Ferdinandi Mantlipärijad

Author(s): Tõnu Tender / Language(s): Estonian Issue: 1-2/2019

Tähtsaim eesti keele auhind – teenete eest eesti keele uurimisel, korraldamisel, õpetamisel, propageerimisel või kasutamisel – kannab väljapaistva keeleteadlase Ferdinand Johann Wiedemanni (1805–1887) nime. Keeleauhinna algatamise mõttele tulid 1988. aasta sügisel Irma ja Jüri Sild. Esimene keeleauhind anti üle 1989. aastal. Esialgu andis auhinda välja Energia kolhoos, Nõukogude korra ja kolhooside lõppemise järel rahastasid auhinna väljaandmist Jüri Sild (kolhoosi endine esimees), seejärel Väike-Maarja vald ja Eesti Keele Sihtasutus ning eraalgatusliku keeleauhinna paaril viimasel korral Haridus- ja Teadusministeerium. (Põhjalikumalt vt Ross 2005, 2008, 2013.) Alates 2004. aastast on auhind riiklik. [...]

Patrimoniul arhitectural din București. O lecție deschisă

Author(s): Ana Bârcă / Language(s): Romanian Issue: 10/2021

This paper is based on the research undertaken in 2020 as part of the restoration project for a historical building, located in the north of Bucharest. A house erected on the third decade of 20th century, inscribed on the National Inventory of the monuments is a genuine illustration of the Modernist style. The house was known as Villa Stern. after the name of the architect Harry Stern which designed and lived it, starting from the early 1930's. The building permit, indicates another name, that of the architect Leon Stern. Without any kinship with Harry, Leon Stern will become the author of some famous Modernist buildings. Also, the younger architect Harry Stern stands out a leading teacher in the local context of Bucharest. Another kind of data there are inside the house. Displayed in plain sight, the bas – relief Maternity and the ronde-bosse sculpture of the oldest couple – Adam and Eve. The sculptures bear the signature of a German artist with ethnic roots of Polish Jews, Arnold Cencinski, under the pseudonym Borgo Prund. The careful research of all written information, the repeated inspection of the house, in addition to discussions with other professionals have clarified the confusion of the names and they resized the architectural values of the urban dwelling of the time.

Specificul plantațiilor istorice de arbori din parcurile publice amenajate între 1830-1916

Author(s): Alexandru Mexi / Language(s): Romanian Issue: 10/2021

Historic parks and gardens represent complex monuments in which vegetation and especially woody species, at least in the case of Romanian parks and gardens, predominates. In these spaces defined by both cultural and natural values, plantations and the choice of the selection of plants were not accidental, and the motivation and history behind each decision regarding the green components of a park or garden represents a very important topic, so far little researched in Romania, necessary for the understanding of the evolution of these outdoor spaces, and also for their proper management, conservation and future restoration. Thus, the following paper will present a series of aspects regarding characteristics of plantations in public parks and gardens, national and international fashions regarding the use of different species of plants and the reasons for choosing to use certain species, and especially trees, in the municipal parks established between 1830-1916 south and east of the Carpathians.

Măsuri de conservare a vitraliilor: sisteme izoterme de protecție

Author(s): Răzvan Gavrilă,Angela Horvath / Language(s): Romanian Issue: 10/2021

The practice of isothermal protective glazing as a stained glass conservation measure, aims to reduce the impact of meteorological, pollution and biological factors on both the glass substrate and the paint layer, as well as limiting the detrimental effects on adhesives and consolidants used in stained glass restoration.The aims of this article are to draw attention on the problems involved when installing protective glazing and specific technological issues, the theme of energy efficiency and the importance of long term monitoring, through a study based on existing references in the glass conservation field and our own experience.

