white color is preferred as the ground color and vivid and warm colors are preferred for the motifs.

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1990’lardan 2020’lere Genç Etkinlik Sergileri

Author(s): Hülya Küpçüoğlu / Language(s): Turkish Issue: 66/2020

Opening of contemporary art venues such as Aksanat, Borusan Sanat, Karşı Sanat in the 1990s supported the development of the Turkish contemporary art field. The biggest organization of the art environment in these years is undoubtedly Young Events. In 1995, President of the International Plastic Arts Association, Hüsamettin Koçan brings up a new project for the young artists of the period. This project will be open to all young artists and they will be able to exhibit their work as desired. The period is also the years in which subjects such as identity or ethnic identity, borders are examined. In this framework, the Association organized “Borders and Beyond” as the concept of Young Event 1, “Deterritorialization” in Young Event 2, “Chaos” in Young Event 3 and Young Event 4 without concepts. After a quiet break from 1998 to 2011, Young Events started again in 2011. However, this time it is not open to the participation of every artist. The artists will be determined by a jury. Young Event 8 was last done in 2019 under the name “Homo Historicus-Homo Projectus”. Young Events in the 1990s were made to provide an environment for the young artists of the period, who had difficulties in finding a gallery to open an exhibition, to encourage production freely because it was unselected, and to make them visible. As a result, many artists who opened exhibitions at the Young Events in the 1990s became visible. It has been observed that the artists participating in the Young Events in 2010 in terms of changing socio-cultural conditions and technology did not activate a mechanism of influence as in the 1990s. In this article, Young Events held in different years will be examined and their dynamics over the years will be given comparatively.

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Toplumlara Devrimi Anlatmada Resim Sanatının Yeri: Meksika, Rusya ve Türkiye Örnekleri

Author(s): Mehmet Aksoy,Hüseyin Elmas / Language(s): Turkish Issue: 67/2020

Revolutions take place with the completion of the process of becoming another power while ending the administration of the existing government with violent methods by taking all the support of the society. Public support is the most important factor in the process of revolutions and after the events. The revolutionary movement, which always wants to feel the support of the people as the driving force behind it, is obliged to explain and convince why people should leave the old power and support them In this case, propaganda was a method frequently used by revolutions. Propaganda tools vary according to the technology of the period and the literacy rate of the people. The limited opportunities in the revolutions and the low literacy rate of the people constitute the common denominator. In this case, the art of painting has become indispensable as a propaganda tool of the revolution. In this study, revolutions in Mexico, Russia and Turkey were examined. As a result of the evaluations made, Mexican wall paintings attracted attention with their originality all over the world, while Russian revolution condemned the artists to the uniformed style. In Turkey’s case, the artists who were trying to explain revolution to the society, failed to do so.

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Yapısal Özellikleri ve Çalım Teknikleri Bakımından Gitara Benzeyen Geleneksel Türk Müziği Çalgılarında Performans Normlarının Belirlenmesi

Author(s): Şevki Özer Akçay / Language(s): Turkish Issue: 67/2020

The basic purpose of the present study is to determine the performance norms in Traditional Turkish Music [TTM] instruments that resemble the guitar in terms of structural characteristics and playing techniques. To achieve this purpose, the purpose was to determine the teaching and performance evaluation criteria of the faculty members who taught guitar-like instruments (Oud, Tambur, Qanun, and Baglama) among TTM instruments that are played with picks and fingers in higher education institutions that provide vocational music education. The data of the study were collected from the 10 faculty members who worked in various higher education institutions in Turkey by using the Expert Interview Form, which was prepared by the researcher. The data obtained with the Interview Form were analysed by using the Content Analysis Method. The results of the study showed that musical expression and interpretation are at the forefront of the performance evaluation of Traditional Turkish Musical instruments, not technical dimensions in general. When considered from this viewpoint, we believe that the development of measuring tools with the ability to measure the norms identified in this study as well as the criteria that includes general musical norms will be helpful and useful to educators in the measurement-evaluation stages of TTM instrument performance. In this way, an important gap in measurement and evaluation in TTM instrument training can be filled.

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Toprak-Kadın İlişkisi ve Türkiye’de Seramik Sanatında Kadının Yeri

Author(s): Tuba Batu / Language(s): Turkish Issue: 67/2020

The intention of women to change their postures in the world (with an article published in 1971) is a very recent date. Process for women artists in Turkey is slightly different than others. Especially in terms of ceramic art. Anatolia is a rich geography with its lands suitable for ceramic production and its history where women are considered goddesses. It was with the Republican era that women living in this geography met with the contemporary ceramic art after taking part in traditional ceramic production - less or more. Ceramic's effort to be within the borders of art as a material and the effort of women artists to be in the art world act simultaneously. The place of this effort in today's women's movement is very important in terms of the image of the woman to be formed in social memory. In this study is aimed, clay (or earth) and women relationship from the past, at determining the transmission path to the future in Turkey art.

