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Kuwaiti sculptor Sami Mohammed in his reflective show ‘Displacement’ moves from creating monochrome bronze sculptures that display specific regional catastrophes, toward offering thirty multi-hued contemporary paintings based on the notion of displacement in a global setting. He images the effects of globalization. Sami transitions his work to this “polyglot” culture in which his consciousness links the dissimilarities to synthesize the immigrant, the exile, the tourist, and the urban wanderer - the dominant figures of contemporary culture. He reflects on aspects such as “altermodernity,” constituting a “translation-oriented” modernity. His intervention, in kaleidoscopic styles and techniques, defines fragments of “medium-space-time.” He maps these as he wanders through continents and locations while he positions himself in translatable moving and affected environments. The global stage turns into a platform for an interchange of multitude portrayals of the world, in which Sami’s translation of ideas and imageries play a crucial role in dialogue that will give rise to a new shared intelligibility.
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Review of “Foreign Honorary Members of the Macedonian Scientific Institute (1923– 1947)”
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A theoretical work on visual image. On Bogdana Paskaleva's book "The Garment of Nudity: Transformations of the Image in the Story of Narcissus and Echo". Sofia, St. Kliment Ohridski University Press, 2022.
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Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). Voyage et idéologie. Les politiques de la mobilité (Orient, Afrique, Asie – XXe siècle). Editions du Bourg, Montrouge, 2022, ISBN : 978-2-490650-23-1. Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). Mobility policies (Orient, Africa, Asia – XX century). Editions du Bourg, Montrouge, 2022, ISBN : 978-2-490650-23-1
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Book review: Kamelia Spassova, Modern Mimesis: Self-Reflexivity in Literature. Sofia, St. Kliment Ohridski University Press, 2021.
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Book review: Self-writing and its genres. Letters, diaries and other forms of autobiographical narrative in European scriptural practice (18th-20th centuries). Edited by Margarita Serafimova. Sofia, Boyan Penev Publ 2021
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Book review: Elka Traykova. Literary-Historical and Critical Plots. Sofia, Boyan Penev Press, 2021, 226 p.
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Book review: Nikolay Genov. The Virtual Human: A Study on Phantomatics. Sofia, Versus Publishing, 2022
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This article examines the educational career of Professor Petar Stoyanov Koledarov (1922– 1992) at St. Cyril and St. Methodius University of Veliko Tarnovo. Prof. Koledarov was a notable twentieth- century historian and member of the Bulgarian Academy of Sciences’ Institute for Historical Studies. He laid the foundations of the Historical Geography and Cartography discipline in Bulgarian academia. In his work, he made significant contributions to its development as a field of science, and he actively promoted its inclusion in the curriculum of Bulgaria’s higher education institutions. Between 1967 and 1983, he was also a lecturer in this field at the university. The article traces his path to becoming an educator, outlines the peculiarities of his teaching methods, and delves into the content of his lectures. It also briefly examines his contribution to the development of the city of Veliko Tarnovo during that period.
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