Пространства, празници, практики. Визуално представяне на света на детството при роми

Author(s): Svetoslava Mancheva / Language(s): Bulgarian Issue: 1/2019

From an anthropological perspective, the world of childhood is a combination of the world of children as well as the world of adults and it includes a process of cultural learning, which does not end with childhood. The present article seeks to answer the question where and under what conditions these processes take place in the light of the various spaces and their uses during holidays. Using visual narratives, the article presents case studies from the Roma neighborhood in the village of Belozem,Plovdiv District, and a micro neighborhood in the residential district of Stolipinovoin the city of Plovdiv.

Изграждане на толерантност и умения за общуване чрез техниките на фототерапия

Author(s): Margarita Bakracheva / Language(s): Bulgarian Issue: 4/2019

The article outlines the contemporary context of cultural diversity and the role of art techniques as promoter of empathy, tolerance, intercultural dialogue, emotional intelligence and social inclusion.The article outlines one of the ways to support soft skills development in the context of diversity and the role of phototherapy as promoting empathy, tolerance, emotional intelligence and social inclusion. Art techniques and creative activities have the potential to involve students of different background and allow them environment, stimulating mutual respect and cohesion. Some examples are given for online and off-line moderated interactions and involvement of students in events, generated by themselves. Phototherapy can be used as cross-point for educative and entertaining interaction both in real and virtual environment.

Достъпът на хора с увреждания до програмите на аудиовизуалните доставчици на медийни услуги – задължение и демократична ценност

Author(s): Diliana Kirkovska / Language(s): Bulgarian Issue: 3/2018

Audiovisual media services providers play informational, educational, social, cultural roles and therefore it is of extreme importance all parts of their programmes to be easy of reach for every consumer. At high level that is to be obligatory for people with specific difficulties of usage of the media, such as the visually and hearing impaired persons/blind or deaf –TV media content should be naturally accessible via various tools and no extra charge. At high extend the legislation in Bulgaria is appropriate and well prescribed but in practice that presentation is out of time and humiliatingly small in quantity and access tools.The media providers should deliver to that specific part of the audience full access to their programmes by using different approaches – the sign-language translation, audiodescriptions and audiosubtitles, subtitles in multiplex platforms, as well as news scrolls as an alternative tool. That is a mark of the democratic society – not to exclude that part of the public but on the contrary – the visually and hearing impaired persons should get media content at ease anytime and anywhere.

Съюз на сериозното с играта: Webdoc

Author(s): Snezhana Popova / Language(s): Bulgarian Issue: 7/2020

The text examines the web documentary in its relations with other productions, the names used for it and the variants claiming its own importance. An overview of publications has been made, which follow its development and emphasize some of its highly appreciated realizations

Измерения на авторството и променените сцени на публичността

Author(s): Zhana Popova / Language(s): Bulgarian Issue: 7/2020

The book by Lozanka Peycheva ‘The folk spirit’ in author’s songs from Bulgaria’ (Sofia: “St. Kliment Ohridski” University Press, 2019) is part of research work on the scientific project “The soft power of popular music in media (by examples from Bulgaria and the Balkans”, financed by the Bulgarian national science fund.

Od redakcji

Author(s): Weronika Kostecka,Maciej Skowera / Language(s): Polish Issue: 1/2019

Българското национално радио и Дарик радио като сцени на знанието: учените в медиите по време на Ковид-19

Author(s): Elena Fuchedzhieva / Language(s): Bulgarian Issue: 8/2020

The present study focuses on expert knowledge as the most relevant information during crisis and the role of media in the selection and identification of experts whose knowledge and experience is presented to the audience. The coronavirus crisis was one of the most unexpected crises in Bulgaria and that is why the experts and their knowledge turned out to be in the focus of attention of the public, the institutions, the national operational headquarters, and the media. The purpose of this study is to examine how journalists find and impart the experts knowledge to their audiences during crises; which scientists and experts they invite for interviews; how they present them to the audience; what kind of dialogues they form and whether their attitude towards the different types of experts they talk to changes. Are there any differences in the dialogues with the experts in the two media selected – Bulgarian national radio and Darik radio – and what specifics and tendencies could be marked in the conversations with them during the period 8th of March – 8th of April 2020.

