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Rozumienie muzyki procesem wiodącym ku wartościom
4.50 €

Rozumienie muzyki procesem wiodącym ku wartościom

Author(s): Jadwiga Uchyła-Zroski / Language(s): Polish Publication Year: 0

The purpose of the article was an introduction to the main issues addressed during the conference. An artistic education of students future conductors, musicians, teachers, amateur movement activists is a conscious learning and experiencing meanings of musical art during studies, which lead to the selection of values and realisation of a specific life purpose. Thinking in accordance with values always translates into action, for instance learning, developing, experiencing and others. The process of understanding music and getting to its values is a multistage and complex operation. Understanding music means its conscious reception i.e. features of structure, semantic and expression meanings as well as a judicious reception of its beauty as a value. The research results were also presented by the students of the Institute of Music who carried them out in respect of values they preferred mostly.

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Електромузичний інструментарій як еволюційний фактор музичної культури
0.00 €

Електромузичний інструментарій як еволюційний фактор музичної культури

Author(s): Єvgen Kyshch / Language(s): Ukrainian

Монографія присвячена розгляду та аналізу специфіки функціонування електромузичного інструментарію у сучасній музичній культурі. Дослідження адресоване професіоналам та любителям електронної музики, мистецтвознавцям та культурологам, викладачам та студентам мистецьких навчальних закладів.

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Muzyka na dworze księcia Hieronima Floriana Radziwiłła
30.00 €

Muzyka na dworze księcia Hieronima Floriana Radziwiłła

Author(s): Irena Bieńkowska / Language(s): Polish

A discussion of various aspects of the musical culture of the princely court of Hieronim Florian Radziwiłł, who competed in this respect with King Augustus III. Using inventories, the author presents prints and musical manuscripts from the library collections of Biała and Nieśwież, as well as instruments used in the 18th century; she also identifies and describes the interiors in which concerts and musical productions took place. She describes the way bands functioned in residences in Biała (Podlaska) and in Słuck, the recruitment mechanisms of musicians, their working and living conditions, the attitude of Prince Radziwiłł towards them, and the education system of the local musicians.

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Chopinowskie igrzysko. Historia Międzynarodowego Konkursu Pianistycznego im. Fryderyka Chopina 1927-2015
27.00 €

Chopinowskie igrzysko. Historia Międzynarodowego Konkursu Pianistycznego im. Fryderyka Chopina 1927-2015

Author(s): Ada Arendt,Marcin Bogucki,Paweł Majewski,Kornelia Sobczak / Language(s): Polish

The book presents the history of the Chopin Competition told from the perspective of anthropological and cultural studies, and based on extensive source material. Thanks to this, the authors were able to describe the so far little-known aspects of the history of the most important Polish music competition and one of the most important ones in the world.

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Muzyka na Śląsku Cieszyńskim
6.50 €

Muzyka na Śląsku Cieszyńskim

Author(s): / Language(s): Polish

The land of Cieszyn Silesia has been inspiring artists, composers, and other creators of culture for years. In particular, the musical folk culture has been a stimilus for activity in the field of collating, analysing, and researching folklore material (songs, intrumental melodies), but also for creating based on the said folk music of new pieces, both following “classical” esthetics (stylizations) and “transformed” esthetic (among others, contemporary folk music along with its derivatives). Cieszyn Silesia is a place of scholarly research most of all due to its rich historical and cultural past, to which the text composing this publication testify. (A fragment from the Introduction)

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Zagadka emocji muzycznych. Czym są, jak powstają i czy są podatne na zmiany?
10.00 €

Zagadka emocji muzycznych. Czym są, jak powstają i czy są podatne na zmiany?

Author(s): Maria Chełkowska-Zacharewicz / Language(s): Polish

Why is music present in so many aspects of our lives? One potential answer lies in the emotions we feel in a variety of situations when listening to and experiencing music. In response to music, we cry, we laugh, we shiver; we feel sadness and nostalgia, but also joy and ecstasy. However, the areas of study that analyze these diverse aesthetic experiences raise interesting questions. Are these experiences emotions? If so, what kind of emotions are they? How do these emotions arise? The author looks for answers to these questions and discovers the curiosities of musical emotions' psychology.

