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Завладяването на Търново като митичен сюжет
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Завладяването на Търново като митичен сюжет

Author(s): Nikolay Aretov / Language(s): Bulgarian Issue: 1/2021

This paper deals with the different images of one key event in Bulgarian history – the conquest of the capital city of Tarnovo by Ottomans (1393). Some of the main texts about it could be traced in hagiography, in folklore, in historiography and textbooks, and in literature are discussed. The focus is on the interpretations from the 19th century and on examining them as a network and in the context of some other similar events (e.g. the conquest of Constantinople, 1453, the Battle of Kosovo, some local military clashes, etc.), in the quest of a common mythical base beneath them presenting the conquest of an important city by foreign infidel barbarians. Some characteristics, typical for Bulgarian culture are discussed. Among them, the absence of reports for a great battle, the important role of the Patriarch and relatively small role of the last King, etc. The counter-discourse about the decline of the kingdom is also noticed in the context of the creation of the canonic image of the event that appeared relatively lately. The most prominent author in this counter-discourse was the poet Hristo Botev.

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Безличные конструкции типа нѣтъ воды в языке русских северо-западных летописных и бытовых памятников ХII–ХVI вв.

Author(s): Kira Zhuravleva / Language(s): Russian Issue: 1/2022

The article is devoted to impersonal sentences with form of the genitive case in the language of Old Russian Northwestern monuments. A total of 204 sentences were analyzed, of which only 5 do not contain negation. As a result, the semantics of predicates in constructions of this type are described, statistics concerning the peculiarities of the use of forms of moods and tenses is presented. The use of the lexeme нѣтъ (acting in the function ‘there is no’ in the present tense) and its variants in impersonal constructions are analyzed. It is revealed that constructions without negation function in two types – dialectal northwestern construction with the verb быти and constructions with full-valued verbs.

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„Ozdobiona wszelkimi cnotami” cesarska siostra Pulcheria i „roztropna” cesarzowa Atenais-Eudocja – co o epoce Teodozjusza II wiedzieli Słowianie prawosławni w średniowieczu?

„Ozdobiona wszelkimi cnotami” cesarska siostra Pulcheria i „roztropna” cesarzowa Atenais-Eudocja – co o epoce Teodozjusza II wiedzieli Słowianie prawosławni w średniowieczu?

Author(s): Zofia A. Brzozowska,Mirosław J. Leszka / Language(s): Polish Issue: 87/2023

The image of the Byzantine Empire in the mid-fifth century and the perception of its rulers in the Old Rus’ writing was formed on the basis of the Orthodox Slavonic translations created in the Balkans of the works of three Byzantine historians: John Malalas (sixth century), George the Monk called Hamartolos (ninth century), and Constantine Manasses (twelfth century). The use of their accounts by the authors of chronicles, even in the second half of the 16th century, testifies to the exceptional longevity of Byzantine hi-storiography and the peculiar timelessness of the works of the aforementioned historians. It should be noted, however, that Pulcheria, Theodosius II, Athenais-Eudocia and Marcian did not only attract the attention of Old Rus’ historiographers as persons with real influen-ce on the course of events in the past. Orthodox Slavs of the late Middle Ages viewed the mid-fifth century primarily as the era of the great disputes over the nature of Christ, culmi-nating in the convening of the ecumenical councils of Ephesus (431) and Chalcedon (451). Some of the emperors and empresses involved in the theological controversies of their time were venerated as saints in the realm of Slavia Orthodoxa. Analysis of the Old Rus’ chronicles from the 14th-16th centuries allows us to assume that hagiography influenced the creation of the images of such figures in historiography. In order to reconstruct the overall image of Pulcheria and Athenais-Eudokia in Old Rus’ literature, it would therefore be necessary to examine the hagiographic texts dedicated to them.