Лайфстайл аспекти на инфодемията Ковид-19 в българския контекст

Author(s): Silvia Petrova / Language(s): Bulgarian Issue: 8/2020

The text focuses on the messages broadcast by the lifestyle and rhetoric of politicians and public leaders during the Covid-19 pandemic. The imposition of a central media trend is being studied - the machismo lifestyle, emphasizing the characteristics of the patriarchal type of masculinity: aggression, threats, austerity, military rhetoric. The focus on this type of patriarchal-masculine lifestyle can be used as a tool to study the consequences of infodemic.

Смяна на парадигмите: алтернативна журналистика е възможна

Author(s): Ilya Valkov / Language(s): Bulgarian Issue: 8/2020

For the last years in Bulgaria there are more and more examples about the capturing of the big media, indecent flirtation between the media, the government and the ruling parties, pressure on editorial content, expulsion of critical journalists in the media periphery. The public space is highly radicalized due to political and economic confrontations. This negative trend is also creating new forms of alternative, opposition journalism, which is even waging a guerrilla war with the powerful political and financial centers. And probably for the first time in Bulgaria we see an opportunity for changing the dominating model – new media platforms seek financial support from the citizens.

The Eagle from the Apse of the Church Saint-George in Karinia (1281). Puzzling Heraldry, Defaced Inscriptions, and Odd Iconographic Choices in Inner Mani after the Second Council of Lyon.

Author(s): Panayotis Katsafados / Language(s): English Issue: 4/2020

L’église de Saint-Georges à Karinia (Magne intérieur, Laconie, Péloponnèse) a été peinte en 1281. La présente étude est consacrée à l’analyse d’une représentation très rare des Maccabées ; de celle, grandeur nature, du couple de ktètors ; de trois inscriptions fragmentaires ; et d’un aigle héraldique peint dans l’axe du sanctuaire. Cet aigle d’inspiration évidemment occidentale n’a pas de correspondant dans la région. Les in*uences occidenta- les sont très faibles dans le Magne, occupé par les Latins pendant une brève période (1250-1262). Le programme iconographique de l’église est byzantin, témoignant sans doute d’une in*uence macédonienne. Saint Geor- ges ∆ΙΑCΟΡΙΤΗC est accompagné par l’enfant sauvé et saint Démétrius est identifié en rapport avec sa sépul- ture à Salonique : (Ο ΑΓΙΟC) ∆ΙΜΙΤΡΙΟC Ο ΕΝΤΕΘ[ΕΙ]C ΕΙC [ΘΕCC]Α /ΛΟΝΗΚΗΝ. Seule l’énorme représentation du groupe des Maccabées sur la paroi septentrionale pose problème. Le thème est rare, mais ce choix iconogra- phique peut être mise en rapport avec une communauté juive (ou de juifs chrétiens) a1estée par la présence de noms juifs dans une série d’inscriptions maniotes des 5Ie-5IIIe siècles. Malheureusement, une grande partie de l’Inscription A de Karinia, peinte sur l’architrave du templon, témoigne d’une destruction du type damnatio me-moriae. Les noms de l’empereur Michel VIII Paléologue (ΗΜων ΜΕΓΑΛΟΥ ΒΑCΙΛΕΟC) et du patriarche œcu-ménique Jean 5I Vekkos (ΑΡΧΙΕΡΑΤΕ[…] ΟΙΚΟΥΜ[…]) ont été détruits, de même que celui du métropolitain du Magne (Ο ΚΑΤΕΠΙCKΟΠΗC ΜΑΙΝΗC). Les seuls noms partiellement conservés sont celui d’un certain fteonikon, sacellaire d’un archevêché inconnu ([.]Ε[.]ΝΙΚΟΝΟC ΤΟΥ. Κ(ΑΙ) CΑΚ[…] ΕΠΙΣΚΟΠΗC) et le nom du peintre Georges(ΓΕω/[…]) dans le module chronologique, suivi par l’année (6789 = 1281), le mois et le jour ([..]ΝΗ ΜΑΡΤ΄Ϊω ΕΙCΤ(ΙC) ∆~ Η[…] / ΕΤ(ΟΥC) Я~ Ψ Π~ Θ~ :~), voire par le signe de l’indiction. L’Inscription B, peinte au-dessus de la repré- sentation des ktètors, mentionne l’archiprêtre Démétrius et son père Michel (ΚΑΓω` ∆ΙΜΗ΄Τ[ΡH]ΟΣ ΙΕΡ(ε)ασ Κ(ΑΙ`) Α~ΠΑΠΑC. υιKσ ΜΙΧΑΗΛ ΤΟΥ ∆ΕΥ[ΤΕ]ΡΕΒΟΝ/ΤΟC), le dernier étant probablement représenté dans le por-trait votif. Lant à l’Inscription C, très eMacée, elle constitue une prière de Michel et de son épouse. La compa- raison de ces inscriptions fragmentaires avec d’autres inscriptions contemporaines, peintes dans les églises de la région, permet la reconstitution d’une grande partie des données perdues. C’est en partant de ces acquis que l’analyse de l’aigle héraldique du sanctuaire doit être faite. L’oiseau peut être interprété en clé iconographique (latine ou juive), commémorative (en rapport avec une sépulture), purement héraldique (témoignant de la pré- sence d’une autorité latine) ou purement ornementale (comme une conséquence de l’évolution du registre infé- rieur de peintures). Formellement, l’aigle de Karinia n’appartient pas à la catégorie d’aigles byzantins utilisés pour désigner l’empereur. Il a été copié d’après un modèle occidental. Cela ouvre la voie à quatre interprétations possibles : 1-2) symbole impérial byzantin adapté (pour des raisons variables) à partir d’un prototype occidental (avec ou sans rapport avec une communauté locale juive) ; 3-4) témoin d’une présence latine après le Deuxième Concile de Lyon, 1274 (avec ou sans rapport avec ce1e même communauté). Le choix de représenter cet aigle ne pouvait pas être fait par le peintre Georges, qui peut être identifié avec Georges Konstantinianos, peintre local de l’église de Polemitas. L’aigle, les Maccabées et les inscriptions qui accompagnent les saints militaires té- moignent d’un niveau culturel éclectique de l’élite locale. Ce choix culturel pourrait être a1ribué à Michel, ostiaire de l’archevêché du Magne. Son fils Démétrius aurait pu poursuivre un telle initiative après la mort de son père. Lelque temps après (post-1282) les noms des personnes liés à l’Union de Lyon ont été eMacés.

