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“Pop Music and Socialism: Gleams“ is Rosemary Statelova’s latest monograph, which offers new music-anthropological interpretations of Bulgarian pop music under socialism. Pop music under socialism is treated as a process unfolding over a period of about four decades and developing in three stages: the first is defined as an ‘early stage’ (1950s); the second as the arrival of a new phenomenon, namely that of ‘pop music with a creative face’ (1960s and the early 1970s); the third as ‘maturity’ (mid-1970s until the political upheaval of 1989), focusing on the Golden Orpheus Festival of Pop Music. The photographs, being invaluable evidence of the development of Bulgarian pop music, add expressive iconicity and documentary informativeness to the book.
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The author adds to the study written by Gábor Sztancs published in the previous issue of the review, that the historical self-representation of Sáros County at the beginning of the 20th century is incomplete because it does not take into account the Additives to the History of Zemplén County journal. The author fills this gap.
More...Г е о р г и В л а д и м и р о в. Великата България на Волга през средните векове. София: Просвета, 2019. 160 с.+ 62 ил.
More...Ž e ň u c h, P., Е. В. Б е л я к о в а, Д. Н а й д е н о в а, Р. Z u b k o, Š. M a r i n č á k. Užhorodský rukopisný Pseudozonar. Pravidlá mníšskeho a svetského života z prelomu 16.–17. storočia. Bratislava–Moskva–Sofia–Košice, 2018.
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