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Zooarchaeology of livestock and game in medieval and early modern Estonia

Zooarchaeology of livestock and game in medieval and early modern Estonia

Author(s): Eve Rannamäe,Ülle Aguraiuja-Lätti / Language(s): English Issue: 3S/2023

In this article, zooarchaeological evidence from 37 medieval and early modern sites in Estonia were assembled and examined. The analysis of over 69 000 mammal remains gave a comprehensive overview of the production and consumption of animal resources in the 13th to 18th century castles, towns, rural settlements, and one monastery. The focus was on domestic livestock: cattle, sheep, goats, pigs and horses. Cattle remains were most abundant, confirming it as the primary animal resource in the study period. Morphometrical analysis and tooth wear study supported the historical knowledge of a stronger tradition of draught oxen in the north and a possible focus on dairy husbandry in the south. Sheep and goat husbandry also had several purposes: kill-off times indicated lamb consumption and keeping the herd for wool and reproduction. Pigs, on the other hand, were raised only as a food resource. Stable carbon and nitrogen isotope analyses revealed differences in grazing areas and feed types between species and geographical regions. Compared to the main livestock, horses and also wild mammals had insignificant roles in providing primary resources but immense importance in manifesting status (horses and hunting) or in use for work and military purposes (horses). Overall, the animal husbandry of the Middle Ages and Early Modern Period developed towards the innovations and improvements of modern times, with native breeds being one example of the heritage of the past.

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Pets or functional animals: dogs and cats in medieval and early modern Estonia

Pets or functional animals: dogs and cats in medieval and early modern Estonia

Author(s): Sander Nuut,Eve Rannamäe,Mari Tõrv,Ülle Aguraiuja-Lätti / Language(s): English Issue: 3S/2023

The role of dogs and cats in the history of the human-animal relationship has been variable. They have served as pets, working animals, useful commensals, subjects of worship and sacrifice, and providers of resources, such as skin and meat. These roles have also been more or less visible in Estonian archaeological material. Here, our focus is on the Middle Ages and Early Modern Period (13th to 18th centuries), which was the time of urbanisation and widening contacts as well as wars and famines. During this time of change, also the roles of dogs and cats as companion and commensal species changed. With over 700 specimens from all over Estonia, we aimed to explore the presence of dogs and cats in archaeological material, their keeping conditions, and their economic use. For dogs, essential questions also involved the different (morpho)types and their possible roles. The study confirmed that new dog types emerged in Estonia from the early 13th century. Furthermore, different site types, specifically castle and urban material, contained dogs with significantly diverse sizes, possibly due to their functionality. There is evidence of the economic value of both cats and dogs in the expression of cut marks that could be related to food waste and fur trading. Stable carbon and nitrogen isotope analysis confirmed the assumption that dogs mainly ate food scraps and leftovers, including freshwater and marine resources. Documented pathologies were rare, leaving the question of caring for or neglecting these animals open.

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Проповедническата дейност на францисканците и папството през 20-те и 30-те години на XIII век
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Проповедническата дейност на францисканците и папството през 20-те и 30-те години на XIII век

Author(s): Beloslava Vachkovska / Language(s): Bulgarian Issue: 4/2023

This article traces the transformation of the Franciscan Order from a community consisting predominately of laymen into an order of educated priests and a major instrument in the Church’s battle against heretics, schismatics, and infidels. Within the process of clericalization, the development of the preaching activity of the minors is examined in particular, since it is this activity of the friars that formed the basis of their successful actions in the service of the Apostolic See. As a result of the increasingly close ties with the papacy, in addition to improving the pastoral care for the faithful, the preaching activities of the friars were also directed against the political opponents of the Pope, condemned as heretics and schismatics. As a consequence of the return to Orthodoxy and the hostile policy towards the Latin Empire, the Bulgarian Tsar Ivan Asen II (1218–1241) also became one of those schismatics. An attempt is made to trace the role of the Franciscans in preaching the crusade against Bulgaria propagated by pope Gregory IX in 1238.

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Moștenirea pe linie feminină în familia nobiliară de Sântioana(sec. XIV-XV)

Moștenirea pe linie feminină în familia nobiliară de Sântioana(sec. XIV-XV)

Author(s): Maria Frînc / Language(s): English,Romanian Issue: 62/2023

This paper analyses the right of inheritance on the feminine line in medieval Transylvania, through the history of a noble family residing in Sântioana, in the Târnava county. The aim of this study is to highlight the practice of inheritance by girls from this noble family with increased attention on the category of goods they acquired, the right to own them, the importance of feminine inheritance for the girls and their descendants and the courts before which the inheritance disputes have been tried.