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Tekstilde İnovatif Tasarım Yaklaşımı: Biyomimikri

Author(s): Nursen Geyik Değerli / Language(s): Turkish Issue: 68/2020

Textile was meaning as a weaving method and fabric produced by this method in the past. Today, however, it is a general term that includes raw materials such as fibers or yarns for the production of fabrics, their production processes and all other (knitted and nonwoven) fabric production methods, and the textile industry is one of the few industries in the world. With the transition from agricultural society to industrial society, the machine relationship has been added to the relationship between people and nature. With the industrial revolution, the concepts of art-craft and design have started to be questioned again. Scientists and designers, inspired by nature in the designs of the 21st century, show a diversity in the field of textile by combining the technological advantages of the century with the evolved imitation approach of hundreds of years. Today, besides the improved functionality of the products by nature-design-industry collaboration, there are limited number of designs and this shows biomimetic approach needs to be evaluated more. In this study, the applications of textile designs with biomimetic effect were assessed. Biomimetic and its place in design from past to present, the relationship between biomimetic and designs that direct the textile industry, original textile designs prepared with biomimetic approach in the context of color-texturefunctionality are examined and evaluated with current examples.

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Aksaray Sultanhanı’nda Halı Dokuma Sanatının Günümüzdeki Durumu

Author(s): Semra Kiliç Karatay / Language(s): Turkish Issue: 68/2020

Sultanhanı, one of the important weaving centers of a period, was founded on the Silk Road by I. Alaeddin Keykubat. In this study, information about the tools, techniques, motifs, patterns and composition features, dye and color features, schematic drawings of weavings and motifs, weavings are given. Carpet and rug weavings are products that can last for years. The material used can be a cultural identity document for the region it touches in terms of motif and pattern compositions. While Sultanhanı was one of the important weaving centers of a period, it is seen that the interest in weaving has decreased in the region with various factors.

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„Cadre de vie”. Jean-Luc Godard’s „Deux ou trois choses que je sais d’elle” (1967), French TV and Architectural Discourse

Author(s): Jacqueline Maurer / Language(s): English Issue: 109/2020

The article demonstrates how Jean-Luc Godard’s "Deux ou trois choses que je sais d’elle" (1967) contributed to the contemporary critical discourse on (social) housing estates (grands ensembles). With his work, the filmmaker aimed to show the grand ensemble, or ‘the big(ger) picture’ of what it meant to live in contemporary consumerist oriented France. The protagonist Juliette Johnson represents the French citizen and simultaneously the metaphor of the Paris Region that underwent a huge transformation. The main interest of the text lies in the use of the 360-degree pan shot and the notion of cadre (frame), as they connect film theory and the contemporary discourse about how the décor, i.e. the (built) environment, influences people’s cadre de vie (living conditions). A close reading of two film sequences and a historical contextualisation of architectural discourses and theories is completed by a comparison with documentary TV programmes. While they had fostered the critical discussion about housing estates already before, they used the panorama shot only after "Deux ou trois choses…"

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Architektura, urbanistyka i wspólnota – „Byker” Sirkki-Liisy Konttinen

Author(s): Karolina Kosińska / Language(s): Polish Issue: 109/2020

The article focuses on the project "Byker" (1983) by Sirkka-Liisa Konttinen, a member of the Amber Collective from Newcastle, documenting social life of the working-class communities in Northern England. On the one hand, the film is a record of the transformation of Byker (the city’s authorities decided to demolish the terraced houses, declaring them as slums, and to replace them with a modern development – blocks of flats designed by Ralph Erskine). On the other, it may be treated as a voice in the lively discussion concerning postwar British architecture and urban planning. Kosińska argues that "Byker", although quite nostalgic in tone, is above all – because of its hybrid form and also its complex rhetorical devices – trying to symbolically reverse the process of annihilation, to (re)construct the community, and to give the control over the living space back to this community. Kosińska refers to the arguments of Annabell Honess Roe and to the theory of the space as a social product formulated by Henri Lefebvre. She also places the film in the context of urban planning, using the account written by Peter Malpass that destroys the myth of success that accompanied the redevelopment of Byker.