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Muzyka religijna – między epokami i kulturami. T. 2
9.00 €

Muzyka religijna – między epokami i kulturami. T. 2

Author(s): / Language(s): Polish

Książka podejmuje zagadnienia muzyki religijnej, traktowanej z perspektyw: muzykologicznej, historycznej i folklorystycznej. Przynosi informacje o twórcach muzyki religijnej, o działalności zespołów ją wykonujących, analizuje wybrane przykłady religijnego repertuaru muzycznego. Dostarcza wiedzy na temat dawnej oraz współczesnej muzyki religijnej.Publikacja jest adresowana do muzykologów, amatorów muzyki, teologów, religioznawców, a także wszystkich zainteresowanych twórczością religijną.

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Muzyka religijna – między epokami i kulturami. T. 3
5.00 €

Muzyka religijna – między epokami i kulturami. T. 3

Author(s): / Language(s): Polish

Trzeci tom publikacji zbiorowej Muzyka religijna stanowi przede wszystkim świadectwo rozmaitych badań nad sferą sacrum, sferą religijności, sferą inspiracji duchowych, badań prowadzonych w obrębie „sztuki dźwięku”. Autorami zamieszczonych artykułów są polscy muzykolodzy, etnomuzykolodzy i teoretycy muzyki. Wśród poruszonych zagadnień znalazły się m.in. twórczość o. Amanda Ivanschiza, muzyka Tadeusza Kasserna, Karlheinza Stockhausena i Krzysztofa Pendereckiego. W pracy ukazano również aspekty działalności muzycznej parafii bielsko-żywieckich oraz dziedzictwo muzyczne braci czeskich w Zelowie.Książka z pewnością zainteresuje wszystkich tych, którzy chcą odnaleźć sygnały religijności w muzyce, ale także osoby poszukujące informacji na temat muzyki lokalnej – na Śląsku (Górnym i Cieszyńskim) i w regionie bielsko-żywieckim.

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Brzmienie uczuć
20.00 €

Brzmienie uczuć

Author(s): Peter Kivy / Language(s): Polish

The first Polish translation of Peter Kivy’s "The Sound Sentiment" (1989), a classic of the 20th century musical aesthetics, which contains the original version of "The Corded Shell" (1980) and additional chapters written in response to the debate concerning emotionalism. The author explores music expression and the problems related to its understanding, with reference to philosophy, history of music and musicology. Kivy advocates music cognitivism, which involves recognizing emotions in music without arousing emotions in the audience and without attributing emotions to the composer.

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Současné trendy hudebněteoretické výuky v základních uměleckých školách České republiky
0.00 €

Současné trendy hudebněteoretické výuky v základních uměleckých školách České republiky

Author(s): Judita Kučerová,Terezie Čertková,Martina Dvořáková,Hana Havelková,Alžběta Hrbáčová,Ondřej Musil,Radka Nepauerová,František Ostrý,Markéta Ottová,Kristina Rafailov,Jaroslava Rodičová,Marek Sedláček,Markéta Szendiuchová,Pavel Šuranský,Renata Horáková,Kateřina Vašíčková,Zdislava Voborná Záleská / Language(s): Czech

The monograph presents the results of musical educational research that was implemented by the Music Department at Faculty of Education of Masaryk University in 2018. The aim of the research was to capture the current state of music theoretical education in basic art schools in the Czech Republic. The accent was placed on searching of musical didactic methods, means, using modern multimedia technologies and knowledge of pupils.

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Türk Müziği Literatürü ile Oda Müziği Eğitimi ve Müzik Eğitimi Lisansüstü Programlarındaki Ders Kazanımlarına Yansımaları
0.00 €

Türk Müziği Literatürü ile Oda Müziği Eğitimi ve Müzik Eğitimi Lisansüstü Programlarındaki Ders Kazanımlarına Yansımaları

Author(s): Hamza Serdar Turan / Language(s): Turkish

Chamber music is one of the courses in which music education departments perform music activities together in undergraduate and graduate programs. In these lessons, students perform examples of national and universal chamber music. The aim of this research is to reveal the use of Turkish composers' works in chamber music lessons in Music Education Graduate Programs and to determine the reflections of this literature to the gains in the chamber music lesson content in the Music Education Graduate Programs with the application carried out using the piano chamber music works of Turkish composers. In line with this purpose, first of all, interviews were done with the lecturers who provide chamber music education at postgraduate level using a semi-structured interview form. Also, piano chamber music works of Turkish composers are listed by document analysis method. Then, chamber music education, which was performed using piano chamber music works of Turkish composers, was observed with structured observation forms. Interviews were done with the students who were observed before and after the observation using the semi-structured interview form. Nvivo12 program was used in the analysis of the data obtained from the interviews, content analysis was done and certain themes and codes were reached as a result of these analyzes. 447 chamber music works of 107 Turkish composers were reached in the work list obtained by document analysis method. These works reached include the instruments in instrument education in the Fine Arts Education Department of the Faculty of Education, Department of Music Education. As a result of the interviews made with the lecturers, it was concluded that the factors affecting the achievement of the course achievements related to chamber music works of Turkish composers are limited literature and students' level differences. However, it was determined that the use of this literature in chamber music education was difficult due to the insufficient accumulation of students on Turkish music elements, their indifference to Turkish music, and inadequate works suitable for the level. As a result of the observations made with the piano chamber music of Turkish composers, it was revealed that the achievements in the Music Education Graduate Programs were reached by using this literature. Based on the results obtained from the interviews, in the last part of the research, suggestions such as writing works suitable for all levels, printing written works, taking place of this literature in the curriculum and artistic/scientific activities are included.