Общи универсални модели при номинацията с теоними (виртуален модел и конкретни варианти)

Author(s): Borislav Popov / Language(s): Bulgarian Issue: 3/2005

Veliko gradilište u Prozor-Rami, kraju koji se mijenja na kotačima napretka

Author(s): Matej Škarica / Language(s): Croatian Issue: 123-124/2022

Ovoga ljeta iskoristih jedan dio svoga godišnjeg odmora te ponovno obiđoh našu Ramu - moram priznati, nešto više njezine srednje i donje dijelove, negoli popularni Gornji kraj (premda se bližio blagdan Velike Gospe). Ujedno razlog i da se malo sklonim s užarenih mostarskih ulica na kojima je temperatura išla do 41 stupanj celzija. Nije to bio neki posebno dug boravak na prostorima ove slikovite općine te njezina gospodarskog središta, ali bijaše viđeno dovoljno, dodatno i kroz neobvezne razgovore s pojedinim žiteljima. Nažalost, nekih dragih ljudi više nema, i to me svaki put dočeka kao bolna nepovratna činjenica. Život nam tako nudi pregršt mogućnosti, ali ostavlja i neka vječna pitanja smisla. Uskoro će i 100. (obiteljska) obljetnica od doseljenja roda Brizar na područje Kolivreta i Paljika. Došli su s mojom prabakom na tu dobru zemlju. Do tada su živjeli na Gračanici blizu Rame, reklo bi se - na samo par koraka. Pripovijest kaže da su se starinom prezivali Ramljaci. Susjedi su im bili Meštrovići, Rajiči i Belje, isto rod starinaca. Danas je tamo ostala samo jedna obitelj Brizara. Skoro sve se od zadnjeg rata naovamo iselilo - što bi rekli: po bilom svitu. I to je, nažalost, ona bremenita realnost Hrvata u BiH koju, opet, dijele s druga dva naroda.

MONARHIJSKE STVARI: NA TRAGOVIMA SREDNJOEUROPSKE MATERIJALNE KULTURE S KRAJA 19. STOLJEĆA – SLUČAJ POSJETA ZAGREBA FRANJE JOSIPA I. 1895. GODINE

Author(s): Filip Šimetin Šegvić / Language(s): Croatian Issue: 95-96/2021

Miroslav Krleža, jedan od najintrigantnijih suvremenih hrvatskih književnika, u svoja je djela često ugradio istančan, oštar, a ponekad i pretjerano definiran, ali vrlo rijetko posve promašen osjećaj za hrvatsku prošlost, povijesnost, povijest. Nedvojbeno bi izuzetno zanimljivo bilo obraditi Krležin odnos prema historiografiji, prema hrvatskoj nacionalnoj povijesti, naročito prema 19. stoljeću i baštini tog “francjozefinskog” razdoblja koje je volio kritizirati. No tome ovdje nije mjesto. Tragajući za ostacima materijalne kulture 19. stoljeća, u ovom specifičnom slučaju materijalne kulture koja je povezana s pojavom masovnih manifestacija i sve popularnijim vladarskim javnim proslavama, zanimljive uvide pruža 1895. godina, godina dolaska Franje Josipa I. u Zagreb.1 Krleža u tom smislu ukazuje na vrlo važne, iako možda ne na prvi pogled očite tragove.

IVO BANAC, MORALNA VERTIKALA

Author(s): Ivo Marković / Language(s): Croatian Issue: 95-96/2021

Ivo Banac (1947–2020) ostavio je dubok trag u Hrvatskoj i širem balkanskom okruženju kao povjesničar znanstvenik, društveno-politički analitičar, borac za promociju ljudskih prava, političar, no svoj toj njegovoj aktivnosti odlučujući pečat daje njegov snažni osobni autoritet, osobna moralna zrelost, vrijednosni sustav i dosljednost. U ovoj studiji se istražuje upravo ta strana njegove ličnosti.

PRIJATELJSTVO RAZLIKA: SEĆANJE NA IVU BANCA

Author(s): Obrad Savić / Language(s): Serbian Issue: 95-96/2021

U trenutku kada Ive Banca više nema, imam potrebu da sa velikim poštovanjem progovorim u njegovu čast. Sa profesorom Bancem, čiji je akademski život bio dostojan svakog divljenja, prvi put sam se sreo tokom mog boravka na New School for Social Research (New York, USA). Spreman sam da posvedočim da se od početka našeg “američkih druženja” Ivo Banac zalagao za jedno prefinjeno prijateljstvo lišeno svake neprimerene bliskosti. Obostrano smo radili na izgradnji jednog odmerenog, nenametljvog druženja, koje nije nastalo iz nekakve prevelike udaljenosti, nego, upravo obrnuto, od straha od one napadne i predimenzionirane bliskosti koja nam je bila strana. Pogonska snaga našeg, nazovimo ga, depolitizovanog prijateljstva, vodila je poreklo iz okolnosti što se naš odnos od početka uzdigao iznad one pogubne bliskosti sa familijarnim, etničkim, nacionalnim, fraternističkim i androcentričnim srodstvom. Duh i priroda našeg suverenog prijateljstva izravno su nastali iz središta nesamirljivih razlika.