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Architektura i japoński kolonializm – filmowy obraz przestrzeni miejskiej w okupowanym Seulu

Author(s): Krzysztof Loska / Language(s): Polish Issue: 109/2020

Assuming that the relations between architecture and cinema should be considered not only in terms of aesthetics, but also in a broader political context, Loska analyzes the way in which urban scenery contributes to the creation of national mythology and nostalgic images. The subject of his analysis are contemporary Korean films set during the period of Japanese colonization, including 2009: "Lost Memories" (dir. Lee Si-myung, 2002), "Modern Boy" (dir. Jung Ji-woo, 2008) and "Private Eye" (dir. Park Dae-min, 2009). Loska emphasizes that the fashion for retro films is a part of a revisionist historical strategy and constitutes an attempt at rewriting the past. Recreating traces of the presence of the Japanese occupiers – through digital reconstructions of pre-war Seoul – does not lead to a critical reflection on colonialism but serves to create a specific narrative, with members of the resistance movement as the main protagonists of these films.

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Amerykańskie przedmieścia w cieniu wielkiego miasta

Author(s): Patrycja Włodek / Language(s): Polish Issue: 109/2020

Suburbs are “a Russia, only with money” – the joke quoted by William H. Whyte in The Organization Man points to the ambivalent status of suburban districts, noticeable also in their cultural representations. On the one hand, suburbia are simply a way of spatial planning, on the other – this particular space has always been as tangible as symbolic and mythical. They serve as a microcosm and metonymy of ideas crucial for post-war America, such as nation, capitalism, security, pax Americana. The article focuses on the mechanisms and reasons (considered both synchronically and diachronically) for the very existence of the movie-made American suburbia seen as symbolic territories.

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Odnowione pojmowanie roli chórów w liturgii

Author(s): Marius Linnenborn / Language(s): Polish Issue: 16/2018

The author indicates a few crucially significant issues arisen after the Second Vatican Council, namely the revival of music and singing in liturgy, particularly the role of a choir, and the questions of a repertoire, choir composition and voice arrangement during liturgy entailing the problem of women’s inclusion into the choir. Through his most exhaustive, against the paper limitations, historical analysis, the author demonstrates how the role of the choir in liturgy was understood at the beginning and how this understanding has evolved over the years. The author emphasizes as well a vital role of children choirs in liturgy, advocated by the liturgical movement which originally assumed children’s singing in a schola or a choir as a “pioneering function for singing of the faithful”. One of the main propagator of the above pioneering function of children’s singing was Pius Parsch, founder of the Volksliturgiche Bewegung. Pope Paul VI used beautiful words to describe the role of singing children when addressing Pueri Cantores: “We trust that you will become co-participants or even the pioneers of a concrete and practical liturgy revival of our liturgical assembly. Wherever children sing, the faithful pray and wherever children are silent, the faithful reluctantly open their mouths to sing”. Just like sacred music plays a servicing role in liturgy (cf. CL 112) “the primary and the most essential function of a choir or of a cantor is to serve the faithful in their singing during liturgy, not to replace them. The secondary function is to perform by the choir the singing parts which the faithful are not capable of performing on their own and on a high artistic level” (the Austrian liturgist Philipp Harnoncourt). In his letter celebrating the 100th anniversary of publishing motu proprio by Pius X on 22 November 1903, Pope John Paul II highlighted the double role of a choir: “The task of the schola has not decreased: it indeed develops in the assembly the role of guide and support and, at certain moments of the Liturgy, has its own specific role“. Pope Benedict XVI defied the exclusive singing of the faithful and of liturgical music, ascribing to the choir singing an equivalent value: „there are a good number of people who can sing better «with their heart» than «with their mouths», but their hearts are really stimulated to sing through the singing of those who have the gift of singing «with their mouths». It is as if they themsleves actually sing in the others; thankful listening is united with the voices oft he singers in the one worship of God”.

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Recenzja płyty Missa est

Author(s): Kama Hawryszków / Language(s): Polish Issue: 16/2018

Płyta Missa est to efekt końcowy inicjatywy podjętej przez wykładowców i studentów Międzyuczelnianego Instytutu Muzyki Kościelnej w Krakowie pod przewodnictwem prof. Wiesława Delimata, której celem było odtworzenie śpiewów uroczystej mszy wykonywanej w kościele Świętego Marka w Krakowie przed II Soborem Watykańskim. Projekt rozpoczął się w 2016 roku, samo zaś nagranie miało miejsce w maju w 2017 roku, również w kościele Świętego Marka, który jest obecnie kościołem akademickim Uniwersytetu Papieskiego Jana Pawła II w Krakowie.

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