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Изобразителното изкуство като средство за емоционално-естетическото развитие на децата

Author(s): Tatiana Buyanova / Language(s): Russian Issue: 2/2017

The article deals with the role of aesthetic feelings in the upbringing of a child, the importance of fine art for the emotional and aesthetic development of preschool children. The term “language of fine art” is defined, its features are revealed, accessible for perception to preschool children. The interrelation between the children’s mastering of artistic means of fine arts with the increase in the quality of emotional expressiveness of children’s drawings and, in general, with the development of children’s fine art is proved. It is noted that art can be regarded as a factor in the integration of a child into a cultural space.

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На ръба на играта: "Притчата за Стенли/The Stanley parable"

Author(s): Snezhana Popova / Language(s): Bulgarian Issue: 13/2023

Galactic Cafe's videogame The Stanley Parable (2013), with a 2022 remake as The Stanley Parable Ultra Delux, becomes a base for reflections about the communicative boundaries of the game in its classical parameters.

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Възходът на аудиовизуалното съдържание за компютърни игри в социалните мрежи

Author(s): Nikolay Kolev / Language(s): Bulgarian Issue: 13/2023

Since the 1970s, the Gaming Industry has grown rapidly into a cultural, social and economic phenomenon. Until another major tumultuous social change or process occurs, Digital Transformation will dictate the trends of blending the borders of virtual and real worlds for current and future generations. Parallel to that the Rise of Audiovisual Content for Video Games also stands out. A hybrid process that turns a computer game into a mix of Active and Passive Entertainment as well as a social experience.

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Животът като игра и играта като живот: качества и особености на успешната симулационна игра

Author(s): Gergana Minkova / Language(s): Bulgarian Issue: 13/2023

The study, based on part of an even larger study in the gaming field, examines the characteristics and features of simulation games, focusing on some of the most widely recognized benchmarks in the genre - The Sims, Animal Crossing and Second Life. What makes a simulation successful and how can it hold the attention of the audience? The text offers hypotheses and possible answers, developing on the basis of fan base behaviour, aesthetic qualities and product capabilities.

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Технологичното решение за изнасяне на подкастите на БНР в отделна среда

Author(s): Alexandra Ilieva / Language(s): Bulgarian Issue: 13/2023

The Podcast as a separate format has gradually become more and more popular in the Bulgarian National Radio network. This process was initiated back in 2019 when “BETAgames” became the first ever BNR podcast. The development of the podcasts in the BNR network went through different stages, each of which implemented different technical and consumer solutions. These technological solutions to a very large extent influenced and shaped the way the audience accepted the new format. The article studies these different stages with a strong accent on the implemented solutions and the feedback from the audience. In addition, the article includes some recommendations that would increase the popularity and the reach of the podcasts in the BNR framework, resulting in an even higher level of fulfilment of the statutory mission of the Bulgarian public service radio.

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Изкуството в рекламата

Author(s): Nikola Vangelov / Language(s): Bulgarian Issue: 13/2023

The article discusses the manifestations of art in advertising communication. Object of analysis are world brands that creatively use the different movements and styles of art in order to lend colour to their communication and present their products and services in an interesting and unorthodox way to their target audiences. The various emotional appeals that aid in involving the consumers in this type of marketing communication are also studied

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Рецензия на книгата „Фирмената реклама в България през първите десетилетия на ХХ век“

Author(s): Nikola Vangelov / Language(s): Bulgarian Issue: 13/2023

The monograph studies the business advertising in Bulgaria in the early twentieth century. More than 200 print adverts that are typical for the period have undergone detailed analysis. The German, Austrian and Swiss advertising theory and practise are also analysed, so that a comparison with the Bulgarian print advertising is made. The art critic’s read on the advertising communication makes up for a gap in the Bulgarian scientific field and is also useful for the specialists, as well as a wide range of readers, who are interested in visual communication.

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Споменът за освободителните борби на българите във фотографията след Освобождението

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Споменът за освободителните борби на българите във фотографията след Освобождението

Author(s): Chavdar Vetov / Language(s): Bulgarian Issue: 4/2022

The liberation struggles during the Revival left a deep imprint on the collective consciousness of Bulgarian society. A process of searching for, preserving and popularizing evidence of the past of all kinds was being developed – including photographs, regarding the events and personalities related to the struggle for the liberation of the Bulgarians from the Ottoman rule. Celebrations were held, monuments were erected, historical events were re-enacted. Many of these events were photographed, thus the photographs became testimonies reflecting the desire to preserve the memory of the revolutionary struggle. The article examines photographs of buildings of historical significance, monuments, group and personal photographs of combatants, etc. They are found in various local and central archival collections. The descriptive method used shows how photographs participated in the process of preserving the historical memory of the movement for political independence and their role in the construction of national identity.