ДВА ЈУБИЛЕЈА ПРОФ. ДР ИВАНА ЧАРОТЕ

Author(s): Dajana Lazarević / Language(s): Serbian Issue: 1-2/2022

Херој славистичке науке и јунак наше приче не жели да буде први, не жели да буде испред других. Али његови студенти, људи који га слушају и воле и који су упознати са његовим радом - упорно га стављају на заслужени трон. О његово друштво се многи отимају, боре се за разговор, савет, тренутак пажње. Неки људи, који га први пут виде, полете му у сусрет да га загрле и пољубе, као рођеног брата. А он је увек једнако драг, фин и скроман, иако је за сва времена задужио и српски народ и филологију – проф. др Иван Чарота, Белорус у чијим грудима куца српско срце.

Bosnian War Posters

Author(s): Daoud Sarhandi Williams, / Language(s): English Issue: 3/2022

When I look at Bosnian War Poster as it has just been published, I see that the book is much more than I imagined it could be. It shows us not only that the human spirit is indomitable, but that human creativity is, too. I imagine the same forces are at play in Ukraine right now. Like everyone, I look forward to the end of Russia’s brutal attempt at conquest—and also to seeing how Ukrainian artists responded to the horrors that are enveloping them. Art teaches us as much about war as journalism, but in very different ways.

Autenticitate și adevăr în tabloul votiv de la Sfântul Ilie – Suceava

Author(s): Bogdan Bratu,Gheorghiță Dănilă / Language(s): Romanian Issue: 11/2022

The scholars who analyzed the mural paintings of St. Elijah Church on the outskirts of Suceava proposed several identifications for the characters included in the votive composition and, consequently, different dating for the frescoes. Besides Stephen the Great (the building’s founder, identified as such also by the dedicatory inscription) and his son Bogdan, the third male character (having his face and name cancelled out and later repainted) was identified as either the founder himself, another of his sons, his grandson Stephen IV (“Ştefăniţă”), or even an “18th-century or a difficultly-identifiable prince.” After the restoration process, it was established that the third character was inserted into the votive composition at the same with the repairing of the church vandalized during the 1538 Ottoman campaign, and that this third character himself was the commissioner of the renovation. His name (still readable) and its later cancelling-out, explainable within the historical context, allowed his identification with Stephen V “Locust,” a grandson of the church’s great and holy founder, who promoted thus his claim of direct descent through his epithet “the Elder” and through his restoring gesture. Subsequently, the votive composition in St. Elijah Church is an important source for recovering the memory of a forgotten ruler in Moldavia’s history.

