We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.
Dominant place in notolines manuscripts Irmoloys of the 16 – 18 century item was occupied by the Bulgarian tune. It is the unique and ponderable phenomenon in the bogosluzhebnom singing art of this period. In the article examine-this the features of theoretical subsoil of researches of the Bulgarian tune in musicology labours of domestic and foreign researchers in the chronologic foreshortening.
More...
The article discusses one of the most popular genres of Orthodox church music, works belonging to the genre of spiritual concert. The features of the liturgical chants of the second half of XVIII – early XIX century and held parallel to the present are analyzed. The article focuses on the difference of liturgical chants and non liturgical use of this genre, and also provides an attempt of their classification. The thesis that the genre of spiritual chants concert of the Ukrainian culture is the heritage of national importance is emphasized.
More...
This article presents the results of a study in which the Estonian audiences of various stage versions of the same opera (live opera theatre performance and live-in-HD, which were shown at cinemas) during the same season were compared in a social constructivist paradigm to underline whether, and to what extent, audiences’ membership, cultural consumption preferences, attitudes, expectations, values and perceptions differ or coincide, thereby revealing what audiences distinguish as the differences or similarities between live and mediated opera performances. It presents the preference dimensions of the Estonian opera audience and provides an opportunity to discuss the issue of whether a technologically mediated cultural event offers any new opportunities for traditional opera to expand its audience, or whether it captures the audiences and creates competition for the theatres whose performances are not mediated.
More...
The article is dedicated to feature of succession from Cyril’s tradition of the Jagello's renaissance in Poland and their influence on «sarmatizm» in the art of XVII-XIX., to some phenomenon of the music world of Poland of the XX century.
More...
In the article it is analysed two songs to passions of Jesus Christ end of XVII – to beginning of XVIII ages. The questions source study, textual criticism and religious-educate essence are considered. Musical-poetic texts of songs are analysed on the basis of their chosen records in handwritten collections and Bohohlasnyk (Pochaiv, 1790–1791).
More...
The article presents a brief overview of the development and establishment of the Odesa trombone school (end of the XIX – XX century) from historical and methodological points of view.
More...
The article explores the issue of ethnic specificity of musical culture as a factor in the functioning of polysemantic "text" of the city from a position of artistic and aesthetic analysis. The author reveals the mechanisms of musical space in the context of daily semantic-semiotic creation, carried out by people who are carriers and individual artistic consciousness and members of ethno-art correlations of urban culture.
More...
The article examines the transformation of modern narodnopisennoyi of culture Lemko immigrants, highlights the dynamics of extinction and their folkloru in Ukraine in the current period.
More...
The article deals with the art of choral ensembles of Berezhany district. It describes the main forms of choirs' educational activities. The paper (article) emphasizes their importance in national and cultural development of Ukrainian people.
More...
The article considers the churchy-musical activity of the priest P. Bazhanskyj (1836- 1920) – the representative of the elder generation of the priests-composers of Galicia. The multivectorial active searching of the priest P. Bazhanskyj directed towards the practical adoption of the traditional forms of the churchy singing in the greko-catholic custom are highlighted.
More...
In the article come into a notice to the questions of researches of religious-educate and catechismus orientation of spiritual poetry and song. Come into the special notice to creation of Kyrylo Trankvilion-Stavrovec’kyj, Yoanykyj Galyatovs’kyj. The spiritual poetic and song texts are considered in the context of becoming of Ukrainian edition practice of middle – the second half of the XVII century. Parallels are conducted with vertex achievement of the Ukrainian spiritually song book-printing of Pochaїv Bohohlasnyk.
More...
In the article lights up Kievan performances of the Polish pianists, teacher and composer Aleksander Mikhalovsky. The role of creator is determined in development of musical life of Kyiv, forming of Ukrainian school of pianists, activation of Ukrainian-Polish cultural dialogue.
More...
Вихід у світ цього дослідження є результатом багаторічної наукової праці вже достатньо відомої в Україні та поза її межами дослідниці – Ольги Зосім. Нею зазначено, що її “робота має інтердисциплінарний характер”, до того ж підготовка та написання потребувала особливої увагу до різноманітних аспектів джерелозначо-текстологічної проблематики. З цією метою було досліджено de visu близько 150 рукописних співаників XVII–XIX ст. (переважно українських; перелік збірників міститься у Додатку № 1) з архівних інституцій України та Росії. До аналізу залучено також друковані тексти “Богогласника” (Почаїв, 1790–1791), співаника ксьондза Міхала Мьодушевського (Краків, 1834), публікації давніх пісень, здійснені упродовж ХХ–ХХІ ст. науковцями з України, Польщі, Чехії, Словаччини, Німеччини. Водночас, О. Зосім джерелознавче спрямування не ставила собі за основу дослідження, на чому й наголосила: “воно не передбачає встановлення повного обсягу запозичених пісенних творів, що функціонували у східнослов’янському репертуарі, оскільки говорити про повноту можна лише після створення джерельної бази як українського (східнослов’янського), так і польського, словацького, чеського, німецького, угорського духовнопісенного репертуару” [1, 5]. Справедливе зауваження, хоча джерельна база дослідження і так вельми ґрутновна.
More...
This paper addresses the question of race in relation to the image of serial girls. I reflect on how seriality affects women of colour and how it operates by imposing an ideal white female body and an ideal image of femininity. I am also interested in the way seriality is used by artists of colour, as a means for resistance against white cultural supremacy and (white) misogyny. Beyoncé is one example of how seriality can be reproduced in order to resist. Some relevant proof I analyse in this paper are the 2016 Superbowl performance and the film-album Lemonade. In this context, the image of serial girls appears both as a symptom of racism and as a possibility of anti-racist engagement.
More...
The place of Ukrainian sacred songs in the church culture of Ukraine of the XVII– XXIth centuries is depicted in the article. Sacred song as genre in the context of the liturgical music of Eastern and Western rites is revealed. The place of sacred songs in the liturgical practice of main Christian denominations of Ukraine is clarified. The specific features of the liturgical (paraliturgical) song in the Ukrainian Orthodox, Catholic and Protestant traditions are outlined.
More...
Відділ історії музичної культури Музею театрального, музичного та кіномистецтва України створено у 1965 році. Постановою Ради міністрів Української РСР мистецький профіль театрального музею було розширено утворенням нових відділів музики та кіно. Функціональні завдання відділу музики полягали у збиранні, науковому вивченні, обробці та збереженні колекції експонатів, які лягли б в основу створення експозиції, присвяченої процесам становлення та розвитку музичної культури в Україні.
More...
The article reveals the promotion of the Ukrainian nation through music and song culture 60-80's of the twentieth century.
More...
This paper describes the chorus performance Dnipropetrovsk first half of the twentieth century, particularly in the aspect ratio of universal and local cultural existence in the region that is essential for the development of regional culture.
More...
The paper updated the problem of national identity creation Ukrainian composite-ditch XX-XXI century. Investigate some aspects of innovation in creativity, aesthetic and stylistic especially-based methods, trends and tendencies of music by Ukrainian composers of XX-XXI century. Analyze the ratio of western music with Ukrainian models.
More...
The article is sacred to research of activity of representatives of the Ukrainian dramatic art of the second half of ХІХ – beginning of ХХ of century on territory of present Mykolaiv. The special attention gets to the prominent figures – local natives to the brothers and sister Tobilevych. On the basis of the archived sources the creative relationships of the theatrical leading light are traced with the Mykolaiv amateurs.
More...