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СТЕНОПИСИ ОТ КОСТА ГЕРОВ-АНТИКАРОВ В РАЙОНА НА САМОКОВ И ПРОБЛЕМЪТ ЗА ОПАЗВАНЕ НА КУЛТУРНОТО НАСЛЕДСТВО

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СТЕНОПИСИ ОТ КОСТА ГЕРОВ-АНТИКАРОВ В РАЙОНА НА САМОКОВ И ПРОБЛЕМЪТ ЗА ОПАЗВАНЕ НА КУЛТУРНОТО НАСЛЕДСТВО

Author(s): Vladimir Dimitrov,Rositsa Manova / Language(s): Bulgarian Issue: 22/2023

The subject of the article are two little-known monuments from the Samokov region, partially painted by the Samokov painter Kostadin Gerov-Antikarov – the temple “St. Peter and Paul” in the village of Dospey and the church “St. arch. Michael” in the village of Prodanovtsi. In addition, the research examines the expertise and restoration of movable and immovable cultural values requiring restoring old and acquiring new knowledge. This necessitates leave the framework of pure history and classical art studies and locating the research in the field of modern theory and new technological research.

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Kopsakarību meklējumi nejaušību kolāžā

Author(s): Stella Pelše / Language(s): Latvian Issue: 27/2023

Review of: Wunderkombināts I: Latvijas mākslas gadagrāmata 2022 Galvenā redaktore Santa Hirša Tekstu autori: Hīto Šteierle, Andris Šuvajevs, Maija Rudovska, Šelda Puķīte, Inga Lāce, Iļļa Levčenko, Zane Zajančkauska, Jānis Taurens, Jānis Ozoliņš un Kārlis Vērdiņš, Krišs Salmanis Rīga: Biedrība “Wunder Kombinat”, 2022. 144 lpp., il. ISBN 9789934914607 The book review examines the bilingual collection of articles "Wunderkombināts I: Latvijas mākslas gadagrāmata 2022 = Latvian Art Yearbook 2022 (Riga: Wunder Kombinat, 2022) edited by art critic Santa Hirša. The book consists mainly of Latvian authors' reflections plus two translated texts about various little-studied aspects of art, its interpretation as well as relevant economic, social and political contexts.

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Valorificarea patrimoniului imagistic local clujean în Europeana. Biblioteca digitală europeană

Author(s): Ghizela Cosma,Anca Docolin / Language(s): Romanian Issue: 1/2023

This study identified and analyzed visual resources, more precisely photographs and postcards, with images from Cluj-Napoca, that were digitized and posted on Europeana. European Digital Library by libraries, museums, archives, a cultural center and a community-based photo archive from Romania, Hungary, Austria, Sweden and Italy. Moreover, it provides a research model on the topic, focusing on the scientific potential of the existing digital resources in Europeana. It highlights the importance of the digitization of the cultural heritage, building a digital repository that offers both a general, European perspective, as well as segmental, national, regional and local approaches. The research on Cluj cultural heritage in Europeana reveals the importance of the collaboration among the memory institutions in preserving and facilitating access to their collections in general, and to their local history documents in particular, reconfirming that digitization is an area where collaboration is feasible and with surprising benefits.

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Darwin, Marker, Deleuze: The Expression of the Emotions and the Filmic Unconscious

Author(s): Ruben Borg / Language(s): English Issue: 1/2023

My article traces a speculative history of the unconscious in a tradition of films and theories of cinema that engage with the face as a simulacrum of the psyche. Taking Gilles Deleuze’s discussion of the close-up in Cinema 1 as my starting point, I tease out the historical, conceptual and figural continuities between Charles Darwin’s work on the role of habit in emotional expression, Henri Bergson’s writing on perception and memory, and Deleuze’s own reflections on affectivity in film. I then turn to the films and essays of Chris Marker to suggest that within this cinematic model of the psyche, the unconscious corresponds to an irreducible passivity that conditions habit and perception and determines the expressivity of the face.