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ORTA ÇAĞ AVRUPASI’NDA DİN DIŞI MÜZİK VE GEZGİN MÜZİSYENLİK GELENEKLERİ

ORTA ÇAĞ AVRUPASI’NDA DİN DIŞI MÜZİK VE GEZGİN MÜZİSYENLİK GELENEKLERİ

Author(s): Ali Doğan NUR,Hakan Bağci / Language(s): Turkish Issue: 43/2023

Although it is known that there are songs and dances belonging to different nations in the history of music, there are also songs and dances whose origins are unknown. Many of them are said to have originated in ancient times,some deriving from church music; others were created by travelling musicians in the Middle Ages. In addition to Gregorian chant, the melodic repertoire created by itinerant musicians, which evolved more naturally into a major-minor tonality, formed the basis of both religious and secular music in the following centuries. Travelling musicians, who were both poets and musicians, travelled from province to province, staying in towns and castles and spreading news and events through their songs. These talented and experienced poets-musicians based their fame on their poems and songs, especially those dealing with "pure and noble" love. Travelling musicians, who spread across Europe for centuries, were known by different names at different times, in different countries and regions. These travelling musicians were called "troubadour" in Southern France and Provence, "trouvère" in Northern France, "minnesänger" and later "meistersinger" in Germany and Austria, "minstrel" and "gleeman" in England, "travatore" in Italy and "trovador/trobador" in Spain. Apart from these, "jongleur", "ménestrel" and "goliard" are also important representatives of this tradition. The common theme of the travelling musicians in their works is the mysterious love that they cannot reach. It is known that some travelling musicians, who sang, recited poetry and even danced while playing instruments, added a different dimension to music with the cymbals they wore on their bodies, and even performed one-man shows by juggling and clowning to music. In medieval Europe, non-religious songs and dances accompanied many aspects of everyday life, not only entertaining crowds in marketplaces but also adding colour to special events such as royal visits and religious festivals.

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Nieznany list arcybiskupa gnieźnieńskiego Bodzanty z Kosowic herbu Szeliga z 24 września 1387 roku

Nieznany list arcybiskupa gnieźnieńskiego Bodzanty z Kosowic herbu Szeliga z 24 września 1387 roku

Author(s): Michał Hankus / Language(s): Polish Issue: 19/2023

The Archbishop of Gniezno, Bodzanta of Kosowice, of the Szeliga coat of arms, is one of the most controversial figures of late fourteenth-century Poland. He began his career as the governor of Kraków-Sandomierz during the reign of Casimir the Great. He held this office for over 20 years, while also developing his career as a clergyman. His service as a canon in Kraków, a scholastic in Wiślica and finally as provost of the collegiate church of St. Florian in Kleparz were successful. In 1382, by the appointment of king Louis of Hungary, he became the archbishopric of Gniezno, where he remained until his death in 1388. The controversy surrounding Bodzanta stems from his unstable policy during the interregnum following the death of Louis of Hungary. In addition, Jan of Czarnków left in his chronicle an unfavourable opinion about the archbishop, representing him as incompetent and his actions as destructive for the Polish Church. The aim of this article is to highlight the conflict between Bodzanta of Kosowice and prince Władysław Opolczyk, which took place in 1387. The analysis is based on a newly discovered letter of the archbishop to parish priests in the Wieluń region, found in the collections of the Jagiellonian Library. The conflict was caused by the receipt by the prince’s officials of questionable benefits from villages belonging to the clergy of that region. The archbishop defended the local clergy, imposing an interdict on Wieluń and threatening the ruler with excommunication. This study fills a gap related to relations between the most important personages in the Kingdom of Poland at the end of the fourteenth century. In addition, it verifies the state of research on the history of such towns as Krzywarzeka. The attitude and determination of the archbishop in curbing the prince’s decisions and actions contradicts the opinion about Bodzanta’s weakness throughout his pontificate.