Lisandusi omakirjastuslike väljaannete arhipelaagi kaardistamiseks

Author(s): Jüri Hain / Language(s): Estonian Issue: 10/2013

Kogumiku „Seilates sadamata” põhiteksti autor ja koostaja Kersti Unt ning kaaskoostaja Marja Unt on teinud kiiduväärt katse anda teatud kogupilt 1960.-1980. aastate almanahhideajast. Hannes Varblane on aga selle teose tutvustamise/arvustamise käigus teinud rea tähendusrikkaid vihjeid, mis paraku jäävad enamjaolt täpsustamata ja teabelises mõttes avamata. Näiteks toob H. Varblane ära raamatus esitatud periodiseeringu, olles eelnevalt teinud paljuütleva märkuse: „On antud ka almanahhiliikumise periodiseering, kuigi eks sedalaadi sedastamine jääb tahes-tahtmata vaieldavaks” (Varblane 2013: 66). Kuid toodud periodiseeringu algusaasta 1968 pole mitte vaieldav, vaid lausa väär. Raamatu tekstist küll selgub, et esimene almanahh „Hees” ilmus 1967. aastal, kuid miskipärast periodiseering sellest aastanumbrist ei alga. Tähelepanu peaks äratama seegi, et teisel „Heesi” almanahhil on kaanel samuti aastaarv 1967. Tiitellehel aga ilmumisaastaks 1968, mis on muidugi formaalselt õige, kuid kaanel olev aastanumber märgib seda, et 1967. aastal oli sisuliselt kõik valmis (kaasa arvatud kaanevinjett ja siseillustratsioon) ja vaid masinakirjas paljunduse tegemine lükkas ilmumise järgmise aasta algusesse. Kas omab selline täpsustus tähendust? Sedavõrd ikka, et kinnitab veelgi enam tõika, et almanahhide aeg algas 1967. aastast. Lisaks aga peaks märkima, et kui otsida seoseid noorte vaimuilma ja hoiakute kujunemise ning Pariisi ja Praha 1968. aasta sündmuste vahel, mis kahtlemata olid olemas, kuid loomingulistes avaldustes suhteliselt raskesti jälgitavad, siis on hea teada, et „Heesi” teisest almanahhist pole tiitellehel olevast ilmumisaastast hoolimata mõtetki neid otsida.

Museaalne saaste

Author(s): Joel Sang / Language(s): Estonian Issue: 10/2013

Mul on probleem. Enne surma andis Debora Vaarandi mulle üle suure pataka Kersti Merilaasi kirju, mis too oli talle ligi kolmekümne aasta jooksul saatnud. Mida teeks korralik kodanik? Loovutaks need Kirjandusmuuseumile. Aga ma ei saa. Nimelt vannutab Kersti oma kirjades korduvalt Deborat, et too saadud kirjad põletaks: „Kõik Su kirjad ma põletan ära, ei maksa karta, tulevastele põlvedele ei jää midagi sorida. Tee Sina sedasama” (2. IV 1978). Ja põhjendab seda nii: „Meie omi kirju ju Kirjandusmuuseumi ei vii. Viimane asjaolu teebki mulle igasuguse kirjavahetuse vastikuks – kirjutad näiteks oma lapsepõlve kaaslasele, aga tuleb välja, et oled kirjutanud hoopis „rahvale”” (2. VI 1972). Paistab, et Debora on sõbrannat alt vedanud.

Herder keelest ja kirjandusest: Balti kirjakultuuri sümpoosioni järelkaja

Author(s): Liina Lukas / Language(s): Estonian Issue: 01/2016

Käesolev on ajendatud septembri lõpul (24.-26. IX 2015) Tartus toimunud rahvusvahelisest Balti kirjakultuuri sümpoosionist, mille pealkirjaks oli seekord „Kontinent Herder: empaatia, sümpaatia ja antipaatia poeetikas ja poliitikas”. Ametlikult arvult oli see kaheksas (kui Eesti Goethe-Seltsi varasemad teadusüritused, nt 1999. aastal toimunud sümpoosion „Goethe Tartus” eellooks arvata), mis üle aasta peetavate sümpoosionite puhul annab kokku juba 15-aastase traditsiooni. Balti kirjakultuuri sümpoosionite eestvedajateks on Underi ja Tuglase Kirjanduskeskus, Tartu Ülikooli maailmakirjanduse õppetool ja Eesti GoetheSelts, kuid igal aastal on teema huvides kaasatud uusi partnereid, varasemalt näiteks Läti Ülikooli läti ja saksa filoloogia õppetoolid või Maini-äärse Frankfurdi Johann-Wolfgang-Goethe-Ülikooli uuema saksa kirjanduse instituut. Seekordse sümpoosioni haare oli interdistsiplinaarsem: korraldajate ja kaasamõtlejatena olid kaasatud TÜ riigiteaduste instituut ja Eesti mõtteloo professuur. Osalema oli kutsutud kirjandus- ja keeleteadlasi, poliitikateoreetikuid, ajaloofilosoofe, ajaloolasi, folkloriste, kultuuriteoreetikuid, antropolooge USA-st, Saksamaalt, Prantsusmaalt, Sveitsist, Rootsist, Soomest, Lätist, Tallinnast ja Tartust.