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Ранните осмогласници. Извори, богослужение и певчески репертоар (По ръкописи до XIII век)
35.00 €

Ранните осмогласници. Извори, богослужение и певчески репертоар (По ръкописи до XIII век)

Author(s): Svetlana Kujumdzieva / Language(s): Bulgarian

The study is focused primarily on manuscripts (MSS) from the library of the St. Catherine's monastery on Mount Sinai. The aim is to show what, where, and how according to the MSS studied the medieval chant repertories have been assembled to form an Oktoechos as a book.

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Wpływ melodyki i rytmiki na tworzenie wielowariantowości odbioru wrażeń słuchowych. Przetwarzanie dźwięków w strumienie percepcyjne na przykładzie wybranych dzieł muzycznych
0.00 €

Wpływ melodyki i rytmiki na tworzenie wielowariantowości odbioru wrażeń słuchowych. Przetwarzanie dźwięków w strumienie percepcyjne na przykładzie wybranych dzieł muzycznych

Author(s): Adam Rosiński / Language(s): Polish

The presented book is devoted to the theoretical and practical aspects related to the classification and arrangement of sounds relating to perceptual streaming during the listener's perception of a piece of music. The author has attempted to analyse musical works in an innovative way, which takes into account the various perceptual aspects that may arise during the listening of a given piece, thus enabling the listener to interpret the music differently in the form of various variants. The book presents an analysis of works by the following composers: Johann Sebastian Bach, Ludwig van Beethoven, Frédéric Chopin, Franz Liszt and Antonio Vivaldi. The author has deliberately chosen compositions that may be familiar to both musicians and people without musical training.

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Drazí IV. Dopisy Bohuslava Martinů rodině v Poličce z let 1936 a 1937 / Dear all IV. Bohuslav Martinů's letters to his family in Polička in 1936 and 1937
18.00 €

Drazí IV. Dopisy Bohuslava Martinů rodině v Poličce z let 1936 a 1937 / Dear all IV. Bohuslav Martinů's letters to his family in Polička in 1936 and 1937

Author(s): Jaromír Synek,Gabriela Všetičková / Language(s): English,Czech

Bohuslav Martinů's extensive correspondence to his family in Polička is an extraordinarily valuable set of historic documents that testifi both to the composer's professional career and to his entirely private life. This fourth volume of the series compries 53 items of his family correspondence. This includes all the extant letters and one postal card that the composer and his wife sent home to Martinů's mother and siblings in Polička in the years 1936 and 1937. It allows the reader to follow a significant period in the lif of this exceptional artistic personality through his authentic personal testimony, supplemented with detailed annotations. The individual letters contain valuable information of his dealings with publishers and politicians, of his correspondence and conversations with colleagues and friends, and of course, of his compositions and the peaks and pitfalls of his efforts to have them performer on stages both at home and abroad. However, more than anywhere else, Bohuslav Martinů appears here as a man "of flesh and blood", with ordinary troubles and joys. His personal correspondence with those closest to him thus helps complete the overall picture of the life and work of the composer and is a metaphorical "umblicial cord" - a unique bridge connecting life abroad with that at home.

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Mé celoživotní janáčkování: Hovory nejen o hudbě
21.82 €

Mé celoživotní janáčkování: Hovory nejen o hudbě

Author(s): Miloš Štědroň,Jiří Hanuš / Language(s): Czech

This book is more than just a history of Janáček's music; it is a full-blooded testimony of a man of wisdom, a man of infallible intuition, a man who enjoys life, a man who approaches his world in a way that seeks to understand all its apparent or real paradoxes of the past century. Miloš Štědroň responds to Jiří Hanuš's questions about Leoš Janáček, Czech music and the emerging Czech identity with a charm that is difficult to replicate. There is a flow to his thoughts, and they are arranged in rapid succession, as if unconsciously captured in a private conversation. In this way he bridges the gap between the language of the profession and the language of everyday life.