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Struțul cu potcoavă în cioc în sigiliile medievale ale orașului Bistrița: originile unui simbol heraldic

Struțul cu potcoavă în cioc în sigiliile medievale ale orașului Bistrița: originile unui simbol heraldic

Author(s): Alexandru Ștefan / Language(s): Romanian Issue: 37/2023

The medieval heraldry of the town of Bistrița incorporates – in a very peculiar way when compared to other urban communities in Transylvania – symbols directly related to the Angevine royal dynasty of Hungary. Starting from the examination of the historical sources that record and use these specific attributes, both documentary (textual) and sigillographic (iconographic), the present paper pursues two main objectives: (1) to determine a more accurate chronology of the use of Bistrița’s urban seals, until around 1540, in relation to the relevant historiography of the subject; (2) to argue new hypotheses regarding the way Bistrița assumed the iconography of its first urban seal, particularly the way in which the crowned ostrich with a horseshoe in its beak came to be considered the main symbol of collective identity of this medieval Transylvanian town.

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Observații privind relațiile dintre curtea episcopului de la Alba Iulia și districtul Bistrița în jurul anului 1500

Observații privind relațiile dintre curtea episcopului de la Alba Iulia și districtul Bistrița în jurul anului 1500

Author(s): Mihai Kovács / Language(s): Romanian Issue: 37/2023

The present paper focuses on the complex ties between the episcopal court of Alba Iulia and the elite of the Bistrița district in the half of century around 1500, based on several unpublished sources, rarely used by previous scholarship. These records highlight a collaboration between the episcopate and the local elite in various aspects, such as the ordination of priests, consecration of liturgical spaces, confirmation of parish priests, collection of church taxes, reinforcement of wills, resolution of disputes under canon law, defense of the kingdom boundaries, and management of relations with other political actors. On the other hand, attempts by the bishops to disregard the right of patronage owned by local communities or to increase the taxation were met with firm resistance, often supported by other members of the Saxon “spiritual university”. However, these conflicts, which were rather often in medieval Transylvania, did not worsen during the analyzed period and did not seem to indicate the imminent triumph of the Reformation in the Bistrița district.

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On the Topography and Demography of the Prague Jewish Town Prior to the the Pogrom of 1389
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On the Topography and Demography of the Prague Jewish Town Prior to the the Pogrom of 1389

Author(s): Alexandr Putík / Language(s): English Issue: 1/1995

The aim of this study is, in first place, the reconstruction of the size of the Prague Jewish Town (Jewish Quarter of the Old Town of Prague) from the fifties to the eighties of the 14th century. Determining the size and number of houses in the Ghetto forms the basis for a more realistic estimate of the number of Jewish inhabitants in the period prior to the pogrom of 1389. To the extent needed to attain the main aim, this study touches on questions about the beginning of the Jewish Quarter.

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Seven Hundred Years of the Old New Synagogue
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Seven Hundred Years of the Old New Synagogue

Author(s): Milada Vilímková / Language(s): English Issue: 1/1969

The authoress summarizes what we know about the earliest Jewish settlement in Prague and presents the building of the Old-New Synagogue in Prague from the point of view of history and architecture.

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BETWEEN SHAVING AND MAKING PEACE WITH JOHN II COMNENUS When Did the Venetians Give up Wearing Long Beards?

BETWEEN SHAVING AND MAKING PEACE WITH JOHN II COMNENUS When Did the Venetians Give up Wearing Long Beards?

Author(s): Şerban Marin / Language(s): English Issue: 60/1/2023

This paper discusses how the Venetian chronicles written in the 14th–18th centuries represent the episode in which the ban on wearing beards in Venice under Doge Domenico Michiel is connected to the hostilities with the Byzantine Empire in the context of the expedition against Cephalonia in 1126. It is about a strange connection at the first glance; however, some Venetian chroniclers that inserted this event were tempted to consider this decision as an act of contempt against the Greeks that even made Emperor John II Comnenus decide to end the hostilities and demand peace. The paper also brings fragments that introduce this event in Venetian chronicles.