FILMUL VALURILE DUNĂRII SUB LUPA SECURITĂȚII

Author(s): Romina Soica / Language(s): Romanian Issue: 4/2022

„The Waves of the Danube” is the Romanian film directed by Liviu Ciulei at the end of the 50s, a controversial creation even from the scriptwriting phase. Even more so, the directing of the film in case sparked at the time different discussions and debates, including some at the highest political level. Considering that the film „The Waves of the Danube” is still running on national TV screens, on different occasions, we consider it necessary to research what happened during the making of this production. Through this article we will expose (in light of official documents from the CNSAS archives) what were the problems with which the film director Liviu Ciulei was confronted during the making of „The Waves of the Danube”, how the Securitate was involved in this production, but also what were the consequences on the private life of the film director after it was screened for the public.

IDENTITATEA ŞI INFINITA DIVERSITATE A CONDIŢIEI ŞAMANICE

Author(s): Laura-Lavinia Muzicaș / Language(s): Romanian Issue: 4/2022

The ancestral spiritual experience, shamanism has always represented a fascination for the human being. Holder of a complex spiritual universe, the shaman is the master of ecstatic journeys, in the Upper world and in the Lower world, between Heaven and Earth. As Mircea Eliade shows, thanks to the experiences gained through "ecstatic trance", only the shaman knows the drama of the human soul, its instability and precariousness. The shaman is the great healer or the great physician of the soul. Starting from the belief that any disease is caused by a deficiency or a major spiritual crisis, the shaman descends into Hell to find the lost soul of the patient and bring it back to the body. The well-known play by Tennessee Williams, "Orpheus in Hell", illustrates the shamanic experience of Val Xavier, (also called Snake Skin), in order to save the soul of his lover – Lady; the modern version of Eurydice. In his capacity as a shaman, Snake Skin has the snake as a protective animal, but also as a master of initiation.The existence of the "animal double" in the character's destiny is the expression of the fact that shamanic powers are embodied in animals and that the role of the shaman consists in discovering them.The defining element of Val Xavier's existence is the guitar, since music is the language secret of the first artist – shaman of mankind: Orpheus!

Critica literară despre manifestările arhetipale şi semnificaţiile erosului la Mircea Eliade

Author(s): Nadejda Ivanov / Language(s): Romanian Issue: 7-12/2022

In this article we analyze the visions of literary critics about the prose of Mircea Eliade, from his memorable debut with the novel “Maitreyi”, mentioning the way in which the motives of the essay were perceived and analyzed. The Eliade’s male character can only achieve his metaphysical desire after a harmonious fusion with the feminine qualities found in the fiancée. The pairing of the two follows a ritual, most often in erotic form. So the girlfriend can have no other value than the metaphysical one. It carries in itself the function of being reborn in the primordial unity.

Miro Petrović: Čestica

Author(s): Veselko Koroman / Language(s): Croatian Issue: 127/2022

An essential feature of the songs from this collection is their perceptual-visual non-traditionalism. The way of thinking and the way of understanding the poetic substance that come to the fore in them are such that it is difficult to find anything similar in the books of older writers. They bring a completely new poetic sensibility which, if given the opportunity to develop freely, could be useful in a literary environment where for a long time a differently based song ruled.

Miro Petrović: Ljetopis

Author(s): Mirko Marjanović / Language(s): Croatian Issue: 127/2022

At the beginning of May 1994, during the preparation of the next issue of Stećka, which I edited at the time, Angelina Šimić, a permanent contributor to the newspaper and a journalist from Oslobođenja, brought me a poem by Mira Petrović, without a title. Even today, I don't know how she got there, because that was the time of the complete blockade of Sarajevo, although an agreement between Croats and Muslim Bosniaks on the Federation had already been signed in Washington (it was on March 18 of the same year, to remind you all of that !). From Fojnica, where he spent the entire war until the conflict between the BiH Army and HVO, Miro Petrović with his wife and two sons was already somewhere in Herzegovina, whether in his native Klobuk or somewhere else, I did not know exactly. His poem, the first verse of which read: That sky, those whistles, is how, in fact, we connected for the first time (during the war, unfortunately, he never contacted me from Fojnica).