L’art médiéval est-il contemporain? Acte IV

Author(s): Cécile Voyer / Language(s): French Issue: 4/2020

Many Ways to Die, One Resurrection

Author(s): Cristina Beatrix Bogdan / Language(s): English Issue: 4/2020

Концептуализирането на художника в артист: иновации, игри и импровизации

Author(s): Todor Yalamov / Language(s): Bulgarian Issue: 4/2021

The paper problematizes the work and evolution of a Bulgarian artist from the point of view of the biographical approach, his artistic interventions and his re-legitimization as a contemporary artist. It discusses various aspects of contemporary art from the point of view of the artist, his interventions, market demands, the underlying contradictions, as well as the transformative tendencies in the small graphics. The paper argues that it is necessary to expand the understanding of contemporary art with certain actions of artists.

Sacred versus Profane or the Rublev-Berlo Controversy in Mogoșoaia (2021). Invitation to a future collective investigation

Author(s): Roxana Donaldson,Ana Negoiță / Language(s): English Issue: 5/2021

At the end of each year, the Cultural Centre of the ‘Brancovan Palaces’ (Centrul cultural ‘Palatele Brâncovenești’)in Mogoșoaia organizes a call for projects. In the application form, artists present their projects and the scientific council of the institution makes the plan for the following year’s exhibitions, selecting the best proposals. Such was the case of the exhibition ‘Time Rush’, proposed by Eugen Berlo, a Romanian-American artist who lives and works in New York City and Bucharest. ‘Time Rush’ was approved for the year 2020

Към някои възможни интерпретации на грамофонната плоча като медия

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 11/2022

This article examines commercial gramophone records and focuses on their functioning as a medium in the first half of the twentieth century. During the first stage of the development of the shellac gramophone record (from the 1900s to the late 1920s), the gramophone record became the main medium of the music industry, had global distribution and sales, and competed with the leading media and forms of music and art reproduction: cinema and radio. The article focuses on several highlights. It asks how old commercial gramophone records should be studied today: as historical object, sound document, or media? Some methodological problems and directions for future research are pointed out. Examples are given of the history of the Bulgarian music industry and media music in the first half of the twentieth century.