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ПРОЛОЖНИТЕ ЖИТИЯ ЗА СВ. НИКОЛА ЧУДОТВОРЕЦ В ЮЖНОСЛАВЯНСКАТА КНИЖНИНА ПРЕЗ СРЕДНОВЕКОВИЕТО

ПРОЛОЖНИТЕ ЖИТИЯ ЗА СВ. НИКОЛА ЧУДОТВОРЕЦ В ЮЖНОСЛАВЯНСКАТА КНИЖНИНА ПРЕЗ СРЕДНОВЕКОВИЕТО

Author(s): Radoslava Stankova / Language(s): Bulgarian Issue: 60/1/2023

The article deals with the prologue (synaxarion) Vitae of St. Nicholas in Slavonic Cyrillic literature from the 13th to the 17th century. These texts function within the hymnographic composition practice and can be found in two types of liturgical books – the Prologue and the Menaion. They are usually extracts from extensive narratives, which is why this paper also looks at texts from two other types of medieval books (the Panegyric and the Reading Menaion) that contain The Acts of St. Nicholas, The Miracles of St. Nicholas and the so-called „Another” Vita – St. Nicholas of Sion Vita. These texts also functioned as synaxarion vitae. The Vita of St. Nicholas in the Simple Prologue is the shortest and earliest version of a hagiographic narrative about the saint translated in Bulgaria during the First Bulgarian Empire, and it is very rarely found in the hymnographic composition of the Menaion. St. Nicholas’ Vita in the Turnovo translation of the Verse Prologue is the most popular and common after the sixth song of the canon in the hymnographic composition practice. That Vita is a more extensive version of the Acts of St. Nicholas, based on the Metaphrastian Vita, preceded by a verse and an added miracle of St. Nicholas. The article mentions two interesting cases in Serbian menaia of the 15th century, which present different traditions to place the synaxarion texts.

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ЗАКОН НОВОГ БРДА И ВИЗАНТИЈСКО ПРАВО

ЗАКОН НОВОГ БРДА И ВИЗАНТИЈСКО ПРАВО

Author(s): Miloš Ivanović / Language(s): Serbian Issue: 60/1/2023

The paper analyzes how the Byzantine law influenced The Town Law of Novo Brdo, which represents the second part of Despot Stefan Lazarević’s Novo Brdo Legal Code of 1412. A possible connection between the town law of Novo Brdo and certain provisions of The Syntagma of Matthew Blastares and one of the privileges that the town of Ioannina received from the Byzantine Emperor Andronikos II in 1319 is suggested. Accordingly, it is assumed that certain provisions of the Town Law of Novo Brdo could have been formulated during the reign of Emperor Stefan Dušan.

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A COMBINED APPROACH TO THE RECONSTRUCTION OF THE “SACRED LANDSCAPE” OF DUKLJA AND RAŠKA IN THE TIMES OF STEFAN NEMANJA BASED ON HISTORICAL GEOGRAPHY, ART AND CHURCH HISTORY

A COMBINED APPROACH TO THE RECONSTRUCTION OF THE “SACRED LANDSCAPE” OF DUKLJA AND RAŠKA IN THE TIMES OF STEFAN NEMANJA BASED ON HISTORICAL GEOGRAPHY, ART AND CHURCH HISTORY

Author(s): Mihailo Popović,Branka Vranešević,Dorota Vargová / Language(s): English Issue: 60/2/2023

This article strives for a combined approach consisting of historical geography and art and church history in the research of Duklja and Raška in the times of Stefan Nemanja. The article’s first part addresses the circumstances of the birth of Stefan Nemanja and the question of Nemanja’s two baptisms. Moreover, data on the churches and monasteries, their patrocinia and the stećci (funeral monuments) in the area of research has been gathered and then analysed with digital tools to offer a map-based reconstruction of the “Sacred Landscape”. The second part focuses on the early medieval church of St. Stephen in Sušćepan, located near Herceg Novi in today’s Montenegro. Among its church furnishings and sculptural decorations, a parapet slab, most probably from the 11th century, stands out. Besides highlighting similar solutions on the parapet slabs of churches along the eastern coast of the Adriatic, the paper draws attention to iconographic solutions as well as floral and geometric motifs and their importance within the sacred space of the church. The third and final part of the article introduces an analysis of selected written sources illuminating the relationship of Duklja with the Latin Church, particularly with the Apostolic See in Rome, in the 12th and 13th centuries. It deals with the communication of the Papal Chancellery with the archbishops of Ragusa (Dubrovnik) and Antivari (Bar) from the backdrop of the ongoing disputes over the church hierarchy in Southern Dalmatia.