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Jiří Ignác Linek (1725-1791) : Pastorální minikantáty. Partitura a party
0.00 €

Jiří Ignác Linek (1725-1791) : Pastorální minikantáty. Partitura a party

Author(s): / Language(s): Czech

The Pastoral mini-cantatas contain the notation of seven Christmas pastorales by the Czech cantor Jiří Ignác Link (1725-1791). The scores and parts of the compositions try to preserve the original form of the period manuscripts that served as a starting point for this publication. It was created with the aim of expanding the musically didactic repertoire based on the Czech musical tradition.

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Milý příteli Bureši: Dopisy Bohuslava Martinů Miloslavu Burešovi / Dear friend Bureš: Bohuslav Martinů´s Letters to Miloslav Bureš
18.00 €

Milý příteli Bureši: Dopisy Bohuslava Martinů Miloslavu Burešovi / Dear friend Bureš: Bohuslav Martinů´s Letters to Miloslav Bureš

Author(s): Vít Zouhar,Gabriela Coufalová / Language(s): English,Czech

The monograph documents the preserved correspondence between the composer Bohuslav Martinů and the poet Miloslav Bureš. It represents a unique testimony to their having working together on four cantatas: Opening of the Springs, The Legend of the Smoke from Potato Tops, A Dandelion Romance and Mikesh from the Mountains. Furthermore, it serves to document the sheer difficulties of communication between East and West in the second half of the 1950s. This period picture is supplemented and extended by the correspondence Martinů and Bureš conducted with other addressees, which duly reveals other meanings and nuances of that which the two artists communicated to each other.

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Korespondencja Fryderyka Chopina 1839–1843. Tom 3, część 1
35.00 €

Korespondencja Fryderyka Chopina 1839–1843. Tom 3, część 1

Author(s): / Language(s): Polish

'Frédéric Chopin’s Correspondence' is a three-volume, multipart publication, which contains composer’s letters with autograph reproductions, preserved in museums, libraries and private collections. The letters are accompanied by substantive comments of Polish Chopinologists, who worked to prepare the entire publication for 23 years. The correspondence has been organised chronologically. The third volume is published in four parts which include – part one: the letters written between June 1839 and December 1843, part two: the letters written between January 1844 and December 1847, part 3: the letters written between January 1848 and September 1849, part 4: summaries of the missing letters, biographical notes, miscellanea, bibliography, illustration sources, indexes. At the end of part three there are letters from and to Frédéric Chopin, whose dates are unknown, as well as supplements, i.e. letters previously inaccessible.

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Korespondencja Fryderyka Chopina 1844–1847. Tom 3, część 2
35.00 €

Korespondencja Fryderyka Chopina 1844–1847. Tom 3, część 2

Author(s): / Language(s): Polish

'Frédéric Chopin’s Correspondence' is a three-volume, multipart publication, which contains composer’s letters with autograph reproductions, preserved in museums, libraries and private collections. The letters are accompanied by substantive comments of Polish Chopinologists, who worked to prepare the entire publication for 23 years. The correspondence has been organised chronologically. The third volume is published in four parts which include – part one: the letters written between June 1839 and December 1843, part two: the letters written between January 1844 and December 1847, part 3: the letters written between January 1848 and September 1849, part 4: summaries of the missing letters, biographical notes, miscellanea, bibliography, illustration sources, indexes. At the end of part three there are letters from and to Frédéric Chopin, whose dates are unknown, as well as supplements, i.e. letters previously inaccessible.

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Korespondencja Fryderyka Chopina 1848–1849. Tom 3, część 3
35.00 €

Korespondencja Fryderyka Chopina 1848–1849. Tom 3, część 3

Author(s): / Language(s): Polish

'Frédéric Chopin’s Correspondence' is a three-volume, multipart publication, which contains composer’s letters with autograph reproductions, preserved in museums, libraries and private collections. The letters are accompanied by substantive comments of Polish Chopinologists, who worked to prepare the entire publication for 23 years. The correspondence has been organised chronologically. The third volume is published in four parts which include – part one: the letters written between June 1839 and December 1843, part two: the letters written between January 1844 and December 1847, part 3: the letters written between January 1848 and September 1849, part 4: summaries of the missing letters, biographical notes, miscellanea, bibliography, illustration sources, indexes. At the end of part three there are letters from and to Frédéric Chopin, whose dates are unknown, as well as supplements, i.e. letters previously inaccessible.

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