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Fotografia wobec krzyku pamięci zagłady spod betonu masowego turyzmu

Author(s): Wojciech Sternak / Language(s): Polish Issue: 2/2023

In the text, I discuss the problems of the genocide experience in the context of mass tourism. I point out that large-scale Holocaust memorials and genocide museums incorporated into the mass-tourism industry are drowning out cries of remembrance. I propose three categories of commemoration: “Captions”, “Monuments” and “Stand-alone Works”. The latter category includes fine art photography among others. Using the case of the photographic series Koenigsgraben, I point out that the category of “Stand-alone Works” seems to have the greatest potential (next to historical enviro mental activeness) to free the cry of remembrance from beneath the concrete of the monuments.

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Към „медийната археология“ на грамофона в България

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 15/2024

The study on the music recorded and reproduced on commercial media places in the framework of the research interest the early recordings of military bands in Bulgaria, recorded and published by the Gramophone Company in the first decades of the twentieth century. The emphasis is on the role of gramophones and gramophone records in Bulgaria as functioning objects (advertisements from periodicals from the first decade of the 20th century, literary works and memoirs are analyzed), symbols (labels are analyzed). Starting from the general picture, the study focuses on the place of the army and professional musicians in early Bulgarian gramophone records, shown as fields of cultural production and habitus. The ratios of genre arrays in early recordings are described and analyzed: "folk" music (folk, potpourri), military music (marches), popular music (Western dance idioms), art music, sound pictures. The relationship of contexts with contents has been sought, bringing out some encounters in military band recordings of Western and local, modern and traditional, political and popular.

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„Слънчевите изгреви“ на фолклорна музика като „спектакъл“: преливания между фестивална сцена и телевизионен ефир.

Author(s): Lozanka Peycheva / Language(s): Bulgarian Issue: 15/2024

The proposed article examines the relationship between two institutions that normatively frame and manage sustainable practices of reproduction and modernization of folklore music in Bulgaria in the 21st century - a city festival for folk art and television media (and related digital platforms) that reflects it. The Folklore Sunrise Festival and Sunrise Music TV (Kiss M+) together create a vibrant "folk" scene that is socially and culturally significant, and attractive to communities connected to Bulgarian music-folk traditions.

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Съвместна изложба „Двоица“ на Венцислав Димов и Орлин Спасов

Author(s): Ventsislav Dimov,Orlin Spassov / Language(s): Bulgarian Issue: 15/2024

Presentation of the first joint exhibition by Orlin Spassov and Ventsislav Dimov "Dvoitsa" /"Both of us" (February 15 - March 20, 2024, Faculty of Journalism and Mass Communication) by the authors and photos of their works.

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Артистичен порив без чадъра на професионалните регламенти и йерархии.

Author(s): Georgi Lozanov / Language(s): Bulgarian Issue: 15/2024

Speech by Georgi Lozanov at the opening of the exhibition "Dvoitsa" on February 15, 2024.

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Да направиш снимка е най-лесният и същевременно най-изтънченият фокус.

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 15/2024

Ventsislav Dimov's interview with Orlin Spasov on the occasion of the exhibition “Both of us”(“Dvoitsa”). Spassov's answers show photography as a hobby and part of his professional interests.

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Нещотърсачеството като бягство и любов, която измисля света с образи.

Author(s): Orlin Spassov / Language(s): Bulgarian Issue: 15/2024

Orlin Spassov's interview with Ventsislav Dimov on the occasion of the “Both of us” (Dvoitsa”) exhibition. Dimov's answers present art as a child's play, as an escape from words, as a search for meaning through invention.

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Изкуствен интелект, фотография и права върху интелектуална собственост

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Изкуствен интелект, фотография и права върху интелектуална собственост

Author(s): Liliya Yotova / Language(s): Bulgarian Issue: 3/2024

The entry of artificial intelligence (AI) into every area of economic and social life is already a reality. AI image generation and image processing methods have a huge importance and impact in the field of photography. Generative Artificial Intelligence (GenAI) is a technological advancement and opens up new opportunities to expand the creative spectrum. It can be a powerful tool in the hands of professional photographers, but it can also lead to serious economic crises in the photographic creative industry. Today, it is difficult to tell whether an image is AI generated or created by the usual photographic method using light. This fact contributes to the increase of so-called “fake news” and creates a parallel virtual reality. The article examines the intersections between traditional photographic images and AI, but especially actual questions related to intellectual property in this field. By using the methodology of documentary analysis, current problems have been examined and possible solutions have been proposed.

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