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DESPOT JOHN UGLJEŠA AND THE ATHONITE MONASTERY OF SIMONOPETRA
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DESPOT JOHN UGLJEŠA AND THE ATHONITE MONASTERY OF SIMONOPETRA

Author(s): Cyril Pavlikyanov / Language(s): English Issue: 1/2024

The article scrutinizes the content of a chrysobull allegedly promulgated by the Serbian Despot of Serrhai, Jovan Uglješa (1360 – 1371), for the Athonite Monastery of Simonopetra. The original of this act is lost and its only surviving variant is a confirmed copy authenticated by the Constantinopolitan Patriarch Cyril I Loukaris in 1623. The patriarchal confirmative charter offers the reader a text presumably issued by John Uglješa 359 years earlier, i.e. 1264. Starting from this evident discrepancy, the article analyses the text of Loukaris’s corroborated copy and argues which elements of this counterfeit are plausible and could be accepted as genuine and which could not. For better understanding of the Greek original, the full text of Loukaris’s charter is diplomatically published at the end of the article.

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О певничком простору и химнама које су у њему појане. У трагању за појачко-градитељским везама у средњем веку

О певничком простору и химнама које су у њему појане. У трагању за појачко-градитељским везама у средњем веку

Author(s): Vesna Sara Peno,Marija Obradović / Language(s): Serbian Issue: 23/2017

The search for the unexplained interactions of domestic medieval liturgical music and sacred architecture of the Moravian style has not been the subject of interdisciplinary study so far. А reflection on the potential relationg between church chanting and architecture is absent from the largest part of the existing literature on the development of medieval sacral art. Te scarcity of writen historical sources, and especially musical ones, made it particularly difcult to defne the connection between the chanting circumstances and the changes in the architectural form of the late Byzantine period, which is almost a standardized Moravian architectural form. The earliest preserved bilingual – Greek-Slavic neumatic manuscripts, mentioning both the names of the frst famous Serbian medieval composers, and the more or less well known late Byzantine musicians who had actively participated in the earliest religious services of the Serbian Church, confirm that the culmination of the chanting art in Serbia occured precisely at the turn of the 15th century and then until the fall of Serbia under Turkish rule. Comparing the available data, with a general insight into the migration fows that led to the Byzantinization of Serbian culture in that period, showed that afer the reconciliation of the Serbian Patriarchate and the Patriarchate of Constantinople, in 1374, the world-class building tradition was adopted, which until then was sporadically seen on the Serbian soil. Te architectural form of the Moravian style would become recognizable by the singing apses in the axis of the transept, in the middle of the already adopted form of the inscribed cross from the early 14th century. Within the framework of the overall church, political and cultural transformation that was visible in Serbian society, the chanting practice of the Serbian Church, or more precisely the greater affirmation of the liturgical art and the increase in the number of the chanters, certainly had a share both in acceptance and in the consistent implementation of the architectural solutions of the Moravian style. Future research should focus on the holistic analysis of the Moravian cultural heritage, in order to map the movement of the known and unknown Serbian Greek melods and determine the scope of their activity. Te existing knowledge of the architectural features of the Moravian sacred buildings will thus receive a signifcant addition, from the liturgical and religious service in which each form of church art is individually represented as part of a much more complex artistic ensemble with which the Kingdom of Heaven on the Earth is iconized.

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Употреба на термините „Византия“ и „Византийска империя“ през Средновековието
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Употреба на термините „Византия“ и „Византийска империя“ през Средновековието

Author(s): Krasimir S. Krastev / Language(s): Bulgarian Issue: 2/2024

The prevailing consensus among scholars regarding the history of the Eastern Roman Empire asserts that the term “Byzantium” did not function as the name of the state until the mid-16th century. It is widely acknowledged that this designation, along with “Byzantine Empire”, was first introduced by the German historian and humanist Hieronymus Wolf in his “Corpus Historiae Byzantinae” in 1557. Some scholars go further to suggest that these terms were entirely coined in the 16th century. In recent years, the same information, perceived as an axiom, has been reproduced by professional historians and amateurs alike on television, in newspapers, or through social networks. However, the author of this study challenges this established view, contending that historical sources from both the Early and High Middle Ages, centuries prior to the Modern Age, contain references to “Byzantium”, sometimes even as name for the Eastern Roman Empire. This thesis contradicts the commonly held belief and invites a reexamination of the terminology used to describe this influential historical entity.

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