Фотографията под въпрос. (Рецензия за книгата на Йосиф Аструков „Фотографията като…“)

Author(s): Petia Alexandrova / Language(s): Bulgarian Issue: 16/2024

In his monography "Photography as..." Yosif Astrukov reflects on the current state of the photographic image without exaltation and without criticism, as "science and art for reproduction". It raises several main discussions: about the original and its value in the "age of technical reproducibility"; about changing the reality and inauthenticity of images; for abandoning the documentary style of photography; about the boundary between the limitation of the photograph itself and the conscious manipulation of events, people and situations; for the lack of aesthetic originality, but the presence of acceleration in uses.

ПУБЛИКАЦИННА ДЕЙНОСТ 2023. НАЦИОНАЛНА АКАДЕМИЯ ЗА ТЕАТРАЛНО И ФИЛМОВО ИЗКУСТВО „КРЪСТЬО САРАФОВ“. София

Author(s): Author Not Specified / Language(s): Bulgarian,Miscellaneous languages Issue: 1/2023

Bulletin “Publication Activity” contains bibliographic information on publications by NATFA lecturers for a calendar year. The publication contains monographs, publications in world databases, publications in specific world databases, publications in the database of the National Reference List of NACID; Publications in databases of publications specific to the field: Culture, Literary Gazette, national media for culture; publications in scientific collections and in non-refereed publications; publications in foreign publications.

ПУБЛИКАЦИННА ДЕЙНОСТ 2022. НАЦИОНАЛНА АКАДЕМИЯ ЗА ТЕАТРАЛНО И ФИЛМОВО ИЗКУСТВО „КРЪСТЬО САРАФОВ“. София

Author(s): Author Not Specified / Language(s): Bulgarian,Miscellaneous languages Issue: 1/2022

Bulletin “Publication Activity” contains bibliographic information on publications by NATFA lecturers for a calendar year. The publication contains monographs, publications in world databases, publications in specific world databases, publications in the database of the National Reference List of NACID; Publications in databases of publications specific to the field: Culture, Literary Gazette, national media for culture; publications in scientific collections and in non-refereed publications; publications in foreign publications.

ПУБЛИКАЦИННА ДЕЙНОСТ 2021. НАЦИОНАЛНА АКАДЕМИЯ ЗА ТЕАТРАЛНО И ФИЛМОВО ИЗКУСТВО „КРЪСТЬО САРАФОВ“. София

Author(s): Author Not Specified / Language(s): Bulgarian,Miscellaneous languages Issue: 1/2021

Bulletin “Publication Activity” contains bibliographic information on publications by NATFA lecturers for a calendar year. The publication contains monographs, publications in world databases, publications in specific world databases, publications in the database of the National Reference List of NACID; Publications in databases of publications specific to the field: Culture, Literary Gazette, national media for culture; publications in scientific collections and in non-refereed publications; publications in foreign publications.

ПУБЛИКАЦИННА ДЕЙНОСТ 2019. НАЦИОНАЛНА АКАДЕМИЯ ЗА ТЕАТРАЛНО И ФИЛМОВО ИЗКУСТВО „КРЪСТЬО САРАФОВ“. София

Author(s): Author Not Specified / Language(s): Bulgarian,Miscellaneous languages Issue: 1/2019

Bulletin “Publication Activity” contains bibliographic information on publications by NATFA lecturers for a calendar year. The publication contains monographs, publications in world databases, publications in specific world databases, publications in the database of the National Reference List of NACID; Publications in databases of publications specific to the field: Culture, Literary Gazette, national media for culture; publications in scientific collections and in non-refereed publications; publications in foreign publications.